BOOKSMART Final Restricted Trailer

BOOKSMART


DIRECTOR:
Olivia Wilde

WRITERS: Emily Halpern & Sarah Haskins and Susanna Fogel and Katie Silberman

PRODUCERS: Megan Ellison p.g.a., Chelsea Barnard p.g.a., David Distenfeld, Jessica

Elbaum p.g.a., Katie Silberman

EXECUTIVE PRODUCERS: Will Ferrell, Adam McKay, Jillian Longnecker, Scott Robertson, Alex G. Scott


CAST:
Kaitlyn Dever, Beanie Feldstein, Jessica Williams, Lisa Kudrow, Will Forte, Jason Sudeikis, Billie Lourd, Diana Silvers, Skyler Gisondo, Molly Gordon, Noah Galvin, Austin Crute, Nico Hiraga, Mason Gooding, Eduardo Franco, Victoria Ruesga and Mike O’Brien

RATED: R


SOCIAL MEDIA: 

Official Site: http://www.booksmart.movie/

Facebook: https://www.facebook.com/booksmart

Instagram: https://www.instagram.com/booksmart/

Twitter: https://twitter.com/booksmart

#BooksmartMovie

 

 

In Theaters May 24, 2019

http://www.fandango.com

ANGEL HAS FALLEN Trailer

Angel Has Fallen


Directed by:
Ric Roman Waugh
Starring: Gerard Butler, Morgan Freeman, Jada Pinkett Smith, Lance Reddick, Tim Blake Nelson, Piper Perabo, with Nick Nolte, and Danny Huston


Synopsis:
When there is an assassination attempt on U.S. President Allan Trumbull (Morgan Freeman), his trusted confidant, Secret Service Agent Mike Banning (Gerard Butler), is wrongfully accused and taken into custody. After escaping from capture, he becomes a man on the run and must evade his own agency and outsmart the FBI in order to find the real threat to the President. Desperate to uncover the truth, Banning turns to unlikely allies to help clear his name, keep his family from harm and save the country from imminent danger.

Screenplay by Robert Mark Kamen and Matt Cook & Ric Roman Waugh, story by Creighton Rothenberger & Katrin Benedikt, and based on characters created by Creighton Rothenberger & Katrin Benedikt

In Theaters August 23rd

http://www.fandango.com

THE ART OF RACING IN THE RAIN Trailer

THE ART OF RACING IN THE RAIN

Director: Simon Curtis

Screenplay by: Mark Bomback

Based on the novel by Garth Stein

Producers: Neal H. Moritz, Patrick Dempsey, Tania Landau

Cast: Milo Ventimiglia, Amanda Seyfried, Gary Cole, Kathy Baker, Ryan Kiera Armstrong, Martin Donovan and the voice of Kevin Costner

 


SYNOPSIS:

Based on the best-selling novel by Garth Stein, THE ART OF RACING IN THE RAIN is a heartfelt tale narrated by a witty and philosophical dog named Enzo (voiced by Kevin Costner). Through his bond with his owner, Denny Swift (Milo Ventimiglia), an aspiring Formula One race car driver, Enzo has gained tremendous insight into the human condition and understands that the techniques needed on the racetrack can also be used to successfully navigate the journey of life. The film follows Denny and the loves of his life – his wife, Eve (Amanda Seyfried), their young daughter Zoe (Ryan Kiera Armstrong), and ultimately, his true best friend, Enzo.

 


SOCIAL MEDIA:

OFFICIAL SITE: TheArtOfRacingInTheRainMovie.com

FACEBOOK: Facebook.com/ArtofRacingMovie

TWITTER: Twitter.com/TheArtOfRacing

INSTAGRAM: Instagram.com/ArtofRacingMovie

HASHTAG: #ArtOfRacing

In Theaters August 9, 2019

http://www.fandango.com

The Biggest Little Farm Movie Review

The documentary opens on a farm facing great devastation and the looming question, ‘How did we get here?’ Do the farmers then ask if attempting to farm in harmony with nature is an impossible dream? We cut back to 2010 and meet the farmers, Molly and John. They were the perfect, happy, couple living in Santa Monica and working in their chosen professions. Read more

The Lodge Trailer

NEON Presents ‘THE LODGE’


With an 81% on the ‘Tomatometer’ you know this is a must watch! In the middle of a blizzard and trapped in the family’s remote cabin, two children and their soon-to-be stepmother are suddenly confronted with an evil force. Has it been there all along or is it from her past?

Starring Riley Keough, Jaeden Lieberher, Lia McHugh, Alicia Silverstone, and Richard Armitage.
Directed by Veronika Franz and Severin Fiala (Goodnight Mommy).

In Theaters October 21

http://www.fandango.com

IT CHAPTER TWO – Official Teaser Trailer

Evil resurfaces in Derry as director Andy Muschietti reunites the Losers Club—young and adult—in a return to where it all began with “It Chapter Two.” The film is Muschietti’s follow-up to 2017’s critically acclaimed and massive worldwide box office hit “IT,” which grossed over $700 million globally. Both redefining and transcending the genre, “IT” became part of the cultural zeitgeist as well as the highest-grossing horror film of all time.

Because every 27 years evil revisits the town of Derry, Maine, “It Chapter Two” brings the characters—who’ve long since gone their separate ways—back together as adults, nearly three decades after the events of the first film.

Oscar nominee Jessica Chastain (“Zero Dark Thirty,” “Mama”) stars as Beverly, James McAvoy (“Split,” upcoming “Glass”) as Bill, Bill Hader (HBO’s “Barry,” “The Skeleton Twins”) as Richie, Isaiah Mustafa (TV’s “Shadowhunters: The Mortal Instruments”) as Mike, Jay Ryan (TV’s “Mary Kills People”) as Ben, James Ransone (HBO’s “The Wire”) as Eddie, and Andy Bean (“Allegiant,” Starz’ “Power”) as Stanley. Reprising their roles as the original members of the Losers Club are Jaeden Martell as Bill, Wyatt Oleff as Stanley, Jack Dylan Grazer as Eddie, Finn Wolfhard as Richie, Sophia Lillis as Beverly, Chosen Jacobs as Mike, and Jeremy Ray Taylor as Ben. Bill Skarsgård returns in the seminal role of Pennywise.

SOCIAL MEDIA:

Twitter: https://twitter.com/itmovieofficial

Facebook: https://www.facebook.com/ITMovie/

Instagram: https://www.instagram.com/itmovieofficial

In Theaters September 6th

http://www.fandango.com

WHERE’D YOU GO, BERNADETTE TRAILER

WHERE’D YOU GO, BERNADETTE

Based on the runaway bestseller, Where’d You Go, Bernadette is an inspiring comedy about Bernadette Fox (Academy Award winner Cate Blanchett), a loving mom who becomes compelled to reconnect with her creative passions after years of sacrificing herself for her family. Bernadette’s leap of faith takes her on an epic adventure that jump-starts her life and leads to her triumphant rediscovery.

Director: Richard Linklater

Writer: Screenplay by Richard Linklater & Holly Gent & Vince Palmo

Based on the novel written by Maria Semple

Producers: Nina Jacobson, Brad Simpson, Ginger Sledge

Executive Producers: Megan Ellison, Jillian Longnecker

Cast: Cate Blanchett, Billy Crudup, Kristen Wiig, Emma Nelson, James Urbaniak, Judy Greer, Troian Bellisario, Zoe Chao and Laurence Fishburne

SOCIAL MEDIA:

#Bernadette

Official Site: Bernadette.Film

Facebook: /BernadetteFilm

Instagram: @BernadetteFilm

Twitter: @BernadetteFilm

In Theaters August 16, 2019

http://www.fandango.com

Just Say Goodbye Movie Review

In the opening scene, we see a six-year-old boy, fresh home from school, walking into his mother’s room to discover her in bed. Clear to the audience because of all the pills scattered about, she is dead. The scene would have been fine had he thought her simply asleep and covered her, but it went another direction. That direction was to have her know she was dead and calmly cover her as if as was well. He gives her a kiss and says goodbye. It doesn’t feel believable as the boy is much too young to understand. The moment feels contrived and so very staged. If he had been an older child, I could see the scene working but what’s being set up is that the boy has little feeling about death. The theme of this movie is teen suicide. In the most overt way, it has been explained to you exactly why the main character has come to be who he is.

Then we move to the little boy having to face life alone with a drunken father. He screams to the child that she left them both and to forget she was ever alive with lines such as, ‘Don’t ever say her name to me!’ That immediately put me off because the script was talking to me as if I wouldn’t have understood the story had these elements naturally unfolded. Doubting that the viewers would ultimately understand the plot, the director, instead, chose to pound the topic into our heads in the first few minutes rather than let us discover the truth as it all plays out. His doubt in us made it a struggle to win me back. 

Ten years later we see that for the same boy, Jesse (MacKenzie), things haven’t gotten much better. He’s now sixteen and not only has his situation not improved, but things have also become less desirable. He simply exists as a punching bag for his father, fellow students, to the world entire… with one exception. Jesse has a best friend named Sarah (Eichenberger). She’s also the narrator of the story. Through Sarah, we see strength and direction. Jesse tells her everything. She’s beautiful but he isn’t interested in her as a girlfriend. That’s because he isn’t interested in life. Jesse and Sarah have a nice day planned at the lake. He shows her some of his artwork. Suddenly, they’re jumped by some of their fellow high school students who tease Jesse and hold him under water. Sarah sees that Jesse doesn’t struggle. He lets them do whatever they want to him, seemingly welcoming death if it comes to that. This doesn’t go by unnoticed. Sarah questions his lack of willingness to fight back. He tells her, ‘We all gotta go sometime.’ Shortly after, he tells her his plans of taking the ‘cowards way out’ as his mom did. She feels betrayed at the revelation. It’s a heavy burden for her to carry, especially after he shows her how he’s planning on doing the deed. His intention alone is frightening to her but then he shows Sarah the tool he’s going to use, as well. He tells her the date and time he’s doing it and not tell anyone or, ‘I’ll do it sooner.’ That’s a friend! She gets desperate and, surprisingly, her promise of sleeping with him if he doesn’t kill himself doesn’t discourage him. Was it supposed to? 

I have to add that knowing this was made by an extremely young filmmaker will help you forgive some things. Regardless of that fact, it ultimately doesn’t make for great entertainment. The acting, especially by MacKenzie, fit the character but he’s encased within a story that wants to be special yet labors at how to be anything but ordinary. With such a formulaic tone (something it was attempting not to deliver) and weak structure, this teen melodrama is a pass. Had it been made by a seasoned crew behind the scenes it, most likely, would have been more engaging and worth consideration. As it is, it’s too typical of its genre and has the earmarks of a squad of individuals uncertain of how to work a manageable script. I’d most especially like to see Walting learn what his actors are capable of before casting his next film. I’m not suggesting anyone involved in ‘Just Say Goodbye,’ say goodbye to their craft. There’s always next time. And with as much work as Walting put in to be the new kid on the block, I’m certain he’ll be developing his skills rather nicely. I’ll happily say goodbye to this film and say hello to anything he does next.

Silencio Movie Review

I’ll start the review of ‘Silencio’ with a bit of a lesson. Something that’ll help you while watching. The Chihuahuan Desert is an ecoregion with a small peculiar feature that receives regular solar radiation. It covers parts of northern Mexico and the southwestern United States, about 400 miles from El Paso, Texas. It’s important to know that information going in because, for some reason, within the northern part of the Chihuahuan desert, in Mexico, is a section that baffles the mind and perplexes science. It’s called the ‘Zone of Silence.’ Within this zone, radio signals won’t go through, compasses won’t work properly, essentially, any and all radio equipment fails. Peculiar indeed. It’s said in the film that the oddly magnetic area is between the 26th and 28th parallel, the same line that runs through the Bermuda Triangle, in fact. This is a great subject for a cryptic film so writer/director, Lorena Villarreal, takes a stab at the theme.

Since the area has so many anomalies, her twist is to use it as a story that centers around the mystic, supernatural and spiritual. We start in 1970 where a scientist, James (Noble), is analyzing the crash site of a missile that went down in the Zone of Silence. While doing so, he and his assistant Peter discover analyze a radioactively charged rock. Being young, Peter can’t help but do the stupid thing and try to touch the darn thing. He’s cautioned not to but then James touches it. So much for being the smart one, right? Seems it’s okay that he did because after he touches it, there’s an explosion which sends them back to an earlier point in his life. No. He isn’t given the opportunity to be young again and get stock in Google or anything. They journey to the recent past, to a point in time where he’s given the opportunity to save his granddaughter from dying in a car crash. He hugs her when he sees her and says that he’s happy to have her, ‘…back again.’

He’s with her when the car that crashed into his entire family originally still hits the car. Despite his trying to warn them, the rest of his family perishes. At least he has Ana.

We move to the future. James’ mind has taken a turn for the worse but is taken care of by Ana and a nurse. We deduce that the female lead is Ana, (Matthews), grown up by a photo on her desk. She’s now a therapist. In her office, she converses with a gentleman named Daniel (Chauvet) who tells her that he not only sees dead people but that he’s seeing one linked to her. She was never completely convinced he had the gift until he says that there’s one standing next to her with a message this very moment. The message he gives her is from her sister Lisa (one of the unfortunate victims of the car accident). Through this message, we learn that she cares for her sister’s health, warning that she’s in danger. She can wake up her grandfather’s mind and in so doing, they can find the stone that James buried. It’s said that it’s the anniversary of their death, so these revelations are connected, you’ll assume. She does this crazy thing Lisa tells her to do. She says ‘three’ three times and he snaps back. Okay. He must not be fully back because  he’s unable to find the stone. Then, someone else is after it and the story starts to lose your interest. It’s not a mystery as to who would want the stone or who would have knowledge of its powers. There’s a kidnapping of Ana’s little boy, Felix. This happens because he absolutely refuses to hush when it’s the most important moment in his life to do so. The boy is taken, and the child will be returned in good condition upon the appearance of what they require. Ana now has a life or death race for a rock.

The plot gets somewhat ridiculous. Not only the plot but the acting is contrived. John Noble, who I usually find spot on, exaggerates his illness, anger, confusion or any other emotion he has, to the point of being irritating. That said, Melina Matthews does the exact opposite, giving a performance worth getting her attention. The script, however, wants to mix science with the spiritual and with love. With this spiritual narrative, as typically with real life, this is a tangled road to maneuver, difficult to get and keep everyone on board.


‘Silencio,’ is on VOD and DVD May 14 from Uncork’d Entertainment.

The-Hustle-Movie-Hero

The Hustle Movie Review

‘The Hustle’ is a remake of the Frank Oz comedy hit ‘Dirty Rotten Scoundrels,’ which starred Steve Martin and Michael Caine. Haven’t seen it yet? Do. If you go in not comparing the two, you’ll have a good time with this new take. In ‘Scoundrels,’ the two men have a bit of a turf war going on and a rivalry to be settled. One man is sophisticated, not to mention civilized, the other is… well, not. I must mention that DRS was also a remake. Its predecessor is the 1964 film called ‘Bedtime Story,’ which starred Marlon Brando and David Niven. There’s nothing new about remaking something old with newer stars, giving it a modern twist. If you’re not crazy about remakes and are curious if this is any good, I have some advice. It’s not going to be better but if you watch with a positive attitude and enjoy what the artists bring with their particular style, you’ll get more out of your time.

Here, they don’t try to reconstruct the idea of the territory decree. In fact, it’s similar in many ways to the former films, especially in that they wager for rights to the area, but there’s something fun about watching two women play dirty for the ultimate prize. Anne Hathaway, who plays the cultivated Josephine, needed a role that allowed her to exhibit her comedic side and this was just the script for her to do to that very thing. She could be loving and warm one minute and instantly turn the switch and be hostile and cold the next. Hathaway was in and out of accents with ease. It was glorious to watch.
Josephine was at the top of her game but has some trouble working when a young confidence artist named Penny (Wilson), who’s ‘salad intolerant,’ comes into the picture. She needs Penny out of the way as soon as possible. She learns something about the lass that she can use right away which is that Penny is unwise. She mostly scams men from the internet for whatever she can get but Josephine sees trouble brewing if Penny were to improve so, in the guise of teaching her the tricks of the trade, she welcomes her into her home. Penny becomes her pupil. Keep your enemies close, right? This being the case, it gets heated as Penny learns more ways to cheat and deceive… and that her master isn’t all that kind. It isn’t long before Josephine turns up the nasty against Penny and, I have to admit, one thing I liked most about certain scenes is that Hathaway’s good when she engages in evil. Poor Penny.

By no means is anything about this movie genius, however, if you’re looking to have some laughs, ‘The Hustle’ does provide them and manages to give you several serious belly chuckles, as well. But then it features Rebel Wilson so how could it not be silly and fun?! She’s a natural when it comes to physical comedy and handled the part of Penny effortlessly. Until Josephine came into her life, Penny thought she knew what she was doing but learned quickly that if she’s to keep afloat in the game of deception, she not only has to get fierce but needs to find some backup.

It’s not a fresh idea, movies where conmen are a major plot point. However, where this one differs is within the word conmen. It’s not often that we see the female species artfully conning unsuspecting men and it’s fun to witness. They effortlessly take advantage of these guys who fall for the helpless woman, the royal woman, in fact, any woman they think of as hot… as long as she looks in his direction. Yes. The ‘mark,’ in some cases, can be that easy. It works as long as the females aren’t trying to cheat or call Interpol on one another, that is. They do tend to lose focus on occasion. So, check this comedy out and wash away the work week. I’d recommend at the matinee. ‘The Hustle’ is funny and these women are classic. I felt the movie ended too abruptly, though. When you think they’re about to get another scheme started, the credits begin to roll. Quite frankly, I wanted to see more of these ladies zeroing in on and exploiting their next target.

Social Media:

Website: https://www.thehustle.movie/
Facebook: https://www.facebook.com/hustlemovie/

Instagram: @hustlemovie
Twitter: @hustlemovie

#HustleMovie