Troll, Inc. Movie Review

“Troll, Inc.” is a case study of how the online experts in cracking and hacking systems are treated like modern-day terrorists. There are groups of elite hackers who know all of the insecure weak points on the Internet, and then they know how to kick open the door and cause havoc. One such person is Andrew Auernheimer, who goes by the online handle ‘weev’. What he did in 2010 is what can be called either a wake-up call to a large company, or a large-scale attempt at computer sabotage and extortion.

There are some computer experts who can find web site exploits and they inform the company in charge. These are sometimes called ‘white-hat hackers’. But there are other people who can locate some of the same security flaws, and they steal lots of valuable information. These are known as “black-hat crackers”. These people are in for a profit, or just to mess up a company real bad. But sometime there is a person in the middle, a guy like Andrew Auernheimer. He can find out about a flaw and he can set up a way to ‘obtain’ over one-hundred thousand valid e-mail addresses.

In this case, it was 2010 and Apple had just released the iPad. Apple had partnered with AT&T to be the data provider for the iPad product. To make it super easy to sue, the security was minimal. That was a selling feature. It also opened up a door to allow Auernheimer to capture all the e-mail addresses that people used to sign up for the data service. There were many celebrities, military and academics in this huge list of addresses. He contacted Apple and AT&T, but neither was interested. So ‘weev’ did the next logical thing (for him). He dumped all of the data  out on the open Internet, mostly to shame the companies.

But the Justice Department and the FBI were not amused. They found out that Andrew Auernheimer was pretty much the guy behind that massive ‘data breach’. But AT&T even agreed in internal e-mails that the security was so poor that it was not really a criminal event. Regardless, Auernheimer was treated like a data terrorist, and he was  pursued for years and then arrested,  before the eventual trail and conviction. He has a bit of an anarchist streak, and he basically told the court where to go and what they could do there. So the ruling came down pretty hard on him.

There was a successful appeal, and Andrew Auernheimer eventually had the conviction overruled. It was a technicality on where the trail was held, no on if he was innocent. So the thing that he did was not excused, but he was free once again. He decided to get better results elsewhere so now he lives overseas. Plus he is in a country that will never be extradited back to a USA prison anytime soon.

“Troll, Inc” is a short but to-the-point documentary about this event and this man. There are plenty of ‘talking head’ interviews with professors and other “white-hat hackers”, plus a handful of people who helped with the ‘involuntary email address extraction’ process. There are plenty of talks with Auernheimer, also. He gives his side of the story. He explains that he has no love for companies that have no idea about how important security is for keeping the public’s data safe and locked up.

So, when he could, he would make the company feel they were the butt of a huge practical joke. But that joke was not funny and the tables got turned on him.

Black Panther DVD Release

Bring Wakanda Home With Extensive Bonus Features That Allow

Viewers to Explore Deeper into The Wondrous World of Wakanda

 MARVEL STUDIOS’ “BLACK PANTHER”

THE MUST-OWN CULTURAL PHENOMENON

IS NOW AVAILABILE DIGITALLY AND BLU-RAY ON MAY 15

 

CELEBRATE MARVEL STUDIOS’ 10 YEAR ANNIVERSARY

With a special look at the bonus feature

The First Ten Years: Connecting the Universe

 

Marvel Studios’ “Black Panther,” the highly celebrated story of T’Challa (Chadwick Boseman), a young African prince who takes on the mantle of King and Super Hero, has thrilled and inspired generations of moviegoers around the globe. Now, fans can bring home the phenomenon, packed with light-hearted fun, pulse-pounding action and a powerful message, and watch it over and over again, Digitally in HD and 4K Ultra HD™ and Movies Anywhere on May 8 and on 4K Ultra HD™, Blu-ray™, DVD and On-Demand on May 15.  With both Dolby Vision and Dolby Atmos immersive sound, 4k Ultra HD offers consumers a transformative viewing experience.

BRING WAKANDA HOME

 ***New film and bonus clips available today***

On Chesil Beach Movie Review

“On Chesil Beach” examines the idea that you can be truly, madly, deeply in love someone, yet you cannot make love to that someone. Ian McEwan, who had previously written the novel “Atonement”, takes this idea to a sad conclusion in his screenplay – based on his short novel of the same name. Set in the early sixties in England, a young couple is enamored with each other, yet a happy marriage is not to be. England is still closer to the Victorian Age than it is to the Free Love Swingin’ Sixties.  At least, it is for these two…

Edward Mayhew (Billy Howle) is a young college graduate in 1962, and he is ready to take on the world. But he is looked on as a commoner, with a father who is school administrator and a mother who is not all there.  His family is not rich and well-regarded. So when Edward meets Florence Ponting (Saoirse Ronan), he becomes smitten with her good looks and charm. She has family ties into money and prestige, but Florence is not concerned with such things. They have a long courting period to see if they are compatible in personality and demeanor.

The one thing that they did not check into is whether they had a problem with physical intimacy. It is not until after the marriage ceremony and at the honeymoon suite do they find troubled waters in the sea of love. Florence has always been uncomfortable with physical touch, and she might have been abused by her father. Edward is unsure of the proper rate with which he should take Florence into the tunnel of love, because his past experience is.. none. He is pretty reserved when it comes to sexuality, but Florence is a big, fat Frigidaire freezer.

They go to honeymoon at a nice hotel near Chesil Beach. After an awkward dinner the two lovebirds shoo away the waiters from the room. Then they get to the main business, of having major flashbacks to they story of them meeting, and the courtship and the final decision to marry. But when the time is right to do the horizontal mambo, neither one is prepared for the farce that is their attempt at making love. Florence becomes incredibly upset at Edward and storms out of the room. For Edward, nothing went right and his paratroopers missed the landing zone. His embarrassment and her shame take an event that should solidify the marriage and it gets turned to a gallows on which the marriage is taken out and hung.

The two are at odds from this point on, based on misunderstandings and lack of knowledge. He finds her out on Chesil Beach, where she has walked in an effort to get away. But neither one knows what the other is thinking. They just assume that the marriage will never have another chance to be consummated. They can find no possible way to put this one incident behind them, and it changes the direction of their lives.

Florence has a string quartet that she leads, and she will put all of her time into that. Edward will do whatever he can do to get by. But then some tacked-on ending which brings Edward and Florence out of 1962 and into 1975, and then into 2007 just changes the mood. It goes from being “On Chesil Beach” to a reverse mirror of “On Golden Pond”. But in this case, the old-age make-up looks awful and pulls you out of the touching, yet tragic, story that has just transpired.

This movie has created another vehicle in which Saoirse Ronan can use to display her incredible acting skills. Billy Howle is also top-notch in his performance, being an equal to Ronan. But the story has such a roundabout method of getting to the moment of truth that some audience members might walk away like Edward – unfulfilled.

In the Phoenix area. opens at the Camelview in Scottsdale

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Solo: A Star Wars Story Movie Review

At last, there is now going to be a “Star Wars” movie that will delve into the origins and back-story of one of the series most favorite characters. This is a guy who is a mysterious loner with a just a hint of being a scoundrel. You know who I mean — Boba Fett. No wait, it’s not about the Fett-meiseter? It’s about Han Solo? Oh well, here is a new Star Wars movie about one of the original good guys…

Back in the first “Star Wars” (some people want to rename to “A New Hope” – fat chance!), there was smuggler and rogue who was the self-proclaimed best pilot in the universe. Han Solo was at home in a “wretched hive of scum and villainy” on the planet Tatooine where he could shoot first at Greedo. His co-pilot Chewbacca was a big walking carpet of a Wookie who is Han’s best friend and defender. But how did these two get started, and what the heck is a Kessel Run, you ask?

Back in earlier times, Han Solo (Alden Ehrenreich) was scraping around for a living with a fellow survivor named Qi’ra (Emilia Clarke). They both try to escape, and only Han makes it. He meets a con man named Tobias Beckett (Woody Harrelson) and his crew. Beckett makes a living taking other people’s stuff. Han meets up with a very hairy Wookie named Chewbacca (Joonas Suotamo) who first wants to fight him, but soon figures out that they both want to get out of a bad place. They join up with Beckett, but a major job goes very wrong. There is a major gangster to whom Beckett owes a great deal of money, and now he is very short. Han comes up with his own idea of how to fix that. Plus he finds that Qi’ra, whom Han thought was missing forever, was working for the crime boss, Dryden Vos (Paul Bettany).

But they need a fast ship, and Beckett knows just the man. He is a rogue smuggler and gambler named Lando Calrissian (Donald Glover). Lando has nice little ship called Millennium Falcon, which is the fastest around and good for moving contraband. Han and Chewy meet up with Lando, and Han tries to win the Falcon on the card table. Lando wins, but he wants in on the new heist. Han, Lando, Chewy and Beckett all go to a planet with resources, where they turn it into special fuel. It they can get the fuel back to Dryden Vos, thru the Kessel system, all within 12 parsecs – then you have new catch-phrase right there.

But which side is Beckett really on, and will Qi’ra still have any deep feelings for Han? Will the Rebel alliance on that little planet have any chance to get the help they need, or will Han keep only to himself? Are there any people who actually need to be shot first? Well, stick around and this movie will help you get the answers that you need. Maybe you did not know those answers before, but it would be more than enjoyable to learn them with this crew. Basically a space-based Western, with holdups, train robberies and outposts in the desert, this movie gets Han to wear a white hat in the end.

Alden Ehrenreich has a good deal of charm when he is playing Han. Woody Harrelson is a nice addition as a dubious mentor for the young Han. Donald Glover then really shines as Lando, and gets the most mileage out of the hot-shot gambler. Emilia Clarke and Paul Bettany play their roles OK, and Joonas Suotamo is really fun as everyone’s favorite Wookie.

Ron Howard deserves credit for taking over the duties for directing this movie, after it had gone a bit off track. But using the screenplay from Lawrence Kasdan (writer of some really fine Star Wars movies) and co-written with his son Jonathan, there is a good foundation for the film. And of John Powell comes through with the soundtrack, especially when he reuses a couple classic themes from John Williams.

So, the only thing left to say is – when that Boba Fett movie coming out?

Deadpool 2 Movie Review

Deadpool 2. Nobody can now say this guy ain’t got a pair!

Of movies, of course. I meant movies. What, did you think I was referring to something else?

“Deadpool 2” is the unholy spawn of the first movie “Deadpool”. That is where Wade Wilson (Ryan Reynolds) was introduced to the world as a Special Operations soldier turned mercenary who became Deadpool. It was quick-witted, raunchy, rude, satiric, graphically violent — and bust-your-gut funny.  If you get past the heavy R-rated everything in that movie, you were in for a treat. Nothing was sacred, everyone got skewered, and every fourth wall was broken down. They took a ‘Special Powers Super-Anti-Hero’ and made him into a household name.

Deadpool is back for a Number 2, wait… that did not sound right. Deadpool is coming again… huh – oh yeah, scratch that last one. Anyway, there is a “Deadpool 2” movie and if you think it can live up to the first one (or maybe live down to the first one) then you are right. Deadpool (Ryan Reynolds) lives with a roommate Blind Al (Leslie Uggams) and he has a special girlfriend Vanessa (Morena Baccarin). But things are a-changin’ and Deadpool is soon on a mission to change his heart. He goes back to the X-Men mansion to find Colossus (Stefan Kapicic) and Negasonic Teenage Warhead (Brianna Hildebrand). He becomes an X-Men trainee. They all get a ride from taxi driver Dopinder (Karan Soni) who also wants to be a superhero, with no special powers.

They meet with Russell (Julian Dennison) who’s a young mutant at a different school. He is angry and ready to use his flame-throwing fists to burn down the school. Russell and Deadpool are taken into custody and put into a special prison for mutants. But while there, a time-travelling cyborg soldier from the future named Cable (Josh Brolin) finds Russell. He is on mission to kill Russell for his own personal reasons. Deadpool tries to help Russell because he is just a kid, but Russell gets away from Cable and from Deadpool. Russell is on his way to becoming a very powerful future mutant crime boss.

Deadpool teams up with his buddy Weasel (T.J. Miller) who owns a dive bar for mercenaries. Deadpool creates a new team of super-powered mutants called ‘X-Force’. One of the ‘Force’ members is Domino (Zazie Beetz) who has the special power of ‘luck’. After a big fight against Cable, Cable decides to join forces with Deadpool, because it will be the only way to find Russell.  Cable is still set to kill him, but he will give Deadpool one chance to save Russell. There is so much anger in Russell that it is near impossible to stop him from becoming evil. But Deadpool needs to change his heart. Vanessa would be so proud…

Laying out the plot details of ‘Deadpool 2’ is like putting a big spread of cheeses out for a meeting of the Lactose Intolerance Society. It is all there, but in the end it does not matter. The action scenes, the violent special effects, and crazy banter between Deadpool and Cable; these and many other aspects overshadow what happens in the plot.  The driving force is Deadpool’s desire to become a better person for Vanessa. But he still has his low-brow, crude humor and snarky attitude, and that will never change.

Ryan Reynolds and Josh Brolin are both super amazing in the roles of Deadpool and Cable. They are polar opposite in attitude, but bounce quips (and firsts) off of each other. Julian Dennison as Russell and Zazie Beetz as Domino are both very fun to watch. By the way, don’t take anything from Russell after he’s taken it out of his ‘Prison Wallet’.

The action scenes are heart-pumping, and the dialog and the smart-alec remarks come a mile a minute. Watch out for the quick ‘Thanos’ reference and the ‘You’re so dark, do you come from the D.C. Universe?” line.

Oh, and even if your bladder is calling you away at the end of the movie, stay for the end-credit scene. It is hilarious and it cuts right to the point.

Life of the Party Movie Review

“Life of the Party” is a new movie that relies on the comedy talents of the star, Melissa McCarthy. There is no problem with that, because McCarthy is a totally likable and engaging comic presence. She has the star power and charisma to pull off being a major player when given the right role. That is the biggest problem. Her abilities far overpower the meager gruel that this movie. She tones down her snappy and sarcastic style to play the neutral beige of her character, and jokes fall like gentle snowfall – when she is best suited for a full-scale blizzard of snark.

 

Deanna Miles (Melissa McCarthy) is dropping her only daughter Maddie (Molly Gordon) off at college for her senior year. Little does Deanna know that her husband Dan (Matt Walsh) is dropping Deanna – he wants a divorce from the bland matronly woman that he married. She is broken apart, and she knows she must propel her life in a new direction. She decides to go back and finish college herself. She had dropped out in her senior year to get married and have Maddie. Now it’s her time to shine. Her best friend Christine (Maya Rudolph) gives her the encouragement to get out on her own.

 

Deanna bring her cheerfulness and Hallmark-card sentimental gooey nature into the college dorms and classrooms and Greek houses. She is a little unusual, and some of the ‘mean girls’ make fun of her gentle and uplifting manners. But she endures, and even Maddie and her friends are brought over her sunny-side-up attitude. She attends the frat parties and becomes the teacher’s pet. She gets something going with a boy toy that is less than half her age. You go girl!

 

But her divorce proceeding threatens to bring the whole house down around Deanna. She gets a little bent out-of-shape and ruins Dan’s wedding reception. She is close to failing her favorite class and dropping out of school.  But her friends that she made in the sorority will help to throw a big bash for cash. And to get everyone to attend and pay the cover charge, they start the rumor that a big celebrity will stop by after her concert. But is all just a lie, or is it? Does her roommate actually have a secret of her own, one that will save the day?

Melissa McCarthy is the main player in this show, but she gets very little in the way of good material to work with. Mostly all the jokes are a variation of ‘Dad jokes’ just told by the Mom. There are a couple of snappy lines here and there, but most of the script seems to have been warmed over like a week-old stew on the low burner. There could have been much more zing in the story line, but Deanna is forced to get by on phrases like “I’m down to clown”. There is hardly any chemistry between the actors and almost no character development.

 

There is basically not much Life in this Party. It seems too toned-down to have any edge, and all that is left is a frumpy bedazzled sweater of a movie. It may look nice on the rack in the clothes store, but is not the right style that would have you wear it home.

Breaking In Movie Review

“Breaking In” is a taut little thriller that echoes back to a similar situation in the movie “Panic Room”. In this case, there is not just a single room that is fortified and protected, it is the entire house. Maybe call it “Panic House”? Like in “Panic Room”, there are thugs after hidden money, and a mother is all alone while defending her kids against the murder and mayhem. She has the willpower to overcome some evil creeps who want to make off with the money and ‘eliminate’ and problems. The power of motherly love can battle against criminal sleaze, and she might be able even the odds.

 

Shaun Russell (Gabrielle Union) has found out that her estranged father was killed in a hit-and-run accident. The old man was perhaps into some bad things, since he was on the radar of the DEA. Shaun must go to his estate to clear it out and get it ready for sale. He brings her two kids, teenage daughter Jasmine (Ajiona Alexus) and younger brother Glover (Seth Carr). She finds that the old man had taken the family home and had given it a full protective make over. There are multiple security doors and lights and sensors, plus shields that come down on the unbreakable glass windows. The place is a fortress, so nothing can get in, right?

 

Not so fast there, bucko. A group of murderous thieves is about to get into the house to find some hidden cash that the old man stored in a safe. Shaun’s dad was up to no good, but it did pay well. But now he is dead, and the gang of misfits and ex-cons is ready to ransack the house. But then they find that there are two kids inside, while mom is out on the phone ordering a pizza. She gets attacked by a thug but runs, and soon she gets the upper hand. She finds that the main bad guy is Eddie (Billy Burke), who found out that the money was hidden in the house from another ex-con Sam (Levi Meaden). Eddie also has with him Peter (Mark Furze), but he has been tied up by Shaun. The wild-card psycho on his team is Duncan (Richard Cabral), who could kill a real estate agent just to make sure that she does not call the police. Which he does…

 

Shaun is alone there with the gang holding her children hostage. She needs to find a way to get them safe and to get the bad guys removed. Eddie wants to get the money, but with Shaun and her kids there, it poses a problem. They have weapons, but she has her wits. She also has a fierce protective streak that not even polycarbon-resin based shields can resist. She uses her brains and the tools that she has at hand to play a game of cat and mouse to slowly eliminate the bad guys one by one. She only wants the safety of her family, and if there are people who get in her way – they had best beware.  Her husband could not make the trip with her, so she is left to her own resources. And she becomes very resourceful…

 

This movie is a nice take on the ideas from “Panic Room”, with perhaps a little touch of “Die Hard” thrown in. When Shaun is first attacked and runs away, she had left her shoes behind and is running barefoot. Gabrielle Union does a very powerful job as mother put into a bad situation. She has a screen presence that shows Shaun is resourceful and smart, but she is still scared for the safety of her kids. Billy Burke does a nice job as thoughtful, yet merciless bad guy. The rest of the cast is quite good. For the brief times that they have on screen, they get across a decent idea of that character and what they are capable of doing.

 

“Breaking In” does take a bit of thunder from some prior movies, but it does present it in a clear and straight-forward way. The movie moves along very quickly, and you can get a pretty good idea of the layout of the entire estate and who is located where. That helps to ratchet up the tension in many scenes. It comes across as an interesting look at how one woman can become a very real nightmare for a gang of thieves. When Shaun gets her “John McClane” going, she is an unstoppable force to be reckoned with.

 

As Shaun might say “Welcome to the wooded estate home protected by massive security measures, pal!

The Endless Movie Review

Sometimes a movie can sneak up on you and take your idea of reality and throw it in the trash can. “The Endless” can do just that. It can lift out your brain, put it in the blender, and hit ‘Frappe’. But when you are finished watching, you realize that the movie that you just saw has taken you on a trip into an alternate dimension Fun House. Be careful, you still might be stuck somewhere in the Hall of Mirrors.

Two brothers have escaped ten years ago from a weird ‘UFO death cult’, as they called it. Aaron Smith (Aaron Moorhead) rememebers things much differently than his older brother Justin (Justin Benson). Being far removed from that time, they both feel isolated without contact with the cult members. They are living dull and drab lives, and they wish to make a final closing statement to the other cult people. So they head back for just single night to confront them. But at the same time, Aaron thinks they might be able to take them back.

Justin and Aaron stop at the roadside marker that shows where their mother was killed in a car crash and the cultists found the two boys alone. The cult took them in and cared for them, and Aaron has some fond memories. Back at Camp Arcadia, Aaron and Justin meet with many of the people with whom they used to live. The group has no actual leader, but Hal (Tate Ellington) is the one who talks the most and explains things to them. But how to explain that 10 years have gone by, yet the entire group seems to have not aged? There is Anna (Callie Hernandez) who is sweet to Aaron and might be using her charm to make him stay. There is Tim (Lew Temple) who is big and brawny and might be an enforcer who can make people stay.

Justin wants to get going quickly, because he feels something is not quite right at the camp. The members of the group never leave, and there are very odd things that he sees. Gravity does not seem to work in the same way. The full moon is shown to be two moons in the sky. There are things that Justin cannot explain, Aaron is not paying attention at first, but soon he also gets the idea that there are unnatural forces at work. Justin tries to leave, and he gets lost in the woods.

Justin finds a fellow named Carl (James Jordan) and he explains some things to Justin. But he does not believe Carl, until he sees the results of what happens. There is an unseen force or an entity that is controlling these people, at the camp and in Carl’s cabin. Justin goes not he finds a couple of guys in a cabin where unusual things happen with time. In some areas, there is repeating loop where time is not advancing into the future. Justin and Aaron reconnect and both decide that it is time for them to go. But will they be able to get out of the mystery location, without a way to know what the hell is going on?

Justin Benson has come up with a story that takes you and gives you a very strange tingle of your spidy-sences. Justin Benson and Aaron Moorhead manage to not only direct the entire film, but also two play the two key roles. As brothers who had been able to escape the clutches of a strange death-cult, they return to find things were more bizarre then they thought. The story unfolds very slowly and methodically, with just enough unexplained images and dialog to make you wonder if the two guys are just insane.

For a very small independent movie, this reaches and succeeds far better than a handful of major Hollywood releases. It explores the presence of an unseen entity better than “Annihilation”. It takes a stab at displaying time loops that can rival the movie “Edge of Tomorrow”. It takes a clever look at what being in a cult can do to mess up the brain of young kids, better than any other major movie.

“The Endless” does a credible job of breaking out of a ‘cult status’ movie and being able to become a well-respected and interesting movie that will be talked about for ages.

In Phoenix, playing the FilmBar

Disobedience Movie Review

The movie “Disobedience” is a deep dive into the inner workings of an Orthodox Jewish enclave located in London. The focus is on two women, and how the community reacts to the sexual attraction between them. The pacing of the story is slow and methodical, as the ramifications of their forbidden love spreads even deeper. Since one of the stars is Rachel McAdams, the shortcut title might be “The Notebook for Orthodox Jewish Lesbians”. All that is missing is the kiss in the pouring rain and the swans on the lake…

Ronit (Rachel Weisz) is the daughter of the main rabbi in a small London Jewish community. The elder rabbi is much respected, and Ronit is estranged from everyone in the Orthodox group. She has moved far away and does not communicate with anyone from back home. That is, until the rabbi dies suddenly. She is informed that he has passed away, and she decides to make a trip from New York back to her old community. That is, if anyone there will put up with her. There was some undefined incident that caused the falling out with her father and the rest of the people. But she comes back and stays with a childhood friend.

That friend is Dovid (Alessandro Nivola) who is a young man getting setup to be the new rabbi for the community. He is married to their childhood friend Esti (Rachel McAdams) who is the one that secretly contacted Ronit. Dovid is surprised to see Ronit return, because he thought that nothing would make her come back to the place that caused her so much pain. Esti is secretly pleased, because she and Ronit have a hidden past of passion and love. It was this relationship that caused Ronit to leave in the first place.

Passions get reignited and emotions get all tumbled when Esti and Ronit reconnect. The community around them start to get wind of the underground love affair that has rekindled. Dovid becomes very angry and at the same time confused. The things that Ronit assumed would be part of her father’s will that he would leave to her are instead being funneled to the synagogue. So, she left with nothing, and she is coming back for nothing. Only the subversive and illicit love between her and Esti will bring her anything resembles joy. Yet the passion that connected them is tearing apart the community in which they live.

The keys of this movie are ‘The Two Rachels’, Rachel Squared as it were. Rachel Weisz and Rachel McAdams are very enlightening as the two leads, Ronit and Esti. They pour a lot of talent into the lost and longing looks and steely gazes of the two characters. They are the reason that a very mediocre story line can be enhanced into a higher level of viewing. Also, Alessandro Nivola does a very fine job as the poor guy who gets stuck in the middle of something that he does not understand. Every other actor is well suited to be a typical Jewish community member. Perhaps a bit too stereotypically, in some of the cases.

This will, in most cases, be a must-see movie for a very small and select slice of the audience. It does have two strong female leads. They are in a very interesting situation where they rebel against a very traditional religion. But for a clear majority of people, it might be a little languid in the pacing of the movie. It might also be a little non-specific in the final resolutions. There are many loose ends, and many times an audience likes to see most of the situations wrapped up. There is not a huge excitement factor in the plot or the pacing. The movie simply exists to give ‘Rachel Squared’ a platform to give a very powerful pair of performances.

In Phoenix, playing exclusively at Harkins Camelview…

Kings Movie Review

The movie “Kings” is an attempt to tell the story of the LA riots in 1992. It zooms in to a close-up level on a black foster mother raising quite a few kids while living in the South Central section of LA. After the beating of Rodney King, there were four cops on trial for the incident. The verdict came back ‘not guilty’, and much of the town exploded in violence. Black people were outraged and took to the streets in droves.

Mille (Halle Berry) somehow has seven or so children in her care. She gets some money from the state for raising the kids, but she also gets some more cash by selling bundt cakes. Which is a very black thing to do, I hear. There are some her kids with names, but there are so many it all seems a blur of who is who.  There is an incident at night where Millie pulls another young black boy off the streets, who is being stopped by the cops. She just takes him in and that’s that. Also, there is some young black girl who drops out and maybe gets involved in a gang, but it is not clear.

 

There is a neighbor who lives alone named Obie (Daniel Craig) and he is one of the only white men left in that part of the city. He plays classical music (it figures) and he gets annoyed when Millies younger boys play ball in the alley. There is one day when Mille is mad at the three younger boys and tells them to stay outside, because they misbehaved will not get supper. Obie sees them and takes the three smaller kids in and gets them some food and cares for them. Millie is panicked, but she sees that her grumpy neighbor has a softer side.

The weeks go on and there is a rising sense of tension, until the verdict comes in from the trial. Then a match that has been thrown onto a puddle of racial gasoline ignites the city into flames. There are roving gangs of violent gangs and multiple stores being looted. There are multiple fires across the city, and the firemen and policemen cannot come out to save structures or people. The raw power of hatred has overcome society, and Millie and Obie are trapped in the middle.

This movie very uneven and it has a place that it wants to get to. But it never seems to get to that place. In a time where there are major true stories to tell (LA race riots), this movie would rather serve up a weak fictional story of a black mother and some white guy. There is a very awkward sort-of romance that is tacked onto this relationship. But that does not feel deserved at all. The characters of each of the kids is so fuzzy that I could not tell which black teenage foster son was the ‘good son’ and which was the ‘mean streets son’.

 

And there is no indication of that silly movie title and what it means. “Kings’, does that mean LA Kings, the NHL team in LA? Does it mean that LA cops see all the inner-city black dudes as ‘Kings’, as in a bunch of Rodney Kings? Does it mean there was a defective deck of cards, and it contained only face cards, the ‘King’ type card? Inquiring minds what to know!

 

If this movie wants to see what an excellent movie about a race riot looks like, then they can check out ‘Detroit’. It is a movie from last year, but it also had some similar themes of racial injustice and black rage. This movie “Kings’ is a Hallmark version of a real gritty, down-to-earth expose of a race riot.

 

Playing in Phoenix area at Harkins Shea 14