First Man Movie Review

“First Man” is a gripping personal view of one of humanity’s crowning achievements. When three astronauts traveled to the Moon, and two of them touched down and explored the lunar surface, it was a stunning accomplishment. Now there is a movie that defines the inner drive and personal demons of that initial person who put down a boot onto the crusty dust of the Earth’s satellite. That person was Neil Armstrong, and he was the “First Man” to get that historical privilege. This movie is a reminder of the technological push of the 1960’s that took America to the Moon and back.

Neil Armstrong (Ryan Gosling) is an engineer and a test pilot at NASA. He is not one of the military-bred astronauts that first rose in the ranks of the Air Force. Yet his cool-headed ability to think deeply, even in extreme circumstances, makes him a valuable addition to the group of space-bound pioneers. He and his wife Janet (Claire Foy) have a perfect 1960’s marriage. She tends the home front, and he ventures into space. Neil and Janet have a young daughter named Karen, but she passes away from cancer. Even with all the up-to-date technology, their little two-year-old could not be saved. They already have a son, and soon after, they have one more boy. But Neil is shattered inside from the pain of his loss. He is introverted and a shy person to begin with, so the loss does not help.

Neil has skills and knows how to take high-level math equations and then using that knowledge to fly and pilot a spacecraft. He has experience with the experimental rocket planes, and he jumps at the chance to get into the Gemini program. That space program will be another step on the way to the big cheese – the Moon. The Gemini craft will hold two astronauts, and the planned Apollo mission will carry three. When Neil gets selected, he is very pleased to be working for former astronaut Deke Slayton (Kyle Chandler). The Gemini missions will be important to pave the way for Apollo and moon landings. The mission that gets Neil into space goes well, and the docking tests go smoothly. That is, until there is a problem with the thrusters…

Neil and his fellow astronaut are soon spinning out-of-control. Neil figures out a way to reverse the bad thruster, and gets the Gemini under control again. It uses up most all the fuel, so the mission needs to be aborted. But one bad mission left the astronauts safe. Not so with the first testing of Apollo 1, with all three astronauts on-board in the capsule. In the simulated launch, there was an electrical spark that ignited the pure oxygen in the capsule. All three died in the test, and the Apollo missions were delayed for a while. But then Neil was picked for Apollo 11, as was Buzz Aldrin (Corey Stoll) and Michael Collins (Lukas Haas). This was the mission that would go to the Moon, land and explore the surface, and get the three explorers back in one piece.

Neil and Buzz make it to the lunar surface, and they are true explorers. But every step of the way was a catastrophe that did not happen. Every piece of equipment had potential for failure, no matter how many engineers worked on the design. Some of the people lost their lives along the way to Neil’s ‘one small step’.  He knows that, and he knows that his safe return is only the best of the calculated odds. His trip is successful and NASA still explores into space.

Damien Chazelle has taken the story of the first man on the moon and explored the difficult personal journeys of the people involved. There is always an emphasis on the characters and what they can see and how they react to all the events that surround them. Even with a ground-breaking walk on the moon, there is the inner pain of Armstrong’s loss of his daughter. The launch is not shown as a breath-taking wide shot of the rocket zooming into the sky. There is a real person strapped into the Spam can attached to the top of a big firecracker. The sounds of creaking and straining bolts make you think at any moment it will become the Fourth of July.

Ryan Gosling plays Neil Armstrong ass a very soft-spoken and subdued man. He is always examining and recalculating the situation, to make sure there is way to continue the mission. That includes his marriage. Claire Foy also gives a powerful performance as Janet; the wife who needs to raise her kids but is not afraid to raise her voice. The other actors have also been cast with an idea as to how well they would fit in the 1960’s Space Race.

“First Man” is nearly fifty years in the making since the actual events that mesmerized the world. It tells of real adventure in the outer space, but still keeps in focus the difficult emotions of Armstrong’s inner space.

A Star Is Born Movie Review

“A Star is Born” was first created in Hollywood in 1937, and then remade in 1954 and again in 1976. So, while this current release is not ‘new’ in that sense, it is a quite respectable addition to the prior versions. This is the story of an alcoholic major star meeting an unknown talent and bringing her talent into the world. Then he watches her flourish, even while his popularity sinks — it is typical melodrama boiler-plate material. That is, unless you have some very high-profile stars play in the main roles and have an incredibly talented director and musical talent. Check off all those boxes for this one!

Jackson Maine (Bradley Cooper) is the real thing, being a well-loved singer/songwriter with a country background and a huge following. His fans are not privy to his heavy drinking habits, and his difficult issues with hearing loss. His half-brother Bobby (Sam Elliott) is his manager and he knows all of Jackson’s faults. But he steers him in the right direction, so he can keep up a good front. After a late-night concert, Jackson is being driven to a hotel, but he decides to stop for quick one. He happens into a bar where a young woman named Ally (Lady Gaga) is performing a soulful song. He sticks around and takes Ally with him, while they go to different bars. Ally is discovered to be a songwriter as well as being a damn good singer.

Jackson sends a car out to get Ally in the next few days at her house. Her father Lorenzo (Andrew Dice Clay) is thrilled that Jackson Maine has taken a shine to his daughter. She goes to meet Jackson at a concert. He had taken her song that she played for him on that first night and made an arrangement for his band. He insists that Ally come out on stage to sing it with him. She resists at first, but when he finally does, the audience is ecstatic. Ally becomes a major name overnight, and Jackson and she both begin to tour together. They create beautiful music, both onstage — and in the bedroom.

 

Bobby gets upset at Jackson for not taking the music seriously, not using his hearing aids and for using prescription drugs with his alcohol. He quits as his manager, and he wants Jackson to sober up and become a man. Jackson still has enough money and talent to do what he wants to do, even if what he wants becomes self-destructive. Ally sees a big part of this, but she believes that Jackson will settle down and get himself right. But she also meets a big music producer named Rez (Rafi Gavron) who wants to make Ally into a superstar. This involves more elaborate dance numbers in concerts, and changing her hair color for various tours. Ally is unsure, but Jackson says it is all good, so she starts to become a huge star.

An older retired musician named Noodles (Dave Chappelle) is Jackson’s friend. He convinces Jackson to propose to Ally. They are married and there are various tours and recording sessions that follow. Jackson spends more time at his house, while Ally is away touring. He dunks himself deeper into the bottle, rather than making himself useful and more productive. His star begins to quickly fade, as stories of missed concert dates and awkward behavior in public. Rez, Ally’s manager and guru, thinks that she needs to dump Jackson, before he brings her down. Bobby meets up with Jackson, and also tries to convince Jackson that the bottle will take him to his grave, just like it did to their father.

Everything is going right for Ally, and her debut album is being honored at the Grammys. Jackson is to be there for a tribute song, but they take away his voice. The producers want him to play guitar, but not sing the song. Disheartened, Jackson drinks more than usual. His actions are seen in front of a national audience, and he totally humiliates himself. But it is harder on Ally. Jackson promises to dry out and become a true believer for Ally’s Army. But he remains on a destructive path, and he cannot pull himself out of a tragic downward spiral.

This movie bears the stamp of Bradley Cooper all over it. He stars as Jackson, but is also directed and co-wrote the movie. It is a complete work of passion for Cooper, and his portrayal in this movie proves it. He transforms himself into a realistic hard-drinking, gruff-throated singer. His vocal quality resembles the voice of his co-star Sam Elliott. Elliot is also wonderful to watch in the handful of scenes that he is in. But Cooper is a rare talent to be so effective in all those different areas.

 

Lady Gaga is also good in playing Ally. There are several events that somewhat mimic her real rise to stardom. But in all truth, Gaga is a superstar vocalist performer, one that is now performing ‘acting’. But most of the acting is playing a fictional version of her real self. Bradley Cooper changed himself to become a singer, but Lady Gaga is a singer who is acting at being a singer.

Bradley Cooper and Lady Gaga star in a profound yet tragic love affair. Hope there’s no ‘Bad Romance’!

The Sisters Brothers Movie Review

“The Sisters Brothers” concerns two brothers, brothers who have the odd last name of Sisters. But because they live in the West during the Gold Rush era, they have an odd job. They work for a shady power broker in Oregon who known as Commodore. The Sisters brothers are sent on special missions. They go out to hunt and kill people who have crossed the Commodore in some way. People who have cheated, people who have stolen goods, and maybe even people who have looked at him cross-eyed. The brothers do not care why the hit has been put out. As long as the Commodore pays, the brothers travel the West to do his bidding.

Eli Sisters (John C. Reilly) is the older brother and Charlie Sisters (Joaquin Phoenix) is younger. They have deadly aim and never seem to miss. The stakes are high for the Commodore (Rutger Hauer – barely seen in this movie). There is a new job, and it is to work with a private detective named John Morris (Jake Gyllenhaal). Morris is on the trail of a meek chemist called Hermann Warm (Riz Ahmed). Warm has crossed the Commodore, and now he must pay. Being a chemist, he developed some type of method to find deposits of gold in a river bank. Warm decided that this new science trick could give him the means to create a Utopia, and locate it in Dallas. Morris finds and befriends Warm, and he decides to switch sides and protect the scientist from the murderous Commodore.

The Sisters brothers are also getting close to the goal, only to find Morris is now working against them and helping Warm. The brothers encounter many obstacles in the journey to San Francisco. They have run-ins with a bear, and spiders and strange town called Mayfield. They are delayed but not deterred. They arrive in San Francisco to continue the search. Charlie is ready to get on the trail again, even with no clues. Eli wants to take this down time to reflect of the major achievements in the world; such as street lamps, toothbrushes, indoor plumbing and even flush toilets. Charlie is having none of it, because all he wants to do is get out there are kill somebody. Eli is much more sensitive, and he deeply cares for animals. But he thinks his brother might be one…

The Sisters brothers keep searching and they find the pair they are looking for. Morris and Warm and working near a river to prospect for gold, but using Warm’s special formula – it makes it very easy. A group of thugs from Mayfield have followed them, hoping to get the reward for Warm. But Eli and Charlie team up with Morris and Warm to defeat them. They all work together to get a new deposit of gold from the river. The formula is very caustic and dangerous to use. Charlie is greedy and tries to find even more gold. But there is a major incident with the formula, and everything goes very wrong. There are big problems ahead for the Sisters brothers, mostly because Charlie could not control himself.

It is interesting to see a Frenchman co-write and direct a movie about the American West. There is not the typical flavor of a ‘Classic Western’. There are horses and six-shooters and gunfights and brothels and gold prospecting and such. These are used only as backdrops to examine the lives of Charlie and Eli. It brings a gritty realistic view of what it must have been like to be in that era. There is a difficult edge of violence that the brothers must dance up to the rim, but not fall off into oblivion.

 

However, the slow and meandering story line sometimes gets stuck in the lowest gears. There are shifting motivations for all the characters, and it is hard to believe that most of them would change on a dime. The acting is great all around. Plus special accolades to Jake Gyllenhaal for creating a unique accent and dialect. It sounds like upper-crust East Coast, with a touch of an aristocratic Englishman.

 

“The Sisters Brothers” is a retelling of the Western frontier experience. But it moves slowly and without much passion. The lead performers are well-suited in those roles. It would be nice if “The Sisters Brothers” had a little more to offer. In the end, it feels like kissing your Sisters…

#TheSistersBrothers

TheSistersBrothers.movie – http://thesistersbrothers.movie/

Instagram: @SistersBrosFilm – https://www.instagram.com/sistersbrosfilm/

Twitter: @SistersBrosFilm – https://twitter.com/SistersBrosFilm

Facebook: /SistersBrosFilm – https://www.facebook.com/SistersBrosFilm/

Colette Movie Review

“Colette” is a lovingly constructed look back at the female French author known as Colette. She was quite a liberated lady for a country girl who had married a famous author who had taken her to the City of Lights. Her much-older husband was quite a bounder and a cad, who always spent more than he took in. Be he saw great talent in Colette and eventually brought out the artist within her. At the turn of the prior century, Colette and her exploits kept the Paris scandal sheets full of juicy gossip. Her husband took credit for all of Colette’s writing, and it took everything in her power to get that changed.

 

Gabrielle Colette (Keira Knightley) was a curious school-girl at a small country village in France when she first met Henry Gauthier-Villars (Dominic West). He became very famous using his pen name Willy, and has a large group of writers creating content and publishing in his name. Willy marries the much younger Colette, and they move to his place in Paris. Colette is astonished by the hubbub of activity and constant noise of the city. She attends the lavish parties that Willy brings her to, and she is entranced by some of the talented people. But just as many are non-talented gossip-mongers. Colette has no time for them.

 

Willy finally sees that Colette has a flair for writing, and he encourges her to produce a short book. It is published, of course under the byline of ‘Willy’. Colette’s story of a country schoolgirl named Claudine is an overnight success, but it is very scandalous for that time. Suddenly, Willy is again the talk of the town.  Colette knows that the real brains behind ‘Claudine’ is not Willy.

But she also knows that the 1890’s society would frown upon a female author getting a huge book released under her own name. Willy and Colette are soon invited into the upper-crust of the Paris culture. They meet an American heiress living in Paris named Georgie Raoul-Duval (Eleanor Tomlinson). Colette finds herself drawn into a forbidden love affair with Georgie, but soon she finds that Willy is also secretly dipping in that same inkwell…

 

Soon more ‘Claudine’ books are published and the book sales break records, and Willy becomes an even more pompous ass. Colette sees that her relationship with Willy is fading, and she finds a new love. The new ‘man’ in her life is Mathilde de Morny, of noble birth and lineage. Known as Missy (Denise Gough) is a manish-looking woman who is more at home in trousers and a crisp men’s shirt and vest. She would be frowned upon and shunned by the Paris society, except for the fact of her royal blood and wealth. Colette and Missy become inseparable, and Willy is upset that Colette has no interest in writing. Instead Colette and Missy study acting and then try out the new art of pantomime. Willy has entered the world of stage, also. He has a play created from the ‘Claudine’ books and it is a big hit. He backs a new production at the Moulin Rouge for Colette and Missy, but it backfires on them.

Colette becomes more involved with acting and with stagecraft. She and Missy travel all over Europe. Willy fades from her view and he tries to prevent her from claiming her rightful status as the creator of ‘Claudine’. After a long period of performing, Colette takes down all of her thoughts as a book about being a ‘Vagabond’ on the road. She gets it published under her own name and becomes a major author in her own right. She eventually receives the rights for all of her work done on the ‘Claudine’ books, also. She lives a rich and full life, and is remembered now as a writer and as a performer. She even later wrote the book that became the basis of the movie ‘Gigi’…

 

Keira Knightley is wonderfully cast as the precocious and peppy Colette. She and Dominic West work well as the married ‘power couple’ in the high society of France. She steals the show with her performance, and her bold moves that transition her character are very fascinating. Starting out as a young country girl who turns into a fully liberated woman who is the talk of the town, she makes the character of Colette her very own. Living in that time period, Colette was far advanced in her thoughts and her work. Not to mention her sexual partners…

Opens exclusively at the Harkins Scottsdale Camelview

Assassination Nation Movie Review

“Assassination Nation” takes the idea of social media, privacy and a reactive social mob mentality, and throws it all in your face. And it hits with all the subtlety of a sledgehammer to your nether regions. It is slick, over-the-top and in the end, very silly. In a small town called Salem (get it? Witch Hunts?), the four young high school teenaged girls become the focal point of the town’s seething rage. There have been data breeches and leaks posted on the Internet, and now everyone’s sordid secrets have been exposed. The main suspect is one of the girls, and now the place is armed to the teeth for revenge. Out-of-control social media meets mob violence and social upheaval – call it “Insta-Purge”.

Lily Colson (Odessa Young) is a high school senior, with a lot of emotional baggage and internal pain. She hangs out with her gal pals; Sarah (Suki Waterhouse), Bex (Hari Nef) and Em (Abra). They talk and act and behave like any character created by a middle-aged male writer/director focusing on his own fantasies. That is to say, none of the dialog or action is very realistic at all. They talk about the awfulness of being objectified and oversexualized. This is while the movie objectifies and oversexualizes each girl. But one day a massive data dump of the private hidden details of the Mayor’s secret sex life are laid bare to the Internet world. Everyone is outraged, and then the Mayor commits suicide.

The next subject of a privacy leak is the high school Principal Turrell (Colman Domingo). He tries to downplay the details, and he will not resign, but he is hated from that point on. The next one to be outed is Nick (Joel McHale). Lily has been friends with Nick for years, and she has sent numerous sexy pictures, but nothing way too racy. She enjoys Nick’s playful text messages, which are a bit naughty. But she has never done anything with him. But Lily’s boyfriend Mark (Bill Skarsgård) starts to realize that Lily is going ga-ga over Nick. Nick’s wife leaves with their child, and he goes into isolation. The cops force an innocent computer hacker to cough up a name. And he gives them a name: Lily Colson.

Of course Lily is not responsible, and she does not know who is behind it all. But she and her friends think they are safe over at Em’s house. Her mom Nance (Anika Noni Rose) is a little Xanex-ed out, but she wants to help keep the girls safe. But outside, the Salem “Purge” team is forming to bring Lily and her friends to violent justice. Nance is killed and Sarah and Em are taken by the police. Bex escapes, but is caught by a band of vigilantes. Lily escapes and starts to get help from her old friend Nick. That is, until Nick turns into sex fiend and attempts to rape her. All in all, there are few allies that the four girls can find. So, grabbing a large survivalist arsenal they find in Nick’s house, they are about to go out guns a’blazin’…

“Assassination Nation” is a parody of a John Hughes high school movie redone as a Quentin Tarantino splatter fest. It is “Easy-A” crossbred with “The Purge”. There is a mountain of hot garbage to sit though before you can find a molehill of an original idea. There is questionable writing and direction, and it blurs together like a bad death-metal music video. Even with the best actors in the world, it could not give them anything like an actual role to play. The biggest production expense, it seems, was for gallons of fake movie blood.

 

By all means, if you are pimply-faced angst-filled teen, then perhaps this movie will mean something to you. For most everyone else, grab your passport and check out a different “Nation”.

White Boy Rick Movie Review

“White Boy Rick” must be the most truthful movie title yet. The main character is white, and yes, he is basically a boy. Oh, and his name is Rick. This is based on a true story. It tells a complex drama of what becomes of a lower middle-class family from Detroit. This is set back in the mid 1980’s, when the American Dream turns into a virtual nightmare for many inner-city people. Many jobs dried up in the city. Yet – guns flowed into the streets, along with crack cocaine. And that result was the set up for this story.

Richard Wershe, Sr. (Matthew McConaughey) lives in a very run-down section of Detroit. His daughter Dawn (Bel Powley) is living with drug addiction. His son Richard Wershe, Jr. (Richie Merritt) is 14 years old, and he works with his dad. Rich (the Senior) does gun sales to make money for the family. Rick (the Junior) goes with him to gun shows. Ricky sometime takes this merchandise to the local black street gang to sell the illegal small arms. The black gang takes a liking to ‘White Boy Rick’, since he has the guts to approach the gang. He becomes an accepted and trusted member.

But there are FBI agents on the horizon (played by Jennifer Jason Leigh, Rory Cochrane, and Brian Tyree Henry). They force Ricky to act as undercover informant to the street gang. It is either that or the Feds will shut down Rich (the Senior) and his semi-legal weapons operation. They also get Ricky into setting up a small side-deal business of distributing crack cocaine. That way, Rickey can get information on the street level dealers, who can lead the FBI up to the top-level distributors. Ricky is in with the gang, he is running his own drug operation and he is still getting orders from the Feds.

But after the big parties and trips to Vegas, there is an incident that comes to a head. The main gang leader (Jonathan Majors) believes that Ricky is really a rat, and he orders up a hit on the young boy. When the bad things all go down, it goes down hard. Ricky survives, and Rich and Ricky have to start over. They also get his sister Dawn out of a drug flophouse and work to get her off the crack. Rich (the Senior) also has his parents who live across the street (Bruce Dern and Piper Laurie). They help out with Dawn and get her back to normal life. Ricky also finds out that he has a new-born daughter.

Ricky feels the need to get back into the drug trade, so he can get some cash flow back into the family. He gets approval from his dad and the rest of the family. Ricky is still only 17, and he has become a big shot in the underground crime network. The FBI comes back to visit, and they are not too happy. Ricky is forced to (again) go undercover and try to get the goods on some of his cocaine contacts. But if he does not help them, he and his family will all face charges. The outcome for ‘White Boy Rick’ does not look good at this time. At his age (17) – he could be sent to prison for life. That would be a lo-o-ong time.

“White Boy Rick” is a thoughtful retelling of Ricky’s true life adventure into the seedy side of life. Matthew McConaughey nails it as a caring father with great intentions and horrible execution. Richie Merritt is very new actor, and he holds his own in the midst of some very talented co-stars. Bel Powley has a very difficult character, but she makes Dawn’s pain and struggle with addiction a real thing. Bruce Dern and Piper Laurie are both good, but wasted in such minor roles.

 

This movie has something to say, but it has trouble picking a single topic. Drugs are bad, no wait, so is inequality in criminal sentencing for blacks versus whites. Guns are trouble for the neighborhood, but crime is commonplace and violent crime is on the rise. The Feds are smart to set up a young white kid as an informant, but no – there is so much police corruption and dirty cops are everywhere. To reduce crime, get tough on criminals, but wait – mandatory sentencing is bad…

So the acting is superb, but the story bobs and weaves and never chooses a single lane.

 

Blast from the Past (September 2018)

Yeah, the Box Office is rockin’ today with a whole lot of movies. But there are some from prior years that you may (or may not) remember. These older movies came out 5, 10, 15, 20 years ago, maybe even longer back. Some were instant classics, while others were not. So let’s jump into the DeLorean and travel backwards in time to revisit a few of these forgotten gems…

September 2013 (5 years ago) — Prisoners – Director Denis Villeneuve locks you up in a chilling revenge story

Before Villeneuve had the world enthralled with ‘Arrival’ and ‘Blade Runner 2049’, he came out with this movie. He centers on missing children and a desperate father’s act of vengeance. The perspective of the people grieving and the people unjustly accused makes for a raw display of emotion. It is a very dark and disturbing view and good versus evil, and how sometimes evil can be done in the name of good.

September 2008 (10 years ago) — Burn After Reading – Directors Ethan & Joel Coen take on the CIA and spill the beans

The Coen brothers can have very deep and meaningful movies, about common people in uncommon situations. However, this one is a very dark comedy of errors multiplied by everyone in the all-star cast. George Clooney, Frances McDormand, John Malkovich, Tilda Swinton, Richard Jenkins, Brad Pitt take all that talent and channel it into a crazy-quilt of idiots ready to screw up at every turn. As the CIA chief says at the end: “I guess we learned not to do it again.”

September 2003 (15 years ago) — The Rundown – Dwayne Johnson starts to change from ‘The Rock’ to ‘The Star’

Johnson changed from a wresting star (known as ‘The Rock’) to a movie star (who outgrew his wrestling moniker).  One of his first major roles was in this movie. It takes his bounty-hunter character to Brazil to locate and return Seann William Scott. But not before the two of them cause great mayhem and mischief, of course. Johnson would go on with bigger (and better) movie parts.

September 1998 (20 years ago) — Rush Hour – Jackie Chan and Chris Tucker are a mismatched team – and start a trend

The buddy cop film is a familiar genre. So when Chan and Tucker change it up with a Hong Kong cop paired with a black L.A. street cop, the laughs were super charged. The cultural and language barriers were funny to watch. “DO-YOU-UNDERSTAND-THE-WORDS-THAT-ARE-COMING-OUT-OF-MY-MOUTH?”

September 1993 (25 years ago) — Dazed and Confused – Director Richard Linklater brings the world Matthew McConaughey (All right, all right, All right!)

Linklater has some real gems, such as ‘Boyhood’, ‘Before Sunrise’, and ‘A Scanner Darkly’. But this high school reflection on ‘high’ times brings some great characters. Such as McConaughey as Wooderson: “That’s what I love about these high school girls, man. I get older, they stay the same age.”

September 1988 (30 years ago) — Director John Carpenter has come here to chew bubble gum and kick ass, and he’s all out of bubble gum

Carpenter had already entertained audiences with ‘Halloween’, ‘Escape from New York’, ‘The Thing’, and ‘Big Trouble in Little China’. So a cult-classic Sci-Fi adventure about alien beings subverting humanity with subliminal advertizing is just another great addition to his spooky list of films. Roddy Piper is the bank robber slash hero with the lack of bubble gum. So all he can do is kick some alien ass.

We the Animals Movie Review

“We the Animals” is an independent film that shares some of the goals and ideas from other indies, like “Moonlight” and “The Florida Project”. It also shares a similar feel to the films of Terrence Malick, having a very slow-paced and almost documentary feel to it. Some parts of the movie are contemplative and other parts use an alternative fantasy sequence to show the characters inner-most thoughts. It is entirely dependent on having three young actors play the main parts, three brothers living with difficult circumstances. But the young actors overcome whatever issues that can sometime sink an otherwise worthy production.

Jonah (Evan Rosado) is the youngest of three brothers, at age nine. Joel (Josiah Gabriel) and the oldest Manny (Isaiah Kristian) are normally found with all three of them together. It does not matter, as they run around the semi-rural area in upstate New York where they live. They have a dad, Paps (Raúl Castillo) who is Puerto Rican, and Ma (Sheila Vand) who is white. The three boys are olive-skinned and have close cropped hair. They are all younger than twelve or so. But they are bursting out with energy and vitality. These three are never shown attending any school, but they are being taught every day.

They are mostly taught by example from Paps and Ma, but usually not very good examples. Paps struggles to keeps a late-night shift job, and when he is upset about something, he will take it out (and beat up) on Ma. She also struggles to keeps a job, and she struggles to keep any self-respect. Ma knows that Paps loves her and the boys but wishes he would not be so brutal. Paps is angry that he had to marry Ma when they were both teens, and she was pregnant. Jonah is very observant and keeps a private journal about all that he sees.

Jonah has very mixed inner feelings, and he tries to express them in writing. He also draws a lot in his journal and sometimes he imagines that the images on the paper come to life and explain what he thinks. Sometimes he thinks in an alternative fantasy sequence that shows some of Jonah’s deepest feelings. There is a repeated idea of everything and everyone being underwater. There is a repeated idea of Jonah being lifted up off the ground to fly. Or, maybe, at least to float in the air. There are confused and mixed images of sexuality, and these might be indicating that he is internally gay. But he is way too young to express anything like that.

There is not much in the way to story movement. It slowly meanders back and forth to the three boys and what they are doing. Sometimes the focus is on Paps, and how he has trouble staying with the family, and trouble staying with a job. Ma wants to run away from the stress, but she is unable to decide what she should do. She looks to the boys to tell her what her next move should be. Joel and Manny do not know about Jonah’s secret journal, but when they find it, they feel they cannot trust him anymore.

 

“We the Animals” will not be a movie for everybody, but there some very moving performances from the trio of young actors. Given the subject matter, it might be difficult to watch. Jonah is just around ten years old, yet the story strays into his questioning feelings about other boys and men. The other odd part is the fantasy style sequences that do not mesh up all that well with the rest of the ‘documentary’ and ‘hard reality’ style of most of the other scenes. Also, Jonah’s journal creeps me out. The small writing filling up the entire page, plus the wild cartoonish drawings resemble something that serial killer might keep…

For More Info:

Official Website
https://www.wetheanimals.film/

Facebook
https://www.facebook.com/WeTheAnimalsFilm

Twitter
https://twitter.com/TheAnimalsFilm

In the Phoenix area, opens exclusively at the Harkins Scottsdale Camelview

Peppermint Movie Review

Director Pierre Morel is known for the movie “Taken” which made Liam Neeson famous again, and revenge murder cool again. Since then, the movie “John Wick” showed that revenge murder could be an artistic ballet of bullets and bodies. So now with an added healthy dose of “Death Wish”, which is the old-school revenge murder original, he has a new movie. “Peppermint”, and you might want to call it — “Taken by a Death Wish with Jane Wick”. Revenge has never tasted so minty…

Riley North (Jennifer Garner) is a loving wife to her hard-working husband and mother to her precious daughter. But there is a local Los Angeles drug kingpin named Diego Garcia (Juan Pablo Raba) who is pissed that her husband ALMOST was part of a plot to rip off a Garcia drug house. Her husband called and backed out, but that did not stop Garcia to put out a hit on the whole family. In a hail of bullets, the North family was torn to pieces, with only Riley barely hanging on. The police were attempting to talk her out of being an eyewitness and giving testimony. She thought that she needed to get that scum off the street.

Riley worked with Det. Moises (John Ortiz) and Det. Carmichael (John Gallagher Jr.) from the LAPD to ID the perps. Then the slimly defense lawyer for Diego Garcia visits Riley and attempts to buy her silence, or at least threaten her safety. The three gang members get off — due to the bribes and payoffs to dirty judges and dirty Assistant District Attorneys and dirty police officials. Riley is going to be taken to mental hospital, but she escapes — and is not heard from until five years later. And she comes back with a vengeance!

Five years of martial arts training and firearms training have made Riley a well-oiled revenge murder machine. She comes back to LA and hides out in the Skid Row area, becoming a local ‘avenging angel’. But on the five-year anniversary of her tragedy, Riley sets out to take on Diego Garcia and his minions, and will not let any LAPD or FBI official stand in her way. She makes quick work of the three main perps, the corrupt judge, the dirty D.A. and most any other people who were involved. There are still some bad cops out there, and the main bad guy Diego Garcia. There are quite a few hard targets that Riley will use for her next practice.

Riley takes out Garcia’s drug house and his main drug warehouse, and they she goes after the fortified Garcia mansion. Det. Carmichael has an idea about where Riley might be staying, and the FBI also on to her location. Det. Moises is wondering if there is information getting from the police to the Garcia organization. Riley takes a beating over and over again, but she still has the juice to go after anyone who is working with Garcia’s gang. When the media starts to track Riley in real-time, the social media goes nuts to support her. It does not matter how many people Riley has killed…

“Peppermint” is a hot mess of female revenge fantasy and weapon worship. There are huge gaps, like the five-year disappearance of Riley North, that go unexplained. Where did she go? Where did she get the training, and where did she get the money to live on for all those years? They explain something about how she took money from the bank where she worked before she left, but – come on! That will last for five years?  There were times in the screening that brought (unintentional) laughter. Not good for an action flick.

This “Peppermint” shtick is weak attempt to turn Jennifer Garner into an action hereo, making Riley North into a new ‘Jason Bourne’ or ‘John Wick’. Nah, that’s not in the cards. But if you team her up with ‘The Atomic Blond’…