American Assassin Trailer

AMERICAN ASSASSIN

Directed by Michael Cuesta

Screenplay by Stephen Schiff and Michael Finch and Edward Zwick & Marshall Herskovitz

Based on the American Assassin novel in the Mitch Rapp series by Vince Flynn

Produced by Lorenzo di Bonaventura and Nick Wechsler

Starring Dylan O’Brien, Michael Keaton, Sanaa Lathan, Shiva Negar, Scott Adkins and Taylor Kitsch


AMERICAN ASSASSIN follows the rise of Mitch Rapp (Dylan O’Brien) a CIA black ops recruit under the instruction of Cold War veteran Stan Hurley (Michael Keaton).  The pair is then enlisted by CIA Deputy Director Irene Kennedy (Sanaa Lathan) to investigate a wave of apparently random attacks on both military and civilian targets.  Together the three discover a pattern in the violence leading them to a joint mission with a lethal Turkish agent (Shiva Negar) to stop a mysterious operative (Taylor Kitsch) intent on starting a World War in the Middle East.

For more info:

Facebook | Twitter | Instagram

In Theaters September 15th

http://www.fandango.com

The Beguiled Advance Movie Screening

Movie Screening Summary: “The Beguiled” is an atmospheric thriller from acclaimed writer/director Sofia Coppola. The story unfolds during the Civil War, at a Southern girls’ boarding school. Its sheltered young women take in an injured enemy soldier. As they provide refuge and tend to his wounds, the house is taken over with sexual tension and dangerous rivalries, and taboos are broken in an unexpected turn of events.

http://www.thebeguiledmovie.com
https://www.facebook.com/BeguiledMovie/
https://twitter.com/beguiledmovie
https://www.instagram.com/beguiledmovie/

See more advance movie screenings from tmc

Advance Movie Screening For The Beguiled

Find your chance to receive special advance movie screening passes below.

 

Phoenix, Arizona

Advance Movie Screening Details

Movie Screening Date: Tuesday, June 27th
Location: Harkins Scottsdale 101
Movie Screening Time: 7:00pm
[button link=”http://focusfeaturesscreenings.com/TheBeguiledTXT” type=”big” newwindow=”yes”] Get Passes[/button]

Las Vegas, Nevada

Advance Movie Screening Details

Movie Screening Date: Wednesday, June 28
Location: Century Suncoast
Movie Screening Time: 7:00pm
[button link=”http://focusfeaturesscreenings.com/TheBeguiledTXTLV” type=”big” newwindow=”yes”] Get Passes[/button]

Advance Movie Screening Information

To redeem a pass, simply click the Get Passes button. You will taken to our movie screening partner site (where you can sign up for a free account). Once you’ve done so, you’ll be able to print out your pass and bring it with you to your screening or event.

Admittance into a screening or event is not guaranteed with your pass. Events and advance screenings are filled on a ” first come, first served ” basis. To ensure that you stand a good chance of being admitted, we recommend that you show up 30 minutes to one hour early.

The number of admissions that are permissible for each pass are printed clearly on the ticket that you print out. You are allowed to bring as many guests as is indicated on your pass. For example, if your pass is for ” Admit Two, ” you can bring yourself and one guest. If you have an ” Admit One ” pass, you can bring only yourself.

If you have any other questions or comments, please contact us.

47 Meters Down Movie Review

Perhaps quite a few people are uneasy about being in enclosed places, and then just as many are queasy about getting close to sharks. If that is you, well — get ready for “47 Meters Down”, because your personal spooked-out meter will be peaking in the red zone. This movie will take many of the scariest things you can imagine and blend them into a nice smooth frightening shake.

Two sisters are in Mexico for a summer trip. Kate (Claire Holt) and Lisa (Mandy Moore) are getting away on a vacation. Lisa tells her sister it is because her long-term boyfriend broke up with her. He thought that Lisa was too boring. Lisa and Kate meet a couple of local guys, and they hit it off. They convince Kate to go on an underwater scuba trip to see the sharks. Lisa is much more sensible and does not want to go. Kate tells her that if she goes on the tip, she will prove she is not boring.

They meet Captain Taylor (Matthew Modine) who owns the worn-out old boat and the crappy-looking equipment for a shark dive. They don the scuba gear and get in the cage and start to descend down around 20 feet. They have only limited oxygen in their tanks, and they have limited experience underwater. But that is about to change. The cable holding the shark cage snaps, sending them down to 47 meters below the surface.

Both Kate and Lisa know that they cannot swim straight up to the surface. Once they go up, every 20 meters or so they would need to stop and let their blood handle the nitrogen bubbles, or they could die from the bends. They have no communication with the boat on the surface. So they take turns to try things out. One will swim up to try and get radio contact, then the other will trace down a mysterious flashlight brought down with a different cable hook. If they get it attached, they can be gently pulled up to the boat.

But, yes there are sharks in these here waters. So every attempt to get free or get back up to the boat is met with a potential big toothy grin. The guy who brought down the flashlight and the new cable was attacked and killed. Either Kate or Lisa could be next. The new cable turns out to be as useless as the first cable, and now they are trapped again. The Coast Guard has been called for a rescue, but they are an hour away.

Lisa and Kate almost run out of oxygen, and they two new tanks are sent down. But the new tanks can keep them alive. However, being down for so long can bring on nitrogen poisoning.  This could lead to hallucinations and feelings of a dream-like state. They will both need to keep an eye on each over to make sure the other one does not get crazy ideas. After all, there is a rescue operation just about to begin…

To say anything more would deprive you of getting your feet wet and seeing this movie. The story is pretty straight-forward. Put two nice ladies in peril, and spend the rest of the movie trying to figure out how to get them freed.  Mandy Moore and Claire Holt do a decent job, but much of the dialog is scuba breathing and screaming. They prove to be intelligent characters, except for the fact that they got on such a dumpy boat to begin with.

The setup gets going really quickly, and the part underwater is intense and spooky. Each of the sisters does her best to comfort the other one. But it is hard to find any comfort when you are more than 150 feet below the surface. Since this movie is so tense and spooky, I will need to lighten it up…

Once I threw out all the chopped up fish and fish guts into the water, the sharks got real chummy.

It Comes At Night Movie Review

It Comes at Night is incredibly manipulative in the way it reels you in, first assisting you in comfort and then, in the blink of an eye, taking you to the edge of insanity.  The film is dark but not a horror film per se.  It’s an on the edge of your seat thriller that pulls you in several directions at once; barely allowing you a moment to rest before tugging at again you again.  Watching, you’re like the young woman in the opening scene of Jaws, being whipped about and then pulled into the depths of the unknown.  The unknown in this instance is what comes at night, in the darkness, when you’re alone and everything around you is a potential threat.      

This is a story about a family who has a home deep in the woods that is now their hideaway from whatever happened to the rest of the world.  What happened is unidentified but it was toxic.  Something made people who were exposed to ‘it’ violently ill.  This plaque of sorts kills you rather quickly and those who figured it out and hoped they weren’t exposed ran away and either contaminated others with their infection or learned how to live with it.  Paul and Sarah, their son Travis have learned how to cope and also protect themselves from being vulnerable.  Sadly, as we learn in the opening scene of the film, this has come too late for her father Bud who is already covered in blisters, barely breathing and about to die.  Paul, with Travis (who’s only seventeen), takes Bud to an open pit they dug.  After putting him down like an animal, they throw his body in and burn his remains to help stop the spread of the mysterious disease. 

A well lit and beautifully photographed, (complete with an eerily creepy yet gorgeous string instrument filled track) nightmare later, we awaken with Travis screaming that someone is in the house.  By the way, this scene has one hell of a memorable jump scare.   Anyway, the family, prepared for this kind of assault, finds that a young man has broken in and they surprise him, shove guns in his face, take him outside and tie him to a tree to teach him a lesson.  They’re not kind to strangers.  They live by rules that have kept them alive so far and this man has challenged those rules.  Before long, we discover that he simply wants to bring his family there; to live somewhere out of danger.  Sarah talks Paul into allowing this and though Paul is skeptical, he agrees.  Travis enjoys the family being there and what ultimately started out as a thriller becomes sort of a drama in that Travis begins to resent his situation as well as his father. 

It Comes at Night is aesthetically pleasing.  The music is outstanding and lends to the intensity throughout the film.  Tribal drumbeats explode so loudly from the speakers of one scene that it seems the vibration alone physically moves you.  Director Shults (Krisha) uses this tactic each and every time anything exciting happens.  It’s made better by the sheer skill in which he chooses to tell his story. 

My final take is that a lot of what’s going on in the film you’ll see coming if you’ve been watching page-turners your whole life.  I believe you’ll forgive this because of the imaginative nature with which these characters have derived.  The film is a survival guide on steroids and an unbelievably heartbreaking look at what we could become, leaving you to wonder how you’d behave in the same situation.  It’s a bit slow at times and there are a few moments that don’t quite add up but as I mentioned before, they’re nothing that will ruin the film for you.  I’d like to warn you of one thing, however, if you have a weak heart!  If Travis is on the screen, get yourself in defense mode.

The Book of Henry Advance Movie Screening

Movie Screening Summary: Sometimes things are not always what they seem, especially in the small suburban town where the Carpenter family lives. Single suburban mother Susan Carpenter (Naomi Watts) works as a waitress at a diner, alongside feisty family friend Sheila (Sarah Silverman). Her younger son Peter (Jacob Tremblay) is a playful 8-year-old. Taking care of everyone and everything in his own unique way is Susan’s older son Henry (Jaeden Lieberher), age 11. Protector to his adoring younger brother and tireless supporter of his often self-doubting mother – and, through investments, of the family as a whole – Henry blazes through the days like a comet.

Susan discovers that the family next door, which includes Henry’s kind classmate Christina (Maddie Ziegler), has a dangerous secret – and that Henry has devised a surprising plan to help. As his brainstormed rescue plan for Christina takes shape in thrilling ways, Susan finds herself at the center of it.

The Book of Henry is directed by Colin Trevorrow ( Jurassic World, Safety Not Guaranteed) from an original screenplay by acclaimed novelist Gregg Hurwitz ( Orphan X).

A Focus Features presentation of a Sidney Kimmel Entertainment/Double Nickel Entertainment production. A Colin Trevorrow Film. Naomi Watts. The Book of Henry . Jaeden Lieberher, Jacob Tremblay, Sarah Silverman, Lee Pace, Maddie Ziegler, and Dean Norris. Casting by Jessica Kelly and Suzanne Smith Crowley. Associate Producer, Jeff Gernert. Co-Producers, Gregg Hurwitz, Mark Mikutowicz, Adam Callan. Costume Designer, Melissa Toth. Music by Michael Giacchino. Edited by Kevin Stitt, ACE. Production Designer, Kalina Ivanov. Director of Photography, John Schwartzman, ASC. Executive Producer, Sue Baden-Powell. Executive Producers, John Penotti, Nick Meyer, Bruce Toll. Produced by Sidney Kimmel, Carla Hacken. Produced by Jenette Kahn, Adam Richman. Written by Gregg Hurwitz. Directed by Colin Trevorrow. A Focus Features Release.

Please enjoy the trailer here.

Official Website: TheBookOfHenryMovie.com
Facebook: Facebook.com/TheBookOfHenryMovie
Twitter: @TheBookOfHenry
Instagram: @TheBookOfHenry
Hashtag: #TheBookOfHenry

See more advance movie screenings from tmc

Advance Movie Screening For The Book of Henry

Find your chance to receive special advance movie screening passes below.

 

Phoenix, Arizona

Advance Movie Screening Details

Movie Screening Date: Tuesday, June 13
Location: Harkins Scottsdale 101
Movie Screening Time: 7:00pm
[button link=”http://focusfeaturesscreenings.com/TXT.Phx” type=”big” newwindow=”yes”] Get Passes[/button]

Las Vegas, Nevada

Advance Movie Screening Details

Movie Screening Date: Tuesday, June 13
Location: AMC Town Square
Movie Screening Time: 7:30pm
[button link=”http://focusfeaturesscreenings.com/TXT.25″ type=”big” newwindow=”yes”] Get Passes[/button]

Advance Movie Screening Information

To redeem a pass, simply click the Get Passes button. You will taken to our movie screening partner site (where you can sign up for a free account). Once you’ve done so, you’ll be able to print out your pass and bring it with you to your screening or event.

Admittance into a screening or event is not guaranteed with your pass. Events and advance screenings are filled on a ” first come, first served ” basis. To ensure that you stand a good chance of being admitted, we recommend that you show up 30 minutes to one hour early.

The number of admissions that are permissible for each pass are printed clearly on the ticket that you print out. You are allowed to bring as many guests as is indicated on your pass. For example, if your pass is for ” Admit Two, ” you can bring yourself and one guest. If you have an ” Admit One ” pass, you can bring only yourself.

If you have any other questions or comments, please contact us.

American Made Trailer

AMERICAN MADE 

In Universal Pictures’ American Made, Tom Cruise reunites with his Edge of Tomorrow director, Doug Liman (The Bourne Identity, Mr. and Mrs. Smith), in this international escapade based on the outrageous (and real) exploits of a hustler and pilot unexpectedly recruited by the CIA to run one of the biggest covert operations in U.S. history.

Based on a true story, American Made co-stars Domhnall Gleeson, Sarah Wright, E. Roger Mitchell, Jesse Plemons, Lola Kirke, Alejandro Edda, Benito Martinez, Caleb Landry Jones and Jayma Mays.

The film is produced by Imagine Entertainment’s Academy Award®-winning producer Brian Grazer (A Beautiful Mind), Cross Creek Pictures’ Brian Oliver (Black Swan) and Tyler Thompson (Everest), Quadrant Pictures’ Doug Davison (The Departed), and Kim Roth (Inside Man).  Gary Spinelli wrote the screenplay.

Cast: Tom Cruise, Domhnall Gleeson, Sarah Wright, E. Roger Mitchell, Jesse Plemons, Lola Kirke, Alejandro Edda, Benito Martinez, Caleb Landry Jones, Jayma Mays

Directed by: Doug Liman

Writer: Gary Spinelli

Produced by: Brian Grazer, Brian Oliver, Tyler Thompson, Doug Davison, Kim Roth

Executive Producer: Ray Angelic

In Theaters September 29th

http://www.fandango.com

Atomic Summer is here!!

Leading up to the July 28 release, Focus Features will be bringing the heat by giving fans exclusive looks at ATOMIC BLONDE throughout the summer.  The first clip is “Chapter 1: Father Figure”…

Oscar® winner Charlize Theron explodes into summer in Atomic Blonde, a breakneck action-thriller that follows MI6’s most lethal assassin through a ticking time bomb of a city simmering with revolution and double-crossing hives of traitors.

The crown jewel of Her Majesty’s Secret Intelligence Service, Agent Lorraine Broughton (Theron) is equal parts spycraft, sensuality and savagery, willing to deploy any of her skills to stay alive on her impossible mission. Sent alone into Berlin to deliver a priceless dossier out of the destabilized city, she partners with embedded station chief David Percival (James McAvoy) to navigate her way through the deadliest game of spies.

A blistering blend of sleek action, gritty sexuality and dazzling style, Atomic Blonde is directed by David Leitch (John Wick, upcoming Deadpool 2). Also starring John Goodman, Til Schweiger, Eddie Marsan, Sofia Boutella and Toby Jones, the film is based on the Oni Press graphic novel series“The Coldest City,” by Antony Johnston & illustrator Sam Hart. Kurt Johnstad (300) wrote the screenplay.

Official Website | Facebook | Twitter | Instagram |#AtomicSummer #AtomicBlonde

In Theaters July 28th

http://www.fandango.com

Alien: Covenant Movie Review

While the Alien Covenant film is tolerable, mostly due to the visuals, the crew you should be rooting for during any crisis they may be facing is less than memorable.  None of the characters are especially noteworthy and you won’t grow particularly fond of anyone as the story progresses.  It’s this connection that’s needed and is so important for a story like this to propel you into the world they inhabit. 

Fearing for a character’s safety, especially in this particular franchise, is paramount to it being a success.  Though Covenant does bring back the horror element that was more dominant in the first film, Alien, it doesn’t quite capture the consternation that the original had.  That said, it is more on the gory side of the horror, sci-fi genre.   It’s set about a decade in the aftermath of Prometheus, a film not well loved by the Alien faithful.  Though the film may not have been well received, Michael Fassbender was and is in this film, as well.  He’s back as David and also as Walter, another synthetic.  Walter looks like David, has many of the qualities of David except for one little important difference.  I’ll let you discover that on your own.

Walter Minds the crew and the ship, Covenant, as its crew members and cargo of pilgrims make their journey to another planet similar to our own in the hopes of colonizing it.  A short time passes and, of course, insert one of the typical problems that happen in films where spaceships are floating along in deep space; they’re hit by something that does damage.  This also awakens most of the crew who have been in a deep sleep… killing a few along the process.

They receive a strange message from a planet closer to the one they had originally charted their course for.  This seems a little too convenient but the captain (Crudup) says it’ll be worth a shot and they set out for this planet instead.  This is where it really gets sloppy because the things these skilled professionals are doing say to a filmgoer that the filmmaker doesn’t take your intelligence into consideration when creating a story.  Several things happen that get different members of the crew ill when they land on this unknown land.  They aren’t really quarantined which leads to more devastation but at least it’s entertaining.  Per usual, the effects are great and the visuals of the first person, who shows signs of being taken over by a foreign entity and thusly being killed by it, is ghoulish and eerie… everything you could have hoped for.

Eventually they find David who has been alone here (obviously he’s the one who would have sent the message for them to pick up) and he and Walter get to know one another; and as long as you don’t get lost as to which is which it’s fairly easy to deduce that one is up to something and the other is now a useful pawn.

A spaceship has issues; check.  We have aliens; check.  The film has formulaic touches you’d expect it to have; check.  Unfortunately, its pacing is slow and flat in the beginning and the characters so drab, (which is sad because one is supposed to be the descendant of Ripley from Alien) that it’s hard to really get into it.  There are so many, if you really want to tear it apart, problems with it that if you concentrate on them, your brain will explode so, best not to.  One specific thing I feel I must address, though, is their brains.  This crew does this for a living and they just disregard all policy, procedure, rules and… all common sense the minute they land on a strange planet?!  It makes no sense so try not to think about it too much.  Just let things that defy logic or are the completely unexplained go.  If you love sci-fi films and the Alien franchise as a whole, you might have some need for this.  You’re not going to totally dislike it, you’re just not going to love it.  It’s not the worst of the bunch; however, it’s certainly not the best.  Rumor is there will be a few more of these… I hope Scott turns the helm over to someone who can steer a little better.

ALIEN: COVENANT Official Channels

SITE: AlienCovenant.com 

FACEBOOK: https://www.facebook.com/AlienAnthology/ 

TWITTER: https://twitter.com/AlienAnthology 

INSTAGRAM: https://www.instagram.com/AlienAnthology/

 #AlienCovenant

BABY DRIVER announces a first of its kind sponsored Geofilter Contest on Snapchat

CULVER CITY, CA, May 15, 2017 – TriStar Pictures and MRC’s upcoming highly anticipated new film BABY DRIVER announced today a first of its kind sponsored Fan Art Geofilter Contest on Snapchat.  Since the film’s rapturous debut at this year’s SXSW Film Festival, fans have flocked to social media to show off their fan art inspired by the movie.  In turn, the studio began a consistent #FanArtFriday campaign on the film’s social media handles to display the creativity from these fans.  For the contest, users can simply go to https://BabyDriverFanArt.com between now and May 24th to submit their BABY DRIVER fan art (creative guidelines and official rules are available on the site).  BABY DRIVER’s writer/director, Edgar Wright will judge the entries himself and the winning submission will run as a Snapchat Geofilter at a nationwide theater chain the week of the film’s release, starting on opening day, Wednesday, June 28th.   This is the first time a studio will showcase fan art from a Geofilter contest on Snapchat.

In BABY DRIVER, a talented, young getaway driver (Ansel Elgort) relies on the beat of his personal soundtrack to be the best in the game. When he meets the girl of his dreams (Lily James), Baby sees a chance to ditch his criminal life and make a clean getaway. But after being coerced into working for a crime boss (Kevin Spacey), he must face the music when a doomed heist threatens his life, love and freedom.

            BABY DRIVER stars Ansel Elgort, Kevin Spacey, Lily James, Jon Bernthal, Eiza Gonzalez, with Jon Hamm, and Jamie Foxx.

            The film is written and directed by Edgar Wright.  Producers are Nira Park, Tim Bevan, and Eric Fellner, and Executive Producers are Edgar Wright, Adam Merims, Rachael Prior, Liza Chasin, and Michelle Wright.

            BABY DRIVER opens in theaters nationwide on Wednesday, June 28th.

ABOUT SONY PICTURES ENTERTAINMENT
Sony Pictures Entertainment (SPE) is a subsidiary of Sony Entertainment Inc., a subsidiary of Tokyo-based Sony Corporation. SPE’s global operations encompass motion picture production, acquisition and distribution; television production, acquisition and distribution; television networks; digital content creation and distribution; operation of studio facilities; and development of new entertainment products, services and technologies. For additional information, go to http://www.sonypictures.com.

Free Fire Movie Review

Free Fire is another terrific A24 release.  They seem to be cornering the market on must see films.  With outstanding and unique movies such as Room, Locke, The Lobster, The End of the Tour, American Honey and the 2016 Academy Award winning best picture, Moonlight, all which were well received when released, it seems A24 isn’t afraid to take a chance on something out of the norm… and we’re all the better for it.

Much in the same way that Pulp Fiction captured its audience by being surprisingly and overwhelmingly unconventional, Free Fire does that same thing.  If people are telling you to see this film, as I am now, listen to them.

It’s a fun movie with characters that are so well defined they grab you right away and you never once want them to let you go… and they don’t.  The acting is unbelievable.  The talent who worked from this uncommonly witty script was perfectly cast, never dropping character or ever releasing you from the story they’ve pulled you into until the credits roll.

Sharlto Copley and his group play gunrunners selling guns on the black market.  He is almost the singular reason to watch this film.  His Vern is the epitome of the word coward yet he hides behind a thin veneer of self-possessed hooligan that anyone can see straight through.  On this night, they are selling guns to an IRA buyer by the name of Chris (Murphy) and his group.  They are led into an old warehouse to meet Vern by a well-dressed, slick talker named Ord (Hammer) who sets the rules for the meeting.  Not long into the meeting… something goes wrong.  Once this happens, the film becomes a free-for-all where ridiculously hilarious words are exchanged as the two groups begin to also fire at one another.

Not wanting to reveal too much of the plot to encourage your interest in seeing this than there needs to be, I will say that if comedy plus action is your thing then there’s no way you can go wrong by giving this movie your full and immediate attention at the theatre today.  Armie Hammer is outstanding handling the dialogue with his brand of dry humor. 

Brie Larson, the only woman in the cast (and don’t think that isn’t addressed) who tries her best to calm the situation, gives the film that ladylike touch of femininity only a brave yet tender woman can bring.  I don’t have the space to tell you about everyone else.  There isn’t one character who’ll disappoint.

I can’t say enough about Free Fall and I do realize that I’ve barely said a thing but you’ll have to trust me on this one… this is insanely funny!  It’s a powerfully strong comedy that centers around an epic shootout where the characters screaming insults back and forth escalate the situation to the point of being barbaric.  It’s genius.  There are so many erratic, off the wall moments in this film that you’ll be turning around planning on seeing it a second time so that you can catch all the ones you missed.  Well done Ben Wheatley and Amy Jump for this magnificent movie.