Dunkirk Movie Review

I think that with Dunkirk, Christopher Nolan, writer/director of such outstanding films as Memento, The Dark Knight Trilogy, Inception and Interstellar, will finally get his Best Director Oscar Nomination, if not win.  He could possibly capture gold from the Academy for Best Screenplay, as well.  This is a near perfect film.  It’s hard to find a flaw in the presentation of its visuals and its sound.  To find something, one would have to be really digging for it and if you are, you’re certainly missing the entire point of this beautifully crafted piece. 

Dunkirk is meant to enlighten you as to what people will do to help one another endure when pushed to the brink of survival; even if they themselves don’t make it.  People were willing to risk their lives to be sure others survived at Dunkirk.  These people were just every day British citizens and those they were rescuing were the 400,000 British soldiers, trapped on a beach in France just over twenty miles from the shores of England.  I knew nothing of their heroism but it is well displayed here and the only way to see how and why they were so desperately needed and welcomed is at your nearest IMAX theatre; THIS I can’t stress enough.

The story centers around three different points of view of this agonizing situation; by land, by air and by sea.  Prepare yourself because shortly after the opening, the story and the accompanying music is relentless as it crescendos to a crowning finish.  You’ll be clutching your seat and biting your lip watching these poor souls do whatever it takes to live through the night.  Tom Hardy is a pilot with an eagles eye look on the entire goings on.  It was interesting seeing a war film from this perspective and, once again as he did with Bane in The Dark Knight Rises, he’s able to suck you into his character with just his eyes since his face is covered with an oxygen mask the entire time.

On the land portion, you’re with the most vulnerable in the attack; the soldiers who are stuck with nowhere to go.  These men are the last chance England has of fending off the advancing attack from the Germans.  If they fall they’ll lose the war.  Had things not happened the way they did, the history books would read very differently right now.  German soldiers are moving in on the town on one side of the beach.  The British and French soldiers are dodging their bullets to get to the beach where they are hoping to get onto a ship to sail to England.  The trouble here is that the ships can’t get to them because the water is too shallow.  With no other choice but wait, they are also having bombs dropped on them from the German Air force.  They are bona fide sitting ducks.  The cast of young actors, Fionn Whitehead and Harry Styles among them, do a fine job of expressing fear as well as the spirit of duty to their homeland.  You will weep when you put yourself in their place, which you can’t help but do.  In the opening scene alone it becomes hard to peg this film a Drama or an Action.  The two genres work together from there to move you and they never stop their assault.

On the sea, you meet a few of the heroes who volunteer their vessel and their time to bring the boys home.  Mark Rylance does a beautiful job of explaining to his sons, and to one soldier he rescues, why it’s important that they go to Dunkirk.  It’s their duty.  The way he said the word Dunkirk still rings in my ears… the speech was so filled with passion. 

What Christopher Nolan did so well to bring this true story to life was to, basically, keep it as simple as possible so that the important and more meaningful events stood out most.  There was no narrative or unnecessary scenes explaining who the people in the film were. 
There was no need to overwhelm you or pollute the screen with names, dialogue, back stories and plotlines that led you anywhere but on that day, on that beach, in that ocean or looking down on it all.  This also keeps you in their skin and involved in their conflict at all times, maneuvering the plane, running from the bombs and dodging the bullets. 
When you see the boats come for them, you’ll remember the tag line on the poster that says, ‘When 400,000 men couldn’t get home, home came for them’ and a shiver will run down your spine.  Just try not to cry along with Kenneth Branagh who, if you didn’t love before this, you will after. 
Enjoy the film and remember, don’t cheat yourself out of seeing this on an IMAX screen; the way it was meant to be seen.

The Disaster Artist Trailer

Based on Greg Sestero’s best-selling tell-all about the making of Tommy Wiseau’s cult–classic disaster piece THE ROOM (“The Greatest Bad Movie Ever Made”), THE DISASTER ARTIST is a hilarious and welcome reminder that there is more than one way to become a legend– and no limit to what you can achieve when you have absolutely no idea what you’re doing. 

STARRING:  Dave Franco, James Franco, Seth Rogen, Ari Graynor, Alison Brie, Jacki Weaver, Josh Hutcherson

DIRECTED BY:  James Franco

In Theaters December 1

http://www.fandango.com

Home Again Trailer

HOME AGAIN stars Reese Witherspoon (“Big Little Lies,” Wild, Walk The Line, Sweet Home Alabama) as Alice Kinney in a modern romantic comedy. Recently separated from her husband, (Michael Sheen), Alice decides to start over by moving back to her hometown of Los Angeles with her two young daughters. During a night out on her 40th birthday, Alice meets three aspiring filmmakers who happen to be in need of a place to live. Alice agrees to let the guys stay in her guest house temporarily, but the arrangement ends up unfolding in unexpected ways. Alice’s unlikely new family and new romance comes to a crashing halt when her ex-husband shows up, suitcase in hand. HOME AGAIN is a story of love, friendship, and the families we create.  And one very big life lesson: Starting over is not for beginners.

Cast: Reese Witherspoon, Pico Alexander, Nat Wolff, Jon Rudnitsky, Michael Sheen, Candice Bergen, and Lake Bell

Directed by: Hallie Meyers-Shyer

Written By: Hallie Meyers-Shyer

Produced By: Nancy Meyers and Erika Olde

Distributor: Open Road Films

#HomeAgainMovie

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In Theaters Sept 8th

http://www.fandango.com

War for the Planet of the Apes Movie Review

When the ‘Planet of the Apes’ franchise restarted in 2011, the focus was on how the apes got started and how humans lost control of the planet. “Rise of the Planet of the Apes” focused on Caesar (Andy Serkis) who become a genetically-enhanced ape. Then in 2014, “Rise of the Planet of the Apes” moved forward with a large group of very intelligent apes fighting off the remaining humans, who had been killed off by a world-wide simian flu. The next movie is “War for the Planet of the Apes” and it brings the human/ape conflict to breaking point.

In this movie, the apes are gaining much more control. But there is a breakaway Army group that has a blood-lust for killing every last ape. Caesar is still in control, and the splinter military group is led by The Colonel (Woody Harrelson), a sadistic monkey-killing machine. The Army group invades the apes’ nesting area, and Caesar’s wife is killed. He goes to seek revenge on The Colonel with his friends Maurice (Karin Konoval) and Rocket (Terry Notary). They meet up with an orphaned human girl, and decide she can come with. They call her Nova (Amiah Miller).

On the way they meet an escaped monkey from a zoo, who calls himself ‘Bad Ape’ (Steve Zahn). Bad Ape knows that The Colonel has camped in an abandoned weapons depot. The military has captured all the apes from Caesar’s village and are holding them as prisoners. Caesar is caught also, and he meets The Colonel who explains his plans. All the apes are used as forced labor to rebuild a defensive wall around the depot to protect the soldiers. Caesar correctly guesses that the wall is not being built to keep out the apes. The Colonel is building the wall to keep out the actual military, which are after The Colonel and his extremist ideas – and his radical followers.

The tiny group of apes outside the compound finds a way to get into the compound. Soon they are breaking out all the imprisoned apes, and even Caesar is let free, but first he must confront The Colonel one last time. He regular Army attacks, and all hell breaks loose. The apes have beaten the humans, and it may not be the last time…

This movie is the exciting conclusion of the rebooted ‘Planet of the Apes’ trilogy. The story is sleek and streamlined, with many references to other movies. There is a little bit of “Apocalypse Now”, “The Great Escape” and “Stalag 17”, along with shades of the Moses story from the Bible. Even with diverse sources, the movie ties it all together with a single sang. The motion-capture work done by the actors to play the apes is incredible. Andy Serkis would be an Oscar winner if they would give them out for “Best Performance as a Different Species”.  Woody Harrelson is perfect playing a bat-crazy loon that happens to control a large cache of Army weapons. Steve Zahn does a great job being a bit of humor relief in a tense and serious movie.

The direction is direct and to-the-point, and gets you into the story with no problem. The cinematography is beautiful in the wide-open shots, and it can be frantic and driven in the battle scenes. The movie score is quite good and does not overload the action on screen. But the way the actors can make a fictional ape come alive with all the feelings and emotions, well — that is worth even a second viewing.

The original plan was to make these three movies for the ‘Planet of the Apes’ reboot project. But seeing how much better each movie has become, and how polished the story is progressing – it would not be a surprise to hear of a new effort in a short while. So if you are interested to see if the third picture is a series can be any good, then see this. There are no little yellow minions and no little cartoon cars. There is only a great story with an amazing amount of acting that is CGI-enhanced.

The Journey Movie Review

This is an incredibly fascinating film.  It’s about the past without showing too much of it visually.  Their past is that the Catholics want Northern Ireland to be independent of England and the Protestants approve of England ruling over them.  The war that has been going on has caused many deaths due to bullets flying by and bombs going off.  Even children aren’t immune to the carnage.  Times have changed and the new Prime Minister of England Tony Blair (Stephens), wants to work to end this fight once and for all.

The Journey stars Colm Meaney, as former Irish Republican Army (IRA) leader, Martin McGuinness, who plays the role of the Protestant.  Meaney has worked in the film business since 1981 and in television before and since.  He has 117 acting credits which is quite a feat.  You’ve seen him in such films as The Dead, Far and Away, The last of the Mohicans and Layer Cake among others.  The man opposite him, playing the profoundly conservative British loyalist or Catholic, Ian Paisley, is Timothy Spall.  Spall started work in the entertainment business at virtually the same time as Meaney.  He has a few more credits than Meaney has though you may recognize him most for his work as Peter Pettigrew in the Harry Potter franchise.  He has worked in films such as The Missionary, Love’s Labour’s Lost, A Series of Unfortunate Events and did voice work in Chicken Run and Alice Through the Looking Glass to name a few. 

These two people primarily carry the entire film without dropping character once.  The Journey is a story of two strong-headed men who have been keeping a civil war going on now for almost forty years. 

When they were younger, they were called as The Troubles; now they are referred to as politicians.  It’s 2006 and time to engage in what comes to be known as the Northern Ireland peace talks.  Maybe this war for Northern Ireland can end and if so, these two men are a big part of making that happen smoothly; if it can happen at all.  Getting them in the same room together is hard enough but, ‘talking’, as well?!?  That’s a ludicrous notion but it’s worth a try.  These two could continue a war or end it with just a simple handshake.  What happens once they’re in the limo together, however, is quite riveting indeed.

All of the performances in The Journey are outstanding but these two stood out because they were such a big part of the script.  I’d guess that at least ž of the film is just these two talking but don’t let this scare you away.  They’re so good that the dialogue they speak, how they’re delivering it and the information they’re serving you will have you feeling as if you had just been in an entertaining lecture.  It was mastery the way the story of these two men unfolded and I’m here to be a voice for a film that I might not have noticed by just the title.  I don’t want you to miss it.  Don’t be frightened by the fact that they are alone most of the excursion.  They’re absorbing and move everything forward with skill and precision.  I’m not certain, had the roles gone to other actors that it would have turned out as good, to be honest. 

Looking at the work they’ve done in the past might give you a sense of how good they are in this and thusly how good the movie will be.  If you like history, as I do, I’ll ask you to trust me about this and be sure not to miss this well-crafted gem.  Some history buffs may not appreciate exactly how the two characters get together because they weren’t going for historical accuracy but that aside, how their relationship unfolds is of little consequence when put next to the larger picture of the ultimate prize.  I don’t want to say what happens in the end in case you don’t know but do watch the credits for pictures of the real Martin and Ian.

The Last Face Movie Review

I’m giving this film probably more praise than most because in its heart is such a good message and the performances are marvelous.  It’s so well cast.  Some scenes, though not many, are done staggeringly well.  Theron knocks it out of the park as an international aid organization director, Dr. Wren Petersen.  She hits a home run in this role!  She’s a scene stealer more than once when she shows how vulnerable she is yet how powerful she can be when pushed.  It’s downplayed but Bardem is sexy as Dr. Miguel Leon, a relief-aid doctor who has equal heart and hormones to give.  When Wren sees this dark haired, male version of everything she has always wanted to be, she has to know him. 

Sean Penn, two-time Academy AwardÂŽ winner and the director of the film, loves a cause and this certainly fits the agenda, however, some of its significance may have been lost due to confusing the narrative of humanitarians and their work with a love story that seems out of place.  Don’t fret.  By the end of the movie, it does seem to come together but one shouldn’t have to put so much work into something to keep track of what the theme is. 

It’s beautifully shot and is compelling; this story of international aid relief, but it seems to fall apart structurally.  With this director, I can’t figure out why.  Perhaps because you can’t fit a love affair into the middle of a ferocious battle of a Liberian Civil War.  Are you losing your vision?  Yes, I believe it’s possible to fall in love in any circumstance but maybe when we want to make a certain statement, stay the course rather than wander off into La-La Land. 

When it’s on topic, this movie is brutal and hellish.  Penn doesn’t pull any punches when he aims for the target.  War is savage and in this very graphic film, he wants you to see it and maybe, for once, realize this is what people are living with every single day of their lives.  It’s quite shocking to see an infant killed in front of its mother for no reason, villagers running for their lives, with bullets ripping through bodies of the people they are trying to outrun and babies die because they dare be born.  It’s also horrific to see young soldiers being brainwashed and turned into monsters who can do despicable things without a thought. 

No training prepares doctors for what they’ll see in Africa but they try to only see that they are needed and Penn wants you to see that they are always needed.  Compassion is needed.  People are starving.  People are dying.  People should be able to just be… like we can.  Well, same goes for these two lovers.  With their work keeping them apart, they want a chance to just keep this incredibly difficult relationship alive while staying alive themselves.

So, it may be almost impossible for some to keep up with the back and forth between past and present with these characters.  The, ‘are they or aren’t they?’ gets a bit old when you aren’t 100% sure of the timeline you’re in but I think it’s worth a watch.  Is it a theater watch?  No.  Wait for VOD.  It’s worth it to see if this couple is a casualty of war. 

The Greatest Showman Trailer

THE GREATEST SHOWMAN

Director:  Michael Gracey

Story by Jenny Bicks

Screenplay by Jenny Bicks and Bill Condon

Producers: Laurence Mark, Peter Chernin, Jenno Topping

Cast: Hugh Jackman; Zac Efron; Michelle Williams; Rebecca Ferguson; Zendaya.

 

SYNOPSIS

Inspired by the imagination of P.T. Barnum, The Greatest Showman is an original musical that celebrates the birth of show business & tells of a visionary who rose from nothing to create a spectacle that became a worldwide sensation.


THE GREATEST SHOWMAN Official Channels

Website: TheGreatestShowman.com 

Facebook: www.facebook.com/GreatestShowman

Twitter: www.twitter.com/GreatestShowman

Instagram: www.instagram.com/greatestshowman

 #GreatestShowman

In Theaters December 25th

http://www.fandango.com

Here’s a chancence to experience a special Planet of the Apes triple feature on Wednesday, July12th

TWENTIETH CENTURY FOX FILM TO HOLD SPECIAL PLANET OF THE APES TRIPLE FEATURE

Audiences Will Have the Chance to Experience the Trilogy in Full and Be Among the First to See “War For The Planet Of The Apes” In RealD 3D

LOS ANGELES, CA (June 23, 2017) – To celebrate the epic final showdown between apes and humans in the upcoming War for the Planet of the Apes, Twentieth Century Fox Film will give audiences a chance to experience a special Planet of the Apes triple feature on Wednesday, July12th.  For one price, Planet of the Apes fans will be able to see Rise of the Planet of the Apes in 2D, Dawn of the Planet of the Apes in 3D, and be among the first to see the upcoming War for the Planet of the Apes in 3D.   An exclusive commemorative item will be available to all guests who attend the Planet Of The Apes Triple Feature in RealD 3D, while supplies last.  This exclusive artwork is produced by Shepard Fairey in collaboration with Studio Number One.

  

Tickets for War for the Planet of the Apes and the triple feature are now on sale at:

http://www.apesmovietickets.com/

All films are rated PG-13.

In War for the Planet of the Apes, the third chapter of the critically acclaimed blockbuster franchise, Caesar and his apes are forced into a deadly conflict with an army of humans led by a ruthless Colonel.  After the apes suffer unimaginable losses, Caesar wrestles with his darker instincts and begins his own mythic quest to avenge his kind.  As the journey finally brings them face to face, Caesar and the Colonel are pitted against each other in an epic battle that will determine the fate of both their species and the future of the planet.

Twentieth Century Fox Film will release War for the Planet of the Apes in theaters everywhere July 14th.

 

About Twentieth Century Fox Film

One of the world’s largest producers and distributors of motion pictures, Twentieth Century Fox Film produces, acquires and distributes motion pictures throughout the world.  These motion pictures are produced or acquired by the following units of Twentieth Century Fox Film:  Twentieth Century Fox, Fox 2000 Pictures, Fox Searchlight Pictures, Fox International Productions and Twentieth Century Fox Animation.

The Beguiled Movie Review

The Beguiled is a film based on a film based on a novel.  The previous film is from 1971 and starred Clint Eastwood.  I haven’t seen the original but it is definitely in my plans for summer watching after seeing writer/director Sofia Coppola’s take on Thomas P. Cullinan’s written work.  Before getting into the film, I’d like to mention that I’m glad it was made.  Not only am I happy to re-enter the world of 70’s classics but this is another film that solidifies the reemergence of three of its stars careers, not to mention the director’s, as well.  The Beguiled earned Coppola some praise from Cannes this year which means more films from her for me to watch; pretty well always a good thing.  I had all but given up on Kirsten Dunst.  She has worked throughout the years, but she needed a film to introduce her as a grown up and this seems to be that film.  Nicole Kidman is always good but I want more of her.  She has this innate ability to weave in and out of characters and makes them completely believable; she’s flawless.  I applaud her work and with Lion and this, I believe she should be considered the new Streep.  Work more, woman!  Colin Farrell hasn’t been in much either but he seems to be choosing parts very selectively, of late.  His roles seem to be more developed.  With The Lobster, the best work he’s done in my opinion, and this, I think we’ll see him continue to play in the arena with the big boys. 

Now that I’ve let you know you won’t be disappointed in the cast, let me tell you a bit more about the film itself.  The Beguiled is set during the Civil War.  It’s the story of a Union soldier in the south, John McBurney (Farrell), who after being wounded badly in the leg, is found by a kind little girl who gets him help.  She takes him to her all-female boarding school.  The school is being run by two women, headmistress Martha Farnsworth (Kidman) and a teacher by the name of Edwina Dabney (Dunst).  They’re not too excited about a wicked man from the north being in their school but they are women of God and decide the Christian thing to do is to help him.  Luckily Martha is good with a sewing needle.

The ages of the girls in the school range from around 10 to late teens, Alicia, (Fanning) being the oldest.  The girls aren’t around men and are all aflutter when one so good looking is in their midst.  Some aren’t happy that he’s a yank and want to hand him over to the soldiers on their side but still are smitten.  This is incredibly delightful to watch play out.  I was ecstatic that the film was directed by a woman because Coppola really plays to her female audience with the way the girls fawn over him.  As he’s on the mend, each parades into his room to entertain him in every way they can think of.  They pay more attention to their wardrobes, too, as they fall in love with their charge.  It’s obvious to John, Martha and Edwina that the girls are batting their eyes quite a bit.  While watching some of these scenes, you’re propelled back to a time when you felt the flush of love in your young cheeks.  It’s adorable.  Martha and Edwina have also noticed his lovely face, very friendly character and that he’s in terrific shape; makeup and jewelry become the order of the day.

John is aware that the women are in need of company and begins to take advantage of that fact.  They entertain him in many ways as he plays to their affections.  Sexual tension builds which brings out the comedic aspect of the film but also many dark elements as it, in many ways, gets to the heart of humankind.  This being the case, you have a very well paced, well written, incredibly well-acted film that Coppola may consider her best to date.  Each girl is very accomplished for her age, plays to her strength and is genuine in her role, particularly Rice whom I believe is the best find since her co-star Fanning.

This is a see this weekend.  Take a wee small break from the summer actions or you’ll never forgive yourself.  This movie deserves your attention.  Okay, could the movie have ended better?  Yes.  It was so good but the ending does have some degree of disappointment, however, it’s quality work from awe-inspiring talent and you will not walk away unsatisfied. 
*Limited release in NY and LA today; nationaly release on June 30th! 

‘Making History’ a War for the Planet of the Apes Featurette

“Making History” highlights Andy Serkis’ amazing performance in WAR FOR THE PLANET OF THE APES and the incredible VFX work done by Weta Digital to bring this movie to life.

Over the course of three films, Weta Digital has mastered the art of translating human actors to apes. The apes level of sentience has developed throughout each film and so too have Weta Digital’s techniques and toolsets. Developing some of the most advanced techniques in the industry Weta artists employ these tools to create exceptional CG characters.

 

WAR FOR THE PLANET OF THE APES

Action/Drama

Release: July 14, 2017

Director: Matt Reeves

Written by: Mark Bomback & Matt Reeves

Producers: Peter Chernin, Dylan Clark, Rick Jaffa & Amanda Silver

Cast: Andy Serkis, Woody Harrelson, Steve Zahn, Amiah Miller, Karin Konoval, Judy Greer & Terry Notary

 

SYNOPSIS

In War for the Planet of the Apes, the third chapter of the critically acclaimed blockbuster franchise, Caesar and his apes are forced into a deadly conflict with an army of humans led by a ruthless Colonel.  After the apes suffer unimaginable losses, Caesar wrestles with his darker instincts and begins his own mythic quest to avenge his kind.  As the journey finally brings them face to face, Caesar and the Colonel are pitted against each other in an epic battle that will determine the fate of both their species and the future of the planet.

 

WAR FOR THE PLANET OF THE APES Official Channels

WEBSITE: WarForThePlanet.com

FACEBOOK: https://www.facebook.com/ApesMovies

TWITTER: https://twitter.com/ApesMovies

INSTAGRAM: https://www.instagram.com/ApesMovies/

#WarForThePlanet