Boy Erased Trailer

“Boy Erased” tells the story of Jared (Hedges), the son of a Baptist pastor in a small American town, who is outed to his parents (Kidman and Crowe) at age 19.  Jared is faced with an ultimatum: attend a conversion therapy program – or be permanently exiled and shunned by his family, friends, and faith.  Boy Erased is the true story of one young man’s struggle to find himself while being forced to question every aspect of his identity.

Starring:  Lucas Hedges, Nicole Kidman, Russell Crowe, Joel Edgerton, Cherry Jones, Michael “Flea” Balzary, Xavier Dolan, Troye Sivan, Joe Alwyn, Emily Hinkler, Jesse LaTourette, David Joseph Craig, ThĂ©odore Pellerin, Madelyn Cline, and Britton Sear

Writer/Director: Joel Edgerton (“The Gift,” “Loving”), based on Boy Erased: A Memoir of Identity, Faith and Family by Garrard Conley

Producers: Steve Golin, Kerry Kohansky-Roberts, Joel Edgerton

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In Theaters November 2, 2018

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Bohemian Rhapsody Trailer

BOHEMIAN RHAPSODY

Bohemian Rhapsody is a foot-stomping celebration of Queen, their music and their extraordinary lead singer Freddie Mercury. Freddie defied stereotypes and shattered convention to become one of the most beloved entertainers on the planet. The film traces the meteoric rise of the band through their iconic songs and revolutionary sound.

They reach unparalleled success, but in an unexpected turn Freddie, surrounded by darker influences, shuns Queen in pursuit of his solo career. Having suffered greatly without the collaboration of Queen, Freddie manages to reunite with his bandmates just in time for Live Aid. While bravely facing a recent AIDS diagnosis, Freddie leads the band in one of the greatest performances in the history of rock music.

Queen cements a legacy that continues to inspire outsiders, dreamers and music lovers to this day. 

Starring: Rami Malek, Lucy Boynton, Gwilym Lee, Ben Hardy, Joseph Mazzello, Aidan Gillen, Tom Hollander, Allen Leech and Mike Myers

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In Theaters November 2, 2018

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SKYSCRAPER Movie Review

Somehow someone settled on the title ‘Skyscraper’ for this new action film starring Dwayne Johnson. After watching, I think a better title may have been ‘101 Ways to Best Use Duct Tape.’ At no time ever has an action film had its star running around trying to be the hero with almost nothing at his disposal except for this ‘strong, cloth-backed, waterproof, pressure sensitive, adhesive, miracle-working cure-all. But writer/director Rawson Marshall Thurber does and it sorta works believe it or not. Maybe an even better title would be ‘101 Uses for Duct Tape-Towering Inferno Dies Hard.’ I might sound as if I’m being a little harsh with the comparisons to earlier films, ‘The Towering Inferno’ with Paul Newman and ‘Die Hard’ with Bruce Willis but I assure you if you’ve seen them, you’ll do the same. ‘Skyscraper’ is that predictable. I did enjoy the excitement and taking the journey but as almost anyone who has seen a big budget action thriller will say, the script was hardly original.

Instead of a police officer from New York running around inside a building in L.A. trying to stop German bad guys from making a profitable getaway in a giant high rise where his wife is held hostage, we have Scandinavian bad guys doing almost the same thing. However, our hero is Will Sawyer (Johnson), an ex-FBI agent who is also from America but this time the building is in Hong Kong. There are other similarities, but you get the picture. ‘The Towering Inferno’ references are obvious without my having to mention them, I’m sure. Oh, I have to mention that the end of ‘Rocky’ is in there, too, but you’ll catch that without my having to point it out to you.

After tragedy strikes in his past, Will becomes an independent security consultant working from home. He’s delighted to get a chance to work in the largest building in the world ‘The Pearl’ in Hong Kong, through an old friend who gets him the job. His job is to make sure the building is 100% secure and ready to be insured so that the giant residential section can now be opened to the public. This building is immense, beautiful and boasts all the possible amenities a high-tech building could have and all the updates. The units will sell quickly. Its eccentric builder and owner loves his building so much that he lives in the penthouse. Until his task is done, Will, with family in tow, are the only people presently staying in the building until his job is completed.

Neve Campbell plays his wife, Sarah, who’s ex-military. She is both mentally and physically strong. You’ll like her, particularly toward the end of the film where she gets to land a good swift kick to an irritatingly absurd character; but their children are not at all realistic. They are way too calm in the ‘heat of the moment’ so to speak. If I’m a little kid and I’m faced with burning to death or falling to my death, I’m not going to be calmly, statically asking mommy if I was going to die. I’d be screaming bloody murder!! Maybe you don’t want to go too realistic with it but c’mon! A little emotion would have been nice to sell SOME panic in SOMEONE!

Villains take over the building and, wanting something from the owner, set it on fire. They will get what they want this way, right? Seeing the chaos at The Pearl and getting set up as the guy who started it, Will must get in to save his family. Not a challenge for Johnson! Nah. He scurries up a construction crane, a blood pressure raising scene, by the way, and gets himself inside. Every movie he makes is live streamed to the public and is being watched by a crowd who has gathered below. Based on what they see, they’ve deemed him someone innocent of charges being thrown about on the news and worthy of getting through this whole mess he’s in, so they cheer his every successful move; each of which is mostly predictable had it not been for one thing
 that duct tape! I’d fill you in more but would prefer you discover what he’s doing with it on your own. It’s better this way. Trust me.

‘Skyscraper’ is Dwayne Johnson in an action flick. Awesome! The poster is good and the trailer is good so, we’re all going to go see it. No matter what you hear, despite your best judgment, Rotten Tomatoes rating aside, you’re gonna go see it because
 why not? It has everything an action film needs. Great CG and visual effect, strong characters that you want to see do well, provocative, albeit somewhat weak, story (despite its glaring references to other pictures) and most importantly, the suspension of disbelief. You’ll lose yourself in the film for a little while and isn’t that the whole reason to go see a movie like this? It’s nothing new but you’ll have fun. Go so seeing this one on the big screen this weekend. It’s the way to go with this type of movie.

Life Itself (2018) Trailer

From Amazon Studios comes ‘Life Itself’

Written and Directed By Dan Fogelman

Starring Oscar Isaac, Olivia Wilde, Mandy Patinkin, Olivia Cooke, Laia Costa, with Annette Bening and Antonio Banderas

Produced By Marty Bowen, Wyck Godfrey and Aaron Ryder

As a young New York couple goes from college romance to marriage and the birth of their first child, the unexpected twists of their journey create reverberations that echo over continents and through lifetimes in Life Itself. Director and writer Dan Fogelman (“This Is Us”) examines the perils and rewards of everyday life in a multigenerational saga featuring an international ensemble including Oscar Isaac, Olivia Wilde, Antonio Banderas, Annette Bening, Olivia Cooke, Sergio Peris- Mencheta, Laia Costa, Alex Monner and Mandy Patinkin. Set in New York City and Carmona, Spain, Life Itself celebrates the human condition and all of its complications with humor, poignancy and love.

Rated R | 117 minutes

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In Theaters September 21, 2018

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Alpha – Trailer

Mankind meets man’s best friend.

An epic adventure set in the last Ice Age, ALPHA tells a fascinating, visually stunning story that shines a light on the origins of man’s best friend. While on his first hunt with his tribe’s most elite group, a young man is injured and must learn to survive alone in the wilderness. Reluctantly taming a lone wolf abandoned by its pack, the pair learn to rely on each other and become unlikely allies, enduring countless dangers and overwhelming odds in order to find their way home before winter arrives.

Directed By: Albert Hughes Starring: Natassia Malthe, Kodi Smit-McPhee and Leonor Varela


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In Theaters August 17th

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Sicario: Day of the Soldado Movie Review

The definition of the word Sicario is a hired gunman or assassin, esp. in Latin America. The film ‘Sicario,’ starring Emily Blunt, Josh Brolin and Benicio Del Toro was an incredibly powerful and violent film that took audiences by surprise. Director Denis Villeneuve, who went on to direct ‘Arrival’ and ‘Blade Runner: 2049’ didn’t direct ‘Sicario: Day of the Solado,’ which may be surprising to learn when you consider the fact that it was nominated for three Oscars. That said, it was instead directed by Stefano Sollima, who very much did carry on the dark brutality that both stories, written by Taylor Sheridan, who wrote ‘Wind River’ and ‘Hell or High Water,’ required. Not pulling punches, Sollima moves the second tale of the franchise, not quite a sequel but more of an offshoot, at an electric pace.

The film starts by showing a group of individuals being smuggled over the U.S. border from Mexico. This has turned into a substantial for-profit business for the Mexican Cartel as many of them are terrorists willing to pay big dollars. Rather than be caught, these men are prepared to and do blow themselves up if cornered. Pivotal to what’s going on in American politics today, several do the deed in a store. The last one alive is about to take his life for the cause and consequently end the lives of everyone around him, is confronted by a white woman as she begs for him to spare her and her child
 thus the theme of the narrative materializes. The comparisons to today can’t be ignored.

The U.S. Secretary of Defense (Modine) hires government agent Matt Graver (Brolin) to help them seal Mexico off and make it appear as necessary to do so as possible. They want to stop the Mexican cartels once and for all. As unscrupulous and underhanded as he is, he suggests getting dirty and to make it appear as if one of the other cartels initiates the fight by attacking the other. He tells them they’re going to have to ‘kidnap a prince’ and explains that the king will start the war for you. He hires the unforgiving Alejandro (Del Toro) to help him kidnap rich, spoiled Isabela Reyes (Moner) the teenage daughter of the notorious cartel leader, Carlos Reyes. They stage everything to look like a rival gang of her fathers has her by allowing her to see pertinent information so she can relay it all back to her father. After, they set in motion a rescue. However, nothing ever goes as planned.
Day of the Solado, a word that means soldier, explores what it means to be a soldier, which is an enforcer of the rules he’s lead by, and what it means to be a man with a conscience. When Alejandro finds himself having to choose between the two, a second story emerges and helps rounds out the reasons for shootouts and the action and criminal element of the film and the more political motivation of the script.

Isabela Reyes is a character you’ll grow to abhor less as the movie winds down. Isabela Moner is an actress you’ll grow to adore as she does a fantastic job giving you what her director asks of her, but the script could have been a little more pointed as to what is expected from its audience. In fact, all the characters were hard for you to read, except for one and that’s Cynthia Foards. Played by Catherine Keener, Foards is a badass who isn’t in touch with her feelings and doesn’t care about yours, especially when it comes time to order a scene to be cleaned.

Even though it’s nothing like ‘Sicario,’ the acting in ‘Sicario: Day of the Solado’ is reason enough to see the second chapter. Oddly, it doesn’t necessarily matter which order you see them in but if you’re a fan of the genre, see them both. Also, you might be happy to learn there is a plan for number three. How it’s presented in the film will definitely leave you scratching your head… but in a good way, I promise.

Leave No Trace – Movie Review

‘Leave No Trace,’ a film based on the novel ‘My Abandonment’ by Peter Rock, which was written from a 2004 article in ‘The Oregonian’ about a girl discovered to be living in Forest Park with her father, is about a troubled veteran living illegally on public land in Portland, Oregon with his young daughter. As members of the human race, we must vow to protect this world. A member of the Armed Forces takes the ‘Oath of Enlistment,’ which states they will, Support and Defend the Constitution of the United States against all enemies, foreign and domestic.
However, and unfortunately, what they’ve been finding when they get out of the service are promises made to them, broken without shame. Chief among those promises include that they are taken care of. Our service members are committing suicide at a rate of twenty-two per day. When they come back to their families, they’re not the same people they were when they were last home and with a VA and health care system unable to properly understand their Post-Traumatic Stress Disorder or PTSD, they often feel alone, shattered, powerless and scared.

In ‘Leave No Trace,’ a drama filled with analogies and parallels for what the human race can do to help one another and save itself, we find that we’d get a lot of assistance from nature, as well, if we’d only be willing to let it. Director Debra Granik (Winter’s Bone) shows us many examples of this ideology being embraced by her main character, Will (Foster). Will and his daughter Tom (McKenzie) are living off the grid, on their own and surviving just fine without societies rules being imposed on them. Granik’s methodology is to start her story by taking us through their daily chores of collecting water, eggs, and mushrooms and Will teaching Tom to cover her tracks and other techniques he learned in the military.
He’s aware she can’t miss out on a proper education and teaches her everything he learned in school but living off the land is giving her a scholarship we’d all be lucky to receive. She’s being trained how to respect, properly use, appreciate and give back to the earth. Currently, they’re living in a massive park but due to a mistake made by Tom, they’re spotted.
They’re removed right away and once tested, it’s deemed Will is well enough to give his daughter a proper home. He must also put her into school to be suitably socialized. The state helps him and sets them up with a small home working on a Christmas Tree farm where he is to work to pay for rent. Immediately, he feels like a bear trapped in a cage and grows restless.

At this stage in the narrative, we’re already wondering how they’ve reached this point in their lives, especially when Tom meets a youngster her age and makes what might be her first friend. She seems so delighted and you instinctively feel happy for her, yet at the same time are heartbroken for Will. The balancing act going on at in the story keeps you highly absorbed and perplexed at the same time. You rightly empathize with their situation but Granik purposefully shoots the chopping down of beautiful budding trees and your state of mind can’t help but be manipulated by the display. This is not the schooling Will wants for Tom and not how he’s capable of living so he wakes her in the middle of the night and they’re off. She wanted to stay but as before, he can’t live under ‘their’ rules. They head north and into a situation neither are prepared for.

What comes next in their journey is uncommon, moving and impactful. Granik is spectacular at giving us the opportunity to get to know these characters and explore their world while at the same time subliminally slipping in the significance, or perhaps forewarning, that it’s our world, too.

I highly recommend this for a theatre watch as does Rotten Tomatoes, who has it ‘Certified Fresh’ with a rating of 100%.

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Official Website: http://www.leavenotrace.movie/

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Izzy Gets the F*ck Across Town Movie Review

Izzy, a very brash young woman, wakes up hung over and dizzy in Santa Monica. She’s in the apartment of someone she doesn’t know and who she doesn’t remember meeting. Right at this very moment, and you get the feeling there are many, she knows she must get her life together but continually makes excuses as to why nothing is her fault. Wearing her crumpled catering uniform from the night before, she leaves and finds out that her ex-boyfriend Roger (Russell) is marrying her former best friend. Knowing they were together was bad enough but she can’t stand the idea of forever if she isn’t the person he’s marrying. The rest of the film is about what she does to get to the engagement party and break them up.

Izzy calls in as many chits as she can but has burned every bridge she could possibly to use, finding her journey quite difficult. She tries desperately to get people to understand that this time is different, that she has changed, but that’s what she always says. She’s even, at that moment, getting kicked out of the home she’s been staying in because her friends are done enabling her, something she desperately needs someone to do if she’s ever to get better. Izzy has a strong belief and faith in signs from the universe and attempts to use this faith, and the explanation of destiny, on her friends to get them to help her on her journey, but they’ve had enough. During the rest of the film, we meet people who have tried to help her in the past and who she has regularly not appreciate, disappointed and pushed away, including family.

On her own, she gets creative with her methods of transportation. With the use of a bike, a scooter, a stranger, and theft she manages to make her way to her sister Virginia’s (Coon) house. The defining moment of the film is when the two siblings, once singers in a local band, perform a duet. Davis and Coon sound great together, and the time with her sister, while being used to get what she wants, brings Izzy to realize what she has been missing out on. You’d think by now she would have learned something about herself but even at her sister’s house, something happens that tells you she hasn’t changed, she’s only masking who she truly is.

The trip we take with Izzy is rabid and chaotic and once she reaches her destination, director Christian Papierniak uses color as a way to calm things down a bit, introducing us to the reason for all this pandemonium, Roger. The message of the movie is that Alcoholics don’t need the thing they want, only want what they think they need. It goes for people, too. Does Izzy’s heart remain shattered forever? Does she learn from previous mistakes? Will she get the boy in the end? The ending is what I enjoyed most about, ‘Izzy Gets the Fuck Across Town’ and I think you will too so I’m not about to answer any of those questions
 you’ll have to go and see it for yourself.

The Misandrists Movie Review

The story tries to sell itself as feminist but to me, a woman watching, it was anything but. The synopsis is, ‘When an injured male leftist on the run discovers the remote stronghold of the Female Liberation Army, a radical feminist terrorist group whose mission is to usher in a female world order, one of the members takes pity on him and hides him in the basement. However, the man in the basement is just one of many secrets threatening to disrupt the FLA’s mission from within. Balancing sharp social commentary and salacious popcorn entertainment, iconic filmmaker Bruce LaBruce has created an experience that’s a blast to watch and just as much fun to dissect afterward.’ Sounds great. But when you ‘dissect’ each part of what you watched, you walk away with something completely different. I can sum it up simply by saying it was made as an excuse to be sexual and extreme.

I was surprised to read that Indiewire proclaimed this as one of the fifteen greatest lesbian films of all time because if that’s the case, lesbians have a very low bar unless bad sex scenes are the most important factor in their rating system. There are a few reasons I say that. One is because the acting wasn’t a crucial element of the actor’s abilities to writer/director Bruce LaBruce. While watching a feature film, an audience member would like the actors to be able to pull off a line. Sex scenes are littered throughout for they must be more essential they be there rather than be good to the creator of the film. The first sex scene, outside of the very X-Rated gay porn (being watched by two female leads and framed nicely for us to watch, too), isn’t good either. It appears as though the actors aren’t comfortable with one another and the song that was chosen to play during their lovemaking, which literally screams, ‘Down with the Patriarchy,’ is so bad it makes the ears of anyone within auditory range of the tune hurt slightly.

There is some clever cinematography that suggests LaBruce does have a gift for how to bring a story together, such as when the women in the film turn their male leftist stowaway into a female by showing us what I assume were real shots of the procedure in different stages, but other sloppy editing decisions makes the rest of the work hard to forgive.

Also, having these characters attempt to make a statement about the objectifying of women by men and a patriarchal society is totally missed. As a woman, I found it to be the opposite of what the premise alleges. The Female Separatists want to be heard, accounted for and treated as equals and then to take over. Classes on ‘HERstory’ are taught to bored young women who want only to get back to the bedroom and have pillow fights, complete with feathers, of course, and outside of repeating some philosophical quotes, it doesn’t seem anything they’re learning is really sinking in. But why would it? After all, Big Mother (Susanne Sachße as Susanne Sachsse) gives them no reason to want to stay. She’s every bit the tyrant that she claims all men to be, ordering the girls, forbidding them and even cruelly punishing them. Women are more nurturing by nature so the idea that such a sadistically hate-filled charter would exist seems ludicrous. Surely fantasy could explain the purpose of the film but not a good one. However, there is also learning what Parthenogenesis means. We are told that Parthenogenesis is a type of sexual reproduction where the egg develops an embryotic form without male penetration. This has yet to be found in mammals. Will one or more of the mistresses in the film be the first to carry this to term? If you can stay with this intensely misguided film long enough, it does appear this is the big question LaBruce was leading us to. Men are pigs and women are creation. If he had wanted to be taken more seriously, I believe LaBruce would have been, but he needed to stick one message. Even then it was mired in a hodgepodge of events that made the narrative anything but engaging. I don’t know, maybe this can catch some future cult following but I would be surprised if it did.

Opening in Phoenix Exclusively at Harkins Valley Art

THE LITTLE STRANGER Starring: Domhnall Gleeson and Charlotte Rampling- Trailer

Story: THE LITTLE STRANGER tells the story of Dr. Faraday, the son of a housemaid, who has built a life of quiet respectability as a country doctor. During the long hot summer of 1948, he is called to a patient at Hundreds Hall, where his mother once worked.  The Hall has been home to the Ayres family for more than two centuries.  But it is now in decline and its inhabitants – mother, son and daughter – are haunted by something more ominous than a dying way of life.  When he takes on his new patient, Faraday has no idea how closely, and how disturbingly, the family’s story is about to become entwined with his own.


Director: 
Lenny Abrahamson (“Room”) 

Writer: Lucinda Coxon (“The Danish Girl”), based on the novel by Sarah Waters 

Producers: Gail Egan, Ed Guiney, Andrea Calderwood 

Cast: Domhnall Gleeson, Ruth Wilson, Will Poulter, and Charlotte Rampling 

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In Theaters August 31

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