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The Hate U Give Movie Review

October 12, 2018 (updated October 11, 2018) Published by JMcNaughton

“The Hate U Give” is a movie that shows while people may be Black and White, the world they live in is never just black and white. But just when the tone of the movie might start sounding preachy, it comes right up and grounds the characters in good ways. First, they are grounded in family, then grounded in friends, then grounded in the neighborhood, then finally in the community. Inner city Black areas or in gentrified, mostly White, suburbs — the story is the same.

‘The Hate U Give’ (as quoted in lyrics from a rap song) lead into the next step. That next step teaches children the wrong way. Then it all gets FUBAR, so to speak. Blacks in the ‘hood feel that Prejudice, Prosecution, Poverty and the Police are pushing them down. When you are pushed so far down, then any way out seems fine. It could be a gang, it could be drugs and alcohol, but it just might be that strength of a family’s love is enough to elevate you out.

Starr (Amandla Stenberg) is a teenage Black girl who lives in the downtrodden section of Fremont. However, she attends high school in the high-class area of the town. She feels she wears two faces, one for her home and her ‘hood, but a different face for her school friends and her White boyfriend Chris (KJ Apa). Starr attends the school with her half-brother Seven (Lamar Johnson). Her very forceful mother Lisa (Regina Hall) along with her equally tough father Maverick (Russell Hornsby) both have raised her to be proud of herself and self-assured of her race. She knows to keep on the right side of the law, and to always be non-confrontational with police.

But Starr had been very close to a guy named Khalil (Lamar Johnson), who she has known since a young girl. Starr is out at a party in the ‘hood with her half-sister (Dominique Fishback), and she runs into Khalil. There is a fight and gunshots outside, so everyone leaves. Khalil takes Starr with him and will take her home. But they are stopped by the police. There is a shooting, where the cop thinks that Khalil is going for a weapon. It turns out to be a hairbrush. Starr is devastated, and the world that she knew is now gone. She continues to try and walk gently between the two worlds that she is in.

But she does not feel that she will really belong in either one. In the ‘hood, her family is threatened by King (Anthony Mackie), who is the head of a drug ring and part of the group that Khalil was dealing for. She does not feel at home in the White high school, where the other girls always look at her as if she were an alien. Her boyfriend Chris is still in the dark about how Starr is the only witness to the shooting. But Social Justice workers flood the ‘hood, and they want Starr to work with the Grand Jury to indict the quick-draw cop.

She feels she owes it to Khalil to be the voice that must be heard in the Legal System. But her uncle is Officer Carlos (Common), and he knows that the prosecutors will find any possible way to not press charges against a cop. But will the anger and rage go from a simple simmer to then becoming a boiling pot of hatred? Will the street gang feel the need to impose their own brand of justice on Starr, if they feel that she had testified and will bring the heat down on the drug operation?

This movie takes an extremely talented cast to create a world and a situation that makes a profound impact on the viewer. The story could be taken straight out of current headlines, and it strikes a somber tone. Every idea about bias and judgment will be questioned. The director has wonderfully laid out the difficult road that everyone must choose. Will they embrace the THUG life, and lead the next generation into chaos? Or can they raise their voices to speak for those who cannot, and attempt to bring peace and justice to the world?

Every actor in this movie is amazing, but none less than Amandla Stenberg. In the mail role, she portrays a young woman who is torn by events that surround her. Yet she remains strong and works to bring hope to her family and her community.

There is a ‘message’ in “The Hate U give”, but it delivers it in a very honest and sincere way. You will be moved by the story, the events and the truth behind the emotions. Perhaps you will not agree with all the viewpoints, but you will again be reminded: world we live in is never just black and white.

First Man Movie Review

October 12, 2018 (updated October 8, 2018) Published by JMcNaughton

“First Man” is a gripping personal view of one of humanity’s crowning achievements. When three astronauts traveled to the Moon, and two of them touched down and explored the lunar surface, it was a stunning accomplishment. Now there is a movie that defines the inner drive and personal demons of that initial person who put down a boot onto the crusty dust of the Earth’s satellite. That person was Neil Armstrong, and he was the “First Man” to get that historical privilege. This movie is a reminder of the technological push of the 1960’s that took America to the Moon and back.

Neil Armstrong (Ryan Gosling) is an engineer and a test pilot at NASA. He is not one of the military-bred astronauts that first rose in the ranks of the Air Force. Yet his cool-headed ability to think deeply, even in extreme circumstances, makes him a valuable addition to the group of space-bound pioneers. He and his wife Janet (Claire Foy) have a perfect 1960’s marriage. She tends the home front, and he ventures into space. Neil and Janet have a young daughter named Karen, but she passes away from cancer. Even with all the up-to-date technology, their little two-year-old could not be saved. They already have a son, and soon after, they have one more boy. But Neil is shattered inside from the pain of his loss. He is introverted and a shy person to begin with, so the loss does not help.

Neil has skills and knows how to take high-level math equations and then using that knowledge to fly and pilot a spacecraft. He has experience with the experimental rocket planes, and he jumps at the chance to get into the Gemini program. That space program will be another step on the way to the big cheese – the Moon. The Gemini craft will hold two astronauts, and the planned Apollo mission will carry three. When Neil gets selected, he is very pleased to be working for former astronaut Deke Slayton (Kyle Chandler). The Gemini missions will be important to pave the way for Apollo and moon landings. The mission that gets Neil into space goes well, and the docking tests go smoothly. That is, until there is a problem with the thrusters…

Neil and his fellow astronaut are soon spinning out-of-control. Neil figures out a way to reverse the bad thruster, and gets the Gemini under control again. It uses up most all the fuel, so the mission needs to be aborted. But one bad mission left the astronauts safe. Not so with the first testing of Apollo 1, with all three astronauts on-board in the capsule. In the simulated launch, there was an electrical spark that ignited the pure oxygen in the capsule. All three died in the test, and the Apollo missions were delayed for a while. But then Neil was picked for Apollo 11, as was Buzz Aldrin (Corey Stoll) and Michael Collins (Lukas Haas). This was the mission that would go to the Moon, land and explore the surface, and get the three explorers back in one piece.

Neil and Buzz make it to the lunar surface, and they are true explorers. But every step of the way was a catastrophe that did not happen. Every piece of equipment had potential for failure, no matter how many engineers worked on the design. Some of the people lost their lives along the way to Neil’s ‘one small step’. He knows that, and he knows that his safe return is only the best of the calculated odds. His trip is successful and NASA still explores into space.

Damien Chazelle has taken the story of the first man on the moon and explored the difficult personal journeys of the people involved. There is always an emphasis on the characters and what they can see and how they react to all the events that surround them. Even with a ground-breaking walk on the moon, there is the inner pain of Armstrong’s loss of his daughter. The launch is not shown as a breath-taking wide shot of the rocket zooming into the sky. There is a real person strapped into the Spam can attached to the top of a big firecracker. The sounds of creaking and straining bolts make you think at any moment it will become the Fourth of July.

Ryan Gosling plays Neil Armstrong ass a very soft-spoken and subdued man. He is always examining and recalculating the situation, to make sure there is way to continue the mission. That includes his marriage. Claire Foy also gives a powerful performance as Janet; the wife who needs to raise her kids but is not afraid to raise her voice. The other actors have also been cast with an idea as to how well they would fit in the 1960’s Space Race.

“First Man” is nearly fifty years in the making since the actual events that mesmerized the world. It tells of real adventure in the outer space, but still keeps in focus the difficult emotions of Armstrong’s inner space.

22 July Movie Review

October 10, 2018 (updated November 16, 2018) Published by Shari K. Green

‘22 July’ is shocking, stirring, it’s heart wrenching, unsettling and hard to wrap your mind around. Greengrass is best known for making several of the ‘Bourne’ films and ‘United 93’ which was a real-time account of United Flight 93, the plane that was hijacked on 9/11, but crashed due to passengers willing to take drastic measures to stop the terrorists in their tracks. ‘22 July’ is, again, the story of a terrorist’s actions as he carries out brutal killings only this time it’s a right-wing extremist named Anders Behring Breivik, played very coolly by Anders Danielsen Lie, in 2011 near Oslo Norway, who feels that he, as a white man, is being discriminated against.

He attacks what he refers to as a political summer camp which is located on an isolated island. He sees this camp as a place where the ‘Marxist, Liberals and members of the elite’ send their children to learn to accept minorities.

Dressed as a police officer, he packs guns, plenty of ammo and explosives and leaves the house. He drives a van near the Prime Minister’s office and parks. He gets out, lights a fuse, and slyly walks down the street where he easily slips into another vehicle and drives away, headed for the teenagers who await their fate like sitting ducks. He gets onto the island where the children are and starts, one by one, picking them off. They run but he knows there is absolutely nowhere for them to go. He’ll get them all eventually.

The explosion is well done, along with the confusion in its aftermath, but watching the children run screaming is brutal. Anders goes into a building where people are hiding and tells them, ‘You will die today!’ It’s hard not to put yourself in that scenario once you start thinking of how often murder in the name of someone’s beliefs goes on in this world.

One child, Viljar, gets a call off to his mother to tell her what has happened. She’s involved in politics and was near the explosion so she’s able to alert the police about what her son informed her of and they head to the island immediately. An intense scene shows us that, sadly, Anders is still shooting and gravely injures Viljar. When he’s found by his parents, he’s only clinging to life. Greengrass does a beautiful job of making all the events seem as realistic as possible. What follows is how these people restore their lives in the wake of such a tragedy but on top of that, being very much alive, the gunman has ways to still twist the knife. He doesn’t care about his victims, he tells his lawyer, Geir Lippestad, he would do it all again for the cause. He also tells Geir his demands or a third attack will be coming. He wants the liquidation of the political camp and a ban on immigration. This is where my interest was piqued even more. I knew of this story but it so parallels what’s happening in my own country today which makes it more relevant than I thought it would be.

It’s frightening to take a good hard look at certain activities in our world, but I rather like that films are bringing these subjects to light. It’s important not to hide racism and pretend it’s not going on.

The rest of the film is court filings, Viljar’s struggle to come back from what happened to him and the Prime Minister realizing where he went wrong. All of this is notably well done. It’s an explosive, captivating story of good versus evil with meaningful dialogue and pacing that doesn’t bore. Don’t think for one minute you have to see it on the big screen to appreciate it. Netflix is doing more and more and with this proves they’ll continue to get better and better. But if you’re lucky enough to be in a city where it’s coming out… it would be good to experience it that way.

In case you were curious, the only reason ‘22 July’ didn’t get a higher score is for the few times it felt as if it went a little long and one other mistake that writer/director Paul Greengrass made, which was crucial, and that’s where we first find ourselves in the story. Coming in at two hours and twenty-three minutes, he captured us by getting straight to the meat of the matter. That said, to the viewers, it felt as if he had nowhere to go but down. Turns out that it’s quite enough to be considered a must-see, but had he stretched out the action a bit… had the action happened a little later in the film, instead initially introduced to us some of the characters, it wouldn’t have become the long-lasting drama it felt it became. Then again, maybe this was done on purpose because what these Norwegians endured didn’t end with Anders Behring Breivik’s massacre of seventy-seven people, not to mention the hundreds of others he injured. The slaughter was only the beginning.

*22 JULY will debut Wednesday, October 10th globally in select theaters and on Netflix.

The Old Man and the Gun Movie Review

October 5, 2018 (updated November 16, 2018) Published by Shari K. Green

‘The Old Man and the Gun’ is one of the most curious films of 2018, so far, that’s for certain. I’m not saying I disliked it but it’ll take some maneuvering to describe just what it was I liked about it. You’ll see what I mean by that when you see it and I recommend that you do. The way the story is told is incredible. It’s set in the 80’s just as the country was coming out of the 70’s with its long hair and darker colors but before florescent clothing and the mullet hairstyle hits. The country is open to change but isn’t quite there yet. To structure the film properly, Director David Lowery used all the tools he could, such as a grainy, VHS quality look to the picture, its comfortably casual canter, it’s pitch and vernacular appropriate for the time and as I mentioned, the drab color scheme everywhere. He doesn’t miss a thing. What’s particularly special is this… to make it feel even more real Lowery uses clips of Redford from films of his past. Very clever.

Lowery designs his films in such a way that you get deeply involved in the characters and take the utmost interest in their survival and success; no matter what it is their entangled in; good or bad. Honestly, I thought his film ‘A Ghost Story’ was one of the best and most overlooked films of 2017. Like ‘A Ghost Story,’ people may not appreciate ‘The Old Man and the Gun’ or see the brilliance right away but given the talent involved, I do hope you overlook any criticisms and view it despite anything you hear. It’s different but there’s nothing wrong with different. In fact, it’s refreshing.

Redford plays Forrest Tucker who has spent most of his life in and out of trouble. He’s been in prison and has escaped over fifteen times for which he has become famous. He even escaped from San Quentin. Did I mention this was based on a TRUE story?! So, we meet him, learn of his criminal activity and then move directly into discovering who he is on the inside. He meets Jewel (Spacek) and is smitten with her right off the bat. He tells her who he is and what he does, but she doesn’t believe him. No one would be honest about a thing like that, right? He’s an elderly, seemingly trustworthy fellow and is very kind so she warms to him as they sit in a café getting to know one another. This is what’s so exceptional about Lowery ’s technique. He makes us aware of the two-sided nature of Forrest that even Forrest isn’t cognizant of. You, as does Jewel, immediately like his gentle personality.

As you watch, you see that one side of him just wants to do what it’s told it can’t do. This is what he and his friends have been doing for years… robbing banks. He’s the gangs’ guy who nonchalantly strolls in, tells the bank manager or the teller that he’ll need their money and he exits with no fuss. He always keeps everyone calm, doesn’t bring attention to himself by smiling, being polite, hurting no one and then he leaves.

He and the audience are aware that perhaps his age has brought him to a moment in time where he’s finally conflicted with this side of him. Maybe it’s time to stop running and settle down?

Detective John Hunt (Affleck) knows of Forrest after he and his son happen to be inside one of the banks he robs. He makes a personal commitment to himself to bring this thieving gang of old-timers to justice. The character of John Hunt isn’t all that impactful at first but toward the end of the film, you realize how important he was in the grand scheme of things. As his search widens, he gets to know Forrest more and gets to respect the man he was and who he’s become.

I told you this would be a bit difficult to analyze for you but let me finish with this. It’s short, it’s a fascinating mix between comedy and drama and the cast is spectacular. It opens this weekend. Go see it. I can’t think of one reason for you not to.

Vice – Trailer

October 3, 2018 (updated November 16, 2018) Published by Shari K. Green

VICE explores the epic story about how a bureaucratic Washington insider quietly became the most powerful man in the world as Vice-President to George W. Bush, reshaping the country and the globe in ways that we still feel today.

Writer/Director: Adam McKay

Production Companies: Annapurna Pictures, Gary Sanchez Productions and Plan B.

Producers: Megan Ellison, Brad Pitt, Dede Gardner, Jeremy Kleiner, Adam McKay, Will Ferrell, Kevin Messick

Cast: Christian Bale, Amy Adams, Steve Carell, Sam Rockwell, Jesse Plemons, Alison Pill, Lily Rabe, Tyler Perry, Justin Kirk, LisaGay Hamilton, Shea Whigham and Eddie Marsan.

Genre: Drama/Comedy

In Theaters Nationwide Christmas Day

#ViceMovie

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In Theaters Nationwide Christmas Day

http://www.fandango.com

The Children Act Movie Review

September 28, 2018 (updated November 16, 2018) Published by Shari K. Green

In ‘The Children Act’ I believe I can safely say that Emma Thompson’s portrayal of a Judge named Fiona Maye, who’s going through the turmoil of making a life and death decision on a landmark case while at the same time her own life is going to hell, was the best part of the film. She very much makes ‘The Children Act’ worth seeing. Thompson was remarkable in this but then, when isn’t she?

The film opens on a different case involving whether or not to separate conjoined twins. The stronger infant would be saved if the procedure were to be done but the weaker of the two would die. Fiona has studied hard and tells the parents, who don’t want to risk losing one child over the other, as only God has the right to decide on life, that the court is a court of law, not of morals, and grants the hospital the right to perform the separation. This was a profoundly dramatic opening and totally captures your imagination with regards to her personality and how far she’s going to be willing to go to fight for, as the title suggests, a child.

In the meantime, we see that her husband Jack (Tucci) has been neglected. So much so that he informs her that he would like to have an affair. Since they live only her life, schedule things around when she can do them, give pecks on the cheek in passing if they pass one another, they’ll never get around to be the more adventurous couple they once were. This argument in movies against women working usually gets to me because it has never bothered men when they were the ones constantly working while the woman at home, but times have changed so if done correctly, it makes for a satisfying addition to the storyline and here it does the story justice. She stays stoic as she takes in what he’s doing and, though she doesn’t condone or accept his view of their marriage now as being ‘open,’ won’t show him exactly how much he has hurt her and how deeply she wishes she could stop him. In essence, make her judgment and stop him from ripping her heart out. Marriage doesn’t work that way.

She has plenty to keep her mind occupied, however. Her next case is to save a teenager named Adam (Fionn Whitehead) who’s just shy of his eighteenth birthday. He’s a Jehovah’s Witness who has Leukemia. Once again, a hospital can try and would most likely save his life if they could be allowed to give him a blood transfusion, something his parents strongly oppose. The doctor explains to Fiona that Adam’s red and white cell counts are dropping, that he’s fighting to breathe, could suffer blindness and brain damage because his body is no longer producing its own blood. Most likely, he’ll die an extremely horrible death. This weighs heavy on her as she listens to Adam’s father, Kevin (Chaplin) advocate not on behalf of his son’s life but on the will of the church. Yes, Adam wants to do what the church has told him is good for him but at his terribly young age, is dying good for Adam? Fiona makes the decision to go and meet with him because she wants to be sure he understands what’s at stake and will make her decision afterward. This is where the story goes off on a bit of a tangent. Not her decision on the case but, honestly, the rest of the film. For me, it gets chaotic and somewhat ridiculous, straying from the captivating story about this magnificent judge’s world crumbling to the ground to the tale of a love-sick teenager. Had it not strayed, this would have been a contender for awards, but the ending simply doesn’t hold water. The idea that she’s now responsible for his life, doesn’t get by me but at the same time, reverses the narrative about the fact that, though a flawed human being, she is a damn good judge! I would suggest seeing it. The performances are worth it but maybe wait for cable.

MGM AND WARNER BROS. RELEASE TRAILER II FOR CREED II

September 26, 2018 (updated September 26, 2018) Published by Shari K. Green

LEGACY. DESTINY. FAMILY.

Metro Goldwyn Mayer Pictures and Warner Bros. Pictures present

TRAILER II and a new poster for CREED II

The film, directed by Steven Caple Jr., stars Michael B. Jordan, Sylvester Stallone,

and Tessa Thompson.

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In Theaters Nov 21

http://www.fandango.com

Life has become a balancing act for Adonis Creed. Between personal obligations and training for his next big fight, he is up against the challenge of his life. Facing an opponent with ties to his family’s past only intensifies his impending battle in the ring. Rocky Balboa is there by his side through it all and, together, Rocky and Adonis will confront their shared legacy, question what’s worth fighting for, and discover that nothing’s more important than family. Creed II is about going back to basics to rediscover what made you a champion in the first place, and remembering that, no matter where you go, you can’t escape your history.

Genre: Drama

Director: Steven Caple Jr.

Cast: Michael B. Jordan, Sylvester Stallone, Tessa Thompson, Phylicia Rashad, Wood Harris, Andre Ward, Florian “The Big Nasty” Munteanu, Dolph Lundgren, Russell Hornsby

Writer: Sylvester Stallone

Producers: Irwin Winkler, Charles Winkler, William Chartoff, David Winkler, Kevin King-Templeton, Sylvester Stallone

Executive Producers: Ryan Coogler, Michael B. Jordan, Guy Riedel

Distributor: MGM, Warner Bros. Pictures

#Creed2

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If Beale Street Could Talk – Trailer

September 24, 2018 Published by Shari K. Green

IF BEALE STREET COULD TALK

Academy Award-winning writer/director Barry Jenkins’ first film since the Best Picture Oscar-winning Moonlight is If Beale Street Could Talk, his adaptation of James Baldwin’s novel — the first English-language feature film based on the work of the author, to whom the movie is dedicated.

Set in early-1970s Harlem, If Beale Street Could Talk is a timeless and moving love story of both a couple’s unbreakable bond and the African-American family’s empowering embrace, as told through the eyes of 19-year-old Tish Rivers (screen newcomer KiKi Layne). A daughter and wife-to-be, Tish vividly recalls the passion, respect and trust that have connected her and her artist fiancé Alonzo Hunt, who goes by the nickname Fonny (Stephan James). Friends since childhood, the devoted couple dream of a future together but their plans are derailed when Fonny is arrested for a crime he did not commit.

Through the unique intimacy and power of cinema, If Beale Street Could Talk honors the author’s prescient words and imagery, charting the emotional currents navigated in an unforgiving and racially biased world as the filmmaker poetically crosses time frames to show how love and humanity endure.

Director: Barry Jenkins

Writer: Barry Jenkins

Producers: Megan Ellison, Barry Jenkins, Adele Romanski, Sara Murphy, Jeremy Kleiner, Dede Gardner

Cast: KiKi Layne, Stephan James, Regina King, Colman Domingo, Teyonah Parris, Brian Tyree Henry, Michael Beach, Ed Skrein, Diego Luna, Dave Franco, Pedro Pascal

#BealeStreet

Official Site: BealeStreet.movie

Facebook: /BealeStreet

Instagram: @BealeStreet

Twitter: @BealeStreet

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In Select Theaters November 30

http://www.fandango.com

Lizzie Movie Review

September 21, 2018 (updated November 16, 2018) Published by Shari K. Green

There’s a nursery rhyme, for lack of a better term, that you probably heard while you were growing up that goes as follows, ‘Lizzie Borden took an ax and gave her mother forty whacks; When she saw what she had done she gave her father forty-one.’ This was based on Lizzie Borden and the murder of her parents and the movie does a great job of getting down to ‘IF’ Lizzie was guilty, why did she do it? The very thought of it is horrible and you immediately think her a monster but was she guilty? If she were, was she pushed too far? Was she in her right mind? At trial, a jury of all men deliberated for ninety minutes and returned a not guilty verdict because they, ‘refused to believe a woman of her social standing could commit such a heinous crime.’

During the film, we learn that Lizzie’s (Sevigny) father, Andrew (Sheridan) and his icy cold second wife Abby (Shaw) are very wealthy. Andrew requires an undeserved amount of respect from everyone, from those he employs to work around the house and from his daughters and their stepmother. All are to do as he says and to submit. He takes advantage of those in his charge and when the movie picks up, in the year 1892, we learn that everyone does do as they’re told… everyone except for Lizzie. She’s very strong willed and refuses to be ruled over. Lizzie has seizures, something he sees as an embarrassment to his name. He doesn’t even want her going to the theatre in case she has a ‘spell’ that others may see.

Lizzie is very kind to animals and staff, paying particular notice to the new maid, Bridget (Stewart) who starts teaching to read. The film then leads to Lizzie and Bridget having a lesbian affair. This is handled quite beautifully with one woman offering love to someone who had never been allowed to experience it before. Before this, we see Andrew at his worst after he discovers that Lizzie had pawned some of her mother’s jewelry. He does something appalling and Lizzie lets him know that she’ll not be victimized by his fear tactics. Soon after she finds out that her father is changing his will. This is when it’s suggested that a plan has already been in place for her to murder her father for his misdeeds and his mistreatment of her, her sister and of Bridget.

The blows to the head come next, which are no surprise, of course, but it’s gripping to find out how it actually happens and what happens directly after. Since all we ever really knew of were the whacks themselves, if it were Lizzie, we, at this point, could certainly find a reason to empathize. Even though they were beyond brutal to sit through and watch. So brutal it hardly leaves room for doubt who would have delivered to these people such savagery but someone who was greatly pained by them. The film’s pacing can be slow at times but the sets, the acting and the history of it all are fascinating. Stewart and Sevigny are fantastic, and I have to strongly suggest you see this for the performances if nothing else.

In Phoenix, it’s playing at the following theatres:

AMC Desert Ridge 18

Camelview at Fashion Square

Tempe Marketplace 16

Arizona Mills 24

Harkins Arrowhead Fountains 18

A Simple Favor Movie Review

September 14, 2018 (updated November 16, 2018) Published by Shari K. Green

Allow me to start this with a simple and direct message to you… see this movie this weekend. Director Paul Feig works very well with powerful women allowing them to show their strengths, such as Melissa McCarthy, Sandra Bullock, Mary-Louise Parker and now he does the same with Anna Kendrick and Blake Lively in this dark film, ‘A Simple Favor.’ Lively is exceptional and I wouldn’t be surprised if we see her on stage during award season.

With this film, Feig gives these two women the opportunity to have something brilliant added to their resumes and a chance to shine in the type of story usually given to the opposite sex. This is an intriguing, provocative crime-drama that leads you down a fascinating trail and you won’t want it to end. The characters are following the same bread crumbs and with how the narrative plays out, it manages to do something not always achieved these days… surprise the hell out of you.

First, we meet Stephanie (Kendrick), a widowed, overly energetic, devoted but bored mother of a young son named Miles (Satine). She’s a vlogger who, when we first see her, is telling her followers about the simple favor her friend Emily (Lively) has asked of her. Staring into the camera she says she’ll start from the beginning for her new friends, presumably us, and she tells everyone what happened. This goes on throughout the film. We go back to when she first met Emily who she instantly clutches onto. Emily’s son Nicky (Ho) and Miles ask to have a playdate. Stephanie would like this as she wants to know Emily. Emily is everything Stephanie isn’t. She’s tall, uncommonly beautiful, confident with a scent of arrogance Stephanie can’t help but admire. Though a play date isn’t something Emily usually does, she agrees. They end up at Emily’s gorgeous home which Stephanie would die to have and they begin to reveal secrets about themselves… secrets that will prove to be useful later. Emily warns Stephanie that she doesn’t want to be friends with her. Little things like this are said as Stephanie, and you, become more interested in knowing who she is.

Though the script is heavy on the dramatic aspect of the story, it’s reasonably amusing, as well. Nicky is relatively colorful most of the time, delivering rather comical lines, however subpar they may be. It’s obvious Feig doesn’t work as well with children as he does with adults.

Now we’re to the favor… and we’re all caught up with the vlog. Emily asks Stephanie to pick up Nicky and watch him until she gets home. She happily does, however, Emily never returns. Days later, she still hasn’t and single mom with time on her hands, Stephanie, begins playing Jr. Sleuth, looking for her friend. Unable to forget the mystery woman who so intrigued her, Stephanie gets to know her attractive husband, Sean (Golding), who adds that, like Stephanie, he didn’t know much about Emily. He tells her that he tried to get close, but she was hard to reach; she was like a ‘beautiful ghost.’

Deciding she likes playing Nancy Drew, she goes to the office building where Emily worked in public relations and finds a shady character and clues. After putting up posters and trying desperately to find out who she was and where she went, Emily’s body turns up in another state. As Stephanie gets closer to Sean, she kicks pursuing answers as to what led to Emily’s death, into high gear. What happens next is something she isn’t quite prepared for. Luckily, instinct and some advice she received from the friend who still haunts her, literally as well as figuratively, helps her handle herself surprisingly well when faced with moments of challenge and deception.

This film is impressive in so many ways. The music, the costumes, the characters, and the script but what stands out most is Lively whose performance, though not always on screen, infects you as you watch this play out… and stays with you long after.

Website & Socials:

Official Site: http://www.ASimpleFavor.movie

Facebook: http://www.facebook.com/ASimpleFavorMovie

Twitter: http://www.twitter.com/ASimpleFavor

Instagram: http://www.instagram.com/ASimpleFavor

Hashtags: #ASimpleFavor

Tag: Drama

First Man Movie Review

22 July Movie Review

The Old Man and the Gun Movie Review

Vice – Trailer

In Theaters Nationwide Christmas Day

The Children Act Movie Review

MGM AND WARNER BROS. RELEASE TRAILER II FOR CREED II

In Theaters Nov 21

If Beale Street Could Talk – Trailer

In Select Theaters November 30

Lizzie Movie Review

A Simple Favor Movie Review

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