“Storm Boy” is a new movie based on a 1963 book concerning a boy growing up in a wild section of Western Australia. There was a prior movie also created, so this is a reboot of that prior version. It is a coming-of-age story of a young boy who helps raise some orphaned pelicans back in the 1950’s.  The shots of the ocean and the beach and the surrounding wildlife make up a large part of the allure of this movie. Also, the boy meets and befriends an older aboriginal native who is wise in the ways of nature and in the ways of the human heart. The story line moves from the present time back to flashbacks in the 50’s, where the majority of the plot unfolds.

In present day Adelaide (Australia), there is an older man named Michael Kingley (Geoffrey Rush) who is there to vote on a business deal. The deal is for his son (Erik Thomson), who has taken over Michael’s business now that he is retired. But the local folks do not what this deal to go thru, including Michaels’ grand-daughter Maddy (Morgana Davies). The sale of land to a mining company would ruin the land, they all say. The vote gets delayed, and Michael begins to tell Maddy of his childhood – which was near Coorong National Park. That is a home to a large pelican nesting ground.

The young Michael (Finn Little) lived a simple life with his fisherman father, called ‘Hideaway’ Tom (Jai Courtney). They lived in a small shack on the beach, across from the nature preserve. Tow would take his small boat to off shore a ways to fish. He would sell his fish in the ‘big’ city of Adelaide, and he would very often need to extend his credit with the local stores. But they all knew that Tom was good man, even if he did keep to himself. Tom was just not same after his wife and young daughter were killed in a freak auto accident

Michael meets an aboriginal man named Fingerbone Bill (Trevor Jamieson). Bill is very wise in the ways of the land and the ocean and the storms. When Bill meets Michael, a pelican has just been shot by hunters. That means a storm will be coming soon. And it does come, to drench the beach and the town. After that, Bill called Michael “Storm Boy”.  The pelican mother that died left three orphan chicks, and Michael tries to raise all three of them. He calls them Mr Proud, Mr Ponder and Mr Percival. These little hatchlings grow until they eat most of the fish that Tom can bring home. So, when they are all grown up – they need to go.

Except that Mr Percival comes back, and he wants the easy life – not to fish for his own food. But there is a day when Tom is out on his little boat in a storm, and he becomes stranded. Michael and Fingerbone Bill find a way to get Mr Percival to fly out to Bill and drop a fishing line. The other end is connected to a stronger rope. Bill pulls the rope to himself, and then Michael and Bill haul him back onto land. The pelican has saved the day! Michael becomes a local hero, and Mr Percival is well known.

Michael grows up to build a huge empire, and now his son controls it. Michael and two of his old friends have enough control over the vote to postpone getting the deal put through. So the mining company will have to wait to tear up the land, or look elsewhere. But there is not much else to say about the plot, and the actual purpose is still unclear. Except that the photography and the visual vistas of the Western Australia are amazing to see. Even at a basic level, this movie is wonderful ad campaign for the tourist bureau in the Land Down-Under.

All the actors do a very reasonable job with the roles they have been given. The story is slow and there is not much in the way of plot movement. Young Michael never has a true antagonist – a person or thing that is against his. At times you think it could be the local hunters. Then you think is might be his father is against him. Then it almost turns into a movie where Nature is against him. But none of these actually follow through with being driving force for Michael.

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“Five Feet Apart” is a story of medically-crossed lovers. Like star-crossed lovers, they meet and fall in love, but something keeps them apart. In this movie, that something is cystic fibrosis, a degenerative lung condition that causes a person to slowly drown in their own excess fluids. It is not a laughing matter. Yet, there is enough hope in the young teenage girl and the slightly older teenage guy to think that this relationship might last. Because they both suffer from CF, those chances are not that good. They need to keep separated by at least six feet at all times. Or maybe five feet apart will do…

Stella Grant (Haley Lu Richardson) is a girl with CF who spends her days in the hospital. She is driven and focused, and her OCD issues keep her life in meticulous order. She must stay in the pediatric ward, even though she is nearly 18 years old. She has a loving mother and father, but illness puts a terrible strain on them. She had a loving older sister, who has passed away about a year ago. Stella makes it a point to visit the neo-natal unit often, because the premature babies give her hope and strength to keep on going. She has a friend in the ward named Poe (Moises Arias) who also has CF. He is just slightly younger than Stella, and they spend a lot time together, always at a safe distance apart.

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One day a new CF patient comes in, and he is in a new drug trial case study. Will Newman (Cole Sprouse) has a severe case of CF, with a bacteria strain that is very hard to manage. He is there to test out a new drug, and to become a hot new thing in Stella’s life. Of course, she is ordered and measured – and he is older and more of a rebel. Whatever the doctors want from him, he is in no mood to comply. But he is smitten with Stella, and he has a desire to draw her. He sketches and does charcoal drawings and wants to draw the beauty of Stella. Stella, of course, will have none of that. Not unless Will changes and starts to fully get into his medical testing regimen.

Stella and Will can have no physical contact, yet the both of them have fallen deeply in love with the other.  They do things with Poe, and always at a safe distance. The head nurse in the ward, named Barb (Kimberly Hebert Gregory) loves these kids – but she must be strict. She remembers other cases where CF patients found love in the hospital corridors, but then they took it too far. The other CF kids caught that bad bug from the other and both died. Barb states that it will not happen again “Not on my watch”. That is why Poe and Will and Stella still try to have fun without getting caught. Stella picks up a pool cue from the pool table. She decides that for her and Will – it is a good comprise. They will keep the distance of the cue stick – five feet apart.

But these are young adults with major medical issues. Sometimes, people die. There is sometimes hope for a lung transplant. But most times that will never come. Will’s disease is so bad that it is not even an option. So, they can live, and they can love, but they do not dare to touch or hug or kiss. It is a very difficult relationship at best. Will is about to turn eighteen, and when that happens – he can no longer be in the pediatric ward area. There are big changes in the air, and not all of them will make it. They will feel a great loss and want to ditch everything behind and try new paths. But that might not be the best way to go, when there is a potential for new lungs around the corner.

“Five Feet Apart” is a movie respectful of the pain and suffering of cystic fibrosis patients. It shows all the various difficulties that they endure, because of a bad gene that make their own body a slow death trap. The idea behind a hospital or sick bed romance is fine, but it is not new. See “The Fault in Our Stars” or “The Space Between Us” or “The Big Sick”, among others. The story and writing in this movie is fine, but tapers off a lot right at the ending. There are just too many things that happen that are against the character of Stella that we have seen so far. There is a sudden death, and midnight stroll and some close encounters with a frozen pond. It seems to throw out most everything that has guided Stella’s motives up to this point.

That being said, Haley Lu Richardson does a very splendid job in the role as Stella. She is weary from all her CF trials and tribulations, but she is not down hearted. She is still a positive and forward-looking girl. Cole Sprouse is also good. His role as Will gives him free range to pout and sneer a lot more. His character is much more fatalistic than Stella. He wants to think something good will come from it all, but he is not that hopeful. Moises Arias is very funny as Poe, who can turn being the ‘third wheel’ into a best adventure of a lifetime. He is great for that role and he makes for a great mutual friend for both Stella and Will..

The movie “Five Feet Apart” just might have a better tag line: “Better stay ‘Five Feet Apart’ if you don’t want to end up ‘Six Feet Under’…“

“Gloria Bell” is a mulligan do-over from Sebastián Lelio, who had written and directed this story already as “Gloria” (2013). Lelio has taken a very mundane story of a woman (you can guess the name) who is middle-aged, divorced and has some indifferent kids and a supportive ex-husband. Gloria has some unusual life experiences with her love life. She has a very positive outlook on life, which makes her a good friend. But as a girlfriend, she expects to have a steady relationship. When it turns out that the relationship that she gets is very shaky instead, she has a few choice words.

Gloria (Julianne Moore) spends most of her day working, but when she has free time in the evening – she loves to dance at a club. She has very large glasses and she will occasionally smoke. She likes to sing along with songs on the radio. She has an apartment with a very loud upstairs neighbor and a silly little cat that always winds up in her room. The cat is not hers, and she throws it out every day, just to see that same cat the next day. Her son (Michael Cera) and daughter (Caren Pistorius) do not have a whole lot of time for Gloria. That is why she goes to the club at night.

She meets Arnold (John Turturro) one night and the hit it off. They start to see each other more and more. Arnold runs a place that does a lot of outdoor fun stuff; trampolines and paint ball guns and the like. He even lets Gloria borrow one of the paint ball guns. She invites Arnold to a party with her family. Her son and daughter are there, along with her ex-husband (Brad Garrett) and his current wife. Arnold feels more and more out-of-place, as the conversations are about the family history. He gets a phone call, and then leaves without saying anything. After a while they notice Arnold is gone, and they don’t know if there has been something that happened.

Gloria is especially upset that he left without an explanation about where he was headed or where he went. He explains that he has two daughters, and they are very ‘fragile’ (as he puts it). He is a helicopter dad hovering over his kid’s lives and watching everything that they do. At the least provocation, he will split from the scene and go be with his kids. Mind you, these are grown young women, but they are so incapable of dealing with life that they must call Daddy for everything. Gloria is furious that he dumped her at her own party without an explanation. Arnold begs and begs and begs and begs for a chance to come back into Gloria’s life. But she always tells him no.

Until she tells him yes. He arranges for a private weekend for just the two of them in Las Vegas. It works out wonderfully. Until Arnold gets a phone call. There is an emergency with his daughter. He refuses to leave and go to help them. Until he does leave. And Gloria is alone once more, left in the lurch. Nothing to do now but dance and drink the night away. Which is all well and good, until she wakes up after being passed out on a pool lounge chair… Arnold asks for forgiveness (again). What will Gloria do? Can she afford to be burned again by a man who to more dedicated to his immature kids than to her? Can she ever find a use for those extra paint ball guns that Arnold had loaned to her?

“Gloria Bell” is very thin mast used to haul up the main sail of Julianne Moore’s performance. She kills it (as typical for her) in this role, even when there is not much meat on the character bone. She is great and does a very believable job. John Turturro is also up to the high bar of acting that he is known for, but his character is not very deep. There is an attempt to give a slow narrative structure to this move. But more often it falls apart into tissue-like segments that feel disconnected. The original movie (“Gloria” 2013) was in Spanish. So maybe something was lost in the translation.