Murder on the Orient Express Trailer

What starts out as a lavish train ride through Europe quickly unfolds into one of the most stylish, suspenseful and thrilling mysteries ever told. From the novel by best-selling author Agatha Christie, “Murder on the Orient Express” tells the tale of thirteen strangers stranded on a train, where everyone’s a suspect. One man must race against time to solve the puzzle before the murderer strikes again. Kenneth Branagh directs and leads an all-star cast including Penélope Cruz, Willem Dafoe, Judi Dench, Johnny Depp, Michelle Pfeiffer, Daisy Ridley and Josh Gad.

MURDER ON THE ORIENT EXPRESS Official Channels

WEBSITE: CluesAreEverywhere.com

FACEBOOK: Facebook.com/OrientExpressMovie

TWITTER: Twitter.com/OrientExpress

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MURDER ON THE ORIENT EXPRESS

Mystery

Release: November 10, 2017

Director: Kenneth Branagh

Screenplay by: Michael Green

Based upon the Novel by: Agatha Christie

Produced by: Ridley Scott, Mark Gordon, Simon Kinberg, Kenneth Branagh, Judy Hofflund, Michael Schaefer

Cast: Tom Bateman, Kenneth Branagh, Penélope Cruz, Willem Dafoe, Judi Dench, Johnny Depp, Josh Gad, Derek Jacobi, Leslie Odom Jr., Michelle Pfeiffer, Daisy Ridley, Marwan Kenzari, Olivia Colman, Lucy Boynton, Manuel Garcia-Rulfo, Sergei Polunin

American Made Trailer

AMERICAN MADE 

In Universal Pictures’ American Made, Tom Cruise reunites with his Edge of Tomorrow director, Doug Liman (The Bourne Identity, Mr. and Mrs. Smith), in this international escapade based on the outrageous (and real) exploits of a hustler and pilot unexpectedly recruited by the CIA to run one of the biggest covert operations in U.S. history.

Based on a true story, American Made co-stars Domhnall Gleeson, Sarah Wright, E. Roger Mitchell, Jesse Plemons, Lola Kirke, Alejandro Edda, Benito Martinez, Caleb Landry Jones and Jayma Mays.

The film is produced by Imagine Entertainment’s Academy Award®-winning producer Brian Grazer (A Beautiful Mind), Cross Creek Pictures’ Brian Oliver (Black Swan) and Tyler Thompson (Everest), Quadrant Pictures’ Doug Davison (The Departed), and Kim Roth (Inside Man).  Gary Spinelli wrote the screenplay.

Cast: Tom Cruise, Domhnall Gleeson, Sarah Wright, E. Roger Mitchell, Jesse Plemons, Lola Kirke, Alejandro Edda, Benito Martinez, Caleb Landry Jones, Jayma Mays

Directed by: Doug Liman

Writer: Gary Spinelli

Produced by: Brian Grazer, Brian Oliver, Tyler Thompson, Doug Davison, Kim Roth

Executive Producer: Ray Angelic

In Theaters September 29th

http://www.fandango.com

Good Time Trailer

The first trailer for GOOD TIME, starring Robert Pattinson, Jennifer Jason Leigh and Barkhad Abdi is a haywire symphony of violence and mayhem, featuring Robert Pattinson and original music from OneOhTrix Point Never and Iggy Pop.

Josh and Benny Safdie’s latest film will have its world premiere In-Competition at the Cannes Film Festival next week. 

 

Following the mind-bending HEAVEN KNOWS WHAT, celebrated filmmakers Josh and Benny Safdie return to the mean streets of New York City with GOOD TIME, a hypnotic crime thriller that explores with bracing immediacy the tragic sway of family and fate.

After a botched bank robbery lands his younger brother in prison, Constantine Nikas (Robert Pattinson) embarks on a twisted odyssey through the city’s underworld in an increasingly desperate—and dangerous—attempt to get his brother out of jail. Over the course of one adrenalized night, Constantine finds himself on a mad descent into violence and mayhem as he races against the clock to save his brother and himself, knowing their lives hang in the balance.

Anchored by a career-defining performance from Robert Pattinson, GOOD TIME is a psychotic symphony of propulsive intensity crafted by two of the most exciting young directors working today. Josh and Benny Safdie’s transcendent vision is an intoxicating portrait of desperation and destruction that will not be soon forgotten.

In Theaters August 11th

http://www.fandango.com

BABY DRIVER announces a first of its kind sponsored Geofilter Contest on Snapchat

CULVER CITY, CA, May 15, 2017 – TriStar Pictures and MRC’s upcoming highly anticipated new film BABY DRIVER announced today a first of its kind sponsored Fan Art Geofilter Contest on Snapchat.  Since the film’s rapturous debut at this year’s SXSW Film Festival, fans have flocked to social media to show off their fan art inspired by the movie.  In turn, the studio began a consistent #FanArtFriday campaign on the film’s social media handles to display the creativity from these fans.  For the contest, users can simply go to https://BabyDriverFanArt.com between now and May 24th to submit their BABY DRIVER fan art (creative guidelines and official rules are available on the site).  BABY DRIVER’s writer/director, Edgar Wright will judge the entries himself and the winning submission will run as a Snapchat Geofilter at a nationwide theater chain the week of the film’s release, starting on opening day, Wednesday, June 28th.   This is the first time a studio will showcase fan art from a Geofilter contest on Snapchat.

In BABY DRIVER, a talented, young getaway driver (Ansel Elgort) relies on the beat of his personal soundtrack to be the best in the game. When he meets the girl of his dreams (Lily James), Baby sees a chance to ditch his criminal life and make a clean getaway. But after being coerced into working for a crime boss (Kevin Spacey), he must face the music when a doomed heist threatens his life, love and freedom.

            BABY DRIVER stars Ansel Elgort, Kevin Spacey, Lily James, Jon Bernthal, Eiza Gonzalez, with Jon Hamm, and Jamie Foxx.

            The film is written and directed by Edgar Wright.  Producers are Nira Park, Tim Bevan, and Eric Fellner, and Executive Producers are Edgar Wright, Adam Merims, Rachael Prior, Liza Chasin, and Michelle Wright.

            BABY DRIVER opens in theaters nationwide on Wednesday, June 28th.

ABOUT SONY PICTURES ENTERTAINMENT
Sony Pictures Entertainment (SPE) is a subsidiary of Sony Entertainment Inc., a subsidiary of Tokyo-based Sony Corporation. SPE’s global operations encompass motion picture production, acquisition and distribution; television production, acquisition and distribution; television networks; digital content creation and distribution; operation of studio facilities; and development of new entertainment products, services and technologies. For additional information, go to http://www.sonypictures.com.

Free Fire Movie Review

Free Fire is another terrific A24 release.  They seem to be cornering the market on must see films.  With outstanding and unique movies such as Room, Locke, The Lobster, The End of the Tour, American Honey and the 2016 Academy Award winning best picture, Moonlight, all which were well received when released, it seems A24 isn’t afraid to take a chance on something out of the norm… and we’re all the better for it.

Much in the same way that Pulp Fiction captured its audience by being surprisingly and overwhelmingly unconventional, Free Fire does that same thing.  If people are telling you to see this film, as I am now, listen to them.

It’s a fun movie with characters that are so well defined they grab you right away and you never once want them to let you go… and they don’t.  The acting is unbelievable.  The talent who worked from this uncommonly witty script was perfectly cast, never dropping character or ever releasing you from the story they’ve pulled you into until the credits roll.

Sharlto Copley and his group play gunrunners selling guns on the black market.  He is almost the singular reason to watch this film.  His Vern is the epitome of the word coward yet he hides behind a thin veneer of self-possessed hooligan that anyone can see straight through.  On this night, they are selling guns to an IRA buyer by the name of Chris (Murphy) and his group.  They are led into an old warehouse to meet Vern by a well-dressed, slick talker named Ord (Hammer) who sets the rules for the meeting.  Not long into the meeting… something goes wrong.  Once this happens, the film becomes a free-for-all where ridiculously hilarious words are exchanged as the two groups begin to also fire at one another.

Not wanting to reveal too much of the plot to encourage your interest in seeing this than there needs to be, I will say that if comedy plus action is your thing then there’s no way you can go wrong by giving this movie your full and immediate attention at the theatre today.  Armie Hammer is outstanding handling the dialogue with his brand of dry humor. 

Brie Larson, the only woman in the cast (and don’t think that isn’t addressed) who tries her best to calm the situation, gives the film that ladylike touch of femininity only a brave yet tender woman can bring.  I don’t have the space to tell you about everyone else.  There isn’t one character who’ll disappoint.

I can’t say enough about Free Fall and I do realize that I’ve barely said a thing but you’ll have to trust me on this one… this is insanely funny!  It’s a powerfully strong comedy that centers around an epic shootout where the characters screaming insults back and forth escalate the situation to the point of being barbaric.  It’s genius.  There are so many erratic, off the wall moments in this film that you’ll be turning around planning on seeing it a second time so that you can catch all the ones you missed.  Well done Ben Wheatley and Amy Jump for this magnificent movie.

Going In Style Soundtrack Available Today!

GOING IN STYLE SOUNDTRACK AVAILABLE MARCH 31

SOUNDTRACK HIGHLIGHTS INCLUDE

A NEW DUET SUNG BY ALAN ARKIN & ANN-MARGRET 

PLUS A NEW JAMIE CULLUM SONG

FEATURES SCORE BY ROB SIMONSEN

(MARCH 31, 2017 – Los Angeles, CA) – WaterTower Music today announced the March 31 release date of the soundtrack to Going In Style, the new comedy that teams up Oscar winners Morgan Freeman (“Million Dollar Baby”), Michael Caine (“The Cider House Rules,” “Hannah and Her Sisters”) and Alan Arkin (“Little Miss Sunshine”), and is in theatres nationwide April 7th.

The soundtrack was produced by Going in Style director Zach Braff, who explained his philosophy about the music.  “What I wanted to do with this soundtrack was have a mix of music that the characters might listen to; and I also wanted a mix of the sounds of the city, since it takes place in Brooklyn, Queens and Manhattan.” The soundtrack features the film’s stars Alan Arkin and Ann-Margret singing on their newly recorded duet, “Hallelujah I Love Her So,” and Jamie Cullum’s new rendition of “Hey, Look Me Over,” along with a fun and eclectic mix of songs from the film. Dean Martin, Otis Redding, Dinah Washington, Sonny Rollins, and Sam Cooke classics are co-mingled seamlessly with music from A Tribe Called Quest and Mark Ronson featuring Mystikal.

LISTEN: “Hallelujiah I Love Her So” performed by Alan Arkin and Ann-Margret

LISTEN: “Hey Look Me Over” performed by Jamie Cullum

LISTEN: “FBI Closes In”  composed by Rom Simonsen

Composer Rob Simonsen (“Age of Adeline,” “Foxcatcher”), “did this amazing score that was full of heart, melody, and action,” explains Braff. Simonsen, who previously worked with Braff on “Wish I Was Here,” has seven of his compositions from the film included on the soundtrack.  “Zach is quite talented when it comes to using music and songs in films, always driving at the right emotion,” says the composer. “So it was exciting to get a chance to create a big, fun score for Going in Style. We worked hard to do something that was modern, with a slight nod to some of the great, jazzy heist scores of the ‘60s and ‘70s. We hope you enjoy listening and watching as much as we did creating it.”

 The Going In Style soundtrack is now available, and the track list is as follows:

1.“Memories Are Made Of This” – Dean Martin
2. “St. Thomas” – Sonny Rollins
3. “Feel Right” – Mark Ronson featuring Mystikal
4. “Hard to Handle” – Otis Redding
5. “Can I Kick It?” – A Tribe Called Quest
6. “Hey, Look Me Over” – Jamie Cullum
7. “Hallelujah I Love Her So” – Alan Arkin and Ann-Margret
8. “Mean Old World” – Sam Cooke
9. “What A Diff’rence A Day Makes” – Dinah Washington
10. Opening – Rob Simonsen
11. Foreclosure Notice – Rob Simonsen
12. Willie and Kay – Rob Simonsen
13. Rat Pack Robbery – Rob Simonsen
14. FBI Closes In – Rob Simonsen
15. The Line Up – Rob Simonsen
16. The Wedding – Rob Simonsen

Oscar winners Morgan Freeman, Michael Caine and Alan Arkin team up as lifelong buddies Willie, Joe and Albert, who decide to buck retirement and step off the straight-and-narrow for the first time in their lives when their pension fund becomes a corporate casualty. Desperate to pay the bills and come through for their loved ones, the three risk it all by embarking on a daring bid to knock off the very bank that absconded with their money, in director Zach Braff’s comedy “Going in Style.”

Also starring are two-time Oscar nominee Ann-Margret (“Tommy,” “Carnal Knowledge”), Joey King, John Ortiz, Peter Serafinowicz and Kenan Thompson, with Oscar nominee Matt Dillon (“Crash”) and Christopher Lloyd.

Zach Braff directed from a screenplay by Oscar nominee Theodore Melfi (“Hidden Figures”). “Going in Style” was produced by Donald De Line. The executive producers were Toby Emmerich, Samuel J. Brown, Michael Disco, Andrew Haas, Jonathan McCoy, Tony Bill, and Bruce Berman. The creative filmmaking team includes director of photography Rodney Charters; production designer Anne Ross; editor Myron Kerstein; costume designer Gary Jones; and composer Rob Simonsen.

New Line Cinema presents, in association with Village Roadshow Pictures, a De Line Pictures Production, a Zach Braff Film, “Going in Style.” It will be distributed by Warner Bros. Pictures, a Warner Bros. Entertainment Company, and in select territories by Village Roadshow Pictures.  Rated PG-13 for drug content, language and some suggestive material. www.goinginstylemovie.com

ABOUT ROB SIMONSEN – Composer Rob Simonsen has had a thread in the fabric of some of the most noteworthy and prestigious films of the past decade. He spanned an eternity of star-crossed romance with “The Age of Adaline,” starring Blake Lively and Harrison Ford, also co-writing the film’s end credits song. He collaborated with director Bennett Miller to underline the unsettling atmosphere of the Oscar-nominated drama “Foxcatcher”; scored the Steve Carell-starring dramedy “The Way Way Back” with sensitivity; sympathized with the coming-of-age The Spectacular Now”; delved deep into the controversial 1969 Stonewall riots musically with Roland Emmerich’s political drama Stonewall”; sweetened Zach Braff’s coming-of-middle-age film “Wish I Was Here”; and spiced things up with Bradley Cooper’s Burnt,” directed by John Wells. His work in television includes the CBS comedy Life In Pieces,” the Joss Whedon Fox drama Dollhouse,” and the CBS ratings juggernaut Blue Bloods,” led by Tom Selleck.

Simonsen recently completed the action thriller Nerve,” starring Emma Roberts and Dave Franco; the comedy The Master Cleanse”; and “Viral” from Blumhouse Productions. His upcoming projects include the comedy Bastards,” directed by Lawrence Sher, and the drama “Gifted,” directed by Marc Webb.

 Prior to flying solo, under the apprenticeship of composer Mychael Danna, Simonsen contributed additional music to the scores for Ang Lee’s Life of Pi,” which won an Oscar for Best Score, and Bennett Miller’s Moneyball,” Oscar-nominated for Best Picture – as well as Catherine Hardwick’s The Nativity Story,” the animated film Surf’s Up,” and Terry Gilliam’sThe Imaginarium of Doctor Parnassus.” With Danna he co-composed the score for Marc Webb’s hugely popular indie romance “(500) Days of Summer.

Simonsen’s compositional voice is the product of an education in both rock and traditional orchestral music. He co-founded The Echo Society, a collective that provides a platform for composers to experiment and create for live performances around Los Angeles.

Going In Style Advance Movie Screening

Movie Screening Summary: Morgan Freeman, Michael Caine and Alan Arkin team up as lifelong buddies Willie, Joe and Al, who decide to buck retirement and step off the straight-and-narrow for the first time in their lives when their pension fund becomes a corporate casualty.  Desperate to pay the bills and come through for their loved ones, the three risk it all by embarking on a daring bid to knock off the very bank that absconded with their money.

Director: Zach Braff
Writers: Theodore Melfi (screenplay), Edward Cannon (based on the 1979 story by)
Stars: Morgan Freeman, Joey King, Ann-Margret
Table 19 is in theatres April 7, 2017

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Advance Movie Screening For Going In Style

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Phoenix, Arizona

Advance Movie Screening Details

Movie Screening Date: Monday, April 3
Location: Harkins Scottsdale 101
Movie Screening Time: 7:00pm
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Tucson, Arizona

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Movie Screening Date: Monday, April 3
Location: Century ElCon
Movie Screening Time: 7:00pm
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Las Vegas, Nevada

Advance Movie Screening Details

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Location: Regal Red Rock
Movie Screening Time: 7:00pm
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Albuquereque, New Mexico

Advance Movie Screening Details

Movie Screening Date: Monday, April 3
Location: Regal WinRock
Movie Screening Time: 7:00pm
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Three Billboards Outside of Ebbing, Missouri – Red Band Trailer

THREE BILLBOARDS OUTSIDE EBBING, MISSOURI is a darkly comic drama from Academy Award winner Martin McDonagh (IN BRUGES). After months have passed without a culprit in her daughter’s murder case, Mildred Hayes (Academy Award winner Frances McDormand) makes a bold move, painting three signs leading into her town with a controversial message directed at William Willoughby (Academy Award nominee Woody Harrelson), the town’s revered chief of police. When his second-in-command Officer Dixon (Sam Rockwell), an immature mother’s boy with a penchant for violence, gets involved, the battle between Mildred and Ebbing’s law enforcement is only exacerbated.

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In Theaters 2017

http://www.fandango.com

John Wick: Chapter 2

 

If you like muscle cars, chase scenes, incredible fight sequences and beautiful sets and locations, this movie is going to sizzle your cerebral cortex.  It has everything I mentioned and has them in spades.  All that you liked about the first film is here so you won’t be disappointed.  As you most assuredly know, John Wick was as high octane as they come… what will be your delight is, Chapter 2 is just as powerful and as potent as the first.  John Wick (Reeves), the ghostly and stealthy killer you met in Chapter 1, is the same bad ass, with the same reputation of reigning terror without breaking a sweat but unlike before, he wants out  He wants to retire and live out his life in peace.  Well, he may want out but someone comes knocking to remind him that he’s duty bound to do something first and that is to fulfill a blood marker.  A marker is a blood oath.  Once it’s given to a member of the criminal conclave Wick belongs to, one with strict rules for the professional help and perks they receive, it must be honored.   

He’s forced to be true to his pledge which is to assassinate Santino D’Antonio’s (Scamarcio) sister so that he could have her seat at the high table, a highly coveted place within the criminal federation.  An ingenious scene of him shopping for accessories is priceless.  He gears up and gets to work.  When he completes his task or she does for him, rather, not only are members of her security team after for him, (especially Cassian, played by Common, whose role adds a special element of regalement to the film), but so is Santino.  He decides to close loose ends.  The choreographed action sequences such as rolling down steps mid fight, running on stage and through a concert’s audience while shooting at one another and all death and destruction delivered by clever cinematography more than makes up for the few times that Reeves, unfortunately, has speaking lines.  I know that’s hard to swallow but it’s more than accurate.     

Centrally, this is an astonishingly action packed film and with a good narrative.  It’s the story of a character you can’t help root for, even though he’s a ruthless, emotionless and heartless killer.  You want him to win, despite his willingness to murder, because, after all, they’re the bad guys, right?  Again, luckily for us, it’s more action driven with focus on the deadly encounters rather than on dialogue.  Every performance outside of Reeves was adequate, McShane and Common’s especially, but the only delivery Reeves is capable of giving is dry and detached and that’s a shame.  Yes, it isn’t terrible with this sort of role but had he been able to give some passion to the lines that he did have, it would have been that much better. 
I have to suggest you go see it if you’re an action fan.  I’ll go on record now and say you’re going to absolutely love it.  It starts with a punch and never stops going; it’s solid all around.  Also, it ends with a clear set up for Chapter 3.  After all hes been through and has done, he decides to break a rule anyway, for which you cannot do as long as you’re in the league.  Now that he has, he is banished and… well, I’ll let you discover that on your own. 

Trespass Against Us

Set in the countryside of Britain, we are introduced to the Cutler crime family which is run by Colby played by a coarse Brendan Gleeson; who, interestingly enough just played Fassbender’s son in “Assassin’s Creed.”  Colby’s reputation precedes him for a reason as he’s not a very charming fellow and not many challenge him.  The Cutler’s look like a band of misfits or perhaps something you would have spotted in a scene from the movie “Deliverance.”  Even though they have been somewhat successful criminals up to this point, they live in trailers and practically in poverty which finally hits Colby’s son Chad, (Fassbender).  Not that Colby minds what he does for a living.  He has fun when cops chase him through the streets but he’s starting to realize the impact his actions are having on his children and his wife and is struggling with a decision.  He has to break away.  His son Tyson (Smith) is starting to rebel and verbally spar with his dad, spouting exactly what Chad usually hears coming from his father Colby and this doesn’t sit well with him.  Being uneducated, Chad has allowed his father to lead him through his life.  He has always done as ordered but he sees the writing on the wall and waking up to what his and Colby’s limitations truly are, he decides he doesn’t want that for Tyson.  The police are onto his every move but when he wants to try and leave his father’s shadow, he is, too. 

Director Adam Smith, who’s more known for his work on “Doctor Who”, has had mixed reviews on the film festival circuit but having assembled an excellent cast and creating a unique blend of chaos and calm in a crazy world, I think he has a hit on his hands not matter the venue.  There’s something fascinating about Chad and his family that, as the film goes on, you almost catch… like a cold.  At first you’re not sure you have it but when you do, it really ensnares you.  Perhaps it’s the fact that Smith didn’t try to play to the American audience.  It’s authentic in that he doesn’t drop the local, incredibly thick accent, nor does he remove the British jargon that’s in use.  We are in their world.  Luckily for us, we view this world from the extremely gifted lens of Eduard Grau, (“Suffragette”, “The Awakening”, “Buried” and “A Single Man.”  He takes you incredibly deep into the story, bringing you into it by using intimate shots that make you feel like you’re peeking around a corner… hiding where you shouldn’t be; surveying where you have no business.  The scenery is beautiful so there’s no chance you’re looking away.

Shining are the performances.  Lyndsey Marshal is magnificent as Kelly, Chad’s wife, who, through it all, pulls a Tammy Wynette and stands by her man.  Fassbender, though his Chad is raging with testosterone and as tough as nails, is almost sweet at times.  The moments where he’s not fulfilling an illegal act or behaving like a hoodlum, he shows how at peace his character is with the final decision he has made.  A quite difficult one but, as Christ did, he must sacrifice himself for the sake of all of his children.  If you can get through the accents, I’d have to suggest you see this in the theatre if it’s near you but if not, see it as soon as possible, in whatever form possible.