Can You Ever Forgive Me? Movie Review

October 26, 2018 (updated November 16, 2018) Published by Shari K. Green

Finally! Something Melissa McCarthy can sink her teeth into! She was impressive in this role. Though I wasn’t fired up to see this for some reason, the story didn’t exactly excite me, I knew she wouldn’t disappoint me. And she did more than delight, she proved she’s worth one of those bright shiny trophies they give away at the end of the season. Not just her but her cohort, supporting actor Richard E. Grant. It’s easy to envision this film walking away with several, not only nominations, but wins.

The film is based on true events that happened in New York in 1991. However, you get the feeling it could be set in any town, in any year and happen to anyone. Nothing about this story tells you that the setting is particularly special to the storyline. I rather liked that approach. McCarthy plays Lee Israel, a real-life writer/biographer who once saw for herself a bright future but ends up being convicted of forgery; something she did to pay the bills. What unravels onscreen is why she did it, how she got away with it as long as she did, who her accomplice was and what her ultimate unraveling ends up being. The forgery was her unraveling, of course, but desperation plays a large part. No longer brave enough to write a book of her own words, she writes about other people.

When we meet her, she’s turned to drinking, loses her job, is behind on her rent and on top of that, has a sick cat named Jersey. Jersey is her world. She would have no one else but Jersey had it not been for running into someone with even worse luck, Jack Hock (Grant), a sickly-looking friend she once had drinks with. He uses that moment to get closer to her and with no one else in her life, she clings to him, too. Perhaps once successful himself, he keeps himself alive these days by selling coke that’s cut mostly with a laxative and lives on the streets. Though you’re happy these two at least have someone, you know this is a disaster waiting to happen.

Hoping to not have to do something extreme to make ends meet, Lee visits her agent Marjorie (Curtain) who gives it to her straight. Lee tells her she is close to finishing her biography on Fannie Brice but Marjorie explains that her subjects and her style are not what people are looking for anymore. She needs to change with the times and come up with something better or she needs to look for work in a different field. Rather than looking inward, Lee turns the blame on Marjorie and drowns her sorrows in more scotch, her favorite pastime. While doing research for her book, Lee finds a letter that’s signed by Fanny Brice. Score! She sells it to the owner of a bookstore and thus begins her life of crime. Being a creative woman, she gets so much money from the sale of the letter, why not try again? She knows the people she has studied very well. She decides she needs to be very detailed about the work and ages the paper, writes something to fit the style of the author and everyone in town falls for it. It works perfectly… until it doesn’t.

Though Lee is a mess and a grump you couldn’t stand to be around more than five minutes, you root for her and that’s because of the relationship director Marielle Heller and Melissa McCarthy accomplished to create before the cameras even started rolling. This deserves Oscar’s attention. I hope he turns his head and takes a look. The soundtrack is beautiful. The structure of the writing is spectacular. The directing is spot on and if you want examples of incredible character acting performances, look no further. It’s all here. The title is also something that intrigued me. Who does Lee want to forgive her? Her ex-girlfriend, her agent, the friends she’s always cranky toward, the people she defrauded or is it herself?

Johnny English Strikes Again Movie Review

October 26, 2018 (updated October 23, 2018) Published by JMcNaughton

“Johnny English Strikes Again” is a sequel in the “Johnny English” series, with Rowan Atkinson as an MI7 spy. He is the most bumbling and ill-prepared secret agent ever. He does little that is right, but he always thinks he is top of the line. English is similar to the inept Inspector Clouseau from the ‘Pink Panther’ movies. Peter Sellers was perfect for those movies, and Rowan Atkinson is pretty much the arrow in the bullseye for “Johnny English”. It’s just that the humor in the 60’s was fine for its time. But today, audiences do expect a little bit other than pratfalls and big-eared goofy grins.

Johnny English (Rowan Atkinson) is brought back into MI7 service after a technical data hack on the bureau. All current spies have been exposed and the Prime Minister (Emma Thompson) is upset. The country is undergoing several mysterious data hacks, and things are not good for the British Empire. The Prime Minister thinks that perhaps a young tech-savvy billionaire named Jason Volta (Jake Lacy) can get the country running smoothly again. English is the only retired field agent who can be called upon to investigate. He also gets an assist with his old MI7 friend named Angus Bough (Ben Miller). For some reason, English pronounces Bough as ‘Boof’. These two get sent to check out the computer hacks, first in France.

Johhny and ‘Boof’ find out that a luxury sailing yacht named the “Dot Calm” had something to do with the British data hack. They also meet up with a beautiful woman named Ophelia (Olga Kurylenko) on the yacht. She knows that boat belongs to billionaire Jason Volta, and she is looking into why he wants to make a business deal with the Prime Minister. When Johnny and Boof pretend to be waiters at a fancy French resort, there is a total disaster in the making. Ophelia heads to England to track Volta, so Johnny and Boof also go back home.

Johnny English has a feeling that Volta might be up to something very bad. But the Prime Minister is all smiles about Volta, and she will not disavow him. Johnny and Boof have a ‘Virtual Reality’ mock-up of Volta’s English country estate. Johnny uses this VR device to learn how to maneuver Volta’s estate to find evidence of his wrong-doing. However, Johnny does everything wrong (as usual) and thinks he is in the VR lab when he is actually out in the London bookstores and coffee shops – attacking people who are Volta’s “Heanchmen”. He and Boof go to estate for real, and they do find evidence that Volta is evil. They work with Ophelia to record Volta’s evil plans, but of course, Johnny messes that up when he tries to play it for the Prime Minister.

Johnny and Boof are fired and need to stay away from the big conference in Scotland, where the Prime Minister and Jason Volta will sign a big agreement. All the other European countries will also join in, because Volta promises to protect all their data. They of course do not know that Volta has been behind all of the data hacks and is leading up to taking over the various countries. If Johnny and Boof only were able to be there and effectively protect England and all of Europe. If only they could work with Ophelia, who is an undercover Russian agent, to stop Volta from being an evil jerk. If only– but wait — of course Johnny English will blunder into a situation and somehow make the ‘not the worst thing’ happen. If only — by accident…

“Johnny English Strikes Again” shows that Rowan Atkinson does not strike out, but he also does not hit any home runs. Call this one a broken-bat single. Atkinson is terrific at what he does, which is to play the unknowing fool. The rest of the cast enjoys slumming around with him, especially Emma Thompson. The story is a series of set pieces, all tied together with Atkinson basic goofy character. There is some humor to be found, but it does not sustain the entire run time. But there is nothing objectionable, so Grandmums can watch it with their wee laddie grandsons.

The Oath Movie Review

October 19, 2018 (updated November 16, 2018) Published by Shari K. Green

In ‘The Oath,’ actor and comedian, now producer, writer, and director of a feature film, Ike Barinholtz, plays Chris. Chris is the everyman and Barinholtz plays him quite well. ‘The Oath,’ is a movie that needs its audience to connect with the lead in order to have faith in its message so casting was pivotal. The message is political and very powerful but no matter how you lean politically it’s a strong movie for both sides. Through a brutal comedy, you see both sides somewhat shredded and hopefully, everyone comes out on the other side the better for it. I think that’s the central reason the film was made. One blatant and glaring spotlight is directed on the idea that the country is to fall in line with whatever the president says or wants. Nowhere in the Constitution of the United States of America does it even suggest we are to support the president, a person, but instead, the president is to support what he swore AN OATH to protect and that’s the Constitution. The Constitution, in turn, protects the country and her people.

In the film, the president is asking that people sign The Patriot’s Oath. This is an oath of loyalty to him. Not only is he asking, though you are not required to, is giving you a tax deduction if you do sign… and there’s a deadline. The movie centers around this deadline moving closer and closer. The day will be after Thanksgiving… ‘Black Friday.’

Today’s political climate is all over this movie. With midterms fast approaching us and a 2020 presidential campaign looming ever closer, the film is released at the perfect time for reflection… no doubt on purpose.

Chris is very progressive and against The Patriot’s Oath. He is continually educating his wife Kai (Tiffany Haddish), also progressive but not as dynamic as he, that what the government is asking of its citizens is wrong. He’s an angry patriot and his anger increases as he witnesses American citizens grow more hostile toward one another; dividing like at no other point in history. Racists feel free to scream statements at people such as, ‘Get out of my country!’ Arguments and talking points are used to spread lies and fear, much like they are in the news you watch today. Chris believes he’s right and you are wrong which is ultimately the problem… there must be something that brings everyone back together. It can’t be just blind loyalty to only your beliefs.

The family is coming for Thanksgiving to Chris’ house and as tension toward the Oath builds, Chris prays to a God he doesn’t believe in, that he can get through the family visit. The day is here and, unable to let it go since the deadline to sign is tomorrow, Chris asks of his family members to reveal who has signed. At this point, the film digs deeply into the human psyche, and the bonds we develop, more than at any other time. Not only do we see who is with Chris and who is not, but there are a few unwelcomed visitors from the Citizens Protection Unit known as the CPU (think Dept. of Homeland Security) there to strongly suggest to people, in this case, Chris, to sign. This is where the movie goes from being a comedy that forces us to look inward, into something darker. That said, should we be led there so we can see we’re all capable of making mistakes? Anyway, the CPU isn’t there just to ‘ask’ Chris to sign, as all the other family members, even Kai, have done, but to ‘tell’ him to. In a very cryptic way, Barinholtz may be trying to remind us all of what’s important. Family. Friends. Water. Air. Who and what are we without these? Can he continue to fight against what seems to be the popular choice or should people who are signing an oath to a person wake up and see some of his point of view?

Barinholtz is great in this. I’m impressed with his work behind and in front of the camera. Tiffany Haddish brings on the laughs but also gets to show that she’s competent enough to explore a more serious tone for her audience. Nora Dunn and the rest of the cast are exceptional in coloring the landscape that’s been created, rendering you incapable of avoiding the subject yet entertaining you at the same time. Another thing the film does is emphasize how bad things get at a moments notice and how quickly arguments can escalate out of control if cooler heads don’t prevail. See ‘The Oath’ for all the reasons I’ve listed but also look at it this way… it could serve as a warning to you to keep you from bringing up the topic of politics this year during the holidays. It comes out to today so see it as soon as possible.

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The Old Man and the Gun Movie Review

October 5, 2018 (updated November 16, 2018) Published by Shari K. Green

‘The Old Man and the Gun’ is one of the most curious films of 2018, so far, that’s for certain. I’m not saying I disliked it but it’ll take some maneuvering to describe just what it was I liked about it. You’ll see what I mean by that when you see it and I recommend that you do. The way the story is told is incredible. It’s set in the 80’s just as the country was coming out of the 70’s with its long hair and darker colors but before florescent clothing and the mullet hairstyle hits. The country is open to change but isn’t quite there yet. To structure the film properly, Director David Lowery used all the tools he could, such as a grainy, VHS quality look to the picture, its comfortably casual canter, it’s pitch and vernacular appropriate for the time and as I mentioned, the drab color scheme everywhere. He doesn’t miss a thing. What’s particularly special is this… to make it feel even more real Lowery uses clips of Redford from films of his past. Very clever.

Lowery designs his films in such a way that you get deeply involved in the characters and take the utmost interest in their survival and success; no matter what it is their entangled in; good or bad. Honestly, I thought his film ‘A Ghost Story’ was one of the best and most overlooked films of 2017. Like ‘A Ghost Story,’ people may not appreciate ‘The Old Man and the Gun’ or see the brilliance right away but given the talent involved, I do hope you overlook any criticisms and view it despite anything you hear. It’s different but there’s nothing wrong with different. In fact, it’s refreshing.

Redford plays Forrest Tucker who has spent most of his life in and out of trouble. He’s been in prison and has escaped over fifteen times for which he has become famous. He even escaped from San Quentin. Did I mention this was based on a TRUE story?! So, we meet him, learn of his criminal activity and then move directly into discovering who he is on the inside. He meets Jewel (Spacek) and is smitten with her right off the bat. He tells her who he is and what he does, but she doesn’t believe him. No one would be honest about a thing like that, right? He’s an elderly, seemingly trustworthy fellow and is very kind so she warms to him as they sit in a café getting to know one another. This is what’s so exceptional about Lowery ’s technique. He makes us aware of the two-sided nature of Forrest that even Forrest isn’t cognizant of. You, as does Jewel, immediately like his gentle personality.

As you watch, you see that one side of him just wants to do what it’s told it can’t do. This is what he and his friends have been doing for years… robbing banks. He’s the gangs’ guy who nonchalantly strolls in, tells the bank manager or the teller that he’ll need their money and he exits with no fuss. He always keeps everyone calm, doesn’t bring attention to himself by smiling, being polite, hurting no one and then he leaves.

He and the audience are aware that perhaps his age has brought him to a moment in time where he’s finally conflicted with this side of him. Maybe it’s time to stop running and settle down?

Detective John Hunt (Affleck) knows of Forrest after he and his son happen to be inside one of the banks he robs. He makes a personal commitment to himself to bring this thieving gang of old-timers to justice. The character of John Hunt isn’t all that impactful at first but toward the end of the film, you realize how important he was in the grand scheme of things. As his search widens, he gets to know Forrest more and gets to respect the man he was and who he’s become.

I told you this would be a bit difficult to analyze for you but let me finish with this. It’s short, it’s a fascinating mix between comedy and drama and the cast is spectacular. It opens this weekend. Go see it. I can’t think of one reason for you not to.

Night School Movie Review

September 28, 2018 (updated November 16, 2018) Published by Shari K. Green

‘Night School’ is Kevin Hart writing for himself to offer you, Kevin Hart. If you like his previous movies, you’ll like this one, too. Some of the juvenile pranks and jokes do fall a little flat, but it doesn’t kill the film overall. Hart knows comedy. If he’s your brand, don’t miss this. That said, allow me to remind you that he does add a little something extra special to this movie that he also produced… Tiffany Haddish. Their chemistry is simply off the charts. Malcolm D. Lee worked with Haddish in ‘Girls Trip’ so he knew these two would gel perfectly. A Kevin Hart comedy, in my humble opinion, is always worth a watch but a Hart/Haddish twosome filled with frenzied back-and-forth verbal sparring, and a little sparring in the Octagon, as well?! Sign me up. I adore these two and one thing’s for certain… they have to work together again soon, though I wouldn’t mind seeing Haddish take the lead next time.

During his high school years, Teddy (Hart), not being the most gifted of students, a fact his sister likes to remind him of, decides he doesn’t want to continue his high school education. He wants to skip this part of life and move straight into working. He plans on being wealthy without working for ‘the man’ and believes his decision will help him get a jump on everyone else. While in school Teddy made a few enemies. One of them was Stewart (Killam) who later becomes the principal of that very school.

Teddy eventually procures almost everything he wants. He has a nice car, a smart, gorgeous, wealthy girlfriend named Lisa (Echikunwoke) who loves him. The career? Well, that hasn’t gone quite as he had hoped. He does do well enough to get by but only as a salesman at a store that sells barbecues. He gets by because he’s such a good salesman but it’s not where he ultimately wants to be in life. However, he soon finds out he’ll get the store when the owner retires which will finally give him a chance to be the man he always knew he could be.

That’s all before the ‘accident’ where he causes the store to blow up. Up to this point, Teddy has been lying to Lisa about the money he makes. In fact, he’s on a strict allowance and is having trouble staying afloat. Now with the accident obviously causing the store to close, his hopes come crashing down. He needs to get something soon or, he fears, he’ll lose everything that matters to him. Ben Schwartz plays a financial adviser, and Teddy’s best friend, who can get him a position at his firm and clear up any of Teddy’s worries. He also informs Teddy that his hands are tied about one matter. Teddy can’t work there until he gets his GED. He has no choice but to go to night school and as fate would have it at the very school he stopped attending years earlier.

When he goes to his night school classes, something he’s doing behind Lisa’s back, Teddy meets his teacher, Carrie (Haddish), who he has already had quite a hilarity filled and memorable run-in with. They instantly don’t like one another but both want the class to succeed. They eventually have to form an alliance and work together, against the principal, to protect the integrity of the system and get Teddy moving forward in life.

With a great cast of character actors playing his fellow students, including Rob Riggle and Romany Malco, Hart manages to get himself out of what could have been a disaster. With so many writers involved with writing the script, it’s easy to picture a scenario where story concepts and jokes were getting thrown out that shouldn’t have and others hitting that shouldn’t have. I say this because at times the plot could be weak, rather sophomoric and unoriginal. It seems maybe something was lost in the shuffle. But as I’ve previously mentioned, the cast alone makes it worth your trouble. Might I suggest seeing a matinee if you decide to head to the theatre?

Smallfoot Movie Review

September 28, 2018 (updated November 16, 2018) Published by Shari K. Green

You may be surprised to hear this but when you get to the root of the message within this film, it gets rather philosophical. I wasn’t quite expecting for characters in an animated feature to attempt to heighten my awareness. ‘Smallfoot’ insists I always question things that I’ve been told, by using cute, Yeti characters who warn that ignoring your gut instinct is the proper thing to do. The way to get their complex message through to the audience, writer/director, Karey Kirkpatrick and a team of six other writers, have an elder exclaiming to his tribe to ‘push it down’ if anyone wants to examine things closer and to never believe what they see and hear with their own eyes and ears. Sound familiar? Anyway, written on stone is ancient text that tells them how to live. ‘Always be true to the stone!’ says the elder or ‘Stonekeeper’ (Common). If they do not, they will be banished. This is where we meet our protagonist, Migo (Tatum).

Being told they do not exist, Migo comes across a smallfoot, a human. With his own eyes, he watches a plane crash and sees a man get out. He runs to tell his clan that people really do exist and wants to show everyone his proof. Nothing seems to ever really work out for the poor guy which is part of the delightful aspects of the storyline that endears you to his character. He is a big goober who never does anything right but now he has something that will get him much desired acclaim and attention… or so he thinks. What it gets him is banished. The Stonekeeper isn’t interested in the truth coming out but hiding it no matter the cost.

On his own, Migo meets up with the SES, Smallfoot Evidentiary Society, led by Meechee (Zendaya). Together, they form a team to show proof of other beings by using science-based theories. Migo agrees to be lowered into the clouds where they believe a new world awaits discovery. Once he actually falls below, something you know will happen based on what has already occurred to our hapless hero, he sees a town and wanders toward it. Here, we meet up with Percy, a YouTube-type star looking for ratings for his wildlife show. He wants to capture video of and show the world that the Yeti is real and asks his assistant Brenda (Shahidi) to dress like one, for which she promptly refuses. Percy and Migo eventually stumble upon one another. What occurs next is hysterical, adorable and at times very moving. It’s deliberate on the part of the writers and the animators to ensure children see how important it is that we all listen as well as communicate properly to secure the very survival of our own kind. At points, the film is almost chilling but never once is it not impressive.

Well done Warner Brothers for bringing us something that entertains as well as educates the children without them realizing what’s hitting them. I love the idea that little nuggets of wisdom are dropped into young minds without their fully realizing it. Here, we touch on a great many subjects, those I’ve mentioned plus many others such as the environment. See ‘Smallfoot’ with the family this weekend to not only be amused and charmed but to be thoroughly engaged and enlightened.

The House with a Clock in its Walls Movie Review

September 21, 2018 (updated November 16, 2018) Published by Shari K. Green

Eli Roth, known for making horror films that leave nightmares in their wake, this time tries his hand at something for the younger crowd with, ‘The House With a Clock in its Walls,’ based on the novel by John Bellairs. While this is a family movie, it does have a touch of darkness I wasn’t quite expecting to see. With its creepy puppets and dolls, the frightening CG creatures, some nice some not so nice, and the house itself which appears to be alive and often crabby, the film just might not be right for someone under the age of eight. This would especially be the case if a child has never been exposed to anything similar to Goosebumps. Magic swirls around the story and the world a young boy, Lewis (Vaccaro), who finds himself forced to live with his kooky uncle in Michigan after the death of his parents from a car accident.

Lewis is still upset about his loss but immediately warms to the idea of living with his eccentric uncle Jonathan (Black) after getting to know him more. He’s helped by getting to know his uncle’s friend and neighbor, Florence (Blanchett), and he begins to see that through them he might eventually be part of a family once more. Jonathan and Florence’s relationship is much like that of a married couple. They bicker and argue but also care about one another and seem to have Lewis’ best interest in mind as they introduce him to the life of witches and warlocks. They give him some books and he quickly learns spells of his own. At school, he’s told by his friend, Tarby (Suljic), that his uncles’ house is haunted. Lewis believes it at first due to the strange noises and loud ticking clocks but is shown that the rumor is far from the truth. Wanting to impress his friend, Lewis gets himself into trouble when he decides to prove to Tarby that he’s wrong by showing him some of the magic he’s learned. Not easily able to impress the boy, Lewis goes further. He opens a forbidden cabinet and offers a blood oath to a book on necromancy that he finds which raises from the dead the previous owner of the house, Isaac Izzard (MacLachlan). Isaac has been waiting for someone to bring him back to life so he could wipe all people from existence.

‘The House With a Clock in its Walls’ is solid entertainment. The CGI is well done, Blanchett is dramatic and comical, Jack Black’s crazy warlock is impressive and the barking chair that seems to be his pet will leave smiles on the faces of the young and old alike. In fact, this might be a good introduction for kids to watching something heavier. Again, this will appeal to the older kids in the family, but you might want to leave the much younger ones at home. I don’t think you want this film to be how they learn about death which is a subject well breached here. It can be scary but its intentions of teaching a boy about his spirit and about being adventurous are not missed. I can see where the studio might be able to take this trip a little further if they were so inclined.

Assassination Nation Advance Movie Screening

September 17, 2018 Published by markdeli

Movie Screening Summary

High school senior Lily and her three best friends live in a world of selfies, emojis, snaps and sexts. But when their town of Salem is besieged by a massive data hack, resulting in half the citizens’ private info spewed into the public view, the community descends into anarchy. Lily is targeted after being falsely blamed for the hack—and bands together with her friends to survive a long, blood-soaked night.

Starring Odessa Young, Hari Nef, Suki Waterhouse, and ABRA. Written + Directed by Sam Levinson.

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Advance Movie Screening For ASSASSINATION NATION

Find your chance to receive special advance movie screening passes below.

Phoenix, Arizona

Advance Movie Screening Details

Movie Screening Date: Wednesday September 19th
Location: Harkins Tempe Marketplace
Movie Screening Time: 7:30pm
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To redeem a pass, simply click the Get Passes button. You will taken to our movie screening partner site (where you can sign up for a free account). Once you’ve done so, you’ll be able to print out your pass and bring it with you to your screening or event.

Admittance into a screening or event is not guaranteed with your pass. Events and advance screenings are filled on a ” first come, first served ” basis. To ensure that you stand a good chance of being admitted, we recommend that you show up 30 minutes to one hour early.

The number of admissions that are permissible for each pass are printed clearly on the ticket that you print out. You are allowed to bring as many guests as is indicated on your pass. For example, if your pass is for ” Admit Two, ” you can bring yourself and one guest. If you have an ” Admit One ” pass, you can bring only yourself.

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Smallfoot Advance Movie Screening

September 13, 2018 (updated September 13, 2018) Published by markdeli

Movie Screening Summary

An animated adventure for all ages, with original music and an all-star cast, Smallfoot turns a myth upside down when a bright young yeti finds something he thought didn’t exist—a human.

News of this “smallfoot” throws the simple yeti community into an uproar over what else might be out there in the big world beyond their snowy village, in an all new story about friendship, courage and the joy of discovery.

Smallfoot stars Channing Tatum (The LEGO® Batman Movie, the Jump Street films) as the yeti, Migo, and James Corden (Trolls, The Emoji Movie) as the Smallfoot, Percy. Also starring are Zendaya (Spider-Man: Homecoming), Common (Selma), LeBron James (upcoming Space Jam 2), Danny DeVito (The Lorax, Oscar nominee for Erin Brockovich), Gina Rodriguez (Jane the Virgin), Yara Shahidi (TV’s Black-ish), Ely Henry (TV’s Justice League Action), and Jimmy Tatro (22 Jump Street).

Smallfoot is directed by Karey Kirkpatrick, Annie Award-winning director of Over the Hedge and Annie nominee for the screenplays for Chicken Run and James and the Giant Peach. The screenplay is by Kirkpatrick and Clare Sera, screen story by John Requa & Glenn Ficarra and Kirkpatrick, based on the book Yeti Tracks, by Sergio Pablos.

The film is produced by Bonne Radford (Curious George), Glenn Ficarra (Storks, This is Us,) and John Requa (Storks, This is Us). Serving as executive producers are Nicholas Stoller, Phil Lord, Christopher Miller, Jared Stern, Karey Kirkpatrick, Sergio Pablos, Courtenay Valenti, and Allison Abbate. The creative team includes editor Peter Ettinger, and composer Heitor Pereira. Animation is by Sony Pictures Imageworks.

Smallfoot is set to debut in theaters September 28, 2018.

From Warner Bros. Pictures and Warner Animation Group, a Zaftig Films production, Smallfoot will be distributed worldwide by Warner Bros. Pictures, a Warner Bros. Entertainment Company.

https://www.warnerbros.com/smallfoot

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