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Thor Ragnarok Movie Review

November 3, 2017 (updated November 2, 2017) Published by JMcNaughton

Thor is one of the superhero characters from Marvel Comics Avengers team. Now after two stand-alone movies featuring Thor, and the two movies with all Avengers, Thor is back in action. But this time he will have a new adventure that will ‘Ragnarok’ his World. But first, a bit of an introduction to Thor…

Thor (Chris Hemsworth) is the Norse God of Thunder and the son of Odin (Anthony Hopkins). Thor has a half-brother named Loki (Tom Hiddleston) who is the God of Mischief. Thor can always count on Heimdall (Idris Elba) the protector of the access point between Thor’s world of Asgard and the other realms. Thor has just conquered a monster which could bring about the Ragnarok, an end-of-times destruction of Asgard.

Thor returns home and finds that things are not quite right with Asgard. Odin is lounging about and Loki is nowhere to be seen. Except that Loki is pretending to be Odin and is running the place. Loki leads Thor to Earth to find Odin, but they run into a Supreme Sorcerer. Yes, Dr. Strange (Bennedict Cumberbatch) is watching over Earth and does not want Loki around. Odin is hidden in Norway, and when the brothers find him, he explains about Hela (Cate Blanchett). Hela is the first-born and the true leader of Asgard, but only when Odin is gone.

Hela is unknown to the brothers and they want to fight her off. But she sends them into exile into a distant planet called Sakaar. This planet is ruled by a strange person named the Grandmaster (Jeff Goldblum) who is an oddball. He runs the planet that is a trash dump of the universe. Thor is captured by Scrapper 142 (Tessa Thompson) who is a bounty hunter, but also was a prior Adgardian Valkyrie warrior. Thor is chosen to fight in a gladiator-style face-off with the Grandmaster’s current champion.

The current champ turns out to be Hulk (Mark Ruffalo), who the alter-ego of Bruce Banner and another of the Avengers. But now Hulk is powerful and adored for his fighting skills. Thor finally gets Hulk and Scrapper 142 to agree to escape and head back to Asgard. Oh yeah, they also take Loki, who had landed on Sakaar and had become a favorite to the Grandmaster.

Meanwhile, Hela had been ruling Asgard by killing off anyone who did not agree with her. She had raised an army of dead warriors, and had destroyed most of the population. She has an ally with Skurge (Karl Urban) who is a warrior torn between Hela’s power and the destruction she creates. Heimdall is in hiding and saving as many of the Asgardian people as he can. He cannot wait until Thor comes back to challenge Hela.

While the plot does cover a wide range of places and characters, it never drags or never seems to be forced. The interaction between Thor and Loki is always interesting. Also, the interaction between Thor and the Hulk is very amusing. Even later, when it is between Thor and Bruce Banner it is really fun to watch. There are many places for some broad humor and many gags that are really great. This movie chooses not to take everything too seriously.

The director Taika Waititi has done mostly smaller independent comedies and minor films. But now he has been given a much larger canvas, and he paints a beautiful picture. The story gives Thor and Hulk some time to bond and to become closer. There are plenty of the standard Marvel action CGI sequences, but the story still has fun with many of the smaller sequences. Dr. Strange makes for a nice crossover appearance. And also, there is a short segment in Asgard where a play is being put on to honor Loki, and you can guess the actors who show up to play Odin, Loki and Thor.

All the acting is straight out terrific, with special regards for Tessa Thompson and Idris Elba. They both play such tough warriors who want also to save as many as possible. Chris Hemsworth is dependable as Thor, and Mark Ruffalo plays the big green Hulk (in motion capture) and also Bruce Banner. The dialog is sharp and right to the point.

The 3-D aspect is a basic conversion after the main work is done, so it does not add too much to the overall movie. The scope and overall design call out to see this movie on the biggest screen possible, including an IMAX presentation. The colorful design of Sakaar is fantastic and the world is brought to life.

“Thor Ragnarok” is a worthy entry into the ever-growing number of great movies created by the Marvel Movie Machine. This will leave you anxious for the next time the Avengers return for “Avengers: Infinity War”.

The Foreigner Movie Review

October 13, 2017 (updated October 12, 2017) Published by JMcNaughton

What’s old is new again, sort of. In the movie “The Foreigner”, Jackie Chan is – um – not young, but he can still hold his own against an army of bad guys. And the bad guys are — the IRA? Yes, the defunct Irish Republican Army comes back, but only in cinema, to be the evil doers. And they are led by James B… I mean Pierce Brosnan (who has played Bond in the past). And the movie is directed by Martin Campbell, who has also directed prior Bond movies. So three cheers for the AARP crowd!

In London, a simple noodle shop owner named Quan (Jackie Chan) drops off his beloved daughter at a SOHO dress shop to find a wedding dress. Blink your eyes and will miss the IRA terrorist attack on the street, which destroys the shop. Quan’s daughter is dead. He is heartbroken, but determined to find answers. He finds out about a Northern Ireland deputy minister who is part of the British government. Liam Hennessy (Pierce Brosnan) is a long standing politician in Belfast, and he once was a part of the old IRA.

Quan goes to the police and to Scotland Yard, but gets no answers. He decides to try and get the names of the bombers from Hennessy, but he just shrugs him off. “Surely, I don’t have any knowledge of who did this” Hennessy tells Quan. But Quan is determined, persistent and trained by many years in Special Forces Jungle Ops. So Quan knows a thing or two about making a homemade bomb that will rattle the windows and the rattle the deputy minister. Hennessy is put on notice that Quan is not taking no for an answer. Quan does his best ‘Jason Bourne’ to take control of the situation.

Hennessy keeps having major difficulties with his prior IRA contacts, who hate him for giving up. He has problems with his wife (Orla Brady), and also with his mistress (Charlie Murphy) – who might be deeply involved in the terrorist action. He has a problem with his nephew, who is visiting from New York – but still many connections with the old IRA.

But mostly Hennessy has problems with Quan. Hennessy’s office bathroom gets bombed, and then Quan targets his country estate barn and his car. Then Hennessy loses a few men who try and track Quan. He will not give up until he finds the people who killed his daughter…

Jackie Chan is an actor who can use his physical abilities to comedic or dramatic use. He plays an older character than he usually does, and his age does require that. Quan is smart and noble and dedicated, and he can MacGyver his way into gaining the upper hand. Pierce Brosnan also plays a character who attempts to scrape and claw his way into keeping a good thing that he has going. He does not know that his actions have triggered a relentless time bomb called Quan.

“The Foreigner” has the distinction of raising the specter of IRA terrorism in the modern day and age. It might be straight from the original novel, but that was written well before the peace accords in Northern Ireland. Perhaps not since “Patriot Games” has the IRA been cast as a boogeyman. It does not ruin the story, but it really stretches out the plausibility.

This movie will make you want to allow Jackie Chan to overstay his visa any day!

Have a Fun Flight on a ‘COCO’ themed BOEING 737-700 Southwest Aircraft!!

October 10, 2017 Published by Shari K. Green

Southwest Airlines Co. celebrated Disney•Pixar’s all-new, big-screen adventure “Coco” in high-flying style today, unveiling a Boeing 737-700 aircraft emblazoned with the vibrant “Coco” logo and artwork inspired by the film. The aircraft will fly among the carrier’s nearly 100 destinations throughout the United States, Mexico, Central America, and Caribbean through the end of 2017. As the largest domestic carrier in the U.S. serving more than 115 million passengers yearly*, Southwest Airlines connects people every day to what is important in their lives. With Disney•Pixar’s “Coco,” Southwest connects its customers to an all-new story that’s both exciting and inspiring. The film opens in U.S. theaters on Nov. 22, 2017.

*Based on latest U.S. Dept of Transportation data of O&D passengers.

“Southwest specializes in bringing unique and meaningful moments to our Customers,” said Southwest Airlines Vice President Controller and California Executive Leah Koontz at the aircraft unveiling event in Oakland. “Disney•Pixar’s ‘Coco’ centers on the universal themes of heart and family, core values we celebrate every day with our employees and customers.”

“‘Coco’ is about a boy with big dreams and a strong connection to his family,” says Director Lee Unkrich. “These themes really lend themselves to teaming up with a company like Southwest. And after working for nearly six years to bring this story to life, we were all so excited to see ‘Coco’ on the side of an airplane.”

Customers are encouraged to spot the “Coco” plane and share their photos using #CocoAndSouthwest. Additionally, Southwest is sharing the adventures of “Coco” with Customers onboard flights beginning Nov. 1, with the launch of the Disney∙Pixar “Coco” OnDemand Channel, featuring complimentary movie clips and trailers to get everyone excited about “Coco” in 3D this Thanksgiving. Be sure to tune-in ahead of the film’s Nov. 22 theatrical debut.

Later this fall, the music of “Coco” will come to life onboard the “Coco” aircraft with a Live at 35® inflight concert performance by Anthony Gonzalez, who voices Miguel in the movie. Customers will experience the sounds and culture up-close and in-the-moment as Anthony sings a song from the upcoming film accompanied by a guitarist.

COCO

DISNEY•PIXAR

http://movies.disney.com/coco

Hashtag: #PixarCoco

Pixar Coco Facebook

Pixar Coco Twitter

Pixar Coco Instagram

Running Time: 1 hour, 44 minutes

U.S. Release Date: November 22, 2017

Voice Cast: Gael García Bernal, Anthony Gonzalez, Benjamin Bratt, Renée Victor, Ana Ofelia Murguía, Jaime Camil, Sofía Espinosa, Luis Valdez, Lombardo Boyar, Edward James Olmos, Alanna Ubach, Selene Luna, Alfonso Arau, Herbert Siguenza, Octavio Solis, Gabriel Iglesias, Cheech Marin, Blanca Araceli

Director: Lee Unkrich

Co-director: Adrian Molina

Producer: Darla K. Anderson

Despite his family’s baffling generations-old ban on music, Miguel (voice of Anthony Gonzalez) dreams of becoming an accomplished musician like his idol, Ernesto de la Cruz (voice of Benjamin Bratt). Desperate to prove his talent, Miguel finds himself in the stunning and colorful Land of the Dead following a mysterious chain of events. Along the way, he meets charming trickster Héctor (voice of Gael García Bernal), and together, they set off on an extraordinary journey to unlock the real story behind Miguel’s family history.

Directed by Lee Unkrich (“Toy Story 3”), co-directed by Adrian Molina (story artist “Monsters University”) and produced by Darla K. Anderson (“Toy Story 3”), Disney•Pixar’s “Coco” opens in U.S. theaters on Nov. 22, 2017. For more information, check out http://movies.disney.com/coco, Hashtag: #PixarCoco, Pixar Coco, Facebook,Pixar Coco Twitter and Pixar Coco Instagram.

To hold you until December… ‘STAR WARS: THE LAST JEDI NEW” NEW TRAILER’ POSTER Available!!

October 10, 2017 (updated October 10, 2017) Published by Shari K. Green

STAR WARS: THE LAST JEDI

Last night, the new trailer was shown to millions during the halftime show of the Minnesota Vikings/Chicago Bears game. Today, watch it here and revel in the new poster revealed, as well. You can’t see the film until December 15th but at least you can enjoy the trailer and images released from the film.

In Lucasfilm’s Star Wars: The Last Jedi, the Skywalker saga continues as the heroes of The Force Awakens join the galactic legends in an epic adventure that unlocks age-old mysteries of the Force and shocking revelations of the past.

The film stars Mark Hamill, Carrie Fisher, Adam Driver, Daisy Ridley, John Boyega, Oscar Isaac, Lupita Nyong’o, Andy Serkis, Domhnall Gleeson, Anthony Daniels, Gwendoline Christie, Kelly Marie Tran, Laura Dern and Benicio Del Toro.

Star Wars: The Last Jedi is written and directed by Rian Johnson and produced by Kathleen Kennedy and Ram Bergman. J.J. Abrams, Tom Karnowski and Jason McGatlin are the executive producers.

Follow Star Wars: The Last Jedi

Website and Mobile site: http://www.starwars.com/thelastjedi

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Hut Hut Huddle Up! STAR WARS: THE LAST JEDI TRAILER DEBUTS DURING HALFTIME ON ESPN’S “MONDAY NIGHT FOOTBALL”

October 9, 2017 (updated October 9, 2017) Published by Shari K. Green

STAR WARS: THE LAST JEDI TRAILER DEBUTS TONIGHT

DURING HALFTIME ON ESPN’S “MONDAY NIGHT FOOTBALL”

Tickets to Star Wars: The Last Jedi Go on Sale Everywhere Following the Trailer Launch

SAN FRANCISCO, CALIF. Lucasfilm announced that the trailer for Star Wars: The Last Jedi will debut on ESPN’s “Monday Night Football” on Monday, October 9, during halftime of the National Football League (NFL) game between the Minnesota Vikings and the Chicago Bears in Chicago. The game starts at 5:15 p.m. PDT/8:15 p.m. EDT.

Following the trailer launch, tickets to the highly anticipated cinematic event will be on sale everywhere movie tickets are sold.

Star Wars: The Last Jedi opens in U.S. theaters on December 15.

ABOUT THE MOVIE:

Star Wars: The Last Jedi is written and directed by Rian Johnson and produced by Kathleen Kennedy and Ram Bergman. J.J. Abrams, Tom Karnowski and Jason McGatlin are the executive producers.

As Disney•Pixar’s “Coco” heads into theaters this Thanksgiving, the film’s soundtrack gears up for its debut!

October 4, 2017 Published by Shari K. Green

AVAILABLE NOVEMBER 10

“COCO” SOUNDTRACK FEATURES ORIGINAL SONGS, A MEMORABLE SCORE AND TRADITIONAL MEXICAN SOUNDS

Grammy®-Winning Singers Miguel and Natalia Lafourcade to Perform End-Credit Version of “Coco” Signature Song “Remember Me”

BURBANK, Calif. (Oct. 4, 2017) – As Disney•Pixar’s “Coco” heads into theaters this Thanksgiving, the film’s soundtrack gears up for its debut. The film features an original score from Oscar®-winning composer Michael Giacchino, a song by Oscar winners Kristen Anderson-Lopez and Robert Lopez, and additional songs co-written by Germaine Franco and co-director and screenwriter Adrian Molina. Also part of the team is musical consultant Camilo Lara of the music project Mexican Institute of Sound. Plus, Grammy®-Winning Singers Miguel and Natalia Lafourcade are teaming up to record the end-credit version of the signature song “Remember Me.” Set for release from Walt Disney Records on Nov. 10, the physical CD is now available for pre-order HERE.

“Coco” tells the story of 12-year-old Miguel, an aspiring musician who hopes to follow in his idol’s famous footsteps despite his family’s ban on music. “‘Coco’ has music in its DNA,” said director Lee Unkrich.

Score

“Coco” features an original score from composer Giacchino, who wrote the Oscar®-winning score for Disney•Pixar’s 2009 film “Up.” “When I saw ‘Coco,’ a mosaic of emotions came over me,” said Giacchino.” “It made me think about my family and my connections to relatives back in Italy. This film speaks to everyone.”

Giacchino worked with Franco, who composed the score for 2015’s “Dope,” to supervise the orchestrations and realize an engaging and specific sound. “She illuminated the complex richness of Mexican music so well,” said Giacchino. “The collaboration between all the musicians on this film has been a beautiful experience.”

Added Franco, “We really wanted to marry this idea of original music with elements of Mexican music to create a unique balance of sound, harmony and rhythm.”

Franco explored a wide array of Mexican instrumentation in the score, including a guitarrón, folkloric harp, a quijada, sousaphone, charchetas, jaranas, requintos, marimba, trumpets and violins.

The score was recorded in August featuring an 83-piece orchestra.

Source Music

“Coco” also features traditional Mexican songs as source music, to bring to life Miguel’s town of Santa Cecilia. “Even though music isn’t allowed in his home, Miguel finds inspiration in the musicians who perform in his hometown plaza,” says co-director/screenwriter Adrian Molina. “Santa Cecilia—home of superstar Ernesto de la Cruz—is so full of music, it inspires Miguel to want to be a musician.”

Franco and musical consultant Camilo Lara of the music project Mexican Institute of Sound were called on to help create the soundscape of Miguel’s world, along with the assistance of cultural consultants Benjamín Juárez Echenque and Marcela Davison Avilés. Lara joined the music team early, helping filmmakers navigate various moments from the film through the spectrum of Mexican music—from cumbia to mariachi music. Said Lara, “From day one, the whole idea was to be as authentic as possible. We listened to a lot of music—from sophisticated to street. I think we managed to present a beautiful mosaic of the vast diversity of our music.

“I was also responsible for a magical session in Mexico City,” continues Lara. “We recorded a wide range of top Mexican musicians of many genres—banda, marimba, mariachi and son jarocho. We had top Mexican maestros. It was a mind-blowing experience.”

Original Songs – “Remember Me”

Kristen Anderson-Lopez and Robert Lopez, who were behind the Oscar®-winning song “Let it Go” in 2013’s “Frozen,” penned the thematic song “Remember Me,” which is the signature song for beloved performer Ernesto de la Cruz in the movie. “The song is from the point of view of a person hoping to be remembered by a loved one,” said Anderson-Lopez. “But the lyric can be interpreted a few different ways depending on the tempo and tone of the music.”

End Credit Version

Grammy®-winning singers Miguel and Natalia Lafourcade teamed up to record the end-credit version of “Remember Me,” which Miguel and Steve Mostyn produced. “The song is special because it is about family and remembering where we come from,” says Miguel, who won his first Grammy® for best R&B song for the lead single “Adorn” in 2013. “It’s a reminder to be appreciative of the love and sacrifice that those before us had to make in order for us to be who we are. I think the message in the song is powerful enough to connect with everyone, but we’re adding another layer of depth and soul to the emotion of the song in this version.”

Added eight-time Latin Grammy® winner Lafourcade, “I feel very excited to be part of a Pixar movie because I have loved those films ever since I was little. I really enjoyed singing a song that gives life, color and joy to our Mexican traditions, as the Day of the Dead is one of my favorite traditions and celebrations of our culture.”

Original Songs – “Un Poco Loco,” “Everyone Knows Juanita,” “The World Es Mi Familia,” “Proud Corazón”

Franco worked with Molina to write several songs, including “Un Poco Loco,” a song in the son jarocho style of Mexican music performed by Miguel and Héctor on stage in the Land of the Dead. “This is one of my favorite types of Mexican music,” says Franco. “It involves a mix of indigenous, African and Spanish musical elements.”

Among other songs are the aspirational “The World Es Mi Familia” and the tongue-in-cheek lullaby “Everyone Loves Juanita.” “Proud Corazón” was penned for the final scene in the movie. “The lyrics in this song are probably the most personal to me,” said Molina. “It’s about filling your heart with the pride you have for your family, where you come from and who you’re connected to. [It] speaks to this connection across generations—between the Land of the Living and the Land of the Dead. Our thoughts, the memories in our hearts make it possible that our loved ones are always with us.”

The “Coco” soundtrack will be available from Walt Disney Records on Nov. 10. For more information on Walt Disney Records’ releases, check outFacebook.com/disneymusic, Twitter.com/disneymusic and Instagram.com/disneymusic.

Join the Justice League in a thrilling Virtual Reality experience!

September 8, 2017 Published by Shari K. Green

Put your powers to the test in immersive VR experiences, leading up to
the film’s much-anticipated November 17^th release and beyond

Warner Bros. invites fans to join the Justice League in a thrilling Virtual Reality experience that allows you to step into the shoes and feel the powers of the iconic DC Super Heroes: Batman, Wonder Woman, The Flash, Aquaman, and Cyborg. The Justice League VR experience will be rolled out in stages—to be released prior to, during, and after the theatrical opening of Justice League, on November 17, 2017. The four-stage unveiling will culminate with the at-home Justice League VR: The Complete Experience.

The first taste of the VR experience kicks off globally with a promotional demo in partnership with Gillette: Justice League VR: Join the League – Gillette Edition. It will be available for iPhones and Android phones starting September 7 for free download from Apple App Store, the Google Play Store and at http://justiceleaguethemovie.com/vr. This demo version is an interactive, gaze-based experience and will have up to 90 seconds of gameplay per character. The experience requires Google Cardboard or an equivalent VR viewer to play.

The following month, the Justice League booth at New York Comic Con will offer attendees a more in-depth sneak peek of the HTC Vive version of the experience with the Justice League VR: Join the League – New York Comic Con Edition. Users will be able to use the HTC Vive’s controllers for an enhanced version of the Super Hero simulations. Located at the Javits Center, New York Comic Con runs from October 5 through October 8.

The IMAX VR: Justice League Experience will be unveiled at IMAX VR Centres beginning on November 17—the opening day of the feature film—and will be an IMAX exclusive for its first two weeks. This totally immersive and completely interactive adventure will test if you are able to master your Super Hero powers. For more details and locations please visit http://imaxvr.imax.com.

Finally, in December, the VR experience comes home with an expanded Justice League Virtual Reality: The Complete Experience, to be released for transactional purchase on multiple VR platforms. Featuring additional modes and expanded missions, the home-based VR experience will support controllers, spatial tracking and room scale tracking, depending on the platform. Targeted platforms include HTC Vive, Oculus Rift, Samsung GearVR, Google DayDream and Sony PSVR (subject to change).

The Missions include:

Play as the Justice League members and see if you can master their powers:

Outrace your enemies as BATMAN
Fight Parademons as WONDER WOMAN
Face a creature from the deep as AQUAMAN
Stop a ticking bomb as THE FLASH
Take out enemy drones as CYBORG

In addition, other characters from the DC universe may be added to the VR experience.

You can’t save the world alone. Join the league!

http://justiceleaguethemovie.com/vr

About Justice League:

Ben Affleck, Henry Cavill, Gal Gadot, Raymond Fisher, Jason Momoa and Ezra Miller star in the action adventure Justice League.

Fueled by his restored faith in humanity and inspired by Superman’s selfless act, Bruce Wayne enlists the help of his newfound ally, Diana Prince, to face an even greater enemy. Together, Batman and Wonder Woman work quickly to find and recruit a team of metahumans to stand against this newly awakened threat. But despite the formation of this unprecedented league of heroes—Batman, Wonder Woman, Aquaman, Cyborg and The Flash—it may already be too late to save the planet from an assault of catastrophic proportions.

Justice League was directed by Zack Snyder from a screenplay by Chris Terrio and Joss Whedon, story by Terrio & Snyder. Based on characters from DC Entertainment; Superman created by Jerry Siegel and Joe Shuster. Charles Roven, Deborah Snyder, Jon Berg and Geoff Johns produced the film, with Jim Rowe, Wesley Coller, Curtis Kanemoto, Chris Terrio and Ben Affleck serving as executive producers.

Opening beginning on November 17 in 3D and 2D in select theatres and IMAX, Justice League will be distributed worldwide by Warner Bros. Pictures, a Warner Bros. Entertainment Company.

The Dark Tower Movie Review

August 6, 2017 Published by Shari K. Green

By now, we’re all used to movies being two hours long, right? That’s the norm these days. With The Dark Tower at only 95 minutes, I felt I had just adjusted myself in the seat and I was hopping out of it again headed home. Part of why it felt short was because what should have been an imaginative and vivid excursion across worlds, that promised so much, was dark (as in hard to see) and dull; almost as exciting as someone reading a menu. Well, maybe not THAT dull. There are a few moments that will thrill you. The scenes that center on guns and bullets are quite enterprising but that’s about all The Dark Tower brings. A scene fighting monsters is so amateurish if I had been watching a student film, I would have graded it higher.

Perhaps directed by someone other than Nikolaj Arcel, who doesn’t have very much directing experience other than the film, A Royal Affair, we would have a much better, action-packed, colorful thriller on our hands. Arcel may want to stick to writing which he is very good at doing. As it is, we have this disjointed, routine, uninspired misfire that falls short of the expectations of, not only the general audience but of most of the Stephen King fans that have seen it.

The Dark Tower is a movie based on a series of eight King books; it’s number seven in the set. The Tower, itself is a point where all universes connect. The film is about Good vs. Evil but doesn’t give the impression that it believes in either. Being that it’s a series, bringing number seven about doesn’t make sense and also leaves one to wonder if the previous six books are crammed into one film. If so, this could be why it appears to be so vexing and why King fans are not or will not be too happy. What is being missed and what is the point in doing this to a wonderful, successful series?

Anyway, rather quickly, we are introduced to the antagonist of the tale, the Man in Black, played mutedly by Matthew McConaughey. We also meet Jake Chambers, (Tom Taylor). He’s a young boy who has the ‘Shine.’ The Shine, referenced also in the King book and film, The Shining, is an amazing psychic ability. The presence is strong with this one! The Man in Black only wants to use Jake’s powers to his advantage to destroy the Tower but is also aware that the ‘mind of a child’ can work against him and this plan.

We then make the acquaintance of the protagonist, Roland (Idris Elba), also known as a Gunslinger. His guns are made from the metal of the Excalibur and he is the last living Knight who has the strength to defend the universe against the Man in Black. What’s on the other side of the universe is death and destruction and the Tower is the only thing holding it back. Children like Jake, and their strong, potent, telepathic minds, are being used to attack the Tower.

In the beginning, we see that Jake has fevered dreams about the destruction of his world. He stumbles on the mid-world of his dreams and meets the Gunslinger. This Gunslinger is sold as powerful and almost unbeatable but the film almost immediately turns on that theme and shows him to be weak and vulnerable to a tiny stab and to infection. Jake meets Roland, teams up with him to help stop evil from winning, there are battles and… The End. Yes. It’s like that.

So, maybe if you love the books and would like to examine this close enough to look for a few of the Easter eggs within, such as the Shine and the Man in Black seeming to resemble Randall Flagg, the bad guy from, The Stand, check it out for the curiosity factor. I’d recommend going to the matinee or waiting for cable release. Either way, you’re going to be disappointed in the results. Maybe pick up a book instead?

Valerian and the City of a Thousand Planets Movie Review

July 21, 2017 (updated July 20, 2017) Published by JMcNaughton

Luc Besson has a history of involvement in many action-packed fun movies. His movies are more concerned with moving the plot along than just pure logic. When he creates a new world, such as in “The Fifth Element”, it can be impressive and very detailed. When he has a strong emotional tie to the material, he treats it with great care. That is what is happening with “Valerian and the City of a Thousand Planets”. He wanted to bring the graphic novel source material to life.

“Valerian and the City of a Thousand Planets” makes a quick update on the state of human space exploration. In the first few minutes, it visually shows that an International Space Station is welcoming humans of every race up on board to make a new home. Soon there are non-human species that also arrive, so the station gets bigger and bigger. It soon has to be moved out to its own little corner of the galaxy, now that it is home to hundreds of species and tens of thousands of beings.

This place is called ‘Alpha’ and it ruled by large council. There is a Defense Minister (Herbie Hancock) and a leading General Filitt (Clive Owen). There are two Federal agents working to keep the peace in space. Major Valerian (Dane DeHaan) is ready to defend the Federation laws in space. There he is joined by Sergeant Laureline (Cara Delevingne). They are about to go on a super-secret mission, but Valerian has just had the oddest dream. He was captivated with a vision of a planet called Mül. This perfect world is destroyed by sinister outside forces, and the dying princess of the Mül people cried out to Valerian.

But first the mission needs to happen, so they meet a military team on a distant planet. Valerian and Laureline are disguised as tourists in a freakish bazaar. This multi-dimensional place has lots of gaudy visitors and gift stalls. There are also pirates selling stolen one-of-a-kind items. Items like the “converter” which is the same small armadillo-like creature from Mül. This is the last of its kind, and someone wants it bad. But Valerian gets into the deal and takes the “converter” before the aliens can buy it for the big ugly beast pirate (voiced by John Goodman). Valerian and Laureline get away, but the danger is just beginning.

But in Alpha, there is a growing danger in the planet-size spaceship-conglomerate. There is an area near the core that has become a dead zone. It is radioactive, and nothing that comes in will ever come back out. If it is not stopped, it could take over everything. General Filitt is now being guarded by Valerian and Laureline. The “converter” creature is being held by Laureline. Mystery beings break into the council chambers and kidnap General Filitt. Valerian gives chase and goes into the dead zone, so they lose contact. Laureline goes to try and find him. She finds Valerian, but soon Laureline gets kidnapped by some ugly monster type creatures.

Valerian finds a place called “Paradise Alley”. He meets Jolly the Pimp (Ethan Hawke) who sets him up with a shapeshifting entertainer named Bubble (Rihanna). Bubble agrees to help Valerian find Laureline and get her out. Laureline is being dressed up to attend a fine dinner for the monster king, and is not pleased when she becomes part of the menu. Valerian and Bubble arrive to help her escape. Valerian and Laureline go on to find General Filitt and the mystery creatures that have been making a home in the dead zone.

The visuals created in “Valerian and the City of a Thousand Planets” are breath-taking. The various worlds created are amazing and the creatures are fantastic. The ease in which it goes from current time to many centuries into the future is interesting. But then the story gets wrapped up in the job that Valerian and Laureline must do, and it totally bogs down. Any sense of wonder and awe gets disrupted.

The direction is very broad and enveloping, because Luc Besson is caught creating these new worlds. But then the people who fill these worlds start to fail him. Dane DeHaan starts out in smart-alec mode, doing a Keanu Reeves voice over. Cara Delevingne has little personality to make her the smarter and more likable of the two. There is no chemistry between them, and the jokey quips feel too forced.

Clive Owen is a non-impressive bad guy. Ethan Hawke has little more than a cameo. Rihanna is good edition and her story has some pizzazz. Herbie Hancock is an odd choice, but does little more than appear as a concerned face on a screen. John Goodman has few lines in voiceover for a big ugly beast.

The 3D effects are helpful to bring more life to the great production design, but it gets wasted a lot during the long stretches in dark and dreary places. The story and the acting cannot come close to the efforts put into the visual aspects.

Overall, this is fine movie to see if you are a big Luc Besson fan, especially if you liked “The Fifth Element”. If you like a good well-visualized alien world, then go see this. It is a fun little summer popcorn flick, but don’t work your brain too hard by trying to make any sense out of it.

War for the Planet of the Apes Movie Review

July 14, 2017 (updated July 17, 2017) Published by JMcNaughton

When the ‘Planet of the Apes’ franchise restarted in 2011, the focus was on how the apes got started and how humans lost control of the planet. “Rise of the Planet of the Apes” focused on Caesar (Andy Serkis) who become a genetically-enhanced ape. Then in 2014, “Rise of the Planet of the Apes” moved forward with a large group of very intelligent apes fighting off the remaining humans, who had been killed off by a world-wide simian flu. The next movie is “War for the Planet of the Apes” and it brings the human/ape conflict to breaking point.

In this movie, the apes are gaining much more control. But there is a breakaway Army group that has a blood-lust for killing every last ape. Caesar is still in control, and the splinter military group is led by The Colonel (Woody Harrelson), a sadistic monkey-killing machine. The Army group invades the apes’ nesting area, and Caesar’s wife is killed. He goes to seek revenge on The Colonel with his friends Maurice (Karin Konoval) and Rocket (Terry Notary). They meet up with an orphaned human girl, and decide she can come with. They call her Nova (Amiah Miller).

On the way they meet an escaped monkey from a zoo, who calls himself ‘Bad Ape’ (Steve Zahn). Bad Ape knows that The Colonel has camped in an abandoned weapons depot. The military has captured all the apes from Caesar’s village and are holding them as prisoners. Caesar is caught also, and he meets The Colonel who explains his plans. All the apes are used as forced labor to rebuild a defensive wall around the depot to protect the soldiers. Caesar correctly guesses that the wall is not being built to keep out the apes. The Colonel is building the wall to keep out the actual military, which are after The Colonel and his extremist ideas – and his radical followers.

The tiny group of apes outside the compound finds a way to get into the compound. Soon they are breaking out all the imprisoned apes, and even Caesar is let free, but first he must confront The Colonel one last time. He regular Army attacks, and all hell breaks loose. The apes have beaten the humans, and it may not be the last time…

This movie is the exciting conclusion of the rebooted ‘Planet of the Apes’ trilogy. The story is sleek and streamlined, with many references to other movies. There is a little bit of “Apocalypse Now”, “The Great Escape” and “Stalag 17”, along with shades of the Moses story from the Bible. Even with diverse sources, the movie ties it all together with a single sang. The motion-capture work done by the actors to play the apes is incredible. Andy Serkis would be an Oscar winner if they would give them out for “Best Performance as a Different Species”. Woody Harrelson is perfect playing a bat-crazy loon that happens to control a large cache of Army weapons. Steve Zahn does a great job being a bit of humor relief in a tense and serious movie.

The direction is direct and to-the-point, and gets you into the story with no problem. The cinematography is beautiful in the wide-open shots, and it can be frantic and driven in the battle scenes. The movie score is quite good and does not overload the action on screen. But the way the actors can make a fictional ape come alive with all the feelings and emotions, well — that is worth even a second viewing.

The original plan was to make these three movies for the ‘Planet of the Apes’ reboot project. But seeing how much better each movie has become, and how polished the story is progressing – it would not be a surprise to hear of a new effort in a short while. So if you are interested to see if the third picture is a series can be any good, then see this. There are no little yellow minions and no little cartoon cars. There is only a great story with an amazing amount of acting that is CGI-enhanced.

Tag: Adventure