The Endless Movie Review

Sometimes a movie can sneak up on you and take your idea of reality and throw it in the trash can. “The Endless” can do just that. It can lift out your brain, put it in the blender, and hit ‘Frappe’. But when you are finished watching, you realize that the movie that you just saw has taken you on a trip into an alternate dimension Fun House. Be careful, you still might be stuck somewhere in the Hall of Mirrors.

Two brothers have escaped ten years ago from a weird ‘UFO death cult’, as they called it. Aaron Smith (Aaron Moorhead) rememebers things much differently than his older brother Justin (Justin Benson). Being far removed from that time, they both feel isolated without contact with the cult members. They are living dull and drab lives, and they wish to make a final closing statement to the other cult people. So they head back for just single night to confront them. But at the same time, Aaron thinks they might be able to take them back.

Justin and Aaron stop at the roadside marker that shows where their mother was killed in a car crash and the cultists found the two boys alone. The cult took them in and cared for them, and Aaron has some fond memories. Back at Camp Arcadia, Aaron and Justin meet with many of the people with whom they used to live. The group has no actual leader, but Hal (Tate Ellington) is the one who talks the most and explains things to them. But how to explain that 10 years have gone by, yet the entire group seems to have not aged? There is Anna (Callie Hernandez) who is sweet to Aaron and might be using her charm to make him stay. There is Tim (Lew Temple) who is big and brawny and might be an enforcer who can make people stay.

Justin wants to get going quickly, because he feels something is not quite right at the camp. The members of the group never leave, and there are very odd things that he sees. Gravity does not seem to work in the same way. The full moon is shown to be two moons in the sky. There are things that Justin cannot explain, Aaron is not paying attention at first, but soon he also gets the idea that there are unnatural forces at work. Justin tries to leave, and he gets lost in the woods.

Justin finds a fellow named Carl (James Jordan) and he explains some things to Justin. But he does not believe Carl, until he sees the results of what happens. There is an unseen force or an entity that is controlling these people, at the camp and in Carl’s cabin. Justin goes not he finds a couple of guys in a cabin where unusual things happen with time. In some areas, there is repeating loop where time is not advancing into the future. Justin and Aaron reconnect and both decide that it is time for them to go. But will they be able to get out of the mystery location, without a way to know what the hell is going on?

Justin Benson has come up with a story that takes you and gives you a very strange tingle of your spidy-sences. Justin Benson and Aaron Moorhead manage to not only direct the entire film, but also two play the two key roles. As brothers who had been able to escape the clutches of a strange death-cult, they return to find things were more bizarre then they thought. The story unfolds very slowly and methodically, with just enough unexplained images and dialog to make you wonder if the two guys are just insane.

For a very small independent movie, this reaches and succeeds far better than a handful of major Hollywood releases. It explores the presence of an unseen entity better than “Annihilation”. It takes a stab at displaying time loops that can rival the movie “Edge of Tomorrow”. It takes a clever look at what being in a cult can do to mess up the brain of young kids, better than any other major movie.

“The Endless” does a credible job of breaking out of a ‘cult status’ movie and being able to become a well-respected and interesting movie that will be talked about for ages.

In Phoenix, playing the FilmBar

Disobedience Movie Review

The movie “Disobedience” is a deep dive into the inner workings of an Orthodox Jewish enclave located in London. The focus is on two women, and how the community reacts to the sexual attraction between them. The pacing of the story is slow and methodical, as the ramifications of their forbidden love spreads even deeper. Since one of the stars is Rachel McAdams, the shortcut title might be “The Notebook for Orthodox Jewish Lesbians”. All that is missing is the kiss in the pouring rain and the swans on the lake…

Ronit (Rachel Weisz) is the daughter of the main rabbi in a small London Jewish community. The elder rabbi is much respected, and Ronit is estranged from everyone in the Orthodox group. She has moved far away and does not communicate with anyone from back home. That is, until the rabbi dies suddenly. She is informed that he has passed away, and she decides to make a trip from New York back to her old community. That is, if anyone there will put up with her. There was some undefined incident that caused the falling out with her father and the rest of the people. But she comes back and stays with a childhood friend.

That friend is Dovid (Alessandro Nivola) who is a young man getting setup to be the new rabbi for the community. He is married to their childhood friend Esti (Rachel McAdams) who is the one that secretly contacted Ronit. Dovid is surprised to see Ronit return, because he thought that nothing would make her come back to the place that caused her so much pain. Esti is secretly pleased, because she and Ronit have a hidden past of passion and love. It was this relationship that caused Ronit to leave in the first place.

Passions get reignited and emotions get all tumbled when Esti and Ronit reconnect. The community around them start to get wind of the underground love affair that has rekindled. Dovid becomes very angry and at the same time confused. The things that Ronit assumed would be part of her father’s will that he would leave to her are instead being funneled to the synagogue. So, she left with nothing, and she is coming back for nothing. Only the subversive and illicit love between her and Esti will bring her anything resembles joy. Yet the passion that connected them is tearing apart the community in which they live.

The keys of this movie are ‘The Two Rachels’, Rachel Squared as it were. Rachel Weisz and Rachel McAdams are very enlightening as the two leads, Ronit and Esti. They pour a lot of talent into the lost and longing looks and steely gazes of the two characters. They are the reason that a very mediocre story line can be enhanced into a higher level of viewing. Also, Alessandro Nivola does a very fine job as the poor guy who gets stuck in the middle of something that he does not understand. Every other actor is well suited to be a typical Jewish community member. Perhaps a bit too stereotypically, in some of the cases.

This will, in most cases, be a must-see movie for a very small and select slice of the audience. It does have two strong female leads. They are in a very interesting situation where they rebel against a very traditional religion. But for a clear majority of people, it might be a little languid in the pacing of the movie. It might also be a little non-specific in the final resolutions. There are many loose ends, and many times an audience likes to see most of the situations wrapped up. There is not a huge excitement factor in the plot or the pacing. The movie simply exists to give ‘Rachel Squared’ a platform to give a very powerful pair of performances.

In Phoenix, playing exclusively at Harkins Camelview…

Tully Movie Review

Going into ‘Tully’ I didn’t know what to expect. Sometimes when I know ahead of time that I’ll be reviewing a film, I avoid all mention of the said film, so I can go in without any knowledge of the concept and therefore don’t build any preconceived notions. I especially avoid trailers as I believe, this is especially true of the last few years, they give away too much of the plot. I’ll try not to reveal too much here, myself.

What I knew of ‘Tully,’ and all I needed to know to sell me on it, were the stars, the director and the writer. Charlize Theron, Mark Duplass and Ron Livingston in a film directed by Jason Reitman who directed the wonderful ‘Up in the Air’?! Enough said! But then written and produced by Diablo Cody, too?! Cody first came on the scene when she wrote her smash hit film ‘Juno” for which she procured a BAFTA, Writers Guild, Critics Choice and Academy Award® for Best Original Screenplay. Quite the accomplishment. ‘Juno’ was also directed by Reitman. ‘Young Adult,’ which I considered to be rather good, as well, Sees Cody and Reitman together also and stars Charlize Theron. Knowing this, I was chomping at the bit for this new film. Still I refused to learn too much of the story, instead, I went in trusting the team that designed the piece. I had heard all I needed to know to get me in the theatre and should do it for you, too. Reitman and Cody make a good team. ‘Tully’ is very well written, quite charming and whether you think you can relate to the characters or not, very much worth your time.

Theron plays Marlo, a pregnant mother of two, who’s about to have baby number three shortly. One of her children, her son, has difficulties in school, shows all the signs of autism, and makes getting through the day quite a struggle. She has to brush his body to reduce the anxiety of everyday stimulation for him. Her husband Drew, played by Ron Livingston, of ‘Office Space’ fame, works a lot and when home he spends more time playing video games than he does noticing if Marlo has had a good day, is okay or needs his help. He is a good father and they do have a loving relationship, but their communication is more about the kids and problems that arise rather than relaxed and problem free. Then, of course, when she has the baby things get more chaotic for Marlo and, seeing less of him, she begins feeling drained and sleep deprived.

Her concerned and very wealthy brother Craig, played by the charismatic Mark Duplass, offers to pay for Marlo to have a night nanny come over in the evenings and help her. This is so she can get some rest and be more prepared to handle the sunrise. At first, the idea of someone coming into her home and taking care of her child doesn’t thriller Marlo but she eventually finds herself unable to dig herself out from underneath mounds of housework piling up around her. She feels neglectful and, realizing how good it’ll be for her family to have someone help, she accepts the generous gift.

This is when Tully, (Mackenzie Davis from ‘Blade Runner 2049’), a young woman in her twenties, enters her life. Still a little nervous about the situations, when she finally meets Tully she feels genuine warmth come from her. Knowing that all will be well, Marlo puts her head on the pillow, closes her eyes and gets the first good night’s sleep she’s had in years.

As the relationship deepens and the help she’s receiving becomes more about the bond between the two women, their conversations and the film itself gets more engaging. It’s also considerably witty. Whether you’re a woman or have been a parent or not, you’ll enjoy the banter between all the characters in the film. The Reitman/Cody union has always been strong and this time it’s not only good but has matured, as well. A twist they throw at you at the end of the film is not only kept well-hidden but is a testimonial to how Cody has evolved as a writer which makes you giddy for her future work. Whatever she has coming up for us, hopefully, she’ll not stray too far from her formula and from these partnerships that work.

For more information, visit the website and check out the social pages:

Official Website:     http://www.tullyfilm.com/

Facebook:                https://www.facebook.com/tullymovie/

Twitter:                      @TullyMovie

Instagram:                @TullyMovie

#Tully

Kings Movie Review

The movie “Kings” is an attempt to tell the story of the LA riots in 1992. It zooms in to a close-up level on a black foster mother raising quite a few kids while living in the South Central section of LA. After the beating of Rodney King, there were four cops on trial for the incident. The verdict came back ‘not guilty’, and much of the town exploded in violence. Black people were outraged and took to the streets in droves.

Mille (Halle Berry) somehow has seven or so children in her care. She gets some money from the state for raising the kids, but she also gets some more cash by selling bundt cakes. Which is a very black thing to do, I hear. There are some her kids with names, but there are so many it all seems a blur of who is who.  There is an incident at night where Millie pulls another young black boy off the streets, who is being stopped by the cops. She just takes him in and that’s that. Also, there is some young black girl who drops out and maybe gets involved in a gang, but it is not clear.

 

There is a neighbor who lives alone named Obie (Daniel Craig) and he is one of the only white men left in that part of the city. He plays classical music (it figures) and he gets annoyed when Millies younger boys play ball in the alley. There is one day when Mille is mad at the three younger boys and tells them to stay outside, because they misbehaved will not get supper. Obie sees them and takes the three smaller kids in and gets them some food and cares for them. Millie is panicked, but she sees that her grumpy neighbor has a softer side.

The weeks go on and there is a rising sense of tension, until the verdict comes in from the trial. Then a match that has been thrown onto a puddle of racial gasoline ignites the city into flames. There are roving gangs of violent gangs and multiple stores being looted. There are multiple fires across the city, and the firemen and policemen cannot come out to save structures or people. The raw power of hatred has overcome society, and Millie and Obie are trapped in the middle.

This movie very uneven and it has a place that it wants to get to. But it never seems to get to that place. In a time where there are major true stories to tell (LA race riots), this movie would rather serve up a weak fictional story of a black mother and some white guy. There is a very awkward sort-of romance that is tacked onto this relationship. But that does not feel deserved at all. The characters of each of the kids is so fuzzy that I could not tell which black teenage foster son was the ‘good son’ and which was the ‘mean streets son’.

 

And there is no indication of that silly movie title and what it means. “Kings’, does that mean LA Kings, the NHL team in LA? Does it mean that LA cops see all the inner-city black dudes as ‘Kings’, as in a bunch of Rodney Kings? Does it mean there was a defective deck of cards, and it contained only face cards, the ‘King’ type card? Inquiring minds what to know!

 

If this movie wants to see what an excellent movie about a race riot looks like, then they can check out ‘Detroit’. It is a movie from last year, but it also had some similar themes of racial injustice and black rage. This movie “Kings’ is a Hallmark version of a real gritty, down-to-earth expose of a race riot.

 

Playing in Phoenix area at Harkins Shea 14

Avengers: Infinity War Movie Review

‘Avengers: Infinity War’ was made for the fans. It is tremendously displayed hardcore action that simply doesn’t stop. If you love Marvel and the Avengers films, they’re topped out here. This is the one to beat and I don’t think it’ll be possible to do such a thing. The end will leave you mystified, shocked and salivating for the next feature. Fully shot on IMAX, I do suggest that you find a way to get to an Imax theatre and see it as it was meant to be seen. The CGI is fantastic and as the characters planet hop, it can’t be fully appreciated on a smaller screen.

There’s not a lot to say that will sell you on the film that you most likely don’t already know. If you’re a Marvel fan, you already know the universe that has been created. If you haven’t seen any of these movies, don’t start with this but hurry, get them all watched and catch this one before it leaves theatres! The Russo brothers, Anthony and Joe, took over directing after Joss Whedon left and, even though Whedon seemed irreplaceable, you’ll be convinced this was the right move. The characters, and there are a lot to get through, are given careful attention and had almost equal time onscreen for everyone to develop even more thoroughly than before.

There are many other reasons why you need to see ‘Avengers: Infinity War.’ It’s very well thought out, it’s not predictable, it’s incredibly entertaining and the entire 2 ½ hours go by in the blink of an eye. Unfortunately, waiting for Avengers 4 will seem like a lifetime. While this film is quite morbid and rather sinister, it has to be one of, if not the best because it took the darker path it needed to.

Parrticular actors get a chance to sink their teeth into moments that are meatier, deeper emotionally and even more comical than before. Once such comedic moment is when Hulk loses his confidence after getting beat during battle and Bruce Banner (Ruffalo) must discover a way to take over when needed. Another hysterical scene is when Tony Stark (Downey Jr.) calls an ominous looking character named Ebony Maw (Vaughan-Lawlor) ‘Squidward’ due to his resemblance to the character in ‘Sponge Bob Square Pants.’

So, while there is a lot of darkness, there’s a wonderful balance of humor, as well, mostly from the previously mentioned characters and from Peter Quill / Star-Lord (Pratt) due to his jealousy of Thor (Hemsworth).

We start by finding out that Asgard was under assault by Thanos (Brolin) who wants all of the Infinity Stones so he can control the universe. He believes that the random death, genocide, of half of a planet’s population, is merciful. Only he has what it takes to rid the planet, therefore the universe, of misery and despair by doing what no one else has the guts to do… murder by the trillions. So, he’s on the hunt for all the stones. Everyone is doing their best to keep them hidden from him but he’s has declared war with them, he’s strong and is winning. He’s not having too much trouble finding the stones and one by one, with what seems like very little opposition, he takes them.

This is particularly entertaining because while you may want our heroes to win, there’s a certain delight in watching them in peril for a change. The fight lasts a long time before they finally come together to deal some serious blows. The length of the film gives you time to truly care for what’s going on in this world and also question moves made by certain characters. Dr. Strange (Cumberbatch) will have you exceptionally perplexed. But, I’ve said enough. I’ll let you find out the rest on your own. If you’re a fan, you must immediately get to the theatre and watch this movie. Then, run right back in and do the same thing. Don’t drink coffee before you go. You’ll regret it about an hour in when you decide you can’t miss a moment of the film.

* There is only one end credit scene.

* Look for Stan Lee on the bus.

Backstabbing for beginners movie

Backstabbing for Beginners Movie Review

Director Per Fly opens his film by showing the Iraqi people and their blind loyalty to the dictator, Saddam Hussein and most importantly, their unwillingness to see him as the monster that he is. It’s a brilliant move to put on display how easy it is for people, though their leader is taking their country into decline and them personally into poverty, malnutrition and slavery, follow anyway, refusing to believe the person they support would do anything to harm them. It’s very much what we are now witnessing all over the world, even in America where it was never thought possible. This movie was made to help us understand the importance of Civics being taught in our schools, something being pulled from today’s curriculum to the detriment of the people and of the state.

Set in New York in September of 2003 and based on a true story, ‘Backstabbing for Beginners’ tells the story of a brave young whistleblower named Michael Sullivan (James). Michael, whose father was his hero, desperately wanted to follow in his footsteps. In order to do that, he needed to work to try and help people. His father, a diplomat, died in a bombing at the U.S. Embassy in Beirut when Michael was only five. He worked at the United Nations and spoke of how the U.N. was founded and why it was so important for the world that it exists.

Now, at age twenty-four, Michael finally lands his dream job as a program coordinator working for Pasha (Kingsley), the Under-Secretary-General of the U.N., as his special assistant. Pasha runs the largest humanitarian program in U.N. history, Oil-for-Food. The Oil-for-Food program was started in the late 1990’s to grant Iraq enough oil to purchase food and necessities to its people. Once the Gulf War began, sanctions were imposed and the nation got sicker and poorer.

Michael feels privileged to be working in the office in charge of trying to feed over twenty million starving people, however, instead of honor, virtuosity and the law working to help those in need of support, what he finds is corruption, thievery and bribes. Only some of the money goes to the people, a large chunk of it benefits those at the top. Michael is hired to look for any inconsistencies and to make sure everything is by the book. Working on his first report to hand into Pasha, he finds a great deal of skimming off the top, service fees that don’t add up and kickbacks that need to be investigated. Michael explains how up to or more than 30% of the funds is missing, not to mention that the Kurds are getting skipped for more money to go to Hussein’s hometown. Pasha takes the report and shreds it.

Pasha tells Michael to choose his truths wisely. Michael’s very naïve heart is crushed. Pasha, a good man, does what he can but also does for himself. He’s okay with corruption, justifying everything by saying that he’s happy there’s decreased malnutrition and starvation and that people are getting the staples. Christina Dupre, (Bisset), an officer at the U.N. is tired of the payoffs and malfeasance and she intends to fix things. Michael finally wises up when Christina, who refuses to falsify her report as Pasha does, ends up meeting an untimely death. Michael is also offered a bribe and is told by Nashim (Bilgin), that his predecessor didn’t die in an ‘accident.’

This is an important film for idealists to see and should be regarded as a reminder of what we all have to lose if we don’t keep our eye on the ball. It doesn’t matter the country in which you live, power corrupts and if we’re not paying attention, we, like the Iraqi people found out, can crash into anarchy. Twenty billion dollars of the Food-for-Oil money got diverted from the program and everyone seemed to profit. No one, Michael found out, no matter how much you may like them, can be above suspicion.

At least some good came out of Michael getting the position he held. He went to the Wall Street Journal and told his story of finding oil vouchers worth billions and even handed them a list of names he had procured. He went on record, as well, adding that he needed to take responsibility and give his name. Someone had to own what was going on to lend the story the credence it needed to be trusted. What he did led to the largest and most significant changes in the U.N.

The movie has a love scene that doesn’t really seem to fit. Once you’re involved in the story and getting to the truth of things, it’s really the last thing you want to see. Theo James is also not a strong enough actor to show the emotion the part truly needed and Michaels gullible nature and naivete does get old but for the larger part of the story, even though it works some to explain that most of those about to lose democracy are indeed Michael (not aware of what’s going on around them) this is a must-see because the message is too important not to be. 

*’Backstabbing for Beginners’ opens exclusively at AMC Arizona Center

Godard Mon Amour Movie Review

The filmmaker Jean-Luc Godard, who this movie is about, has said of this Michel Hazanavicius film that it’s ‘A stupid, stupid idea.’ This quote is then put on the poster and why not? Hazanavicius knew right there that he got it right. You can’t get a bigger endorsement, in my opinion. Michel Hazanavicius, director of ‘The Artist,’ which won five Academy Awards, including Best Picture and Best Director, now gives us the fairly humorous ‘Godard Mon Amour,’ a subtitled French film originally titled ‘Le Redoutable.’ In ‘The Artist,’ he showed us the world of silent films by introducing us to one of its actors and focusing heavily on that star’s world. In ‘Godard Mon Amour,’ we meet a truly innovative filmmaker from the 1960’s named Jean-Luc Godard (Garrel) when he’s in a state of flux. Already a successful director in the eyes of the public and of the critics with films such as, ‘Breathless,’ ‘Contempt’ and ‘Pierrot le Fou’ he decides he wants to be a revolutionary. He wants more out of life and desires to give more to the world through cinema.

We meet him in 1967 when Godard was regarded as one of the most gifted directors of his generation. He was very avant-garde because about ten years previously, he got involved in the ‘Nouvelle Vague,’ a group of French movie directors who came together to shrink away from the cinema of the day that was being created, to give films a more expressive voice.

While making his new movie, ‘La Chinoise,’ he starts doubting everything he has ever believed in. He feels he’s old (he’s thirty-seven) and out of touch and marrying an actress Anne Wiazemsky (Martin) almost twenty years his junior, doesn’t help much. She falls in love with his passion and his talent but as he gets more distracted with his heavy interest in politics, he pays less and less attention to her, at one point telling her that love can wait for later. He is always speaking as though his life means nothing but the cinema and when he has switched to politics only, his love life falls in order. He tells her he doesn’t have it in him to make a romantic film, saying, ‘Enough with the dictatorship of sentiments… sentiments don’t make revolutions.’ While loving and attentive early on, as the film continues, she’s starting to see what this means for their future. Previous to marrying him, she thought he was fascinating, unpredictable, charming and funny but before long comes to grip with the fact that he’s miserable and therefore incapable of thinking of anyone but himself. To support her husband, the young bride finds herself running from the police during student marches and protests rather than making films with him, even boycotting the Cannes Film Festival during the strikes of the following year.

The cinematography is outstanding and worth watching for that alone. The comedy, when it kicks in, rivals that of early Woody Allen pictures but takes place so far into the film that you may lose interesting getting there. Like the filmmaker Godard himself eventually became, Hazanavicius, is looking for something other than a joke to entertain you. I’d like to go on record as saying that if the film doesn’t please your palate right away, don’t give up on it. It drags on at first but does get better. There’s a lot of ground to cover and the clever way that this profound character is revealed at such a heavy turning point in his life, shouldn’t be missed by anyone who is looking for something meaningful. Hazanavicius is relaying to his audience a time when the filmmaker was trying to stay relevant. He’ll be criticized for creatively yet harshly revealing this time in Godard’s life but it doesn’t mean it should not have been explored.

*Releasing in Phoenix exclusively at Harkins Camelview at Fashion Square.

Skyscraper New Poster Revealed

SKYSCRAPER

Father. Fighter. Hero. There’s no limit when it comes to family.

Official Website | Facebook | Twitter | Instagram | #SkyscraperMovie

Global icon Dwayne Johnson leads the cast of Legendary’s Skyscraper as former FBI Hostage Rescue Team leader and U.S. war veteran Will Sawyer, who now assesses security for skyscrapers.  On assignment in China, he finds the tallest, safest building in the world suddenly ablaze, and he’s been framed for it.  A wanted man on the run, Will must find those responsible, clear his name and somehow rescue his family who is trapped inside the building…above the fire line.

Written and directed by Rawson Marshall Thurber (Central IntelligenceWe’re the Millers), the 3D action-thriller is produced by Beau Flynn (San Andreas,Baywatch), Johnson, Thurber and Hiram Garcia (San AndreasCentral Intelligence).

Skyscraper’s executive producers are Dany Garcia (BaywatchBallers), Wendy Jacobson (San Andreas), Eric McLeod (Kong: Skull IslandPirates of the Caribbean series) and Eric Hedayat (The Great Wall, Real Steel).  The film will be released by Universal Pictures.

Genre: 3D Action-Thriller

Cast: Dwayne Johnson, Neve Campbell, Chin Han, Noah Taylor, Roland Møller, Byron Mann, Pablo Schreiber, Hannah Quinlivan

Written and Directed by: Rawson Marshall Thurber

Produced by: Beau Flynn, Dwayne Johnson, Rawson Marshall Thurber, Hiram Garcia

Executive Producers: Dany Garcia, Wendy Jacobson, Eric McLeod, Eric Hedayat

I Feel Pretty Movie Review

Very few movies make you feel bad for the protagonist of the story and feel horrible about yourself at the same time. ‘I Feel Pretty’ does just that. The beginning of the film especially. Renee Bennett (Schumer) is treated horribly by society. She’s completely shunned. If she walks into a building, she’s treated like a leper. People stare at her as if her fat can instantly leap from her body and infest the entire building… how dare she inhabit their earth! Yes. I can see the point being made. This possibly and most likely is how people who hate themselves, for whatever reason, feel about their body, their face… their selves. It’s heartbreaking. However, this is pushed to the limit where the audience may feel uncomfortable about how the film itself makes them feel as they watch.

It’s as if ‘I Feel Pretty’ is a giant mirror reminding them that they should put the popcorn down and get back to dieting. This being the case, it most likely won’t be entertaining for some. The movie theatre isn’t necessarily the place you need to be reminded of each and every flaw. Again, I see the point, but must it be beaten into the ground? ‘Shallow Hal’ makes this exact storyline work without humiliating and alienating its audience. I was hoping this would be similar to Hal but was quite disappointed in that respect.

But the film redeems itself to an extent when it starts selling the message that it’s not how others perceive you that counts, it’s only how you view you that should ever matter.

Renee is both the protagonist and antagonist in this particular film. What?! Well, she shifts from a kindhearted, fun and friendly person to a lousy, callous pain in the backside in no time flat. What turns her is a journey she takes. While praying that she’ll lose weight, look and feel better, she joins a gym and listens to an instructor who’s a powerful motivational speaker. While listening to her strong words of encouragement, she falls off the exercise bike she’s on (For some reason it can’t hold her weight?!?), hits her head and passes out. When she comes to she sees, not herself, but someone else. She’s healthier, more beautiful but most of all… not fat. She walks around almost the rest of the movie acting like she just won a billion-dollar lottery. She is overly happy with her new lease on life and vows to go get what she wants. And she does just that. Her attitude toward herself also gets her attention, but it isn’t sinking into Renee that she hasn’t changed… she’s still just Renee to everyone else.

Soon, all of her dreams have come true. She has the job she has always wanted, has a boyfriend, even has admirers and her head begins to swell. Not long after, she starts looking at her friends. Suddenly, they’re dragging her down. They’re not dressed well enough and they wear their hair wrong. She wants them to change. Being that the film has been formulaic so far, you can see that a big lesson is coming her way and if she wants to come out of her present situation with only a bruised ego, she needs to realize who she really is.

‘I Feel Pretty’ has sight gags, fat jokes and follows a certain predictable pattern but if you’re a Schumer fan, it’s worth seeing. She hams it up and struts her stuff, clearly, there are no body issues for Schumer as she shows it off a lot. If she ever had issues, she doesn’t now and shouldn’t but this is why the film ultimately doesn’t work. She’s full-figured, yeah, but hardly obese. They’re making fun of how fat she is when she’s, at most, big boned, slightly overweight but is healthy looking. This makes the filmmakers look superficial and tasteless. No. It’s not lost on us that Renee needs to see what everyone else sees but therein lies the rub. They show people, adults mind you, getting both repulsed by the sight of her for her ugly, cellulite ridden, flabby body and yet want you believing that everyone sees this beautiful person within her. The filmmakers can’t have it both ways.

That notwithstanding, Schumer was great, especially when she joins a bikini contest. She holds nothing back. Michelle Williams was very fun to watch as Avery LeClaire, an incredibly hollow human being who ends up being exactly what Renee needs to see that everyone has flaws, no matter how perfect we think they are. All the performances were strong but the movie, outside of a few laughs and a good message, wasn’t as good as it could have been. I feel they were headed in the right direction but got lost along the way. Maybe they should have spent less time writing ways to make fun of fat chicks. That would have been a good start.