Murder on the Orient Express Movie Review

This film is about detective Hercule Poirot and his train ride into hell.Ā  Actually, that might make for a more pleasing introduction, but it doesn’t really fit here. Poirot isn’t the sort of character the underworld would have their sights on. That aside, he’s just short of irritating, as a matter-of-fact.Ā  His mustache is way over the top and I couldn’t help but think of Peter Seller’s incredible ā€˜Inspector Clouseau’ when he spoke.Ā  The comparison didn’t help matters as I often found myself drifting and wishing I was watching a Seller’s classics instead. They entertained me much more.
Also, if you’ve read the book this is based on or seen the original film, you might not want to grab a seat on this train as there’s no station it could pull into that you haven’t already dropped your bags.Ā  It’s really that simple.Ā  It’s ‘Clue’ (the mystery, thriller based on the popular game), on a train only it’s not as much fun.

Poirot tells is that he’s good at what he does because he always sees things as they should be.Ā  This is both a blessing and a curse for him as he can’t so much as have a conversation with somewhat that he isn’t sniffing out their every flaw.Ā  Having the shade his mustache affords him for cover and being the straightforward man, he is, he also has no trouble pointing these flaws out to the person on the opposite side of his spyglass.Ā  When Poirot lands on the train he quickly begins meeting his fellow passengers.Ā  All of them open up to him who is, as I mentioned, sizing them up while conversing with them.Ā 
His character isn’t set up anymore beyond this.Ā  You know he’s a detective but what you don’t understand is why you need other characters literally telling you that for the entire opening of the film.Ā  As far as the setup, not much is known about any of the other characters in the film either, which is a big loss with a cast such as this.Ā  The elements are in place for this to be a massive success but it fails to deliver which ultimately falls on Branagh’s shoulders.Ā  I think most of his attention went to his acting instead of on the rest of the film.

All in all, the actors did a fine job portraying their characters but as the story moves forward you don’t find them very memorable.Ā  They remain nothing more than background in a mystery that you have already solved, except for the puzzle in your head that’s still unworking. It stares up at your asking why have the amazing cast if you’re not going to use them better?Ā  I digress.Ā  My original point is that it is quite obvious who the killer is.Ā  I won’t tell you but when our master detective finds the victim, the ā€˜whodunit’ of it all isn’t too hard to figure out.Ā  For me, this meant the film wasn’t as engaging as I had hoped it would be.Ā 
Maybe I expected too much.Ā  I’ve enjoyed most of Kenneth Branagh’s work but this one misses the mark.Ā  I’m all for interesting camera angles but some overhead shots seemed unnecessary and useless.Ā  He continued using perplexing and erratic camerawork throughout which didn’t win him any favors, however, the performances and music might make it worth the trip for you.Ā  There is a slight hint that there could be another film with Poirot on the way so, if that’s the case, I hope he learns from his mistakes with this one.

LAST FLAG FLYING Screening in Phoenix Tomorrow!

In 2003, 30 years after they served together in the Vietnam War, former Navy Corps medic Larry ā€œDocā€ Shepherd (Steve Carell) re-unites with ex-Marine Sal Nealon (Bryan Cranston) and Reverend Richard Mueller (Laurence Fishburne) on a different type of mission: to bury Doc’s son, a young Marine killed in the Iraq War. Doc decides to forgo burial at Arlington Cemetery and, with the help of his old buddies, takes the casket on a bittersweet trip up the East Coast to his home in suburban New Hampshire. Along the way, Doc, Sal and Mueller reminisce and come to terms with shared memories of the war that continues to shape their lives.

Find your chance to receive special advance movie screening passes below.Ā 

LAST FLAG FLYINGĀ 

Location:

11/9/17
7 PM
Harkins Camelview at Fashion Square
7014 E Camelback Road ANC-03A
Scottsdale, AZ 85251

JON FAVREAU’S ALL-NEW BIG-SCREEN ADVENTURE ā€œTHE LION KINGā€ ROARS TO LIFE WITH ALL-STAR CAST

The all-star lineup for director Jon Favreau’s new take on Disney’s 1994 classic animated film ā€œThe Lion Kingā€ includes stars from the film, TV, theater and music arenas. Featuring pioneering filmmaking techniques, the film welcomes back to the big screen iconic characters that audiences have long treasured—but in a whole new way. From Disney Live Action, ā€œThe Lion Kingā€ is slated for U.S. theaters on July 19, 2019.

ā€œIt is a director’s dream to assemble a talented team like this to bring this classic story to life,ā€ said Favreau.

Lions rule the African savanna in ā€œThe Lion King,ā€ which welcomesĀ Donald GloverĀ (ā€œAtlanta,ā€ ā€œSolo: AĀ Star WarsĀ Storyā€) as future king Simba,Ā BeyoncĆ© Knowles-CarterĀ (ā€œDreamgirls,ā€ ā€œLemonadeā€ visual album)Ā as Simba’s friend-turned-love interest Nala, andĀ James Earl JonesĀ (ā€œRogue One: AĀ Star WarsĀ Story,ā€ ā€œField of Dreamsā€) as Simba’s wise and loving father, Mufasa, reprising his iconic performance from Disney’s 1994 animated classic.Ā Chiwetel EjioforĀ (ā€œTwelve Years a Slave,ā€ Marvel Studios’ ā€œDoctor Strangeā€) was called on to portray Simba’s villainous uncle Scar, andĀ Alfre WoodardĀ (ā€œJuanita,ā€ Marvel’s ā€œLuke Cageā€) portrays Simba’s no-nonsense mother, Sarabi.Ā JD McCraryĀ (OWN’s ā€œTyler Perry’s The Paynes,ā€ Apple’s ā€œVital Signsā€) fills the shoes of Young Simba, a confident cub who can’t wait to be king, andĀ Shahadi Wright JosephĀ (NBC’s ā€œHairspray Live,ā€ Broadway’s ā€œThe Lion Kingā€) brings tough cub Young Nala to life.

Every kingdom comes with a trustworthy advisor or two.Ā John KaniĀ (ā€œCoriolanus,ā€ Marvel Studios’ ā€œCaptain America: Civil Warā€) was cast as the wise baboon Rafiki, andĀ John OliverĀ (HBO’s ā€œLast Week Tonight with John Oliver,ā€ Comedy Central’s ā€œThe Daily Show with Jon Stewartā€) was tapped as hornbill Zazu, Mufasa’s loyal confidant. When Simba goes into exile, he relies on two newfound friends—Seth RogenĀ (ā€œSausage Party,ā€ ā€œNeighborsā€) lends his comedic chops to naĆÆve warthog Pumbaa, andĀ Billy EichnerĀ (ā€œBilly on the Street,ā€ FX’s ā€œAmerican Horror Storyā€) joins the cast as know-it-all meerkat Timon.

While most of the animals in the kingdom respect the king, the hyenas have other plans.Ā Florence KasumbaĀ (NBC’s ā€œEmerald City,ā€ Marvel Studios’ ā€œBlack Pantherā€) portrays Shenzi,Ā Eric André (Adult Swim’s ā€œThe Eric AndrĆ© Show,ā€ FXX’s ā€œMan Seeking Womanā€) is Azizi, andĀ Keegan-Michael KeyĀ (ā€œPredator,ā€ Netflix’s ā€œFriends from Collegeā€) plays Kamari.

ā€œThe Lion Kingā€ is directed by Favreau (ā€œThe Jungle Book,ā€ Marvel Studios’ ā€œIron Manā€) and produced by Favreau, Jeffrey Silver (ā€œBeauty and the Beast,ā€ ā€œEdge of Tomorrowā€) and Karen Gilchrist (ā€œThe Jungle Book,ā€ ā€œChefā€). Jeff Nathanson (ā€œCatch Me If You Can,ā€ ā€œPirates of the Caribbean: Dead Men Tell No Talesā€) penned the screenplay based on the 1994 screenplay by Irene Mecchi, Jonathan Roberts and Linda Woolverton. Tom Peitzman (co-producer ā€œKong: Skull Island,ā€ ā€œAlice in Wonderlandā€) and Thomas Schumacher (ā€œThe Lion King,ā€ ā€œBeauty and the Beastā€) are executive producers, and John Bartnicki (ā€œThe Jungle Book,ā€ ā€œChefā€) is co-producer. The award-winning team of artists tapped to bring the African savanna and its animal inhabitants to life include visual effects supervisor Rob Legato, who conceived the virtual production onĀ ā€œAvatar,ā€Ā won Academy AwardsĀ® for his work onĀ ā€œThe Jungle Book,ā€ ā€œHugoā€Ā andĀ ā€œTitanic,ā€Ā and was nominated for an OscarĀ® for his work onĀ ā€œApollo 13.ā€

The film’s animation supervisor is OscarĀ®-winner Andrew R. Jones (ā€œThe Jungle Book,ā€ ā€œAvatar,ā€ ā€œWorld War Zā€). VFX supervisor is Adam Valdez (“The Lord of the Rings: The Fellowship of the Ring,” “The Lord of the Rings: The Two Towersā€), who won an Oscar for his work on ā€œThe Jungle Book.ā€ Five-time Oscar nominee Caleb Deschanel, ASC, (ā€œJack Reacher,ā€ ā€œThe Patriotā€), is director of photography, and James Chinlund (ā€œWar for the Planet of the Apes,ā€ ā€œMarvel’s The Avengersā€) serves as the production designer. Oscar winner Ben Grossman (ā€œAlice in Wonderland,ā€ ā€œHugo,ā€ ā€œStar Trek into Darknessā€) is virtual production supervisor, and Mark Livolsi, ACE, (ā€œThe Jungle Book,ā€ ā€œSaving Mr. Banks,ā€Ā ā€œThe Blind Sideā€) and Adam Gerstel (ā€œTransformers: The Last Knight,ā€ ā€œThe Jungle Bookā€) are editors. Hans Zimmer (ā€œDunkirk,ā€ ā€œHidden Figuresā€), who won an Oscar for his score for the animated classic, will score the adventure.

ABOUT THE MOVIE:

From Disney Live Action, director Jon Favreau’s all-new ā€œThe Lion Kingā€ journeys to the African savanna where a future king is born. Simba idolizes his father, King Mufasa, and takes to heart his own royal destiny. But not everyone in the kingdom celebrates the new cub’s arrival. Scar, Mufasa’s brother—and former heir to the throne—has plans of his own. The battle for Pride Rock is ravaged with betrayal, tragedy and drama, ultimately resulting in Simba’s exile. With help from a curious pair of newfound friends, Simba will have to figure out how to grow up and take back what is rightfully his. The all-star cast includes Donald Glover as Simba, BeyoncĆ© Knowles-Carter as Nala, Chiwetel Ejiofor as Scar, James Earl Jones as Mufasa, Billy Eichner as Timon and Seth Rogen as Pumbaa. Utilizing pioneering filmmaking techniques to bring treasured characters to life in a whole new way, ā€œThe Lion Kingā€ roars into theaters on July 19, 2019.

Maybe we should all consider… “DOWNSIZING” – Trailer

DOWNSIZINGĀ 

Directed by: Alexander PayneĀ 

Starring: Matt Damon, Christoph Waltz, Hong Chau and Kristen WiigĀ 

Written by: Alexander Payne & Jim Taylor

Produced by: Mark Johnson, Alexander Payne, Jim TaylorĀ 

Downsizing imagines what might happen if, as a solution to over-population, Norwegian scientists discover how to shrink humans to five inches tall and propose a 200-year global transition from big to small. People soon realize how much further money goes in a miniaturized world, and with the promise of a better life, everyman Paul Safranek (Matt Damon) and wife Audrey (Kristen Wiig) decide to abandon their stressed lives in Omaha in order to get small and move to a new downsized community — a choice that triggers life-changing adventures.Ā 

DOWNSIZING Official Channels

Hashtag: #Downsizing

Facebook: /DownsizingFilmĀ 

Twitter: @DownsizingFilm

Instagram: @DownsizingFilmĀ 

Website: DownsizingMovie.comĀ 

In Theaters December 22nd

http://www.fandango.com

A Prayer Before Dawn – Trailer

Based on a true story, shot in a real prison,Ā JEAN STƈPHANE SAUVAIRE’S FEROCIOUS FILM Debuts its first trailer!Ā Ā 

Prayer Before DawnĀ is the remarkable true story of Billy Moore, a young English boxer incarcerated in two of Thailand’s most notorious prisons.Ā  He is quickly thrown into a terrifying world of drugs and gang violence, but when the prison authorities allow him to take part in the Muay Thai boxing tournaments, he realizes this might be his chance to get out.Ā 
Billy embarks on a relentless, action-packed journey from one savage fight to the next, stopping at nothing to do whatever he must to preserve his life and regain his freedom.Ā 
Shot in an actual Thai prison with a cast of primarily real inmates,Ā A Prayer Before DawnĀ is a visceral, thrilling journey through an unforgettable hell on earth!

Prayer Before Dawn premiered to exceptional reviews at the Cannes Film Festival this year.


Directed by: Jean-StƩphane Sauvaire
Starring: Joe Cole, Vithaya Pansringarm, Panya Yimmumphai

Visit A Prayer Before Dawn WEBSITE: http://bit.ly/APrayerBeforeDawnMov
Like A Prayer Before Dawn on FACEBOOK: http://bit.ly/APrayerBeforeDawnFB
Follow A Prayer Before Dawn on Twitter: http://bit.ly/APrayerBeforeDawnTW
Follow A Prayer Before Dawn on Instagram: http://bit.ly/APrayerBeforeDawnIG

In Theaters Soon

http://www.fandango.com

Acts of Vengeance – Movie Review

If you don’t mind a little Philosophy with your action movies ā€˜Acts of Vengeance’ is for you!Ā  The movie is told in parts, each start with quotes such as, ā€˜Action is the only truth.’ from the Roman Emperor Marcus Aurelius’ writings from the book, Meditations.Ā  Antonio Banderas plays a lawyer named Frank Valera who loves his wife and daughter very much.Ā  He’s at work but on a phone call to his child, he makes a promise to her that he will make it to her performance in a talent show later in that night.Ā  You know what’s going to happen next and so does he.Ā  He is held up at work and knowing his wife and daughter are probably angry, he excuses the fact that they don’t come home right away but as the evening hours tick by, he becomes more concerned.Ā  Around midnight, the police come to his door; his wife and daughter have been found murdered. Ā Banderas does an adequate job of not holding back the pain that a revelation of this magnitude would bring him.

Frank’s mood darkens and he runs from life.Ā  He eventually decides that defending suspected criminals is not something he is interested in continuing to do so he leaves the law firm.Ā  He stumbles on an MMA ring which gives him the outlet that he needs to work out his frustrations and the loneliness that pursues him on a daily basis.Ā  As time passes, a police officer friend of his, Strode (Urban), informs him that the investigation into their deaths has gone cold.Ā  In an unnecessary voice-over, done in typical Banderas fashion (deeply and quietly), Frank tells us that he realizes he has been punishing himself but now it’s time to find the guilty party… if he has to himself.Ā 

Playing detective, he gets himself injured but happens upon a book that gives him some much-needed introspection and he starts to train harder and sharpen his mind to prepare for battle.Ā  He even stops talking so he can better listen to what’s important.Ā  During another confrontation, he’s shot and is helped by an ER nurse named Shelia.Ā  Predictably he leaves her immediately but the men he fought had a German Shepard who has grown attached to Frank and isn’t quite so easy to leave behind.Ā  As it turns out, the pooch ends up being more of an asset than a pest.Ā  Part 3 of the 5-part narrative starts by telling us that ā€˜There is nothing that hinders you from doing what must be done.’  A relationship develops between him and, oh did I tell you Shelia makes a return?Ā  Yes, Shelia is back, and they begin to bond.Ā  This confuses him because his life is changing for the better but he’s ill-prepared, still wanting only for the past to return.Ā 

Upon further investigation, he thinks he knows who the guilty party is.Ā  Not surprisingly, it’s friend Strode.Ā  He follows him and after breaking into his home, he finds the reason Strode would end the life of his innocent wife and child.Ā  They meet and during a melodramatic confession, Strode happily shouts out the reason… possibly in case you didn’t already figure it out yourself or read it in an earlier clip.Ā  In a life and death fight with Strode, Frank’s inner monologue echoes the words of whom he considers the greatest stoic of all which are, ā€˜The best revenge is to be unlike your enemy.’  Does he learn from the passages he has been reading all this time or does he break with Marcus Aurelius and kill Strode?Ā  You’ll have to find out yourself when you see Acts of Vengeance, out today at AMC Arizona Center and On Demand!

Tragedy Girls – Trailer

TRAGEDY GIRLSĀ 

Directed by: Tyler MacIntyre
Starring:Ā  Craig Robinson, Jack Quaid, Josh Hutcherson,Ā Brianna Hildebrand, Alexandra Shipp, Kevin Durand andĀ Nicky Whelan

Best friends Sadie and McKayla are on a mission to boost their social media fandom as amateur crime reporters hot on the trail of a deranged local serial killer.Ā  After they manage to capture the killer and secretly hold him hostage, they realize the best way to get scoops on future victims would be to, you know, murder people themselves.Ā  As the @TragedyGirls become an overnight sensation and panic grips their small town, can their friendship survive the strain of national stardom?Ā  Will they get caught?Ā  Will their accounts get verified?Ā  Find out this weekend at a theatre near you!Ā 
*In Phoenix, check it out at the Harkins Valley Art.

In Theaters October 27th 2017

http://www.fandango.com

Wonderstruck – Movie Review

Wonderstruck is a great title, would probably be a remarkable book to read but it’s not so much a wonderful feature film to sit through unless prepared. Ā Watching it feels as if you’re reading it.Ā  Everything takes too long to happen.Ā  Not surprisingly, it is based on a critically acclaimed novel; one written by Brian Selznick.Ā  Don’t get me wrong.Ā  I’m not saying this isn’t worth a watch because it is in that it’s beautifully orchestrated, well-crafted and is quite inspiring to watch but it could be a dash too slow for some.

It starts introducing us to the main character, Ben (Fegley).Ā  In 1977, he lives through the death of his mother, Elaine (Williams), whom he admired so much.Ā  Being very independent and capable, she has told Ben very little about his father except for his name.Ā  She was the type of woman who knew enough to develop Ben’s curiosity but sees no reason to fill his head with the knowledge he doesn’t truly need.Ā  Instead, she teaches him what matters to her most such as a favorite quote by Oscar Wilde that also becomes Ben’s favorite, ā€˜We are all in the gutter but some of us are looking at the stars.’  She encourages his astute, youthful and insightful imagination when he asks about its meaning and instead of answering the questions she makes him tell her what it means.Ā  When she dies a short time later, he holds on dearly to all she gave and taught him.

Living with his aunt now, his interest in his father, who’s from New York, grows.Ā  To find out what we’re in for at this point, we can break the title of the film down.Ā  Wonder can mean to marvel and speculate about the origin of something like the solar system, which Ben does often.Ā  Struck is to encounter something suddenly or unexpectedly.Ā  Not only is Ben an admirer of the skies, wondering if his father was, too, but lightning strikes him when he’s on the phone and poor Ben loses his hearing.Ā  It’s here we cut to 1927 where a young deaf girl, Rose (Simmonds) fantasizes about a life beyond hers.Ā  She admires an actress named Lillian Mayhew (Moore) and decides to go to New York to find her.

Now the very accomplished director Todd Haynes (Carol) takes the material he has been given of these two youngsters and cleverly marries them by building a cohesive plotline.Ā  He manages to structure the suspense to keep you guessing as to what Ben and Rose are headed toward and why.Ā  Choosing music by the incredibly brilliant composer Carter Burwell, who has scored or composed over 100 films, (Three films this year; Goodbye Christopher Robin and Three Billboards Outside Ebbing Missouri, as well as this one) was genius on Haynes’ part.Ā  Flipping back and forth between the 1920’s and the 1970’s made the music incredibly important to remove you from one time period and plop you, emotionally and all, into the other on a continual basis.Ā  In fact, you feel as if you’re in two movies, but the music never loosens its grip on you and you’re firmly planted in the story.

On his quest, Ben meets Jamie (Michael), a child as alone as Ben who is looking for a friend.Ā  The pair goes to the Museum of Natural History and Ben is taken with what he has been missing from this world.Ā  They run all over the building, passing this display and that display while Rose, fifty years earlier is doing the exact same thing in the exact same building walking passed the very same pieces and display cases.Ā  As this happens and as the boys investigate an unbelievable coincidence, you’ll feel the interest in you intensify because this must be leading to a beautiful… something.Ā  But honestly, this is where the film lets you down.Ā  An incident here, an act of fate or chance there leads not to wonder or spectacle but to regularity and commonality that one was hoping in this world they’d be escaping.Ā  The film is beautifully done with gorgeous music and superb acting by all but the souvenir at the end of this trip was that there really wasn’t anything worth taking.

Thank You for Your Service – Movie Review

Thank You for Your Service centers around three servicemen Schumann (Teller), Solo (Koale) and Waller (Cole) when they’re discharged from the Army after serving together in Iraq.Ā  It starts by showing an incident that haunted each of them when it happened and also now that they’re out.Ā  In 2007, they’re caught on a roof being shot at by a sniper when a soldier named Emory (Haze) is struck in the head.Ā  Schumann tries his best to save him.Ā  He advances down some stairs, carrying Emory on his shoulders.Ā  Unfortunately, before Schumann gets to the bottom of the steps and out the door, he drops him.Ā  With the taste of Emory’s blood in his mouth, it’s a moment he’s having a hard time forgetting.

We don’t see a lot of combat in the movie because the purpose of the film is not to show you a battle on the field but the battle each soldier has upon returning home.Ā  We see the issues they have due to the stress they were under either in combat themselves or what they saw returning from the frontlines.Ā  Not wanting to admit they need it but realizing they do, the struggles they have trying to get care for themselves is colossal.Ā  The significance of the film is to tell the citizens of this nation that soldiers aren’t given help immediately just because they need it.Ā  Tangled in a bureaucracy of red tape, administrators and office after office travel, they have to fight just as hard to be heard and to be helped with their afflictions in America as they did in the deserts overseas.Ā  They also find their own homes not to be the same place as when they left.

Schumann is a married father of two.Ā  He was in charge of his unit of a dozen men and his expertise was looking for bombs everywhere they traveled, something he may never stop doing for the rest of his life.Ā  Waller, about to marry his longtime girlfriend, can’t wait to get home.Ā  Thinking about his impending nuptials is what gets him through from one day to the next.Ā  On their trip back to the states, he talks to his buddies about the wedding.Ā  Then there’s Solo who doesn’t actually want to leave the Army but due to memory loss and other problems after this last deployment, the Army questions his fitness to return.

All three feel the anxiety and pressure of having been at war and should get help now that they’re stateside, right?Ā  This film shows the sad reality that people willing to die for their country are treated with respect while serving but forgotten about when they’re no longer under fire.

It’s hard enough for them to admit they need help but when they turn to find it and are told to take a number, for one it’s too late and it’s heartbreaking to see the others fight to get any help for the PTSD they obviously have.

Solo reveals he’d rather have missing limbs than to have to endure what is going on in his mind any longer; he doesn’t feel like a war hero because he doesn’t look like one.Ā  Each man hides the truth deep inside especially Solo who thinks himself a lesser man for being harmed mentally, not physically.Ā  He’s filled with anger and frustration when an event they lived through continues to attack him.Ā  Eventually, he attacks back, to whoever is around.Ā  Koale does an outstanding job portraying a man breaking down inside, trying diligently to hold onto who he once was; hardly recognizing his past, unable to see his future.

Schumann’s wife Saskia (Bennett) works rigorously to get her solid and stoic husband to open up and tell her what’s wrong but having to be in control on the battlefield is so deeply ingrained in his psyche, he refuses to show any weakness now, even for her.Ā  Finally, after and a wake-up call and some soul-searching, he calls a number he was given to a location in California that can help men in their position and Schumann takes the first step to getting them the help they need.Ā  I won’t reveal what happens to them during the course of the film but see this to understand how important each of us is to a Veteran, and why.Ā  Also, stay to see some images of the people on which the story was based.

The Killing of a Sacred Deer

The Killing of a Sacred Deer might be one of the hardest films to review.Ā  It was a brilliantly haunting and dark thriller that sent chills down my spine as it built to a very creepy climatic ending.Ā  I’m not sure what I saw because the experience of watching it was not unlike being inside of a dream or a nightmare.Ā  Not so much in that the film is scary or filled with blood and gore or that it overuses scenes of a sadistic nature but it leads you inward and you root around alone in the dark for two hours caught somewhere between who you were when you sat down to watch the film and who you are when you stand up to walk away from the screen.Ā  In fact, you might not be able to stand right away.Ā  As if under a trance of some sort, you will still be in the grips of the story and these characters; still be controlled by whatever it is that controls the characters themselves.

The movie was hypnotic, the music and cinematography were masterful.Ā  In fact, as the film opens, a black screen playing breathtakingly beautiful music crescendos to a beating heart during surgery, something you fixate on a bit, reveling in its importance to you and to everyone.Ā  Though the heart is tucked away unseen, it is you, it is me yet there it is… so vulnerable.Ā  ‘What must you be in for next??’, assaults your imagination as you look away from the screen barely able to watch the all-important and unquestionably magnificent organ do its thing.Ā Ā 

Soon we meet the characters, which are few.Ā  Each is so awkward and basic they’re almost underdeveloped but you’re now within the world where director Lanthimos basks.Ā  What made this film so much more unique than most you see is the language that is used.Ā  The way the script was written and how the actors speak makes you feel as if you were witnessing a normal family but from another plane, unlike your own… maybe you were fantasizing all of this or peering into the future?Ā  The application of an almost ā€˜Queens English’ style of language is so little used in modern society that hearing an entire movie dedicate its speech pattern to it may sound exotic, but it does take a toll on you, however, the movie couldn’t have the effect on you that it will had not every piece been in play so anything that may seem like a flaw works in its favor.

Steven (Farrell) and his wife Anna (Kidman), are the parents of a teenage daughter named Kim (Cassidy) and a young son named Bob (Suljic).Ā  We see that all is well and their lives are fairly routine.Ā  There’s nothing that stands out as unusual, people are just going through the motions until we meet who Steven, a Cardiologist, sees on a regular basis.Ā  Martin, played exceedingly well by Barry Keoghan (Dunkirk), a lonely, possibly mentally impeded young man that Steven spends some of his days with comes into the picture.Ā Ā  After the death of Martin’s father, Steven becomes a father figure and gives the boy gifts and has meals and conversations with him when he’s asked to.Ā  He has Martin over for dinner and Steven introduces him to his family who seems to like Martin right away, especially Kim who takes a particular interest.Ā  Scenes like this play out for half the film and in the back of your mind you know something is wrong but what is it?!Ā  As time passes, the cinematography by Thimios Bakatakis, who has worked with Lanthimos before, becomes more engrossing.Ā  Camera angles get stranger, the music gets more intense and piercing and before long we are told why we have that strange prickling in the back of our necks.Ā 

This is a story of ā€˜an eye for an eye’ and its revelation is presented so matter-of-factly that you’ll be creeped out by Keoghan to such a degree you may never be able to see him in any other way again.Ā  It’s safe to assume that we are not seeing mere people at this point but instead good and evil.Ā  Each actor portrays an important role in detailing the struggles of being one and fighting another; their eyes so intense that they practically leave an imprint on the screen when it cuts to the next shot.Ā  The systematic breaking down of the children’s father and protector is regarded as nothing more than absurd and futile which brings you to feel uneasy, but Farrell does his best to make it seem he has control.Ā  The acting here is outstanding.Ā  Keoghan is very calculating and incredibly unsettling.Ā  Kidman is his opposite; protecting her children at all costs whether they want it or not.Ā  Though I felt the ending was a bit contrived, an ending for ending’s sake, this is a must see this weekend if you can handle the haunting tone.Ā  If you liked The Lobster see The Killing of a Sacred Deer in the theatre as soon as possible.Ā  It will show up during award season, for that I am sure.