Patti Cake$ Movie Review

Patti Cake$ is a rather unusual coming of age story. It wasn’t something I expected to take very seriously. I thought it would be interesting, based on what I knew of it, but hadn’t expected the life lesson that’s woven into the plot. As the movie played on, the more I realized how uncommon it was. It’s nice to run across a diamond in the rough. This very much is one.
The very authentic approach it took in telling Patricia Dombrowski, a.k.a. Patti Cake$, a.k.a. Killa P’s (Macdonald) tale was sometimes almost painful to watch. What could be lost through your being repulsed or shocked at times, is more than made up for in its charm and ability to win you over as you start to feel for this young woman who seems to have everything against her.
Patti is a dreamer. She’s the overweight, overwhelmed, overworked, underappreciated and underpaid daughter of Barb (Everett), granddaughter of Nana (Moriarty) and best friend to Hareesh (Dhananjay). She takes everything expected of her seriously and gives all tasks her full attention but she isn’t necessarily happy about anything she does because what she wants to do seems, thus far, so out of reach. But she’ll never give up. Caught between negativity that surrounds her and the posters in her room of the Rapper, O-Z (Sahr Ngaujah) she idolizes and dreams of working with someday, she feels stuck. She wants to make it on her own but is starting to realize she can’t do it on her own. This is very frustrating for her.

Her diet alone could kill her but she eats what she can afford to and that isn’t exactly gourmet dining. It speaks of what many face daily as America becomes more divided into only the rich and the poor with no middle ground to be found. This is a very strong message in this film. Patti and her family are the very descriptions of what has happened to this country. But going back to food and to dining, Patti enjoys going out to eat with her friend. It’s a way for her to get out of the house and away from her routine and having to take care of Nana all the time. She and Hareesh like to hash out their plans to conquer the world while they eat as the restaurant is their sanctuary where bullies and tormentors out to kill their dreams don’t reside.

But no wonder Patti doesn’t want to go home. It’s bad enough that thugs around town tease her every waking moment but her mother doesn’t treat her much better. Barb is jealous of her daughter’s youth and often finds ways of making Patti regret having been born. Barb was on the brink of making it as a singer in the music business when she got pregnant and has never let Patti forget that it was because of the pregnancy that her life virtually came to an end. She’s been in a bottle ever since and Patti has been a useful tool to abuse. Now old enough, she’s good for one thing and that’s to help pay the bills.

Patti is getting worn down by not being taken seriously but one night out with Hareesh, Patti is impressed by the performance and attitude of a very angry punk rock musician, (and Marilyn Manson/Snoop Dogg mix), who refers to himself as the Antichrist (Athie). She eventually burrows her way into his life and she, Hareesh and Bob, as his name turns out to be, end up making a rather fun Rap song together. With Bob’s equipment, Hareesh’s vocals and Patti’s producing/Rapping skills, they make a demo and start passing it around. By the way, ‘PBNJ’ is still stuck in my head and Nana’s part of the process cracked me up way beyond anything I ever expected! You just have to see this to see what I mean.

So, watching this all happen, her dreams slowly become reality and seeing exactly how hard it is to do so much when the odds are not in your favor from day one, is awe inspiring. She proves you can battle with the best and come out okay. The big takeaways are don’t give anyone your dreams and don’t ever give up. No. This isn’t the typical Hollywood ending so don’t think that you don’t have anything new to look forward to. This is a very innovative film.
Macdonald, who is from Australia and had never rapped before, is absolutely fantastic and will win you over instantly, and this is Geremy Jasper’s feature film directorial debut so there is a lot of unfamiliar territory covered here. I recommend you see the pay off from Jasper’s years of being a music video director. You’ll be quite surprised at just how thought provoking and innovative Patti Cake$ turns out to be.

The Killing of a Sacred Deer Trailer

FIRST TRAILER FOR THE KILLING OF A SACRED DEER BRIMS WITH SUSPENSE STEEPED IN SUBURBAN GREEK TRAGEDY. 

From Academy Award-nominated filmmaker Yorgos Lanthimos (THE LOBSTER, DOGTOOTH), starring Colin Farrell and Nicole Kidman

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In Theaters October 2th

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“Detroit” Extended clip released!

With their dreams on the line, local singing sensation The Dramatics gear up for their debut at the Fox Theatre.  Then everything changes.  See what happens in the new extended clip from DETROIT.  This is an outstanding and chilling film.  Director Kathryn Bigelow, Academy Award winning director of THE HURT LOCKER and ZERO DARK THIRTY, brings us the gripping story of one of the most terrifying moments during the civil unrest that rocked Detroit in the summer of ’67.  From start to finish you’ll be on the edge of your seat and by the time you leave, you’re not sure you can ever trust anyone again.  Watch this scene that focuses on the moment right before the riot reaches the theatre and showcases the talent of actor Algee Smith who plays Larry, the lead singer of The Dramatics.  See it today at a theatre near you to find out what happens next!

From start to finish you’ll be on the edge of your seat and by the time you leave, you’re not sure you can ever trust anyone again.  Watch this scene that focuses on the moment right before the riot reaches the theatre and showcases the talent of actor Algee Smith who plays Larry, the lead singer of The Dramatics.  See it today at a theatre near you to find out what happens next!   

Director: Kathryn Bigelow

Writer: Mark Boal

Cast: John Boyega, Will Poulter, Algee Smith, Jacob Latimore, Jason Mitchell, Hannah Murray, Kaitlyn Dever, Jack Reynor, Ben O’Toole, Joseph  David Jones, Ephraim Sykes, Leon Thomas III, Nathan Davis Jr., Peyton Alex Smith, Malcolm David Kelley, Gbenga Akinnabve, Chris Chalk, Jeremy Strong, Laz Alonzo, Austin Hebert, Miguel Pimentel, Kris Davis, with John Krasinski and Anthony Mackie

DETROIT is now playing in theaters nationwide. 

Get tickets here: http://annapur.na/DETROITtix  

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#DetroitMovie

The Glass Castle Movie Review

The story The Glass Castle is from a memoir written by 80’s gossip columnist, Jeanette Wells.  It’s about her very unconventional upbringing that gave us a fabulous subject to read about and now makes a fascinating film to watch.  Incredibly unorthodox or even oddball parents of four young children, Rex (Harrelson) and Rose Mary (Watts), decide to go off the grid with the kids.  Sick of people, especially government, telling them what to do and how to do it, they now decide what’s best.  They don’t want their brood of three girls and one boy taught in public schools because schools can’t teach them what having real life experiences can, nor can it pass on what they, Rex and Rose Mary, can themselves.  Wandering around mostly homeless is a lot to take on but the challenge is faced with eyes wide open.

Rose Mary is an artist so moving from place to place and living off the land gives her an opportunity to be in touch with the outdoors which is often the setting and the subject of her paintings.  Though she gives Rex some pushback, she does agree that it exposes the children to an environment they wouldn’t otherwise have a chance to experience.

Rex is a free spirit who comes more from a place of anger.  Intelligent like his mother, he wants the kids to touch a cactus and get poked rather than read about its piercing needles.  Unfortunately, and examples of this are plentiful in the film, he walks a fine line between devotion and callousness.  This is also something he inherited from his mother.  Leaving home, he now gets to live free but is he truly considering the family or feeding his narcissistic tendencies?  I’ll let you determine that on your own.  Director Cretton and Harrelson do an exceptional job of making that easy for you decide.

The title of the film comes from a promise Rex has made through their years of traveling from state to state and moving from one worn down dump to another.  Each time they actually live in a home, he tells the hungry and fatigued yet ambitious children that he’ll build them a castle made of glass.  He always piques their interest by showing their enthusiastic minds his designs for it and in one home they even pitch in to build its foundation… which eventually becomes a landfill.  As time goes by and the hole fills, they still do whatever they’re told and still remain loyal to show their love, trust and belief in him.  It’s excruciating to watch Rex himself crack what holds the family together.

Harrelson is intense as he brings Rex to life.  He’s well cast as a control freak that would rather drink himself unconscious than feed his children.  Watts matches wits with Harrelson as a caring mother who stays an adoring wife, going along with what he says not matter what the situation is. 
Brie Larson joins the cast halfway through and picks up where two younger actresses left off playing the younger versions of the smart, strong and fiercely opinionated and independent, Jeannette.  She does the character justice by showing the painful transition of a child following orders to a young adult realizing the very real circumstances and station in life they’re now facing.  Respect and affection for her parents are questioned and what makes The Glass Castle such an exceptional story is how it shows that you can still have both yet do what’s ultimately best for you.

This is quite an incredibly moving story with remarkable performances from the children on up and I highly recommend you see this as soon as you can.  Two notes for you… bring a tissue and stay for the pictures at the end.

Brigsby Bear Movie Review

Brigsby Bear is nothing if not quirky.  It’s a story about a boy who never has to give up his childish things because, essentially, he never has to grow up.  Well, until he’s rescued, that is.  I’ll explain. 
In the situation the main character, James (Mooney), finds himself, he wouldn’t know how to grow up so the subject would never be breached.  He lives in a perfect world with supportive parents who love him, take good care of him and always let him watch his favorite show, Brigsby Bear. 
Not unlike a popular children’s show of any era, from Mister Rogers to Barney, Brigsby Bear is fun and educational and James has watched it so long he couldn’t live without it.  It’s who he is.  It’s who he is because it was actually produced for him by his parents to teach him what they wanted him to learn and to inject only their feelings and belief system.

It turns out, though always taken care of by them, James’ parents, Ted (Hamill) and April (Adams), kidnapped him when he was a baby and they’ve been keeping him in an underground bunker, in the middle of the desert, ever since.  Sadly, never being around other children or seeing the real world, James is childlike, yet he’s in his twenties.  He’s immature and his life is only what they have allowed it to be. 
He hasn’t mentally grown beyond the age of a ten-year-old and his mind knows only what Ted and April have fed it.  The world of Brigsby, a sci-fi series given to him to watch on VHS, has so penetrated his psyche that no amount of truth could drill it out.  It’s who he is.  This is tested when the police finally discover what Ted and April have done and come to ruin the only world James has ever known.   

When he is taken away from the only parents he has ever known, he meets Detective Vogel (Kinnear) and his birth family and is introduced to the harsh reality of the real world; most especially, that the Brigsby Bear show is gone forever.  Or is it?  Saying too much will give away what’s so compelling about this flick.  It’s completely original… strangely and so absurdly unlike anything I’ve seen before.  An adult who acts like a child because he has been treated as one his whole life.  What a fascinating concept.  Saying too much at this point would give away the plot. 

He does try and thwart having to grow-up as much as he can but when he looks at the broader picture, he knows what he has to do to grow up and finally move on.  All he asks of everyone is to let him do it in his own way.  It’s this part that makes this narrative so unique.  Well, that and the unconventional jokes that make you draw back a bit… but that’s all on purpose.      

Brigsby Bear is an amusing ride.  There are a few bumps in the road but overall the story has heart, integrity and is surprisingly clever.  You’d do well to put it on your summer must-see list for the experience of watching the cooperation, love and support that helps a man-child become a man.  The saying goes that it takes a village to raise a child so imagine… 

Second Nature Trailer

Time to Flip the Glass Ceiling.

New Sam Huntington comedy “Second Nature”, directed and co-written by Michael Cross, will get a wide release this September through Nicholas Gyeney’s Mirror Images LTD.  The film, also produced by Gyeney – a filmmaker himself whose Beta Test received a wide theatrical release in 2016 – teams Huntington (Superman Returns, Sully) with Interstellar’s Collette Wolfe.  

Amanda (Wolfe) uses a magic mirror to reverse the gender roles in her small town, she gains the upper hand on her womanizing opponent, Bret (Hungtinton). As each experiences life in the other’s shoes, they must decide which reality they prefer before they’re stuck in the flipped world forever.
 
Second Nature, which premiered at the Napa Valley Film Festival, marks the feature debut of Michael Cross.  Theatrically, the film is scheduled to open in theaters starting September 8th so check your local theatres to see if it’s playing near you!!  Not to worry if it isn’t, Second Nature will be available on iTunes, Amazon, Google Play, Vudu, Blu-ray and DVD on September 19th.

In Theaters September 8th

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mother! Trailer

Directed by: Darren Aronofsky

Starring: Jennifer Lawrence, Javier Bardem, Ed Harris and Michelle Pfeiffer 

Written by: Darren Aronofsky


A couple’s relationship is tested when uninvited guests arrive at their home, disrupting their tranquil existence. From filmmaker Darren Aronofsky (Black Swan, Requiem for a Dream), mother! stars Jennifer Lawrence, Javier Bardem, Ed Harris and Michelle Pfeiffer in this riveting psychological thriller about love, devotion and sacrifice.

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Website: MotherMovie.com  

In Theaters September 15th

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Eli Roth’s Death Wish Trailer is here!

DEATH WISH

Release Date: November 22, 2017

Genre: Action-Thriller

Director: Eli Roth

Screenplay: Joe Carnahan, based on a novel by Brian Garfield

Producer: Roger Birnbaum

Cast: Bruce Willis, Vincent D’Onofrio, Elisabeth Shue, Camila Morrone, Dean Norris and Kimberly Elise

Metro-Goldwyn-Mayer Pictures presents director Eli Roth’s reimagining of the classic 1974 revenge thriller Death Wish. Dr. Paul Kersey (Bruce Willis) is a surgeon who only sees the aftermath of Chicago violence when it is rushed into his ER – until his wife (Elisabeth Shue) and college-age daughter (Camila Morrone) are viciously attacked in their suburban home. With the police overloaded with crimes, Paul, burning for revenge, hunts his family’s assailants to deliver justice. As the anonymous slayings of criminals grabs the media’s attention, the city wonders if this deadly vigilante is a guardian angel or a grim reaper. Fury and fate collide in the intense, action-thriller Death Wish.

Paul Kersey becomes a divided person: A man who saves lives, and a man who takes them; a husband and father trying to take care of his family, and a shadowy figure fighting Chicago crime; a surgeon extracting bullets from suspects’ bodies, and the vigilante called “The Grim Reaper” who detectives are quickly closing in on.

Updated from the original novel by Brian Garfield, director Eli Roth  and screenwriter Joe Carnahan’s (The Grey, Narc) Death Wish also stars Vincent D’Onofrio (The Magnificent Seven, TV’s Daredeviland Law & Order: Criminal Intent), Elisabeth Shue (Leaving Las Vegas), Camila Morrone, Dean Norris (Breaking Bad) and Kimberly Elise (The Great Debaters). It’s a knife’s-edge portrayal that challenges our assumptions, and pushes our buttons.

By bringing the complex psychology of Brian Garfield’s book up-to-the-moment and injecting new thrills and a stark, unflinching look at the American psyche in 2017, Eli Roth and Death Wish brings audiences to the height of unforgettable suspense.

DEATH WISH Official Channels

Site: http://deathwish.movie/ 

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#DeathWishMovie

In Theaters November 22nd

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The Dark Tower Movie Review

By now, we’re all used to movies being two hours long, right?  That’s the norm these days.  With The Dark Tower at only 95 minutes, I felt I had just adjusted myself in the seat and I was hopping out of it again headed home.  Part of why it felt short was because what should have been an imaginative and vivid excursion across worlds, that promised so much, was dark (as in hard to see) and dull; almost as exciting as someone reading a menu.  Well, maybe not THAT dull.  There are a few moments that will thrill you.  The scenes that center on guns and bullets are quite enterprising but that’s about all The Dark Tower brings.  A scene fighting monsters is so amateurish if I had been watching a student film, I would have graded it higher.  

Perhaps directed by someone other than Nikolaj Arcel, who doesn’t have very much directing experience other than the film, A Royal Affair, we would have a much better, action-packed, colorful thriller on our hands.  Arcel may want to stick to writing which he is very good at doing.  As it is, we have this disjointed, routine, uninspired misfire that falls short of the expectations of, not only the general audience but of most of the Stephen King fans that have seen it.

The Dark Tower is a movie based on a series of eight King books; it’s number seven in the set.  The Tower, itself is a point where all universes connect.  The film is about Good vs. Evil but doesn’t give the impression that it believes in either.  Being that it’s a series, bringing number seven about doesn’t make sense and also leaves one to wonder if the previous six books are crammed into one film.  If so, this could be why it appears to be so vexing and why King fans are not or will not be too happy.  What is being missed and what is the point in doing this to a wonderful, successful series?

Anyway, rather quickly, we are introduced to the antagonist of the tale, the Man in Black, played mutedly by Matthew McConaughey.  We also meet Jake Chambers, (Tom Taylor).  He’s a young boy who has the ‘Shine.’  The Shine, referenced also in the King book and film, The Shining, is an amazing psychic ability.  The presence is strong with this one!  The Man in Black only wants to use Jake’s powers to his advantage to destroy the Tower but is also aware that the ‘mind of a child’ can work against him and this plan. 

We then make the acquaintance of the protagonist, Roland (Idris Elba), also known as a Gunslinger.  His guns are made from the metal of the Excalibur and he is the last living Knight who has the strength to defend the universe against the Man in Black.  What’s on the other side of the universe is death and destruction and the Tower is the only thing holding it back.  Children like Jake, and their strong, potent, telepathic minds, are being used to attack the Tower. 

In the beginning, we see that Jake has fevered dreams about the destruction of his world.  He stumbles on the mid-world of his dreams and meets the Gunslinger.  This Gunslinger is sold as powerful and almost unbeatable but the film almost immediately turns on that theme and shows him to be weak and vulnerable to a tiny stab and to infection.  Jake meets Roland, teams up with him to help stop evil from winning, there are battles and… The End.  Yes.  It’s like that.

So, maybe if you love the books and would like to examine this close enough to look for a few of the Easter eggs within, such as the Shine and the Man in Black seeming to resemble Randall Flagg, the bad guy from, The Stand, check it out for the curiosity factor.  I’d recommend going to the matinee or waiting for cable release.  Either way, you’re going to be disappointed in the results.  Maybe pick up a book instead?  

An Inconvenient Sequel: Truth to Power

A decade after AN INCONVENIENT TRUTH brought climate change into the heart of popular culture, comes the riveting and rousing follow-up that shows just how close we are to a real energy revolution. Vice President Al Gore continues his tireless fight traveling around the world training an army of climate champions and influencing international climate policy. Cameras follow him behind the scenes – in moments both private and public, funny and poignant — as he pursues the inspirational idea that while the stakes have never been higher, the perils of climate change can be overcome with human ingenuity and passion.

 
With the White House threatening to leave the Paris Climate Change Agreement, I cannot imagine a better time to go to the theatre and learn all you can about what this means to you and the future of your world!!!  DO NOT MISS THIS FILM!

#BeInconvenient

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Website: InconvenientSequel.com