mother! Trailer

Directed by: Darren Aronofsky

Starring: Jennifer Lawrence, Javier Bardem, Ed Harris and Michelle Pfeiffer 

Written by: Darren Aronofsky


A couple’s relationship is tested when uninvited guests arrive at their home, disrupting their tranquil existence. From filmmaker Darren Aronofsky (Black Swan, Requiem for a Dream), mother! stars Jennifer Lawrence, Javier Bardem, Ed Harris and Michelle Pfeiffer in this riveting psychological thriller about love, devotion and sacrifice.

mother! Official Channels

Hashtag: #mothermovie 

Facebook: /OfficialMotherMovie

Twitter: @MotherMovie

Instagram: @MotherMovie 

Website: MotherMovie.com  

In Theaters September 15th

http://www.fandango.com

Eli Roth’s Death Wish Trailer is here!

DEATH WISH

Release Date: November 22, 2017

Genre: Action-Thriller

Director: Eli Roth

Screenplay: Joe Carnahan, based on a novel by Brian Garfield

Producer: Roger Birnbaum

Cast: Bruce Willis, Vincent D’Onofrio, Elisabeth Shue, Camila Morrone, Dean Norris and Kimberly Elise

Metro-Goldwyn-Mayer Pictures presents director Eli Roth’s reimagining of the classic 1974 revenge thriller Death Wish. Dr. Paul Kersey (Bruce Willis) is a surgeon who only sees the aftermath of Chicago violence when it is rushed into his ER – until his wife (Elisabeth Shue) and college-age daughter (Camila Morrone) are viciously attacked in their suburban home. With the police overloaded with crimes, Paul, burning for revenge, hunts his family’s assailants to deliver justice. As the anonymous slayings of criminals grabs the media’s attention, the city wonders if this deadly vigilante is a guardian angel or a grim reaper. Fury and fate collide in the intense, action-thriller Death Wish.

Paul Kersey becomes a divided person: A man who saves lives, and a man who takes them; a husband and father trying to take care of his family, and a shadowy figure fighting Chicago crime; a surgeon extracting bullets from suspects’ bodies, and the vigilante called “The Grim Reaper” who detectives are quickly closing in on.

Updated from the original novel by Brian Garfield, director Eli Roth  and screenwriter Joe Carnahan’s (The Grey, Narc) Death Wish also stars Vincent D’Onofrio (The Magnificent Seven, TV’s Daredeviland Law & Order: Criminal Intent), Elisabeth Shue (Leaving Las Vegas), Camila Morrone, Dean Norris (Breaking Bad) and Kimberly Elise (The Great Debaters). It’s a knife’s-edge portrayal that challenges our assumptions, and pushes our buttons.

By bringing the complex psychology of Brian Garfield’s book up-to-the-moment and injecting new thrills and a stark, unflinching look at the American psyche in 2017, Eli Roth and Death Wish brings audiences to the height of unforgettable suspense.

DEATH WISH Official Channels

Site: http://deathwish.movie/ 

Instagram: https://www.instagram.com/deathwishmovie

Twitter: https://twitter.com/DeathWishMovie 

Facebook: https://www.facebook.com/deathwishfilm

#DeathWishMovie

In Theaters November 22nd

http://www.fandango.com

The Dark Tower Movie Review

By now, we’re all used to movies being two hours long, right?  That’s the norm these days.  With The Dark Tower at only 95 minutes, I felt I had just adjusted myself in the seat and I was hopping out of it again headed home.  Part of why it felt short was because what should have been an imaginative and vivid excursion across worlds, that promised so much, was dark (as in hard to see) and dull; almost as exciting as someone reading a menu.  Well, maybe not THAT dull.  There are a few moments that will thrill you.  The scenes that center on guns and bullets are quite enterprising but that’s about all The Dark Tower brings.  A scene fighting monsters is so amateurish if I had been watching a student film, I would have graded it higher.  

Perhaps directed by someone other than Nikolaj Arcel, who doesn’t have very much directing experience other than the film, A Royal Affair, we would have a much better, action-packed, colorful thriller on our hands.  Arcel may want to stick to writing which he is very good at doing.  As it is, we have this disjointed, routine, uninspired misfire that falls short of the expectations of, not only the general audience but of most of the Stephen King fans that have seen it.

The Dark Tower is a movie based on a series of eight King books; it’s number seven in the set.  The Tower, itself is a point where all universes connect.  The film is about Good vs. Evil but doesn’t give the impression that it believes in either.  Being that it’s a series, bringing number seven about doesn’t make sense and also leaves one to wonder if the previous six books are crammed into one film.  If so, this could be why it appears to be so vexing and why King fans are not or will not be too happy.  What is being missed and what is the point in doing this to a wonderful, successful series?

Anyway, rather quickly, we are introduced to the antagonist of the tale, the Man in Black, played mutedly by Matthew McConaughey.  We also meet Jake Chambers, (Tom Taylor).  He’s a young boy who has the ‘Shine.’  The Shine, referenced also in the King book and film, The Shining, is an amazing psychic ability.  The presence is strong with this one!  The Man in Black only wants to use Jake’s powers to his advantage to destroy the Tower but is also aware that the ‘mind of a child’ can work against him and this plan. 

We then make the acquaintance of the protagonist, Roland (Idris Elba), also known as a Gunslinger.  His guns are made from the metal of the Excalibur and he is the last living Knight who has the strength to defend the universe against the Man in Black.  What’s on the other side of the universe is death and destruction and the Tower is the only thing holding it back.  Children like Jake, and their strong, potent, telepathic minds, are being used to attack the Tower. 

In the beginning, we see that Jake has fevered dreams about the destruction of his world.  He stumbles on the mid-world of his dreams and meets the Gunslinger.  This Gunslinger is sold as powerful and almost unbeatable but the film almost immediately turns on that theme and shows him to be weak and vulnerable to a tiny stab and to infection.  Jake meets Roland, teams up with him to help stop evil from winning, there are battles and… The End.  Yes.  It’s like that.

So, maybe if you love the books and would like to examine this close enough to look for a few of the Easter eggs within, such as the Shine and the Man in Black seeming to resemble Randall Flagg, the bad guy from, The Stand, check it out for the curiosity factor.  I’d recommend going to the matinee or waiting for cable release.  Either way, you’re going to be disappointed in the results.  Maybe pick up a book instead?  

An Inconvenient Sequel: Truth to Power

A decade after AN INCONVENIENT TRUTH brought climate change into the heart of popular culture, comes the riveting and rousing follow-up that shows just how close we are to a real energy revolution. Vice President Al Gore continues his tireless fight traveling around the world training an army of climate champions and influencing international climate policy. Cameras follow him behind the scenes – in moments both private and public, funny and poignant — as he pursues the inspirational idea that while the stakes have never been higher, the perils of climate change can be overcome with human ingenuity and passion.

 
With the White House threatening to leave the Paris Climate Change Agreement, I cannot imagine a better time to go to the theatre and learn all you can about what this means to you and the future of your world!!!  DO NOT MISS THIS FILM!

#BeInconvenient

AIS Official Channels

Hashtag: #BeInconvenient

Facebook: @AnInconvenientTruth

Twitter: @AITruthFilm

Instagram: @AnInconvenientTruth

Website: InconvenientSequel.com

Atomic-blonde-hero

Atomic Blonde Movie Review

Perfect for the summer heat, this is a fun, exciting and provocative action packed spy thriller.  Atomic Blonde is based on the ONI PRESS Graphic Novel Series called “The Coldest City,” written by Antony Johnston and illustrated by Sam Hart.  I’m quite certain they’re happy to see Charlize Theron was cast in this because she’s both incredibly steely and sexy in this screen adaptation of their character, Lorraine Broughton, a fearless MI6 agent. 

Set in 1989, Lorraine is sent to Berlin around the time of the fall of the Berlin Wall.  When she goes in for her next task, she learns of the assassination of her colleague and her lover.  She is sent out to retrieve a list of highly secret agents and their codenames that was filched from him at the time of his murder by a Russian agent.  As she begins her work, she glides her way through Berlin’s clubs to an awesome 80’s soundtrack, some of which I believe may have been only in her head to help her become what she must to be the badass, callous killing machine she may need to be to get the job done.

Speaking of what it takes to get the job done, she meets up with British agent David Percival (McAvoy) who she has an immediate distrust of but still builds something of a coalition with.  Soon, she meets a beautiful French spy (Boutella) and is more than willing to get down and dirty and use her to get the information she needs.  This movie isn’t afraid to show you exactly what that is and, much to the bewilderment of some and awe of others, we crawl in bed with these two women and stay there through a scene that can only be described as explicit.  This scene gives Atomic Blonde the edge that many films before it were afraid to stroll up to and gives the director, David Leitch, a head up on the competition.    

McAvoy is incredible in the role and Boutella stands out but this is a Carlize Theron film.  Theron, knowing her way around Hollywood well enough, has brought us many memorable characters and Lorraine is no different.  Willing to do many of her own stunts, I wouldn’t be surprised to see her with several more movies of this ilk, come her way because she’s cold and brutal when she needs to be and wells with passion and warmth whenever the right moment presents itself. 

There are a few scenes that are so gut wrenchingly painful looking that you’ll not only laugh at the ridiculousness of them but cheer at how bold the film is and how fully Theron committed herself to this character.  There’s one scene in particular in a stairwell that is the example for my previous sentence.  You’ll recall these words when you see the film.  The movie itself may not be perfect but it’s exactly what you want out of a summer release.  Leitch is known for his stunt work in 82 films, including Hitman: Agent 47, The Bourne Legacy, The Mechanic and many more so it’s not hard to see why the technical performances are so on the nose here. 

It goes over the top as films of this genre do but I don’t think that hurt it.  If anything, that is its appeal and more than makes up for the few times when the plot drags some getting to the point. Told through flashbacks, it’s colorful, stylish and memorable and something I recommend seeing at the theatre this weekend.  You’ll want to see these fight sequences on the big screen. 

Suburbicon Trailer

Welcome to Suburbicon
A town of great wonder and excitement. Built with the promise of prosperity for all. 

Directed by: George Clooney

Starring: Matt Damon, Julianne Moore, Noah Jupe and Oscar Isaac

Suburbicon is a peaceful, idyllic suburban community with affordable homes and manicured lawns…the perfect place to raise a family, and in the summer of 1959, the Lodge family is doing just that. But the tranquil surface masks a disturbing reality, as husband and father Gardner Lodge (Matt Damon) must navigate the town’s dark underbelly of betrayal, deceit, and violence. This is a tale of very flawed people making very bad choices. This is Suburbicon. 


Follow Suburbicon online for more updates!

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#Suburbicon

In Theaters October 27

http://www.fandango.com

Dunkirk Movie Review

I think that with Dunkirk, Christopher Nolan, writer/director of such outstanding films as Memento, The Dark Knight Trilogy, Inception and Interstellar, will finally get his Best Director Oscar Nomination, if not win.  He could possibly capture gold from the Academy for Best Screenplay, as well.  This is a near perfect film.  It’s hard to find a flaw in the presentation of its visuals and its sound.  To find something, one would have to be really digging for it and if you are, you’re certainly missing the entire point of this beautifully crafted piece. 

Dunkirk is meant to enlighten you as to what people will do to help one another endure when pushed to the brink of survival; even if they themselves don’t make it.  People were willing to risk their lives to be sure others survived at Dunkirk.  These people were just every day British citizens and those they were rescuing were the 400,000 British soldiers, trapped on a beach in France just over twenty miles from the shores of England.  I knew nothing of their heroism but it is well displayed here and the only way to see how and why they were so desperately needed and welcomed is at your nearest IMAX theatre; THIS I can’t stress enough.

The story centers around three different points of view of this agonizing situation; by land, by air and by sea.  Prepare yourself because shortly after the opening, the story and the accompanying music is relentless as it crescendos to a crowning finish.  You’ll be clutching your seat and biting your lip watching these poor souls do whatever it takes to live through the night.  Tom Hardy is a pilot with an eagles eye look on the entire goings on.  It was interesting seeing a war film from this perspective and, once again as he did with Bane in The Dark Knight Rises, he’s able to suck you into his character with just his eyes since his face is covered with an oxygen mask the entire time.

On the land portion, you’re with the most vulnerable in the attack; the soldiers who are stuck with nowhere to go.  These men are the last chance England has of fending off the advancing attack from the Germans.  If they fall they’ll lose the war.  Had things not happened the way they did, the history books would read very differently right now.  German soldiers are moving in on the town on one side of the beach.  The British and French soldiers are dodging their bullets to get to the beach where they are hoping to get onto a ship to sail to England.  The trouble here is that the ships can’t get to them because the water is too shallow.  With no other choice but wait, they are also having bombs dropped on them from the German Air force.  They are bona fide sitting ducks.  The cast of young actors, Fionn Whitehead and Harry Styles among them, do a fine job of expressing fear as well as the spirit of duty to their homeland.  You will weep when you put yourself in their place, which you can’t help but do.  In the opening scene alone it becomes hard to peg this film a Drama or an Action.  The two genres work together from there to move you and they never stop their assault.

On the sea, you meet a few of the heroes who volunteer their vessel and their time to bring the boys home.  Mark Rylance does a beautiful job of explaining to his sons, and to one soldier he rescues, why it’s important that they go to Dunkirk.  It’s their duty.  The way he said the word Dunkirk still rings in my ears… the speech was so filled with passion. 

What Christopher Nolan did so well to bring this true story to life was to, basically, keep it as simple as possible so that the important and more meaningful events stood out most.  There was no narrative or unnecessary scenes explaining who the people in the film were. 
There was no need to overwhelm you or pollute the screen with names, dialogue, back stories and plotlines that led you anywhere but on that day, on that beach, in that ocean or looking down on it all.  This also keeps you in their skin and involved in their conflict at all times, maneuvering the plane, running from the bombs and dodging the bullets. 
When you see the boats come for them, you’ll remember the tag line on the poster that says, ‘When 400,000 men couldn’t get home, home came for them’ and a shiver will run down your spine.  Just try not to cry along with Kenneth Branagh who, if you didn’t love before this, you will after. 
Enjoy the film and remember, don’t cheat yourself out of seeing this on an IMAX screen; the way it was meant to be seen.

The Disaster Artist Trailer

Based on Greg Sestero’s best-selling tell-all about the making of Tommy Wiseau’s cult–classic disaster piece THE ROOM (“The Greatest Bad Movie Ever Made”), THE DISASTER ARTIST is a hilarious and welcome reminder that there is more than one way to become a legend– and no limit to what you can achieve when you have absolutely no idea what you’re doing. 

STARRING:  Dave Franco, James Franco, Seth Rogen, Ari Graynor, Alison Brie, Jacki Weaver, Josh Hutcherson

DIRECTED BY:  James Franco

In Theaters December 1

http://www.fandango.com

Home Again Trailer

HOME AGAIN stars Reese Witherspoon (“Big Little Lies,” Wild, Walk The Line, Sweet Home Alabama) as Alice Kinney in a modern romantic comedy. Recently separated from her husband, (Michael Sheen), Alice decides to start over by moving back to her hometown of Los Angeles with her two young daughters. During a night out on her 40th birthday, Alice meets three aspiring filmmakers who happen to be in need of a place to live. Alice agrees to let the guys stay in her guest house temporarily, but the arrangement ends up unfolding in unexpected ways. Alice’s unlikely new family and new romance comes to a crashing halt when her ex-husband shows up, suitcase in hand. HOME AGAIN is a story of love, friendship, and the families we create.  And one very big life lesson: Starting over is not for beginners.

Cast: Reese Witherspoon, Pico Alexander, Nat Wolff, Jon Rudnitsky, Michael Sheen, Candice Bergen, and Lake Bell

Directed by: Hallie Meyers-Shyer

Written By: Hallie Meyers-Shyer

Produced By: Nancy Meyers and Erika Olde

Distributor: Open Road Films

#HomeAgainMovie

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In Theaters Sept 8th

http://www.fandango.com

Wish Upon Movie Review

Wish Upon was not only predictable but sophomoric in its intention and style.  There wasn’t anything about this self-professed horror movie that would come anywhere close to startling even a new fan of the genre and definitely will not be surprising or shocking your average movie watcher. 

Often, the narrative seems to lack the discipline that’s needed to stay on track and be true to the characters, instead relying on the audience to grasp and accept what is being portrayed without a complete structure set up and we’re also asked to not mind the obvious stereotypes.  Most jarring of these would be the females being nothing but jealous of one another and decidedly empty between the ears.  This is used in a somewhat comedic way but to a ridiculous extent. 

The dialogue between the main character, Clare (King), and a senior boy, Paul (Slaggert), whom she has a crush on, is possibly the biggest example of regurgitating tired plotlines to the degree that they lose what could have been unique almost from the very beginning.  

What I mean by that is the use of the wish itself could have been so much better.  Not until the very end of the film are they even used creatively. 

To back up a bit, Clare is raised by her father, Jonathan (Phillippe) after her mother’s suicide.  She hasn’t had the best of lives but she has a few best friends who stick by her side and her father loves her very much.  Jonathan stumbles upon a beautiful box and gives it to her as a gift.  The box has Chinese writing all over the outside of it and, conveniently, the high school she’s in has a Chinese language class that she happens to be taking.  The box doesn’t open but she can read the script on the outside of it that reads, ‘seven wishes.’  She soon realizes that if she makes wishes upon it… they do come true.  How?  She wishes for something to happen to her mortal enemy.  This wish is quite awful and something that, if it were to happen, would baffle all medical science.  She’s shocked to find out it does happen.  Knowing that it was impossible and had to have been her wish, she tries again to see if she now possesses the power we’d all wish to have and it once again comes true.  After using several wishes and happy that she now has almost everything she has ever wanted, she all but abandons the person she was before getting the box and, oddly, doesn’t mind when she, at last, learns about the ramifications of using the box. 

I’ll let the movie explain more about that but if she is going to get a wish, the box, or what controls it, gets something in return.  What it wants is blood.  What it gets is blood.  So, what ultimately doesn’t work here is that you could have seen the wishes coming a mile away.  In fact, you see the entire story unfold in your mind before it plays out on screen.  Not even the consequences are original which adds the humdrum and stale to what was expected to be a fun flick.  The box that gives you seven wishes and how that came about is interesting but it’s counter productive to have a provocative idea and disappoint the audience by doing nothing avant garde with it.  Wish Upon instead plays it safe and uses a formulaic thread or technique that works.  Every step it takes has been done before and I believe the filmmakers missed a real chance to have something really memorable.

I feel I must admit that the acting wasn’t much better.  Joey King is excruciatingly awkward and somewhat too childlike for the role while Ryan Phillippe needs to be checked for a pulse.  There isn’t one performance that really stands out in a positive manner. 

In its defense, I would like to say that if you don’t watch many horror films, prefer not to or aren’t supposed to watch anything bloody or gory, then this may be perfect for you.  This isn’t a bad introduction to the category and isn’t much of a fright.  I would, however, suggest you catch it at a matinee.  There are some humorous moments and it does wrap up well but fans of horror and thrillers in general… this is not for you.