PHOENIX FILM FESTIVAL KICKS OFF THIS WEEK!

Key events not to miss!

The Phoenix Film Festival kicks off this Thursday, April 5th and will run for an expanded 11 days until April 15th!

In addition to 300 film screenings, there are also several key events and highlights happening including:

  • Industry Night – Friday, April 6 from 5PM-11PM. Actors, directors, producers, agents and everyone else working in the Arizona film industry gather to rub elbows and exchange business cards during this FREE event.
  • Kids’ Day  Saturday, April 7 from 9 a.m.-2 p.m. Children of all ages the chance to learn about the art of film for FREE. Younger festival-goers can grab a movie poster to color or attend a crafts and story time event. Older film fans can try their hand at acting, editing and creating their own short films. These age-appropriate stations allow kids to explore the filmmaking process from beginning to end, and every part in between!
  • Festival Panel Discussions  Saturday, April 7 and Sunday, April 8 from 2:30 p.m.-6:30 p.m. Our FREE weekend educational filmmaker panel discussions are open to the public and designed to enhance your Festival experience by bringing together filmmakers, film lovers and industry professionals.
  • Geek Day  Sunday, April 8 from 1:30 p.m.-6:30 p.m. We know you love all things geeky! We do too! So come and gather with your like-minded friends for the 2018 Phoenix Film Festival Geek Day. Whether you love zombies, superheroes, comic books, cosplay, vampires, steampunk, Star Wars, anime or all of the above, Geek Day will cover it.

About Phoenix Film Festival

Again, the 18th Annual Phoenix Film Festival will take place from Thursday, April 5 to Sunday, April 15. Continually breaking attendance records since its inception, last year’s festival saw over 25,000 attendees, and there are hopes to pull in even more film enthusiasts this year.

The 11-day Festival will once again be held at Harkins Scottsdale 101 Theatre located at 7000 E. Mayo Blvd. Phoenix, AZ 85054.

Interview with Monte Yazzie from the International Horror and Sci-Fi Film Festival

Monte Yazzie was extremely busy when I tracked him down for a little chat a week before the festival starts. He is the Director of the International Horror and Sci-Fi Film Festival here in Phoenix, a husband, father and rabid movie fan. I can’t think of better hands than his for the festival to be resting. Not that he ever gets rest because Monte’s also a film critic for ‘The Foothills Focus,’ for www.dailydead.com and their publication known as ‘Deadly.’ You can find all of his reviews on his extremely interesting site www.thecodafilms.com, which covers horror, art house films, music and even his own work in the independent filmmaking community. I, being completely unaware of the horror side of the festival circuit, of course, asked him to inform me of what I have been missing out on.

Me: I haven’t yet gone but plan to so could you educate me about the festival?

Monte: It’s going into its fourteenth year. It started as its own entity for quite a few years. It was its own separate event that happened in October of every year and its transitioned to a partnership with the Phoenix Film Festival so now we run concurrently. We’ve been running with the Phoenix Film Festival now, at the same time, for probably going on six to seven years. It’s a really great partnership that we have with them and I always mention that Horror and Sci-Fi now is becoming so mainstream and crossover, it makes sense for us to play at the same time as the film festival. It’s a great opportunity for us to, kind of, expand, continue to grow and get better at what we’re doing.

 

Me: You want it to run at the same time so you can get more attendees rather than stand alone?

Monte: Part of it was just necessity. It’s hard doing a film festival in October, especially a genre film festival. And with Arizona being so widespread, trying to find a place to do that and make it run efficiently and try to compete with all the other horror events that were happening at the same time, was pretty difficult and so part of it was necessity. We needed the help from the Phoenix Film Festival to continue to grow but it has also been a great opportunity for us to expand so that we can continue to service and provide these great horrors and fantasies to our viewers.

 

Me: How and when did you get involved?

Monte: I’ve been involved in some way shape or form for probably the past seven years. But I have been going to the festival since year one. I was sitting in the audience, as a film fan, year one. It’s so amazing that I was given this opportunity to be in the audience and slowly evolve into being a volunteer to working as a judge and then moving into program management work and just four years ago I was given this opportunity to take over. It’s been pretty much a dream come true because this festival has meant to so much to me when it first started, and it still means that much to me now. To have this opportunity to be a festival director is just fantastic.

 

Me: What has been your largest attendance so far?

Monte: I believe was last year.  I don’t know the exact numbers but we had so many movies playing last year, we filled every single slot.

 

Me: What percentage of the films being submitted are you able to watch yourself?

Monte: Most of the films that are going to be programming for our showcase for the horror showcase at the festival, I have probably seen all of them. We’re talking about anywhere between, depending on the year, anywhere between ten to sixteen movies. While I’m at the festival, I often fill my schedule up and I’m sitting and watching everything at the Phoenix Film Festival because that’s something I’ve been going to from the very beginning, as well. So, this is my time to sit and indulge in cinema. I try my best when I’m not actually working at the festival, to fill those open spaces with movies that I can watch.

 

Me: How many do you see a year?

Monte: My record at the festival, right before I took over as festival director, I believe I saw thirty-seven films in seven days.

 

Me: I don’t know how you do it. Do you have any special guests coming this year?

Monte: This year we have one special guest that will be coming for our opening night. We have the world premiere of a movie called ‘Cynthia.’ It’s a crossover between- kind of a little of ‘Basket Case’ and ‘The Unborn,’ two 80’s throwback movies. But, what makes it so fun is the lead actress is Scout Taylor-Compton. She was in Rob Zombie’s Halloween I & II and she will be our special guest for the evening for that opening night film; along with the directors who’ll be there and the producers will be there, as well, so it’ll be a big event. World premieres are a lot of fun because, you know, you got the entire cast and crew; everyone wants to show up for it so we’re going to have a lot of people who were involved with the movie, here. We’re hoping we get a nice big crowd of people to come and show up for that one. It’s a lot of fun.

 

Me: How do you unwind after all of this, Monte?

Monte: I go back to the movies! For me, growing up… I started as a cinephile when I was pretty young. My parents turned me onto ‘Twilight Zone’ and King Kong movies when I was probably four or five years old. ‘Twilight Zone’ was something that shaped me into the genre fan that I am today and it just continued to grow. Every single year I got older, I seemed to watch more and more movies. In the heyday of the video store, Blockbuster Video, Video Update, Superstar Video, Hollywood Video, all those places, on my summer break, I would go into the horror section and start at A and work my way all the way to Z. That was kind of my summer thing that I would do and then I started to expand and watch more stuff. Before you knew it, I was traveling to different places to see movies. Vacation for me, well when I had kids going on vacation became about them, but before them, it was going to theatres. This week I’m in San Francisco and I can guarantee that I’ll be downtown at the Castro. I’ll be going there Thursday night to watch, Mulholland Drive on 35mm.

 

Me: How charming. I love knowing all of that about you. Now I must know, what are your favorite films, if you can narrow them down, in the two genre’s that your festival represents?

Monte: All time or only at the festival?

Me: All time.

Monte: Oh, my goodness! That’s like asking me which my favorite child is. (laughs) Science Fiction is actually pretty easy. I still have the one ‘2001: A Space Odyssey’ by Stanley Kubrick. That’s the easy answer. Everyone’s going to say that. But I really love that one. I think there’s something about that movie that continues to captivate my mind every single year that I get ahold of it… it means a little something a little bit different to me every time I watch it. On the horror side, you know, the greatest horror film ever made was ‘The Texas Chain Saw Massacre.’ I think it changed the genre. That and ‘Night of the Living Dead’ had two of the biggest impacts on what filmmakers were making at the time but ‘The Texas Chain Saw Massacre’ took it to another level. The visceral feeling that you get from that movie, that gut-punch, the fact that it looks so authentic and genuine, it just paints this portrait of horror that I think, even today, it still stands up some forty years later… that movies still has such an effect on people that I think people sometimes think it’s unreal that they were able to do that. As far as the GREATEST horror film ever made, that’s it but my FAVORITE, greatest and favorite are two different things, my favorite today, at this very moment, is probably Evil Dead Part Two, or Psycho or… there are so many! Evil Dead Part Two. That’s my favorite right now. For the next five minutes that’ll be my favorite movie until I realize I told you the wrong movie.

 

Me: Now what’s your favorite for the festival this year?

Monte: We have a lot of really fun stuff and part of the fun of programming the festival is the puzzle. You know, we can’t bookend it with just horror stuff because we are horror and science fiction so, we’re trying to meet all of those prerequisites and I think this year, as with most years, we do a pretty decent job of getting that good balance of films. This year, our opening night film is ‘Down Range.’ It’s a really visceral, kind of, gut-punch of a film. Simple premise. There’s a sniper in a tree and a bunch of college kids get broken down outside of town and what happens after that is pure mayhem and explosions of gore. But it’s a great adrenaline rush to start the festival off. We have a really subdued yet really innovative science fiction film called ‘Imitation Girl.’ It has a really strong performance from actress Laura Ashley Carter and it’s directed with such confidence by Natasha Kermani, a female director. We have that female perspective really on display this year. We have four films that are directed by females. Jen Wexler is the director of a film called ‘The Ranger.’ It’s also a simple premise, it’s a punk-rock, slasher mash-up. I just love saying that. It’s a lot of fun. Great soundtrack, great performances. It’s a slasher. Everyone loves a slasher. We have a dystopian fantasy film called ‘Rock Steady Row.’ It’s about… in the future, fraternities are in control of the school and they’re terrible people. This young boy, a college freshman, gets his bike stolen by the fraternity group and he ends up turning the tables on them. It’s not like ‘Animal House’ or ‘Revenge of the Nerds’ or anything like that, it’s like ‘Mad Max’ at a college. It’s a lot of fun. Great social commentary on the state of what college kids might be feeling their college is doing to them for them to get their education… it’s a really fun movie.

The best part of our expansion is we were able to program a majority of our films twice which gives you the opportunity or not having to make that difficult choice of picking one festival over the other. Many of our films will be playing two times during the festival so it makes it a little easier to catch them. The second weekend of our festival is kind of dedicated to horror and sci-fi. We have two dedicated screens at the theatre and we’ll be playing horror and sci-fi movies during the day so I believe if you look at Friday the 13th and Saturday the 14th, you can start programming horror/sci-fi movies at 2:00 in the afternoon.

 

Me: Hmm… horror on Friday the 13th!

Monty: I know there’s a lot of people who will think it’s an obvious choice, but I was really happy with myself. We have a documentary in the festival this year called, ‘To Hell and Back: The Kane Hodder Story.’ He’s the iconic version of Jason Voorhees from the ‘Friday the 13th’ movies so, we programmed that movie to play on Friday the 13th. When we did it, I had a big smile on my face. No one has mentioned it yet but I’m sure it’ll seem very obvious.

 

Sounds like I’m going to finally get my chance to check out Monte’s festival and I can’t wait. I’m checking my schedule now so I can get my tickets today. You better do the same and stop and say hi to Monte if you see him. He’ll love it. Don’t miss out on the fun. Come check out the International Horror and Sci-Fi Film Festival, where you can watch features and shorts in both genres from all over the globe. See you there!

Interview with Jason Carney of the Phoenix Film Festival!

I spoke with Jason Carney of the Phoenix Film Festival, now in its 18th year, and asked him a few questions about what fun the festival has in store for us this year. I was also curious about how he thinks his festival, being eleven days long as opposed to the eight it had been, will be perceived.  If you don’t know, Jason is the Director of the Phoenix Film Festival and the International Horror & Sci-Fi Film Festival. This year it runs from April 5th through April 15th.

If you’ve never gone, you should give it a try. There’s something for everyone to enjoy! There’s a very popular Kid’s Day, Middle and High School Workshops, several different Panels and each of these events are informative, educational and entertaining. I’ll let Jason fill you in on a few things, including the fact that the Harkins theatre it’s held in is even nicer than before, and that’s hard to beat. They added a bar inside which is not a bad idea with as many thirsty festival goers that walk through their doors.

 

Fred Rogers on the set of his show Mr. Rogers Neighborhood from the film, WON’T YOU BE MY NEIGHBOR, a Focus Features release.
Credit: Jim Judkis / Focus Features

Me: What is your favorite movie of the festival this year?

Jason: I think it’s ‘Won’t You Be My Neighbor?’

Me: The film about Mr. Rogers’ Neighborhood? Really?

Jason: Yep. It’s really fantastic.

Me: I’ve heard it’s good. I’ll have to check it out. By the way, I thought the festival films from 2017 were terrific. What was your favorite from last year?

Jason: That was like a year ago, Shari! (Thinks) What did we play? Now I’m going to have to look up a program and see what we played from last year. (We laugh) I’m old. I can’t remember last years festival! I really liked, ‘The Hero’ the Sam Elliot movie we had for opening night. I loved it and I really like Sam Elliot. That was a good movie.

 

Me: Do you see all of the films that play in your festival… or what would your percentage be each festival season?

Jason: Percentage of movies I see? That is ridiculously low.

Me: Really?

Yeah, because of the programmers. I don’t really watch much. We bring in program directors for each category and since they’re watching all the films, you know, I trust them to make the choices. We brought on another programmer to help with some of the films from some of the smaller distributors so, he’s watching a lot of that content. I’ve probably seen maybe a half dozen to a dozen films out of the 120 feature films we’re choosing from so maybe 5 or 10 percent. You know, it’s all about having really strong people to watch the films. There’s just not enough time in my life to watch all of those films.

 

Me: I’m judging the short films for you this year and I gotta say that I’m enjoying them tremendously.

Jason: Oh, yeah. They’re so good and you see it. Our programmers watch so many and have such a great eye. I trust them to do the right thing. My job isn’t to watch the films and tell them how to program, my job is to choose the right people and put them in the right place and let them do their thing. That’s part of any, like working anywhere, you want to trust people to do their job and stay out of their way. That’s kind of how a film festival should be able to work, as well.

 

Me: What special things do you have planned for us this year and are you nervous about the added days or looking forward to them?

Jason: The big thing this year is the expansion; going from 175 screenings to 300 is huge. We’re anxious to see how that goes and what it’s like with the theater being remodeled now. There’s also that factor… to see how that features into everything. There are a lot of variables of potential change this year that we just don’t know about. It’s kind of exciting and fun to see how things play out this year. We have different new categories and things like that, that make it exciting and that’s part of what a film festival should be. It’s always changing, always evolving, you know, otherwise, you get stagnate and it becomes the same thing year after year and we don’t want to do that.

Me: What are the new categories?

Jason: There’s this cool thing, it’s called Music in Movies and so we’re showing a few new titles featuring music in film and then we’ve got some older titles that we’re showing. We’ve got this cool documentary that’s called ‘The Godfather of Hardcore.’ It’s about this hardcore punk band called, Agnostic Front and the guys will be here. These guys are, like, legendary. It’s not my style of music but these guys are great characters and even if it’s not your style of music, it’s really a cool documentary; something I might not otherwise have seen. That’s kind of what a film festival is all about.

But we also have some old titles like, ‘Empire Records’ to show the music store thing and we’ve got ‘The Buddy Holly Story’ which is our music bio-pic and ‘That Thing You Do’ and ‘Moulin Rouge.’ So, a lot of cool new things and some old stuff to kind of show how prolific music is in film.

Me: When is this all taking place?

Jason: It’s part of our second weekend.

 

Me: Speaking of, what brought you to the decision of making the festival eleven days long?

Jason: You know, we’ve been talking about it a couple of years now and it just seemed right. Our contract with Harkins was up for renewal and with it being remodeled and where we were creatively as an organization it felt right. All these things kind of came together. Like, alright, we gotta make a jump eventually so let’s do it this year. I think we’re as ready as we’re gonna be so let’s give it a go.

A lot of festivals are at ten or eleven days and so, eleven days is our magic number. We start on a Thursday and run it through the following Sunday.

Me: Everyone has loved the location in the past. Is Harkins an easy company to work with?

Jason: Harkins was super helpful and super cooperative. Even going back to when they were talking about remodeling the theatre, they wanted to kind of, start earlier but they were super cooperative with working with us on the festival last year. Our festival ended on a Thursday and they started remodel construction the Monday after the festival. They were ready to go to get that remodel done.

They looped us in way in advance, of when they were doing it, so we could start talking about how the theatre remodel was going to impact us; we could talk about expansion. All through the way in the planning stages, they’ve been nothing but a great partner. I can’t say enough things about how good they are.

Me: They better stock up on the alcohol at that new bar, I’m guessing.

Jason: I’ve warned them that filmmakers and film fans will be living it up at the festival. I think they’re going to have extra bartenders on staff so that’ll be great.

 

Me: Outside of Agnostic Front, are there any other guests coming to the festival?

Jason: We have something really cool on our closing night film Eight Grade. Bo Burnham, he’s a comedian, is going to be here. He directed the film. This was a passion project he had been trying to get made for years so he’ll be here to be a part of our closing night event and have a discussion afterward which will be awesome.

 

Me: Since you made these changes, how do you expect things to go for the International Horror & Sci-Fi Film Festival to go?

Jason: They’ve always been solid. We’ve added some extra screenings which will be really cool. Before, they had only one theatre on opening weekend. Well, we shifted that on opening weekend where there’s just too many primary (inaudible) but the second weekend, they’ll have two screens running. That’ll be really cool to get more and more out there in terms of content for Horror and Sci-Fi fans.

 

Me: Do you attend the festival every day or only some of the time?

Jason: Oh, yeah. I’m here, gosh, bright and early and I’m leavin’ late at night. It was previously eight days, so we’ll see how it goes with these extra three days. I actually stay not too far from here at a hotel and that makes my life easier, so I can get some sleep. But it’s important for my psyche to be on site. My brain would go crazy if I wasn’t here during the festival. We spend like 350 days planning it, so I want to make sure I’m here for it. (laughs)

 

Me: It would be a lot to take. How do you unwind after all of it?

Jason: I watch a lot of T.V. I don’t watch any movies at home. That’s another thing, people are like, ‘You’re watching all the festival movies at home.’ I am not! I’m escaping films at home. If I see something, a new film that’s coming out, I see it at the theatre or I’m probably not going to see it. It’s all about breaking away from the movies at home so I watch a lot of T.V. and stuff like that. I do the baseball card thing, that’s kind of my hobby on the side, as well. Greg Hall, our Feature Film Program Director is also a baseball card guy. So, we’re movie nerds and baseball card nerds all at once.

 

If you’ve never gone to the Phoenix Film Festival, make this your first year. HERE is a link to help make your festival decisions easier. Have fun and I’ll see you there!

HOW TO TALK TO GIRLS AT PARTIES Trailer

TALK TO THE GIRL, SAVE THE WORLD. FROM DIRECTOR JOHN CAMERON MITCHELL, THIS IS THE OFFICIAL TRAILER FOR HOW TO TALK TO GIRLS AT PARTIES

Based on a story by Neil Gaiman 

From the raucous dual imaginations of fantasy laureate Neil Gaiman (“American Gods,” CORALINE) and glam-rock multi-hyphenate John Cameron Mitchell (HEDWIG AND THE ANGRY INCH, SHORTBUS) comes the electrifying and singular pop extravaganza film, HOW TO TALK TO GIRLS AT PARTIES.  Enn (Alex Sharp) is a shy suburban London teenager in 1977, sneaking out with his best friends to after-hours punk parties. One night they stumble upon a bizarre gathering of sexy teenagers who seem like they are from another planet.  In fact, they are from another planet, visiting Earth to complete a mysterious rite of passage.  That doesn’t stop Enn from falling madly in love with Zan (Elle Fanning), a beautiful and rebellious alien teenager who, despite her allegiance to her strange colony, is fascinated by Enn. Together they embark on a delirious adventure through the kinetic punk rock world of 1970s London, inadvertently setting off a series of events that will lead to the ultimate showdown of punks vs. aliens, and test the limits of how far each of them will go for true love. 

STARRING

Elle Fanning, Alex Sharp, Nicole Kidman, Ruth Wilson and Matt Lucas

DIRECTED BY
John Cameron Mitchell

WRITTEN BY
John Cameron Mitchell, Philippa Goslett

Website: htttgap.movie
MPAA: Rated R for language throughout, sexual content, some drug use and nudity
Facebook: https://www.facebook.com/HTTTGAP/
Instagram/Twitter: @HTTTGAP

In Theaters May 18th

http://www.fandango.com

‘Night School’ starring Kevin Hart and Tiffany Haddish – Trailer

NIGHT SCHOOL

Star Kevin Hart and producer Will Packer, who partnered for the hit Ride Along and Think Like a Man series, bring their signature style to Night School.  The comedy from director Malcolm D. Lee (Girls Trip) follows a group of misfits who are forced to attend adult classes in the longshot chance they’ll pass the GED exam.

Co-stars Tiffany Haddish, Rob Riggle, Taran Killam and Romany Malco join Hart on-screen for the film that Hart produces for his Hartbeat Productions, and Packer via his Will Packer Productions.

Genre: Comedy

Cast: Kevin Hart, Tiffany Haddish, Rob Riggle, Taran Killam, Romany Malco

Director: Malcolm D. Lee

Writers: Kevin Hart & Harry Ratchford & Joey Wells & Matt Kellard and Nicholas Stoller and John Hamburg

Produced by: Will Packer, Kevin Hart

Executive Producers: Malcolm D. Lee, Preston Holmes, James Lopez

Official Website | Facebook | Twitter | Instagram | #NightSchool

In Theaters September 28

http://www.fandango.com

Finding Your Feet Movie Review

Though the older crowd is the obvious target audience for a film like this, it can be and will be enjoyed by anyone who watches it, no matter what age the moviegoer happens to be. Richard Loncraine’s (The Missionary, Richard III, Band of Brothers) Finding Your Feet is an amusing, romantic comedy and a sweet and touching tale of two sisters reuniting after many years apart.

The reunion comes due to the fact that the younger of the two sisters, Sandra, played remarkably well by Imelda Staunton (Harry Potter, Shakespeare in Love, Vera Drake), leaves her husband, Mike (Sessions), when she catches him cheating on her with, Pamela (Lawrence), a woman Sandra thought was a friend of hers. This revelation happens when she sees them at an inopportune time at a party she and Mike are throwing for his retirement. She not only sees them kissing but then learns it has been going on for five years. It’s rather difficult to watch her be humiliated even though our first introduction to Sandra is to find her rather stuffy.

Unable to trust or stay with him, she packs her bags and heads to the only place she knows she’ll be safe, the doorstep of Bif (Imrie), her very liberal and independent-minded older sister. Actress Celia Imrie, who was also in Bridget Jones’s Baby, The Best Exotic Marigold Hotel and Nanny McPhee, was outstanding in this part. The two actresses were believable as sisters in their authentic performances and their commitment to the roles. It was easy to like them and root for them.

It isn’t long before Bif, so named because as a little girl, Sandra couldn’t say Elizabeth, is trying to play matchmaker. Her friend Charlie (Spall) might be the perfect match for Sandra. Charlie, who lives on a houseboat after selling his home to pay for the care his ailing wife, Lilly (Sian Thomas), receives, is lonely, interesting and interested. Lilly is in the advanced stages of Alzheimer’s, something he doesn’t share with Sandra who, after what she recently went through, wouldn’t ever want to be the other woman. Bif, Sandra, Charlie and his widowed friend Ted (Hayman), dance away the blues at a dance class Sandra can’t help but get involved in. A lot of the humor in the film comes from this class, such as a line from actress Joanna Lumley who plays their friend, Jackie. She shares with the group that she and her husband broke up over religious difference, ‘He thought he was God. I didn’t.’ Even though she’s still bitter, it’s pleasant watching the members of the dance troupe accept Sandra and for Bif to observe her slowly become more like the person she remembered her sister was before marrying the man who killed her dreams. Sandra gave her younger years to what Mike wanted to be and do and forgot who she was in the process. Bif is now tasked with bringing her back to life.

It is a tale that’s been told before but not quite in this fashion. With that said, you can see everything coming a mile away but with this cast and with the struggles the characters face, Loncraine manages to keep things fresh enough for you to stay fascinated in the story and you don’t much mind the predictable moments. The film is littered with the occasional character in a circumstance that’s heartbreaking. These situations work as well as the comedy does and when the dance troupe starts a flash mob and ends up going on a trip to Rome because of it, you’re overjoyed that Sandra has finally gotten the message that it’s time she ‘went for it.’ This is a feel-good piece, the pace is good, the dancing is believable and quite entertaining and there’s also a wonderful soundtrack that takes you through the entire film. If you’re enjoying it, it continues through the end credits with the Elkie Brooks’ song Running to the Future. I recommend. Enjoy.

 

Movie Website:    www.findingyourfeetthemovie.com/

Social Pages:  Facebook: /www.facebook.com/FindingYourFeetMovie/

#FindingYourFeet

First Reformed Trailer

ETHAN HAWKE HAS A CRISIS OF FAITH IN THE OFFICIAL TRAILER FOR PAUL SCHRADER’S MIND-BENDING MASTERPIECE FIRST REFORMED.


The festival hit from the visionary writer of TAXI DRIVER opens in theaters May 18.

Reverend Ernst Toller (Ethan Hawke) is a solitary, middle-aged parish pastor at a small Dutch Reform church in upstate New York on the cusp of celebrating its 250th anniversary. Once a stop on the Underground Railroad, the church is now a tourist attraction catering to a dwindling congregation, eclipsed by its nearby parent church, Abundant Life, with its state-of-the-art facilities and 5,000-strong flock. When a pregnant parishioner (Amanda Seyfried) asks Reverend Toller to counsel her husband, a radical environmentalist, the clergyman finds himself plunged into his own tormented past, and equally despairing future, until he finds redemption in an act of grandiose violence. From writer-director Paul Schrader (Taxi Driver; American Gigolo; Affliction) comes a gripping thriller about a crisis of faith that is at once personal, political, and planetary.

STARRING:

Ethan Hawke, Amanda Seyfried and Cedric Kyles

WRITTEN & DIRECTED BY:
Paul Schrader

Visit First Reformed WEBSITE: http://firstreformedmovie.com

Like First Reformed on FACEBOOK: http://bit.ly/FirstReformedFB

Follow First Reformed on Twitter: http://bit.ly/FirstReformedTW

Follow First Reformed on Instagram: http://bit.ly/FirstReformedIG

In Theaters May 18th

http://www.fandango.com

Time to light it up! Get your FREE tickets to see #BlockersMovie early!

BLOCKERS – In Theaters April 6

It was announced on The Today Show that the Blockers filmmakers and cast are giving away FREE tickets to special Spring Fling screenings for fans this Wednesday, April 4th!

When three parents discover their daughters’ pact to lose their virginity at prom, they launch a covert one-night operation to stop the teens from sealing the deal.  Leslie Mann (The Other Woman, This Is 40), Ike Barinholtz (Neighbors, Suicide Squad) and John Cena (Trainwreck, Sisters) star in Blockers, the directorial debut of Kay Cannon (writer of the Pitch Perfect series).

The comedy is produced by Evan Goldberg, Seth Rogen and James Weaver, under their Point Grey Pictures banner (Neighbors, This Is the End), alongside Jon Hurwitz & Hayden Schlossberg (Harold & Kumar series) and DMG Entertainment’s Chris Fenton (47 Ronin).

Good Universe’s Nathan Kahane and Joseph Drake (Don’t Breathe, Juno) executive produce with Chris Cowles (Collide) of DMG, as well as Josh Fagen, Dave Stassen and Jonathan McCoy.  The film is written by brothers Brian & Jim Kehoe.

Find participating locations and more information at BlockersSpringFling.com

Official Website | Facebook | Twitter | Instagram | #BlockersMovie

Genre: Comedy

Cast: Leslie Mann, Ike Barinholtz, John Cena, Kathryn Newton, Geraldine Viswanathan, Gideon Adlon

Directed by: Kay Cannon

Written by: Brian Kehoe & Jim Kehoe

Produced by: Evan Goldberg, Seth Rogen, James Weaver, Jon Hurwitz, Hayden Schlossberg, Chris Fenton

Executive Producers: Nathan Kahane, Joseph Drake, Josh Fagen, Chris Cowles, Dave Stassen, Jonathan McCoy

THE HOUSE WITH A CLOCK IN ITS WALLS Trailer

In the tradition of Amblin classics where fantastical events occur in the most unexpected places, Jack Black and two-time Academy Award® winner Cate Blanchett star in The House with a Clock in Its Walls, from Amblin Entertainment.  The magical adventure tells the spine-tingling tale of 10-year-old Lewis (Owen Vaccaro) who goes to live with his uncle in a creaky old house with a mysterious tick-tocking heart.  But his new town’s sleepy façade jolts to life with a secret world of warlocks and witches when Lewis accidentally awakens the dead.

Based on the beloved children’s classic written by John Bellairs and illustrated by Edward Gorey, The House with a Clock in Its Walls is directed by master frightener Eli Roth and written by Eric Kripke (creator of TV’s Supernatural).  Co-starring Kyle MacLachlan, Colleen Camp, Renée Elise Goldsberry, Vanessa Anne Williams, Lorenza Izzo and Sunny Suljic, it is produced by Mythology Entertainment’s Brad Fischer (Shutter Island) and James Vanderbilt (Zodiac), as well as Kripke.

Executive produced by William Sherak, Tracey Nyberg, Laeta Kalogridis and Mark McNair, The House with a Clock in Its Walls will be released by Universal Pictures.  www.housewithaclock.com

Genre: Adventure

Cast: Jack Black, Cate Blanchett, Owen Vaccaro, Renée Elise Goldsberry, Sunny Suljic and Kyle MacLachlan

Directed by: Eli Roth

Writer: Eric Kripke

Based on the Novel by: John Bellairs

Produced by: Brad Fischer, James Vanderbilt, Eric Kripke

Executive Producers: William Sherak, Tracey Nyberg, Laeta Kalogridis, Mark McNair

Official Website | Facebook | Twitter | Instagram | YouTube | #HouseWithAClock

In Theaters September 21

http://www.fandango.com

Journey’s End Movie Review

Journey’s End is an incredibly well-done war film. It’s set in the spring of 1918 during the fourth year of WWI. We’re transported to the battle of Saint-Quentin in northern France, where a very young soldier, Raleigh (Butterfield), is in the trenches about to fight for the first time. Each company of soldiers is required to spend six days a month on the front-line and it’s his turn.
The set is brilliant and looks authentic, giving you the exact feeling of what a WWI trench warfare must have felt like.
As the camera moves through the men, you get a strong feeling of claustrophobia. To manage this feeling, director Saul Dibb keeps the camera focused closely on the faces of the soldiers, allowing you to sense all expressions clearly. There’s no way you’ll mistake a feeling of fear for one of contentment or bravery.

You can’t help but think of what it would have been like back then not only being on the front-line but being stuck in the ground for so such long periods of time, waiting for the enemy, waiting to die. Young Raleigh is stationed with a friend from back home, Stanhope (Claflin), who happens also to be captain. Stanhope isn’t exactly handling things well and knowing the sitting ducks that they are, gets through the day by drinking as much whiskey as he can get his hands on.
These characters will keep you engaged in the film and the actors playing them must have been well versed enough in the war to visually and audibly bring the attention to detail Dibb needed to pull empathy and pity for their circumstances from his audience.

We’re not in battle much, but when we do get there, you’ve gotten to know them and care for them so much so that you’re hoping they return. You dread the possible moment a bullet finds Raleigh. The journey Dibb takes you on is from different perspectives than most and it’s those differences that you’ll celebrate.

It was originally a play written by former British officer R.C. Sherriff. His story was simply about life in the trenches during WWI and you’d think it couldn’t make a thought-provoking yarn but with the characters struggles, their trying to get in the last smoke before they die and the battle itself, Journey’s End, though a smaller film than others like it, is one of the better war pictures I’ve seen. There are a few slow parts but don’t worry… no matter what’s going on in the film you’ll be in a constant state of wondering what’s going to happen next. This helps make Journey’s End memorable, which it most certainly is.

Website:http://www.journeysendthefilm.com

Facebook:www.facebook.com/gooddeedentertainment/ @GoodDeedEnterainment

Twitter: https://twitter.com/journeysend2017 @JourneysEnd2017