Get Out Official Trailer

In Universal Pictures’ Get Out, a speculative thriller from Blumhouse (producers of The Visit, Insidious series and The Gift) and the mind of Jordan Peele, when a young African-American man visits his white girlfriend’s family estate, he becomes ensnared in a more sinister real reason for the invitation.

Now that Chris (Daniel Kaluuya, Sicario) and his girlfriend, Rose (Allison Williams, Girls), have reached the meet-the-parents milestone of dating, she invites him for a weekend getaway upstate with Missy (Catherine Keener, Captain Phillips) and Dean (Bradley Whitford, The Cabin in the Woods).

At first, Chris reads the family’s overly accommodating behavior as nervous attempts to deal with their daughter’s interracial relationship, but as the weekend progresses, a series of increasingly disturbing discoveries lead him to a truth that he could have never imagined.

Ouija: Origin of Evil Trailer 2

It was never just a game. Inviting audiences again into the lore of the spirit board, Ouija: Origin of Evil tells a terrifying new tale as the follow-up to 2014’s sleeper hit that opened at number one. In 1965 Los Angeles, a widowed mother and her two daughters add a new stunt to bolster their séance scam business and unwittingly invite authentic evil into their home. When the youngest daughter is overtaken by the merciless spirit, this small family confronts unthinkable fears to save her and send her possessor back to the other side.

Sleepless Official Trailer

SLEEPLESS stars Jamie Foxx as undercover Las Vegas police officer Vincent Downs, who is caught in a high stakes web of corrupt cops and the mob-controlled casino underground. When a heist goes wrong, a crew of homicidal gangsters kidnaps Downs’ teenage son. In one sleepless night he will have to rescue his son, evade an internal affairs investigation and bring the kidnappers to justice.

Desierto Official Trailer #2

From Jonás Cuarón and Alfonso Cuarón, the acclaimed filmmakers of Gravity, comes a unique, modern vision of terror. Desierto is a visceral, heart-pounding suspense-thriller packed with tension and suspense from start to finish, starring Gael García Bernal (The Motorcycle Diaries and Y Tu Mamá También) and Jeffrey Dean Morgan (Watchmen). 
 
What begins as a hopeful journey to seek a better life becomes a harrowing and primal fight for survival when a deranged, rifle-toting vigilante chases a group of unarmed men and women through the treacherous U.S.-Mexican border. In the harsh, unforgiving desert terrain, the odds are stacked firmly against them as they continuously discover there’s nowhere to hide from the unrelenting, merciless killer.
Deepwater Horizon (2016) Hollywood Movie

Deepwater Horizon

The ‘Disaster Movie’ from the ’80s is back, but in a more professionally produced package. There are no airplanes falling from the sky, but there is an Inferno, and it does tower. There is no sinking cruise ship, but a floating oil rig in the Gulf is in deep(water) trouble. The actual events of 2010 are recalled and given the up-close-and-personal treatment. “Deepwater Horizon” makes a statement about the strength of ordinary men and woman in a very extraordinary situation.

Mike Williams (Mark Wahlberg) is an oil rig engineer ready to take on another three week shift on the Deepwater Horizon rig. His wife Felicia (Kate Hudson) wishes for his safe return, as usual. He meets “Mr. Jimmy” Harrell (Kurt Russell) who is the supervisor on the rig. Mr. Jimmy is a no-nonsense leader who believes in safety first. Andrea (Gina Rodriguez) is a worker in the control room who helps keep the rig on target.

TransOcean is the company who owns the rig, and it is being leased by BP (British Petroleum). A few BP executives are on board, including Donald Vidrine (John Malkovich). They are worried that rig’s drilling has not been completed and tested in time, and now they are weeks overdue and millions are being lost. So there are reductions made in testing and not every normal regulation has been followed completely. The oil needs to be drilled already, dammit!

While running some functional testing, the results are unclear. The BP bosses, like Donald, want a quick retest done. But “Mr. Jimmy” and Mike and many other oil rig workers want every option completely tested. This includes Caleb Holloway (Dylan O’Brien) a guy on the main drill line floor. He notices that after the aborted test, there is some violent shuddering in the drill line. He starts to see the mud and oil oozing up from the drill. This is not a normal result.

Within minutes, the rig explodes with highly pressured oil and gas that had been trapped in the faulty drill line. Methane seeps into the air ducts, ready to ignite – and there is no place to hide. There are 11 people who do not make it out alive. But the remaining one hundred plus workers, engineers, pilots, cooks and everyone assigned to work on the Horizon are in trouble. There are many injured and people are in shock. The story of how the rest of them got out and helped each other makes for the second half of the movie.

Movies that are based on true life situations are interesting. There is a build up to an oncoming oil rig disaster or a double bird strike on a jet out of JFK. You basically know the story. But there so many details of the actual situation that the movie portrays, that you are still amazed to see the whole thing unfold.

Mark Wahlberg plays the smart yet humble oil rig expert, and he shows how average guy can become a hero in the right circumstances. Kurt Russell it a force to be reckoned with, and his character is devoted to by-the-book safety measures. “Mr. Jimmy” will not let the sneaky executives pull any fast ones, but when they get him out of the room…

Kate Hudson does her best to act like the loving wife, and she is nervous when she hears the news. Dylan O’Brien plays a typical oil rig grunt, the guys who are there pulling the pipe and manning the drill at all hours. The money-grubbing monster had to be played by someone, so John Malkovich was the only logical choice.

The acting plays second fiddle to the visual chaos of the Horizon under assault by flaming jets of gas and oil. The action scenes are so realistic that you also feel under assault. Everyone is covered in oil and blood, and the horror takes a human toll. The means to escape are few, and pathways to survive are slim. Special effects, computer enhanced imagery, sound design and mixing are all on display.

Peter Berg has taken a eerie chapter from America’s recent past with this event leading to the worst oil spill in history. But rather than focus on the long-term affects to the ecology of the Gulf, he instead narrows it down to the workers on the rig. We feel the confusion and despair of the men and women who made up that team. And at the very end, there is a fitting tribute to the 11 souls who perished on the disaster. With additional review (from this movie), perhaps there is some hope for changes and continued vigilance on the deepwater oil rigs.

The Girl on the Train

The Girl on the Train

“The Girl on the Train” is based on Paula Hawkins’ bestselling novel of the same name and is adapted for the screen by Erin Cressida Wilson (Secretary) and directed by actor/director Tate Taylor who directed “The Help” and “Get on Up”.  There’s plenty of talent there alone to entice you to the theatre this weekend but I’ll give you a few more good reasons to catch this somewhat complicated whodunnit; Emily Blunt, who is simply brilliant in her role, Haley Bennett and Justin Theroux.  The story starts with introducing you to a girl on a train, Rachel (Blunt), more woman than girl in years but girl in behavior, as she tells you of the houses she passes each day and her curiosity as to what the lives are like within them.  She begins to more or less obsess over one particular couple in love, Megan (Bennett) and Scott (Evans), who reside in a house she wished she lived.  He is the sexy husband she desires to have and she is the beautiful young woman with whom she longed to be.  Soon, we learn that she had once lived two doors down in a lovely home that is still occupied by her ex-husband, Tom (Theroux), his wife, Anna (Ferguson), and their baby.  What led to her divorce may be what now leads her to occupy her mind with such things as what goes on in what she considers to be a more perfect life than hers; alcohol, her personal demon.  She drinks heavily, on the train and off, and is paranoid,often blacks out and sees things that may or may not be actually happening, because of her drinking problem. 

The story has a purposely, sometimes agonizingly, slow reveal, using flashbacks to catch you up on what gets Rachel to this point in life.  It also uses this trick to show the direction her life now leads as well as solidly placed scenes to throw you off the scent as to where the chiller is taking you.  It’s leading up to a moment when she gets off the train, wanting to take action on a situation she sees happen and getting involved in something she shouldn’t be.  Her plight gets more and more involved and she gets deeper and deeper into something she now cannot escape.

Some of the dialogue can be trite and a bit stuffy at times but overall, the mystery she becomes entangled in is one of the best I’ve seen since the fantastic, “Gone Girl” from 2014. Not wanting to reveal much more about the story I will add that Blunt is most likely looking at a best actress nomination.  She plays her character with passion and despair and motivates you to go on this journey with her and you’re more than happy to hitch your wagon to it.  Wilson and Taylor have given three woman the opportunity to excel and they more than do.  Theroux, as well as the rest of the supporting cast, also stand out bringing this thriller to life for what will be one of your favorite complex stories of the year.

The Accountant movie trailer #2

Christian Wolff is a math savante with more affinity for numbers than people. Behind the cover of a small-town CPA office, he works as a freelance accountant for some of the world’s most dangerous criminal organizations. With the Treasury Department’s Crime Enforcement Division, run by Ray King, starting to close in, Christian takes on a legitimate client: a state-of-the-art robotics company where an accounting clerk has discovered a discrepancy involving millions of dollars. But as Christian uncooks the books and gets closer to the truth, it is the body count that starts to rise.

In Theaters October 13