A Quiet Place – Trailer and Featurette

IF THEY HEAR YOU, THEY HUNT YOU

DIRECTED BY

JOHN KRASINSKI

PRODUCED BY

MICHAEL BAY, ANDREW FORM, BRAD FULLER

STORY BY

BRYAN WOODS & SCOTT BECK

SCREENPLAY BY

BRYAN WOODS & SCOTT BECK AND JOHN KRASINSKI

STARRING

EMILY BLUNT, JOHN KRASINSKI, NOAH JUPE, MILLICENT SIMMONDS

IN THEATERS APRIL 6, 2018

Facebook: https://www.facebook.com/AQuietPlaceM…

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#AQuietPlace

#StayQuiet

In Theaters April 6th

http://www.fandango.com

THE-15-17-TO-PARIS-hero-movie

The 15:17 To Paris Advance Movie Screening

Movie Screening Summary: In the early evening of August 21, 2015, the world watched in stunned silence as the media reported a thwarted terrorist attack on Thalys train #9364 bound for Paris—an attempt prevented by three courageous young Americans traveling through Europe. “The 15:17 to Paris” follows the course of the friends’ lives, from the struggles of childhood through finding their footing in life, to the series of unlikely events leading up to the attack. Throughout the harrowing ordeal, their friendship never wavers, making it their greatest weapon and allowing them to save the lives of the more than 500 passengers on board. The heroic trio is comprised of Anthony Sadler, Oregon National Guardsman Alek Skarlatos, and U.S. Air Force Airman First Class Spencer Stone, who play themselves in the film.

http://www.1517toparis.com

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Advance Movie Screening For The 15:17 To Paris

Find your chance to receive special advance movie screening passes below.

 

Phoenix, Arizona

Advance Movie Screening Details

Movie Screening Date: Wednesday, February 7
Location: Harkins Scottsdale 101
Movie Screening Time: 7:00pm
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Las Vegas, Nevada

Advance Movie Screening Details

Movie Screening Date: Wednesday, February 7
Location: Regal Red Rock
Movie Screening Time: 7:00pm
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Advance Movie Screening Information

To redeem a pass, simply click the Get Passes button. You will taken to our movie screening partner site (where you can sign up for a free account). Once you’ve done so, you’ll be able to print out your pass and bring it with you to your screening or event.

Admittance into a screening or event is not guaranteed with your pass. Events and advance screenings are filled on a ” first come, first served ” basis. To ensure that you stand a good chance of being admitted, we recommend that you show up 30 minutes to one hour early.

The number of admissions that are permissible for each pass are printed clearly on the ticket that you print out. You are allowed to bring as many guests as is indicated on your pass. For example, if your pass is for ” Admit Two, ” you can bring yourself and one guest. If you have an ” Admit One ” pass, you can bring only yourself.

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The Insult – Movie Review

The Insult  (original title L’insulte)

Directed by: Ziad Doueiri

Starring: Adel Karam, Kamel El Basha, Rita Hayek, Camille Salameh, Diamand Abou Abboud, Talal El Jurdi, Christine Choueiri, Julia Kassar, Rifaat Torbey, Carlos Chahine

Rating: R

Run Time: 1h 52 min

Genre: Drama

This movie is the ultimate story of someone needing to make peace with his past to have any sort of future.  Lebanese director, writer and cinematographer, Ziad Doueiri, (West of Beirut, The Attack), who worked under Quentin Tarantino, can rest easy if he was attempting to make his magnum opus… because he just did.

At the beginning of the film, a message pops up that reads, the opinions in this film do not reflect the official policy or position of the Lebanese government.  Knowing the film is a drama and not a documentary, I found that interesting.  The Insult tells the story of Tony Hanna, played magnificently by Adel Karam who had to balance frustration, hate and anger with forbearing.  Karam achieves a fantastic counterbalance which makes you both like and dislike him at the same time.  It couldn’t have been easy.  Tony is a Lebanese Christian who gets upset when he perceives just a misunderstanding to be a terrible insult; a slap in the face, if you will.  To be insulted in his homeland of Beirut is one thing, to be disgraced in his own home is another.

The manager of the residential building in which Tony resides allows the foreman of a construction company, Yasser Salameh, (Kamel El Basha), a Palestinian living in a refugee camp, to fix a drainpipe as it’s getting all of his workers wet.  They’re there to make repairs to the building anyway, so taking care of Tony’s pipe, which is not up to code, can get done quickly and they’ll be on their way.  When Yasser tells Tony he needs to fix the pipe, Tony refuses to allow him to and closes the door in his face.  He isn’t interested in change, which is part of his personality, as well.  There is ultimately a reason for this, but it takes the entire film to get you there which is what makes this film so damn good.  Tony’s character is revealed slowly and the justifications for his actions do come but will there be a large cost to his stubborn behavior?  Who pays and why?

Without Tony’s permission, Yasser fixes the pipe.  Tony then smashes and breaks it, screaming that they had no right whatsoever to make adjustments to his home when his life is fine.  When the manager of the building attempts to make amends and apologize, it isn’t good enough for Tony.  He wants to hear an apology from Yasser himself.  When the manager finally talks Yasser into apologizing, Yasser and Tony, both very proud men, only stare at one another.  When words are spoken, they are harsh and the problem escalates from there.  Tony, who listens to propaganda all day, tells the Palestinian that he wished, ‘Ariel Sharon had finished you off.’  These words are more than an insult to Yasser and he strikes Tony.

What happens next is intense and dramatic, in that we see these two struggle for power yet also fight against the system.  A court battle to prove guilt or innocence in what becomes a national debate ensues and the original point is skewed.  Not allowing a simple fix to a pipe leads us on a journey into Tony’s dark past and it leads Yasser there, as well, which brings in the much-needed human aspect to the conflict.  It’s exciting to watch these two men, both in complete control of their characters, spar. 
They’re willing to be imprisoned, even die if they must, but they will not lose face.  The final courtroom battle is extremely powerful and I enjoyed how you know there’s something brewing inside of Tony but you just don’t know what.  Kudos to these performers and to Doueiri for getting them there.  There is much more to be revealed about this film, but I’d rather you see it for yourself.  It will be up for a few 
Academy Awards, that I can promise.  It’s surprisingly moving and, again, the acting is unforgettable.  Also, in our political climate today, such films need to be seen and I’m glad they’re being made… which explains the message at the beginning of the film.

Catch it at Harkins Fashion Square on FEB 2nd, 2018

Journey’s End Trailer

Where courage was found…innocence was lost
 
March 1918. C-company arrives to take its turn in the front-line trenches of northern France, led by the war-weary Captain Stanhope (Claflin). With a German offensive imminently approaching, the officers (Bettany, Graham, Sturridge) and their cook (Jones) use food and the memories of their lives before the war to distract themselves, while Stanhope soaks his fear in whiskey, unable to deal with the dread of the inevitable. A young officer, Raleigh (Butterfield), arrives fresh out of training and abuzz with the excitement of his first real posting –not least because he is to serve under Stanhope, his former schoolhouse monitor and the object of his sister’s affections. Each man is trapped, the days ticking by, the tension rising and the attack drawing ever closer…
 
DIRECTED BY: Saul Dibb
CAST: Paul Bettany, Sam Claflin, Asa Butterfield
WRITTEN BY: Simon Reade
 
 
#JourenysEnd

In Theaters March, 2018

http://www.fandango.com

Small Town Crime Movie Review

The opening scene of Eshom and Ian Nelms’ film, Small Town Crime, tells you all you need to know about Mike, (Hawkes) the protagonist of the film, and a damned engrossing protagonist might I add… however crude, crass and carnal he may appear.  He’s an ex-cop who doesn’t take shit from anyone; just ask him.  He tells everyone this about himself, especially people who want to hire him so… that they don’t hire him!  A
drunk, when we meet him he’s vomiting during his daily workout.  Preferring to spend most of his time inebriated he’d rather drive his muscle car to cash his unemployment check than have to actually work for his money.  Always with a beer in his hand, he has gotten sidetracked in life when his partner on the force is murdered during a traffic stop.  Mike, drunk at the time, is blamed for his death and is let go.

While out driving, drunk of course, he stops when he sees a very bloody young woman lying near the side of the road.  She is beaten half to death but alive.  He gets her into his car and races her off to the hospital, unfortunately, she doesn’t survive.  With not much in life to keep him roused these days, he decides he’s going to kick his investigation tactics back into high gear.  He will avenge her death no matter what it takes. 
What he finds is that his local watering hole, one he frequents and where he knows everyone by name (from being kicked out all too often), is more than it appears.  Underage prostitutes swarm the joint and it seems they have gotten themselves into trouble with people who aren’t looking for the girls for sex but rather are out to get them for what they know.

Mike tracks down the girl’s family and speaks to her grandfather (Forster).  He’s a tough, well-to-do, older man who has nothing to lose, especially now that he lost his granddaughter.  He’ll do everything to even the score and hires Mike to help track down her killers.  He’ll even haul around his own weapon if needed!  Clifton Collins Jr., who originally comes off as a miscreant about to give Mike a lot of trouble, ends up helping to try and solve the mystery they’ve all stumbled into.  Hunches, expertise and cunning get them where they need to be for the answers to all of their questions but a growing body count will have you wondering if the need to solve one murder, sans the local detectives, played by Daniel Sunjata and an aged Michael Vartan, outweighs the need to keep the many alive.

Sure, a crime has been committed and needs to be solved but how many must die to solve the said crime before you get help?  The answer to that question is answered in this gritty thriller that I recommend you see.  I like, and believe you will, too, that things don’t go exactly right for anyone, that Mike is a walking catastrophe and that the viciousness of the picture is brutal.  It gives you that much more reason to stay until the end to see if Mike gets his man or if he gets his adopted family of Octavia Spencer, Anthony Anderson and their children, all killed!  Did I mention this cast is absolutely stupendous??  By the way, stay for one extra clip after the credits start to roll.  Enjoy!

*Opens at the FilmBar and On Demand January 19th

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Forever My Girl Movie Review

High School sweethearts, Liam (Roe) and Josie (Rothe) are about to get married. We open on Josie and her maid of honor, Kiera (Alexandria), getting her ready for her march down the aisle when through the door comes some devastatingly bad news… her groom isn’t coming. We cut to eight years later and find out why he left sweet and innocent Josie before her brother could walk her to meet Liam at the altar. Fame and fortune came knocking on his door in a big way (think Blade Shelton) and Mr. Liam Page answered it with a fast lurch of enthusiasm and a bit of self-indulgence, not thinking much about who was getting left behind and hurt in the process. He no longer had time for a wife; only for himself. When we see Liam again, he’s on stage singing “Don’t Water Down My Whiskey,” which is not only quite good but Alex Roe does sing it himself for the film. Liam performs for a sell-out stadium crowd and has a team of people taking care of him. Fans scream for him to return to the stage after his last song, but he makes his way to his manager and insists he gets him a particular girl in the front row that he had been eyeballing all night.
I’m thinking this is to get us a bit hot under the collar at his behavior. It doesn’t exactly work because we can tell right away that he’s isn’t like a sailor; isn’t ‘a girl in every port’ kind of guy. The girl he sees reminds him of Josie, for whom he has been unable to forget, though he had definitely left her behind to ache… alone. It’s obvious in some of the following scenes that he has never really tried to rid his memory of her and that outside of casual sex, thinking of her is his only real connection to anyone.

Liam learns that his best friend from High School is killed in a car accident and he takes off for home, leaving behind an already scheduled tour and stunned manager and publicist losing his mind.
Here, the narrative gets a little confusing because he has become incredibly successful, which takes a lot of discipline and when he goes back home, it’s implied or downright said buy his father, Pastor Brian (Hickey) that he had gotten into drugs and was a bit of a mess. That perplexity notwithstanding, it’s a good build up, even though you do see what’s coming. Though the story wants you to be really irritated with his character, you do like him and you hope that while he’s in town to go to his friends funeral, that he’ll run into Josie.
So, he runs into Josie and he tries to apologize for his behavior. He tells her that he knows he had put his wants and desires before hers. He wants her to believe him when he says he realizes that you can, basically, have your cake and eat it, too.

Happy to see she’s had success as well, he goes to the flower shop that she owns, to ask her out. She shows him something else that his selfishness caused him to miss out on when he left. She introduces him to her daughter, Billy (Fortson). She was named after Liam’s mother. Seeing her and hearing her name, he immediately knows what he could never replace and what he missed… the birth of his daughter and being there for her and watching her grow up. Billy is smart, cute and nothing gets by her, much like the actress who played her.
Liam begs to be a part of her life and must now prove he is worthy to be in it. A scene where Billy complains about riding in his convertible is simply priceless. She doesn’t make jumping into fatherhood easy on him but they get used to one another and she warms up to him rather quickly. When he buys her a guitar, they bond over music and suddenly you can just imagine where a sequel could go.

Forever My Girl follows the pattern of formulaic scripts that have come before it. It’s a, ‘boy leaves girl at altar to seek fame and fortune but his roots in the town and in family are buried deep and can’t be pulled out quite so easily’ story. But at its core, it’s loving and it has a good message of forgiveness. It works. It has a slow-motion, playful montage scene to complete the look but it gives us something that many films of the genre do not; a strong leading male character who’s sensitive and willing to admit he’s wrong and give up everything for his true love… loves.

12 Strong Advance Movie Screening

Movie Screening Summary: Set in the harrowing days following 9/11, a U.S. Special Forces team, led by their new Captain, Mitch Nelson (Chris Hemsworth), is chosen to be the first U.S. troops sent into Afghanistan for an extremely dangerous mission. There, in the rugged mountains, they must convince Northern Alliance General Dostum (Navid Negahban) to join forces with them to fight their common adversary: the Taliban and their Al Qaeda allies. In addition to overcoming mutual distrust and a vast cultural divide, the Americans—accustomed to state-of-the-art warfare—must adopt the rudimentary tactics of the Afghani horse soldiers. But despite their uneasy bond, the new allies face overwhelming odds: outnumbered and outgunned by a ruthless enemy that does not take prisoners.
www.12strongmovie.com/

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Advance Movie Screening For 12 STRONG

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Phoenix, Arizona

Advance Movie Screening Details

Movie Screening Date: Tuesday, January 16
Location: Harkins Tempe Marketplace
Movie Screening Time: 7:00pm
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Tucson, Arizona

Advance Movie Screening Details

Movie Screening Date: Tuesday, January 16
Location: Century El Con
Movie Screening Time: 7:00pm
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Las Vegas, Nevada

Advance Movie Screening Details

Movie Screening Date: Tuesday, January 16
Location: Regal Red Rock
Movie Screening Time: 7:00pm
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Albuquerque, New Mexico

Advance Movie Screening Details

Movie Screening Date: Tuesday, January 16
Location: Regal Winrock
Movie Screening Time: 7:00pm
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Advance Movie Screening Information

To redeem a pass, simply click the Get Passes button. You will taken to our movie screening partner site (where you can sign up for a free account). Once you’ve done so, you’ll be able to print out your pass and bring it with you to your screening or event.

Admittance into a screening or event is not guaranteed with your pass. Events and advance screenings are filled on a ” first come, first served ” basis. To ensure that you stand a good chance of being admitted, we recommend that you show up 30 minutes to one hour early.

The number of admissions that are permissible for each pass are printed clearly on the ticket that you print out. You are allowed to bring as many guests as is indicated on your pass. For example, if your pass is for ” Admit Two, ” you can bring yourself and one guest. If you have an ” Admit One ” pass, you can bring only yourself.

If you have any other questions or comments, please contact us.

Phantom Thread Movie Reivew

Paul Thomas Anderson is one of the best in the business. He has given us Boogie NightsMagnoliaThere Will Be Blood and The Master and in knowing this, you are groomed ahead of time and fixed for a compelling story shot in an extraordinary way that will lead you into a world that you can believe exists beyond the shadow of a doubt… right next door. With Anderson’s new film Phantom Thread, it’s no different.
Even above the story, he cast one of the best actors in the business in Daniel Day-Lewis. Unfortunately for us, Day-Lewis has decided to make this film his last but what a way to go. This fascinating piece and his performance in it will not be forgotten, as their work together in There Will Be Blood will never be.

The opening of this intriguing tale is orchestrated with the movement of the actors.  Right away, we are introduced to Reynolds Woodcock (Day-Lewis) and are witness to what he does for a living.  He is a renowned couturiere, or fashion designer, in London in the 1950s, which were really the last decade when women of style had their clothes custom-crafted by garment makers.  Reynolds, who lives with his sister, is deeply superstitious and very eccentric with how he handles his work, believing his dead mother is all around him, encouraging his work.  He has always been taken care of and doesn’t quite know how to speak with women other than to order them around as he does his models. He’s used to spending some time with women he beds, leading them on and then he moves away rather abruptly.  He’s an incurable bachelor and believes marriage only leads to deceit… until he meets a waitress by the name of Alma (Krieps) who doesn’t play into this.  She questions and defies him, unlike any woman ever has, and he’s immediately intrigued.  He’s both bothered and smitten by her at the same time and begins to see her as his muse.  Unlike most people he engages, Alma is unrefined and obnoxious and when she challenges him it throws him off.  Reynolds behaves like a spoiled child because he has always gotten his way.  He prefers to have the last word and with Alma, he doesn’t always get what he wants.

 

As one might expect from a Paul Thomas Anderson film, Phantom Thread is full of surprises.  What you think this movie will be by watching the trailer and what you believe is going on while you’re watching it might not be what’s actually playing out. Anderson is also the cinematographer on the film and to give you the overall feeling of how people lived in the period, he had all of his equipment inside of a small house rather than using a soundstage which set the tone beautifully and helped lend to an aura of madness and authenticity.  Reynolds expects Alma to give more than he’s willing to give and as we go deeper into his psyche, we see the vulnerable boy the man holding the thread truly is.

This is an incredibly intelligent film, rich in characters with a beautiful score.  The chemistry between Daniel Day-Lewis and Vicky Krieps is strong and Anderson takes advantage of it every chance he gets, using both their strengths and their weaknesses to bewilder his audience.  You’ll love the buildup and the dialogue to the final moments.  It is slow to start but the payoff is well worth every second.  This is legitimately a brilliant film.  You’ll want to see it more than once.

The-Commuter-movie-poster-1-sheet

The Commuter Movie Review

Though this genre is what Liam Neeson uses his particular set of skills best for, he may have wanted to take a pass on this ride for the better of the film.  That said, I like anything he’s in and did enjoy him but there were times I felt he was cast only for his name and not for what would have been more plausible.  Neeson is now sixty-five years of age and his character, Mike MacCauley, is sixty.  It was hard to watch him, even using suspension of disbelief, fight an ax-wielding younger man and believe he could stay in the fight, let alone win.  A lot of editing is used to make him look younger and capable, but we’re not fooled.  Outside of tricks used to make him look like he’s a badass, there are a lot of other visuals that are too far-fetched to accept as real, however, they come with high intensity, so you’ll forgive every one of them.

The opening credits are excellent and are used creatively to introduce you, over a span of time, to Mike and his family.  He’s working hard to pay the bills for him and his wife’s mortgage and also his son who is about to go to college and will be needing tuition soon.  The credits also take you on his commute.  Directly after the credits, Mike, an ex-cop, goes into his insurance job where he’s five years from retirement.  He’s called into his boss’s office and is let go.  The news is devastating as he already lives hand to mouth and has no nest egg to rely on.  He goes and has a drink with Alex ‘Murph’ Murphy (Wilson) and tells him what happened.  This is where the movie isn’t exactly subtle in a few hints it drops.  At the bar, we also meet Captain Hawthorne (Neill), who Mike used to work with and who has now moved up in ranks.  You won’t exactly miss some of the set-ups here. When Mike leaves the bar, he finds a seat on his train to head home and our adventure begins.

A woman by the name of Joanna (Farmiga) sits across from him and strikes up a conversation.  He tells her that he’s married and she tells him that’s not why she’s talking to him.  She explains that she studies human behavior and says she wants to know what type of person he is by asking him one questions.  That question is if she asked him to do something, anything, would he do it?  He, of course, wants to know what type of thing.  She tells him and also says that a reward would be offered but he’d never know the consequences of his actions.  What she needs is for him to find someone on the train that doesn’t belong.  His interest is piqued and yours will be, as well.  What he is to do when he finds this person is plant a tracking device on a bag that they are carrying.  He’s offered $25,000 for taking it and an extra 75,000 upon completion of the task.  He does suspect that something isn’t right but having just lost his job, a $100,000 payday sure sounds nice.  He has until the Cold Spring stop to finish the deed.

Having accepted the assignment, the film slows down a bit as he wades through the trivial, even boring characters on the train with him.  I have to mention to be on the lookout for a certain Goldman Sachs reference you might appreciate.  Anyway, with threats now coming from Joanna, he’s getting more and more crazed and desperate as he searches for the mystery man.  Eventually, Mike decides he’s not going to find who Joanna wants him to for the reason she wants him to.  Once a cop, always a cop.

There are a great many clichés in the film and you’ll recognize Collet-Serra’s ode to Hitchcock films but herein lies the fun even though a lot of the CG and hand-held camera work is quite bad at times.  As we move along the tracks our story builds and our energy is heightened.  The movie is always engaging.

You’ll have a lot of fun with The Commuter especially if you’re a Neeson fan and if you are fascinated with action movies that are way over the top.  Again, if you’re a fan of Liam Neeson, you can’t skip what’s sure to be the last of this genre for him.  He’ll give you his all, as he always has, even if this isn’t his best.

 

Official Website:      www.TheCommuter.movie

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Twitter:                      @TheCommuterFilm

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#TheCommuter