Blockers-movie-poster

Blockers Advance Movie Screening

Movie Screening Summary

When three parents discover their daughters’ pact to lose their virginity at prom, they launch a covert one-night operation to stop the teens from sealing the deal. Leslie Mann (The Other Woman, This Is 40), Ike Barinholtz (Neighbors, Suicide Squad) and John Cena (Trainwreck, Sisters) star in Blockers, the directorial debut of Kay Cannon (writer of the Pitch Perfect series).

The comedy is produced by Seth Rogen, Evan Goldberg and James Weaver, under their Point Grey Pictures banner (Neighbors, This Is the End), alongside Jon Hurwitz & Hayden Schlossberg (Harold & Kumar series) and DMG Entertainment’s Chris Fenton (47 Ronin).

Good Universe’s Nathan Kahane and Joseph Drake (Don’t Breathe, Juno) executive produce with Chris Cowles (Collide) of DMG, as well as Josh Fagen, Dave Stassen and Jonathan McCoy. The film is written by brothers Brian & Jim Kehoe, Hurwitz & Schlossberg and Eben Russell.

www.BlockersMovie.com

https://www.facebook.com/blockersmovie/

https://twitter.com/BlockersMovie

https://www.instagram.com/blockersmovie/

#BlockersMovie

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Phoenix, Arizona

Advance Movie Screening Details

Movie Screening Date: Tuesday, April 3
Location: Harkins Tempe Marketplace
Movie Screening Time: 7:00pm
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Honolulu, Hawaii

Advance Movie Screening Details

Movie Screening Date: Tuesday, April 3
Location: Regal Dole Cannery
Movie Screening Time: 7:00pm
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Las Vegas, Nevada

Advance Movie Screening Details

Movie Screening Date: Tuesday, April 3
Location: Regal Red Rock
Movie Screening Time: 7:00pm
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Albuquerque, New Mexico

Advance Movie Screening Details

Movie Screening Date: Tuesday, February 20
Location: Regal Winrock
Movie Screening Time: 7:00pm
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Advance Movie Screening Information

To redeem a pass, simply click the Get Passes button. You will taken to our movie screening partner site (where you can sign up for a free account). Once you’ve done so, you’ll be able to print out your pass and bring it with you to your screening or event.

Admittance into a screening or event is not guaranteed with your pass. Events and advance screenings are filled on a ” first come, first served ” basis. To ensure that you stand a good chance of being admitted, we recommend that you show up 30 minutes to one hour early.

The number of admissions that are permissible for each pass are printed clearly on the ticket that you print out. You are allowed to bring as many guests as is indicated on your pass. For example, if your pass is for ” Admit Two, ” you can bring yourself and one guest. If you have an ” Admit One ” pass, you can bring only yourself.

If you have any other questions or comments, please contact us.

Love, Simon Movie Review

‘Love, Simon’ is a touching story about a high school student named Simon (Robinson). He has a secret that he has kept from everyone in his life. That secret is that hes never told his family or friends that he’s gay. The film, in a way, encourages those who haven’t, to do the same. Why do I say that? Because it shines a light on how much his friends love him and how much support his family would give him. There’s no way he doesn’t know this, yet he’s still terrified to tell anyone. The reason for that is he’s focusing only on those people who wouldn’t approve, instead of those who love him enough not to care who he loves.

It’s also a coming of age story, like the many who have come before it, but there’s something special here. If you can get past the bad jokes, some which are set up, so the audience will feel for Simon, some just cheesy and ineffective, you’ll truly enjoy the film. After those are out of the way, about halfway through, ‘Love, Simon’ finds its own voice instead of trying to be a crazy, teenage romp. It’s an unusual movie with a terribly important subject and told in a brave and unique way but not until later in the film, when the filmmakers decide they’re not trying to be ‘Revenge of the Nerds’, ‘Sixteen Candle’s,’ or your basic romantic comedy, will you feel that it is. Had they stayed away from the horrible character of the principal (Hale), it might not have been judged so harshly but at times it was so over the top, especially with him, that I can’t help mention how mediocre it could be at times. To break the vibe of faculty trying too hard to fit in comes the drama teacher, Ms. Albright, played by Natasha Rothwell. She was hysterical and it’s her class that not only gives Simon the first true place he can feel himself but gives the film its first real laughs, as well.

In the end, all Simon wants is to be accepted and that makes the film relatable. Most of us, at one point or another in our lives, have felt that very same way. The circumstances may have been different but being acknowledged as part of a pack has been ingrained in us. Simon is no different. The scenes primarily take place in his high school so the movie will have a younger audience who understands the roles of electronics and the complications of having them in their lives.

In the library, Simon begins an email exchange with someone who wishes to remain anonymous, as does Simon. This person calls himself ‘Blue.’ After these emails begin, Simon desires more and more to meet him and tell the world that he loves him. What ends up happening is that Simon spends the rest of the film trying to figure out who Blue is. They do a great job of hiding this from you!

Simon struggles with his own way of coming out to everyone but, unlike Blue, doesn’t get to decide the time, someone chooses it for him. An all-student online chat has been created where the students do and say horrible things about one another and, in a scenario that’s hard to believe would happen, Simon’s announcement is made here. Blue sees this and, afraid the same thing will happen to him, decides to step away.

Essentially, we’ve seen this movie before, just not with two young men. But, as I’ve mentioned, when ‘Love, Simon’ shifts from comedy gear to a more serious tone, the movie stops trying to imitate and becomes a special piece to witness. What they’ve done well, works to close the film and has you leaving with a sense of fulfillment. It’s dramatic and emotional and wins you over because the rom-com formula doesn’t work and that’s not hard to see but you will enjoy it for what it is.

 

LOVE, SIMON Official Channels

Website: LoveSimonMovie.com

Facebook: https://www.facebook.com/LoveSimonMovie/

Twitter: https://twitter.com/lovesimonmovie?lang=en

Instagram: https://www.instagram.com/lovesimonmovie/

#LOVESIMON

The Grinch – Trailer

For their eighth fully animated feature, Illumination and Universal Pictures present The Grinch, based on Dr. Seuss’ beloved holiday classic.  The Grinch tells the story of a cynical grump who goes on a mission to steal Christmas, only to have his heart changed by a young girl’s generous holiday spirit.  Funny, heartwarming and visually stunning, it’s a universal story about the spirit of Christmas and the indomitable power of optimism.

Academy AwardŽ nominee Benedict Cumberbatch lends his voice to the infamous Grinch, who lives a solitary life inside a cave on Mt. Crumpet with only his loyal dog, Max, for company.  With a cave rigged with inventions and contraptions for his day-to-day needs, the Grinch only sees his neighbors in Who-ville when he runs out of food.

Each year at Christmas they disrupt his tranquil solitude with their increasingly bigger, brighter and louder celebrations.  When the Whos declare they are going to make Christmas three times bigger this year, the Grinch realizes there is only one way for him to gain some peace and quiet: he must steal Christmas.  To do so, he decides he will pose as Santa Claus on Christmas Eve, even going so far as to trap a lackadaisical misfit reindeer to pull his sleigh.

Meanwhile, down in Who-ville, Cindy-Lou Who—a young girl overflowing with holiday cheer—plots with her gang of friends to trap Santa Claus as he makes his Christmas Eve rounds so that she can thank him for help for her overworked single mother.  As Christmas approaches, however, her good-natured scheme threatens to collide with the Grinch’s more nefarious one.  Will Cindy-Lou achieve her goal of finally meeting Santa Claus?  Will the Grinch succeed in silencing the Whos’ holiday cheer once and for all?

Find out, Christmas season 2018.

Genre: Animated Comedy

Directed by: Scott Mosier, Yarrow Cheney

Based on the Book by: Dr. Seuss

Produced by: Chris Meledandri, Janet Healy

ILLUMINATION PRESENTS DR. SEUSS’ THE GRINCH – In Theaters November 9

Official Website | Facebook | Twitter | Instagram | #TheGrinch

In Theaters November 9th

http://www.fandango.com

FIRST LOOK AT DISNEY’S LIVE-ACTION “CHRISTOPHER ROBIN”

Disney’s “Christopher Robin” Teaser Trailer is here!

HOW EXCITING!  Take a look at the teaser trailer for Disney’s “Christopher Robin,” coming soon to theaters. In the heartwarming live-action adventure, the young boy who embarked on countless adventures in the Hundred Acre Wood with his band of spirited and lovable stuffed animals has grown up and lost his way. Now it is up to his childhood friends to venture into our world and help Christopher Robin remember the loving and playful boy who is still inside.

Disney’s “Christopher Robin” is directed by Marc Forster from a screenplay by Alex Ross Perry and Allison Schroeder and a story by Perry based on characters created by A.A. Milne. The producers are Brigham Taylor and Kristin Burr with Renée Wolfe and Jeremy Johns serving as executive producers. The film stars Ewan McGregor as Christopher Robin; Hayley Atwell as his wife Evelyn; Bronte Carmichael as his daughter Madeline; and Mark Gatiss as Keith Winslow, Robin’s boss. The film also features the voices of: Jim Cummings as Winnie the Pooh; Chris O’Dowd as Tigger; Brad Garrett as Eeyore; Toby Jones as Owl; Nick Mohammed as Piglet; Peter Capaldi as Rabbit; and Sophie Okonedo as Kanga.

Follow on social media:

Facebook:        https://www.facebook.com/DisneyChristopherRobin/

Twitter:           https://twitter.com/DisneyStudios

Instagram:       https://www.instagram.com/disneystudios

Youtube:          https://www.youtube.com/disneymovietrailers

Hashtag:          #ChristopherRobin

In Theaters in 2018

http://www.fandango.com

Love, Simon Advance Movie Screening

Movie Screening Summary

Everyone deserves a great love story. But for seventeen-year old Simon Spier it’s a little more complicated: he’s yet to tell his family or friends he’s gay and he doesn’t actually know the identity of the anonymous classmate he’s fallen for online. Resolving both issues proves hilarious, terrifying and life-changing. Directed by Greg Berlanti (Dawson’s Creek, Brothers & Sisters), written by Isaac Aptaker & Elizabeth Berger (This is Us), and based on Becky Albertalli’s acclaimed novel, LOVE, SIMON is a funny and heartfelt coming-of-age story about the thrilling ride of finding yourself and falling in love.

LOVE, SIMON Official Channels
Website: LoveSimonMovie.com
Facebook: https://www.facebook.com/LoveSimonMovie/
Twitter: https://twitter.com/lovesimonmovie?lang=en
Instagram: https://www.instagram.com/lovesimonmovie/
#LOVESIMON

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Phoenix, Arizona

Advance Movie Screening Details

Movie Screening Date: Wednesday, March 14
Location: Harkins Tempe Marketplace
Movie Screening Time: 7:00pm
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Las Vegas, Nevada

Advance Movie Screening Details

Movie Screening Date: Wednesday, March 14
Location: Regal Red Rock
Movie Screening Time: 7:00pm
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Advance Movie Screening Information

To redeem a pass, simply click the Get Passes button. You will taken to our movie screening partner site (where you can sign up for a free account). Once you’ve done so, you’ll be able to print out your pass and bring it with you to your screening or event.

Admittance into a screening or event is not guaranteed with your pass. Events and advance screenings are filled on a ” first come, first served ” basis. To ensure that you stand a good chance of being admitted, we recommend that you show up 30 minutes to one hour early.

The number of admissions that are permissible for each pass are printed clearly on the ticket that you print out. You are allowed to bring as many guests as is indicated on your pass. For example, if your pass is for ” Admit Two, ” you can bring yourself and one guest. If you have an ” Admit One ” pass, you can bring only yourself.

If you have any other questions or comments, please contact us.

Book Club Trailer

The next chapter is always the best chapter. 

Watch the new trailer for BOOK CLUB starring Diane Keaton, Jane Fonda, Candice Bergen & Mary Steenburgen! 

 

Join the club at BookClub.Movie !

Directed by: Bill Holderman 

Starring: Diane Keaton, Jane Fonda, Candice Bergen, Mary Steenburgen, Craig T. Nelson with Andy Garcia and Don Johnson 

Diane (Diane Keaton) is recently widowed after 40 years of marriage. Vivian (Jane Fonda) enjoys her men with no strings attached. Sharon (Candice Bergen) is still working through a decades-old divorce. Carol’s (Mary Steenburgen) marriage is in a slump after 35 years. 

Four lifelong friends’ lives are turned upside down to hilarious ends when their book club tackles the infamous Fifty Shades of Grey. From discovering new romance to rekindling old flames, they inspire each other to make their next chapter the best chapter. Join the Club May 18, 2018. 

Follow us on social media for more updates! 

Facebook: /BookClubMovie

Twitter: @BookClub

Instagram: @BookClubMovie 


In Theaters May 18

http://www.fandango.com

The-Party-Movie-Poster

The Party – Movie Review

We start this cunning, noble achievement that writer/director Sally Potter (Orlando, The Tango Lesson) has presented us with, by waiting for a closed door to open as if we’re the ones about to be allowed entrance. Janet (Kristin Scott Thomas) opens the door but instead of greeting us with a smile, we are met with a gun to the face. Color me intrigued. That’s quite an arresting way to start the film. Potter wanted us immediately captivated and achieves this goal with the violent gesture which is a shrewd move for any director to make. Now that she has us hooked, she jettison’s us to an earlier point in the evening, before people show up for a celebratory dinner at the apartment she shares with her husband Bill (Timothy Spall). Bill mumbles to himself in the living room as if almost in a fugue state of some kind. This gets a little daunting but plays a large part in the story later.

To set the tone, The Party is exhibited in black and white, with the haunting yet seductive tune, ‘What is this thing called love?’ by Sidney Bechet playing on vinyl in the background. In fact, I have it playing as I write this. It’s splendid and both elements together give the film the vibe of an early Woody Allen picture.

Soon, we’re introduced to the guests as they file in, staggered so that we may have a complete and thorough examination of their character.  Each congratulates Janet for a political accomplishment of some sort. Whatever the reason, and this is never quite made clear, this has all been a sophisticated setup to keep you restless and itching to find out the consequences as to why a celebration over a political win leads to a weapon being drawn.

Cherry Jones with her gravelly voice and unimposing self-assurance, is a strong presence in the film, playing Martha, married to the younger Jinny (Emily Mortimer) who is with child… with children. Martha, who came for a bash, now faces the biggest decision of her life.

The very memorable character, April, is played by Patricia Clarkson, who gets to somewhat portray the comic relief for the film but also carries the weight of being a more stereotypical female. Bitchy and ruthless, she attacks her beau Gottfried (Ganz) but she doesn’t discriminate, never holding her tongue. You can tell Clarkson has fun with the role getting to point out everyone’s flaws without regret.

Tom, played by the charismatic Cillian Murphy, walks in agitated and frantic about a deed he must carry out. When you learn why he’s there, you’ll wonder how he kept it together for so long. Murphy’s performance is aggressive and potent, however, I would have liked to have seen more of him.

All the players who postulate, proposing to know the reality of their situation, end up being fools, destroyed by their own egos. The actors who play them and bring this terrific tale to life, do a fantastic job of keeping the audience profoundly involved in the alternating storyline, without revealing the nuts and bolts of the situation and not exposing who they are or what’s going on until the director wants you to know.

Outside of these performances, what you’ll appreciate the most is learning what the party truly is… and how this yarn ends. Labeled a comedy/drama, the comedy is, to a large degree, missing and at times it feels like it doesn’t know what it wants to be. This is brilliant because struggles in life often turn out to be exactly that… not what you had planned.

game-Night-advance-movie-screening

Game Night – Movie Review

Come to Game Night! Jason Bateman and Rachel McAdams are hosting! Actually, Bateman is one of the producers of the movie, as well, which isn’t all that much of a surprise. This has Jason Bateman comedy written all over it. I was surprised he didn’t write it because it so fit his dry wit. When he gets a fresh winner of a script like this and works with directors like John Francis Daley (Vacation reboot) and Jonathan Goldstein (Horrible Bosses), who know where his strengths lie and use him to his full potential, gold is struck. It certainly is here. This is what I’d consider a must-see because it was so well written and put together. It’s never once slow or overdone. They even took care to make you feel a part of the game. It’s shot to make it seem as if the actors in the film, the ‘players in YOUR game,’ are moving around a board. At one point, you’ll even see these delightfully insane characters involved in a dangerous game of keep away. Warning, you and everyone in the theatre will laugh until you cry so be sure to check at the customer service desk first to see that the volume is turned up to a level where you can hear over one another.

Jason Bateman and Rachel McAdams play Max and Annie who have wanted nothing more than to play games since they met over trivia in a bar years ago. Now middle-aged, they haven’t grown up much beyond the kids they were when playing board games with the family was the perfect Friday night. Now they’ve gotten several of their friends hooked and every Friday they stream into Max and Annie’s to see what the night has in store for them. Another satisfying element about the comedy is that each and every one of the actors cast, play off of each other exceptionally well, especially Jesse Plemons who plays Gary, their next-door neighbor who used to be welcome on game night. He was only a part of the fun because they were friends with his ex-wife, Debbie, who has since moved. His character is creepy and some of the earlier funny scenes are watching Max and Annie try to get out of his inviting himself over. Plemons plays him so admirably that you’ll never recognize him as being Todd from Breaking Bad.

What spoils this particular game night isn’t just the threat of Gary finding out it’s taking place, but that Max’s handsome and successful brother, Brooks (Chandler), is in town and wants to play.  Not only does he come play and, as you might have guessed, unapologetically alerts Gary to the festivities, but he decides he’s hosting next. Unenthusiastically, they all decide to attend and the event Brooks has in store for them this evening is unlike what is usually held. No cards, paper, dice or pegs needed, just your wits. He hires a company to stage a murder mystery for them to solve. They’re paired up and the couple who solves the whodunit gets a Corvette Sting Ray. Now the movie turns into a thriller, mystery as Brooks is kidnapped. Twist! Kidnapped not by the company he hired to kidnap him but by people for whom he has done bad business. This is quite a unique set up and a fun adventure for the audience lies ahead.

The comedic timing everyone displays, while all of this is playing out, is spot on accurate. Rachel McAdams is irreplaceable as her Annie and Bateman’s Max banter back and forth, clueless as to what is really going on. Max even tells the kidnappers to drive safely as they’re pulling his struggling brother out of the house. Hysterical. Do yourself a favor and make this movie a part of your Friday Night amusement. You won’t be sorry. It meets all the requirements of a fantastic and memorable night out.

*Stay through the entire credits for two extra scenes!

Interview with Anthony Gonzalez from the movie ‘Coco’

My second interview of the year was with young actor and singer, Anthony Gonzalez, who was touring for the film he starred in which releases this month on Blu-ray, DVD and Digital.  Anthony brought the wonderful character Miguel to life in the Disney•Pixar film, “Coco” which is Pixar Animation Studios’ 19th feature film.  In the movie, Miguel dreams of becoming a polished musician and for such a young man he’s, much like Anthony himself, well on the way.  Not only can Anthony act with the best of them but he has been singing almost his entire life, a talent he picked up from watching his older siblings.  It’s appropriate to proclaim he has a beautiful singing voice and he’ll go far with it.  He’s also passing the tradition of performing on to his younger brother.  Read on to learn more about this sweet person, Anthony Gonzalez, so you can prepare for when you hear much more about him.

Q: Tell me about ‘Coco’

AG: ‘Coco’ is about a boy named Miguel who loves music, that’s his passion, but he has to keep his passion for music a secret because his family has banned it because what has happened with his family in past generations.  He kinda struggles with that because he doesn’t have the support from his family. Because of that, he goes on a magical journey through the Land of the Dead and where he gets to meet his idol, Ernesto de la Cruz. Yeah, I really loved doing the movie and the two things I love to do and have been doing since I was four years old! I have never sang and acted in the same project so that was amazing, especially all the amazing songs that ‘Coco’ has!

Q: What was your favorite part of the film?

AG: I have a lot of favorite parts but one of them is when Miguel is getting ready to sing Poco Loco. I also love a lot of the scenes where Miguel is interacting with Mama Coco because I feel like that’s so sweet.

Q: Okay, now what was your favorite song from the movie?

AG: I really love Proud Corazón a lot because I love the message that it gives. It talks about the family and I love the melody, it’s so catchy. That’s the one I sing the most. I, obviously, love Poco Loco because that one is just so much fun! Remember Me or Poco Loco was the first ones I recorded and that was so much fun.

Remember Me… I love the song so much because of the message. When I was singing it, I got the emotion because I really connected a lot with Miguel singing this to Mama Coco and it really reminded me of my grandfather who passed away when I was six. He was very special for me because he was always there for me and he would support me. He inspired me. When my mom would take my brother to singing competitions, he would tell my mom, ‘Take Anthony, too, because he loves to sing and he’s good at it!’ So, I definitely thank him. It was really emotional for me to get to sing, Remember Me. It was a way for me to connect with my grandfather again and be with him again. It was an amazing experience to get to record it.

I also love The World Es Mi Familia because the message… the world is my family, music is my language… it really shows the love Miguel has for music.

Q: I was wondering what it was like being in the sound booth for you. Was it hard to do that and were you finding yourself really getting into it?

AG: At first, I was like a bit nervous because when I was ten I went to Pixar. It was my first time there and they were telling me about the movie and that was the first time I really knew it was a Disney•Pixar movie so I was, like, ‘Wow!’ I was a bit nervous the first time but then after I started to go a lot more often, I kinda got used to it.  I love this movie a lot because, umm… I really identified myself with Miguel a lot because we both have a passion for music and we both know the importance of family and, yeah, it was so much fun doing the role of Miguel; especially alongside the amazing director Lee Unkrich.  And the amazing producer Darla K. Anderson and co-director Adrian Molina were just an incredible help when I was recording.

Q: Generally, you work with other people when acting but what’s it like to work on building up that enthusiasm when you’re alone in the sound booth?

AG: At first, I was like a bit nervous because when I was ten I went to Pixar. It was my first time there and they were telling me about the movie and that was the first time I really knew it was a Disney•Pixar movie so I was, like, ‘Wow!’ I was a bit nervous the first time but then after I started to go a lot more often, I kinda got used to it.  I love this movie a lot because, umm… I really identified myself with Miguel a lot because we both have a passion for music and we both know the importance of family and, yeah, it was so much fun doing the role of Miguel; especially alongside the amazing director Lee Unkrich.  And the amazing producer Darla K. Anderson and co-director Adrian Molina were just an incredible help when I was recording.

Q: That’s obvious to me now. So, you won the Annie Award for Best Voice Acting in an Animated Feature.

AG: Yes. That was amazing!

He uses the word amazing a lot, which so fits his personality. He also smiles a lot with a massive grin that brightens any room and is very animated as he speaks. He seems to constantly be in motion, unable to contain the energy coursing through him.

Q: What did that mean to you to win an award?

AG: That was just incredible because when they told me, ‘You’re nominated for an Annie Award,’ I was like, ‘Oh…uh…cool. I don’t know what that is.’ But then the director told me it was like the Oscars but in animation. I was like, ‘Wow!’ That’s a big deal for animation! And I was just so happy I was nominated. But something a director told me was, ‘Never expect anything.’ Because then, like, let’s say you’re so happy like, I’m gonna get the award but then you don’t… and you feel so bad. But like, if you don’t expect anything, it’s not as difficult.

Q: But you won. What was it like getting it?

AG: Yeah, so, when I went there, I was so nervous because I saw the other voice actors that were nominated. So many famous people were there, too, like I got to see Angelina Jolie and Kobe Bryant was there, which was amazing. I got to meet them both which was so much fun.  They were so good, I couldn’t believe it. When I got the award, I was just in shock because this will be, like, marked in history! I was just so happy that a lot of people appreciated the hard work that people put in the film, the heart they put in the film… all the work they put to make it. Just ‘Coco’ in general, all the awards they were nominated for! They even broke a world record! It just made me feel so happy to see that a lot of people were appreciating the movie. It made me feel so good about myself that I even got an award which was amazing and alongside so many people that were experts in animation, like, so many people that were there that have been doing this for so many years.

Q: Well, what was your first acting job?

AG: My first acting job? I’ve never had that question before!

How is it possible he has never been asked this question?! Oh, yeah… he’s thirteen! Anthony giggles for being asked the question, something he does throughout the entire interview. He’s quite amusing to watch. I can’t wait to see the films he does in the future and how he turns his flair for the dramatic and his strengths and gifts into Oscar gold someday. Back to the interview…

AG: Well, I remember my first acting job. I was very young. It was for an Oscar Meyer commercial. About two or three years ago, I filmed another Oscar Meyer commercial and what’s funny about that is that in the commercial, I was with Renee Victor, which plays Abuelita in the movie (Coco) and that was amazing because we didn’t even know her, and we were going to be in the same movie!

Q: What did you have to do to get the part in this film?

AG: So, I auditioned when I was nine years old and what I had to do to get the part? I really had to put a lot of emotion in the voice and I really pretended that I was in the situation, like, if my family didn’t support me… if I was going through this journey… if I was in Miguel’s shoes. That was something that really helped me. So, I just said it like if it was me… like, it was something I would say. It turned out great.

Q: I bet it was a lot of fun.

AG: It was just so much fun getting to explore a different universe and getting to explore different things I didn’t think I’d get to experience.

Q: I heard you got to sing in your audition.

AG: Yes! What’s also cool, and I read this in a magazine I think, it said I was auditioning just for a temporary voice and I was like, ‘Wait! I didn’t know that!’ (Laughs) I was like, ‘Woah! Really?!’ They told me, later on, that Miguel was just gonna sing Remember Me but because they saw that I was able to sing, they actually added Poco Loco, The World Es Mi Familia, Proud Corazón. That… that was just, like, amazing! I couldn’t believe that.

Since my first audition, when I went to Pixar, (I knew it was about music) I was like, ‘Wait, can I sing for you guys?!’ (Laughs, smiles) And so, I did sing. I sang a song in Spanish and they loved it so much and I was so happy to show them what I’ve been doing since I was four years old. I never knew that singing would come in handy for a role! (Laughs)

Q: I loved the emphasis on family in the movie. Would you say there was a representation that you identified with, like, in terms of your own family and upbringing? 

AG: Yeah, yeah! I knew coming into this film that family’s important cuz like, I wouldn’t be here if it weren’t for my family. I started singing because of my brothers. They started singing and inspired me to sing. They grew up doing street performance and dancing in (inaudible) a very Mexican place. There’s a lot of restaurants there and music; that’s all you hear… it’s just amazing. My two sisters would dance and sing and my brothers would dance and sing. I would just look up to them and I would, like, see that a lot of people would enjoy their performances and would have a smile on their face and they would clap, then I see my brothers would feel happy. Well, because of them, I started singing. That’s why I feel that family is important. It also shows that message in ‘Coco’ which I really resonated with a lot. And also, I wouldn’t be here if it wasn’t for my parents, for the support they give me and for always being there every step of the way.

Unfortunately, Miguel doesn’t have that in the movie because his family has banned music for their whole life. Miguel could have shined shoes for the rest of his life but he decided to follow his heart and follow his passion and, umm, be a musician which is what he loved to do. And that’s one of the things that I… I really look up to Miguel because he can serve as a role model and a leader to many of the kids who have a passion and many other kids who want to sing and want to play the guitar, so I feel that he’s a leader. I’m happy to do the voice of Miguel.

Q: Is seeing your heritage in films like ‘Coco’ important to you?

AG: This movie was amazing because it was very unique to all the other Disney•Pixar movies. Obviously, they make you laugh, they make you cry but this one also touches on the Mexican tradition and this was very unique.  It touches on the wonderful celebration of the Day of the Dead. A lot of people didn’t even know the celebration even existed, or they thought it was just like Halloween but it’s actually totally different. It’s about remembering your ancestors and connecting with them again and to know they’re not gone. They’re still here with you, their spirits are still with you, and that’s one of the things I love most about the movie! It taught other people about the culture so, yeah… representation is important because a lot of people learned many things along the way.  It also touches on the importance of family and follow your dreams but besides that, there’s (sic) not many movies that show the celebration of the Day of the Dead. For Disney•Pixar to do a movie about it and represent many Latinos is just amazing and I feel so proud to be a part of that representation and to be doing the voice of Miguel.

Q: You’re from a big family, correct?

AG: We’re five. My little brother is nine, I’m thirteen and my older brother, who inspired me, is fifteen… and my two older sisters, who go to university now. We’ve all been into singing, we’ve all been into music. We all sing and we all act. See, my little brother just copied me every day. Every time he wins an audition he’s like, ‘I’m catching up to you!’ He takes it like a challenge and that’s what makes it fun. That’s why he loves doing it. In fact, I’m always there to help him in any audition. To support him and, yeah, it’s kind of like a competition but it’s also fun and we help each other out. That’s the good part of having people there that do the same thing to be there for you and help you… so that’s cool.

Q:  What’s your best advice for young people who want to get into film?

AG: To just do what you love! If you’re having fun doing it, then do it.  I really love singing and acting so I’m doing it! Thankfully, I have the support from my parents and my siblings so it’s easy for me to do it. And, just follow your heart, do what you love and never give up! Be really resilient… don’t do something you don’t love. You only live once! Miguel could have just done shoes, shined shoes for the rest of his life, but he decided to follow his heart and that’s good advice for other people… to just follow their heart. Do what you love and there’s always a happy ending! 

 

He smiles when we’re done.  This is a signal not only of how happy he was to have been the part of such an outstanding film but of the fun he had while being interviewed. Being interviewed is something he’ll master soon as it is this interviewer’s opinion that Anthony Gonzalez will be spoken to a lot through his many successful years in show business that is to come.  It was a true pleasure getting to know this young actor and be in the presence of such a phenomenal talent and bountiful spirit of intensity. Before long, he’ll get his sea legs and navigate his way through promotional tours with ease and I hope he never loses sight of the fact that the reason doing these events is not just for promoting a film, a DVD or himself but for his fans, soon to be in the millions, to get to know him better. I hope this Q&A helps you do just that but here’s some info on the home release of the film.

*Here is information on the release of the Blu-Ray

Permission Movie Review

The term, ‘You always want what you can’t have.’ may come to mind while watching this wickedly terrific and uncommon film, written and directed by thirty-five-year-old, Brian Crano.  Crano hasn’t a large amount of work behind him but I have a sneaking suspicion this will change after Permission gets around.

Don’t make the mistake of missing this.  It may seem like it could be a boring story of the typical relationship gone wrong by the trailer, but it is anything but typical.  What Crano offers is a striking contrast to ordinary.  The trailer, using hot pink neon letters throughout, making it appear as though the film were light and heavily comedic in nature, downplays what is.  Behind the glitz of this trailer is a well-structured, deep and perplexing movie.  It pulls you in with an outstanding setup and a brilliant cast of characters, right from the get-go.

In Permission, we meet and get entangled in the lives of Will (Stevens) and Anna (Hall) who are one another first love.  We are shown that their sex life has become very familiar and routine and as Will and Anna speak to her brother Hale (Craig) and his lover Reece (Spector) about their relationship, the length of time they’ve been together comes up.  Reece finds it almost unacceptable that the two have been together since childhood, never having an opportunity to get to know what it’s like to not only engage mentally with another person for it to be too meaningful outside of friendship, but also physically be with another person.  Reece puts it out there to them that they truly must live a little.  Almost immediately, Will and Anna begin to wonder if the other person wants to be with someone else, perhaps has wanted to all along.  Since they’re about to move in together, they agree that they should both open their relationship so they can have experiences they’ve never had and agree to have sex with other people.  There are rules put in place and you, the audience member, will slap your head and wonder what will become of them once they start this foolishness.

Quietly and sweetly, Crano has gotten you very attached to these characters.  You want the best for both of them and you question their judgment… which is what makes the film so riveting.  Permission breaches such a taboo subject that while you’re watching, you feel somewhat uncomfortable.  You want them together and hope that at the end of the film, they will be.

Soon after the decision to be with other people has been reached, Anna meets Dane (Arnaud) a composer who shares her passion for music like no one ever has.  This can’t be good.  Anna stays in touch with Will through text the entire time she’s with Dane and feels somewhat guilty for enjoying herself but enjoys herself she does… maybe too much.

Will can’t bring himself to find someone right away but is eventually seduced by a sexy, older woman named Lydia (Gershon) who wanders into his shop and finds him attractive… she wants him.  She takes control and once she gets her hands on him, he has no choice in the matter.  Unlike the more loving and meek Anna, she is wild in bed and she allows him to do to her a certain act that he’d never ask Anna to go through with.  He’s thrilled but also confused.  Not only has he kept sexual desires from Anna, he keeps having sex with Lydia, too, breaking their agreement.  Anna finds out and isn’t happy he’s being secretive but she breaks the rule, as well.  She has been seeing Dane on a regular basis.

Permission is magnificent, filled with brave, strong characters.  It’s an honest look at what happens when people have no experience with life and love, craving it for the first time.  It sneaks in a lesson of what it takes to stay but also what it might take to bow out.  You will care deeply for Anna and Will and you’ll find yourself chomping at the bit, nervously, awaiting the outcome of the yarn.  It’s quite a reaction to the truth coming from their finally being open to change.  Well done, Brian Crano.  Bravo!  You have made an intriguing, beguiling film that will live on for a long time.  It’s as touching as it is agonizing and I anticipate those who see this will eagerly await your next project.