Florence Foster Jenkins

I make Simon Helberg from Florence Foster Jenkins and The Big Bang Theory laugh

I had just screened ā€œFlorence Foster Jenkinsā€, a well acted and decidedly entertaining film, when I was honored, along with a few others, to have a chance to then speak to one of its stars, Simon Helberg, most known for his work as Howard Wolowitz on the hit show ā€œThe Big Bang Theory.ā€ Ā I say that I was honored because not only was Helberg courteous, friendly, open and honest but he was extremely attentive and gave a lot of thought to his answers, never once giving the impression that doing press for the film was the last place heā€™d want to be.Ā  He was warm and pleasant and very thorough in his responses; being careful to answer the question to its fullest.Ā  Here is that interview.Ā 

Q:Ā  Outside of some other great films, your father, Sandy, was in “Spaceballs”, “History of the World pt 1”, “High Anxiety”, This is Spinal Tap, not to mention the great television he has done.Ā  Once you saw this quality in him, was it his comedic talents that encouraged you to follow in his footsteps and would you encourage your children to follow in yours?

SH:Ā  Encourage is a tricky word cuz I think you want to be supportive but Iā€™d never want to suggest to my children (and my dad never did to me) in any sort of way, push someone into something.Ā  Youā€™d be kind of a fool if you did that because itā€™s so hard to make it as an actor or a comedian or anything in the arts so, Iā€™d be very supportive and my dad was very supportive of me and I think he was more inspiring.Ā  I watched him at ā€œThe Groundlingsā€ and, obviously, those were great movies that you named and I think it definitely shaped me in many ways and I also say that it was very hard to, sort of, get success and make it.Ā  Even though my dad worked and did well, itā€¦ thatā€™s kind of, thatā€™s sort of grounding.Ā  It kind of helped me as I went into it to have a pretty good handle on the difficulty of it and then to sort of be appreciative of the successes.Ā 

Q:Ā  You character and performance has tons of facial expressions theyā€™re a huge part of your performance; they range from very subtle to overt.Ā  In the scene where you hearĀ Florence sing for the first time, were you already aware of what Meryl was going to sound like or were those expressions real?Ā 

SH:Ā  Both, I guess, which is kind of a trick in doing this which is, it has to be new, sort of, every time.Ā  Sheā€™s doing something every time and she made my job a lot easier.Ā  Weā€™d already rehearsed for about a week and a half with the music and weā€™d actually recorded at Abby Road,Ā as well, which was amazing.Ā  So, we had a lot of time to laugh and figure out what we were doing and then, of course, they ended up wanting to shoot it all live so all of the stuff that we had recorded was thrown out and because of that weā€™re playing all that music live as youā€™re seeing it and as it was being shot which I think both helpedā€¦ well, it helped us contain our laughter and, sort of, focus but it also made all of it very authentic; so those reactionsā€¦ that was really happening, for the most part, in real time.Ā  I mean, obviously the editing is pretty masterfully as well, but what youā€™re seeing is actually what is coming out of usā€¦ for better or for worse.Ā 

Florence Foster Jenkins

Q:Ā  You speak in a higher pitched voice in this film and kind of change your speaking patterns, what was behind your decision to do that?Ā  Was there something you pulled from your research of him?

SH:Ā  Some of itā€¦ not from his voice, actually.Ā  The most that I could find in doing this research was some fact and little tidbits of information that were in the movie but there is a recording of him, actually, but heā€™s much older and he talks about that night at Carnegie Hall and I had a moment of thinking, ā€˜Hmmā€¦ do I want to use this as inspiration?ā€™ because he was probably, I think, in his seventies at that point and it was a bit different than I had pictured it and his outlook was very different than it was in the script.Ā  I thought, ā€˜you usually always want to start with the script.ā€™Ā  So, to me I just saw it vividly and heard him vividly in this way but as far as the voice, I saw him as being very pure and chaised and very innocent and having no sense of cynicism and hadnā€™t been corrupted in any way whatsoever like a little bird or a gecko or something.Ā  And I thought, thereā€™s something very childlike and I feel like heā€™s probably unaware of his sexuality and, I donā€™t know, he didnā€™t seem to me to beā€¦ uh, thatā€™s just how I guess I heard him.Ā  I guess there are people in my life who I know kind of haveā€¦ I donā€™t know, thereā€™s something very chaised about him and very alien at the same time.Ā  And then thereā€™s also the fact that it was the forties and he was walking into this elevated high society, cosmopolitan lifestyle and people actually did take speech classes and there was this sort of dignified way of talking back then and itā€™s just kind of all of those things combined, I guess, that led me to that.

Q:Ā  Why did you choose to be in this film?

SH:Ā  I couldnā€™t think of one reason why I wouldnā€™t be interested or want to claw my way into this movie.Ā  Thereā€™s the obvious people that were making it and involved with it who are probably the best, you know, ever at this.Ā  Between Meryl and Stephen and Hugh andā€¦ Alexandre Desplat did their music, Consolata Boyle (costume design), Alan MacDonald (production design) did the sets. Ā I feel like Iā€™m accepting an award.Ā  But all these people who are the most brilliant at doing this, I mean that was in and of itself a dream.Ā  I mean, the script was so unique and the scenes, I guess, really speak to me and not just the love of music but this idea of perception and sort of disparity between our perceptions of ourselves and what other people perceive and the question therein, I guess, being, ā€˜Does it matter that we hear one voice in our head and other people hear a different one when we all leads to the same place?ā€™Ā  I donā€™t know, thereā€™s just something that was beautifully poetic about her journey and I felt that the script did an amazing job celebrating this woman and celebrating this love and this joy that she found in music.

Q:Ā  With it being a period piece and being based on real life events, what was the most challenging aspect of making this film?

SH:Ā  Well, the most challenging part of it was combining the music and the acting.Ā  Itā€™s sort of being hired as an actor and having then kind of having the music take over in many ways because it was so hard and challenging and also it was such an enormous part of the film that I knew that ultimately whether I played the piano or not really wouldnā€™t matter.Ā  People are going to see it in my performance as an actor but then it all got tied together because Meryl was going to sing and they want to do it live and for it to be live, they want the piano to be live and it was going to be different every time so, there was justā€¦ part of the pressure of getting this music done live while they were shooting us, working with Meryl and Stephen in this incredible movie and it was just built in pressure and it was just challenging and then on top of that to find this character and do it simultaneously.Ā  It felt very, you know, itā€™s very hard not to play piano with two hands so it felt like I had like eight arms and I was trying to do multiple things.Ā  And then, of course, you want to be faithful to these characters because theyā€™re real but at the same time there wasnā€™t a ton of information on them so that was sort of liberating because the script was really the bible.Ā  It was just ultimately great fun even when it was sometimes brutally challenging.

ā€œFlorence Foster Jenkinsā€ is enchanting! Ā The cast is delightful.Ā This is an absolute must see!
Shari K. Green

Sr. Film Writer and Community Manager, tmc.io

Q: Ā “Florence Foster Jenkins” is about someone who is an opera singer but not very talented.Ā  Luckily there are a lot of talented people on this movie, yourself, Meryl Streep being one of the best actresses of all time and so on, how do you all bring out the best in each other?

SH:Ā  (laughs) I was probably the odd man out in a sea of talent. Ā Well, it was both like every actors dream when you can jump into a part with, honestly, the greatest people working today and maybe ever because ultimately you are only as good as the people around you and these people make you even better.Ā  I think thatā€™s a sign of greatnessā€¦ so with that also came quite a bit of paralyzing fear as well because you donā€™t wanna be the one that brings Meryl Streep downā€¦ not that thatā€™s possible but itā€™s scary to kinda get to work with people who are your heroes but then what you kind of realize when you, and I hope this is true for everything and everyone, when you get around people that are that great, usually theyā€™re there to make the best thing they can make and they bring their whole self to.Ā  And in order to make something wonderful I think you have to be sensitive and you have to be generous and you definitely have to be passionate; in this experience I was very warmly welcomed and it was very collaborative and I feel like and hope and think thatā€™s true of truly great people.Ā Ā 

Q:Ā  Thereā€™s this great moment when Cosme McMoon (Helberg) asks St Clair Bayfield (Grant) about his arrangement with Florence at St Clairā€™s apartment and later McMoon speaks to Florence at his own apartment and I thought McMoon really wanted to insert his opinion on Florence and St Claireā€™s relationship but felt better of it and that he was protecting her like everyone else in the movie.Ā  But near the end of the film, at Carnegie Hall, he says to her, ā€˜We can do it!ā€™ in a very confident voice and I think at that moment it turns from protection to support.Ā  Is that how you see it or what do you think?

SH:Ā  You have really tapped into so many things that I didnā€™t know anyone else would necessarily pick up on and (inaudible).Ā  That is all that you said; and something at some point that I was cognizant of.Ā  That being the moment in the apartment when Bayfield is there and he says, ā€˜I love her.Ā  Do you love this woman?ā€™Ā  There was a real moment there when I thought, ā€˜How dare you, sir, ask me?Ā  Of course I love her!ā€™Ā  Because he is protecting her.Ā  Florence comes to McMoonā€™s apartment and he sees how broken she is by Bayfield and so this innocent little McMoon is nowā€¦ heā€™s been sort of somewhat corrupted by this harsh and strange reality of this loveā€¦ this relationship these characters have with each other and all of the sudden he does have to step up and he does feel this protective desire and I think that in Carnegie Hall that becomes the moment, you know, sheā€™s scared and itā€™s just so beautiful the way the script and the movie, kind ofā€¦ you can just see all the color in these people, I guess, and thatā€™s his moment.Ā  He has that bond.Ā  McMoon is the only one who understands the music, really, with her. Ā Bayfield doesnā€™t.Ā  They donā€™t play music together so hereā€™s this transition from, ā€˜Okay, Iā€™ll help this womanā€™ to ā€˜You know what, letā€™s do this.ā€™Ā  Like, ā€˜this is important not just for her but for me.Ā  We have something greater than this kind of courier minded, reputation focusedā€¦ you know, frame of mind. Ā We have the love of music and it doesnā€™t matter.Ā  Nothing else matters.Ā 

Simon Helberg Florence Foster Jenkins

Q:Ā  Itā€™s amazing how everyone around FlorenceĀ continued to keep up her status.Ā  She was well protected and people truly loved her but why do you think people loved her so much?

SH: Ā I think thereā€™s a very human quality and I think thereā€™s almost nothing more human than failure.Ā  I think itā€™s funny and itā€™s tragic and I think itā€™s comforting but only when itā€™s done passionately.Ā  Only when someone is putting themselves out there genuinely and un-ironically and (inaudible) kind of falling flat (no pun intended).Ā  So, I think that is one element of it and the fact that she was so filled with joy and so moved by music and wanted to share that joy and that love of music with peopleā€¦ I think itā€™s just magnetic.Ā  Itā€™s like watching a little child with total abandon singing out and dancing.Ā  The part of your brain that had any kind of judgment or criticism is overridden by the joyous part.Ā  Other people were laughing or their jaws were on the floor or; they were enjoying themselves.Ā Ā 

Q:Ā  The world is about to find out that youā€™re a very talented pianist from this.Ā  I was wondering what else do you with the world knew about you and the things you bring to the table?

SH:Ā  Iā€™m not that much of a showoff.Ā  Well, I donā€™t know, I guess I can answer sort of as opposed to what I want people to celebrate about me, because God forbid I am somebody looking for a parade, there are different things I want to do.Ā  I love acting and the great thing about that, especially in a case like this is, sometimes that requires other talents and sometimes you donā€™t have ā€˜em and you learn to have ā€˜em.Ā  Look at Meryl and the things that sheā€™s done.Ā  She has all the talent in the world but look at the things sheā€™s learned to do for a film; violin and languages and she played a Rabbi and a man. Ā I think thatā€™s whatā€™s great about acting.Ā  You get to know other people and find other interests and so, yeah, Iā€™m interesting in discovering what else I might be able to do and when I find things I think I canā€™t do itā€™s torturous sometimes but itā€™s very gratifying to push through that.Ā  This was no exception.Ā  I didnā€™t expect that Iā€™d be able to play all of these pieces.Ā  There were times when I felt like, ā€˜If Meryl can do itā€¦ā€™Ā  I was working with that company and I felt, ā€˜Geez, sheā€™s going to sing all of this live?!Ā  I better do my best to get there.ā€™Ā 

ā€œFlorence Foster Jenkinsā€ is enchanting! Ā The cast is delightful.Ā This is an absolute must see!

Manliest Movies of All Time

The Manliest Movies Of All Time – Feed Your Inner Macho Man.

Welcome to the Top 10 Manliest Movies of All Time, plucked for their high-octane, testosterone-fueled, manly appeal.

Need to beef up on your manhood? Re-watch or introduce yourself to one of these classics.Ā 

  1. Godfather
  2. Die Hard
  3. Gladiator
  4. True Grit (1969)
  5. Fight Club
  6. Rocky
  7. Heat
  8. Taxi Driver
  9. Terminator 2
  10. Lethal Weapon

Could there possibly any others that could crack this list?

Arrival

When mysterious spacecrafts touch down across the globe, an elite team – lead by expert linguist Louise Banks (Amy Adams) – is brought together to investigate. As mankind teeters on the verge of global war, Banks and the team race against time for answers ā€“ and to find them, she will take a chance that could threaten her life, and quite possibly humanity.

Starring: Amy Adams, Jeremy Renner, Forest Whitaker

Director: Denis Villeneuve

The Accountant movie trailer #2

Christian Wolff is a math savante with more affinity for numbers than people. Behind the cover of a small-town CPA office, he works as a freelance accountant for some of the world’s most dangerous criminal organizations. With the Treasury Department’s Crime Enforcement Division, run by Ray King, starting to close in, Christian takes on a legitimate client: a state-of-the-art robotics company where an accounting clerk has discovered a discrepancy involving millions of dollars. But as Christian uncooks the books and gets closer to the truth, it is the body count that starts to rise.

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In Theaters October 13

Interview with Mark Geist and John Tiegen of ā€œ13 Hours: The Inside Account of What Really Happened in Benghaziā€

Former Marines, Mark ā€œOzā€ Geist and John ā€œTigā€ Tiegen, were unable to quiet their minds and bodies on September 11, 2012.Ā  They were in Benghazi, Libya, when what they were trained and ready to do, not what they were actually there for, kicked in; and luckily for anyone who survived because many wouldnā€™t have, had these men not been willing, ready and able to be, not in their words,Ā heroes.Ā  Read more

Interview with ā€œUnsulliedā€ director Simeon Rice

Interview with ā€œUnsulliedā€ director Simeon Rice


Directed by: Simeon Rice

Starring:Ā  Murray Gray, Rusty Joiner, James Gaudioso, Erin Boyes, Cindy Karr and Nicole Paris Williams


By Shari K. Green

 

ā€œUnsulliedā€ is a film made by Simeon Rice, who directed and helped write the film after film school.Ā  He graduated film school after he retired from pro-football in 2009.Ā  He played for the Arizona Cardinals and also earned a Super Bowl ring in 2003 when he played for the Tampa Bay Buccaneers.

He was a very good football player but Iā€™m not so sure that heā€™s going to be as successful behind the lens unless he learns more about what heā€™s doing.Ā  We do need to keep in mind that this is his directorial debut, but he should take on smaller films and lighter topics first, ā€œpay his duesā€ so to speak, because as it turns out, the film is sloppy and chaoticā€¦ muddled, and the problems with it were exactly what youā€™d expect from a new director who needs a bit more experience. Ā 

When learning that there were several writers on the project, you can see why so much commotion made it to the screen.Ā  I wonā€™t lie to youā€¦ if you like the type of action/horror movies that come from indie or student filmmakers, this is what ā€œUnsulliedā€ has in store for you and youā€™ll like the film.Ā  It isnā€™t special and it isnā€™t new. Ā What doesnā€™t work?Ā  Itā€™s in conflict with itself and its overall message is unclear.Ā  What works?Ā  Well, Rice has surrounded himself with some good people, chiefly, his cinematographer, Scott Winig. Ā The movieĀ looksĀ good so, Rice has some experts in his corner and if he wants to continue making movies, his love of film and eye for talent behind the camera could begin to work for him.Ā 

As he declares in my interview with him, heā€™s very passionate about filmmaking and is humble enough to ask for assistance when he needs it.Ā  Itā€™s my belief that as he learns more about the game, as he did in football, thereā€™s little doubt heā€™ll improve and even become good at this.Ā That said, ā€œUnsulliedā€, a story about Reagan (Gray), a track star who is kidnapped by a pair of sociopaths for a game of cat and mouse, is an extremely formulaic ā€œBā€ movie, made more for Rice to get a feature under his belt than for an audience to love and then tout for their newĀ favoriteĀ director.

I hope he absorbs the criticism about his film and what is said about him.Ā  He should make improvements based on his mistakes and focus on creating a story that isnā€™t rife with commonality and concentrate more on entertaining his audience than proving something to himself and his friends.

Ā 

SG:Ā Everyone dreams of a second career and I know youā€™ve been asked this question a lot, but I must ask youā€¦ why film?

Rice:Ā Ā I have a passion of storytelling.Ā  I have a passion ofā€¦ of creating concepts and being able to express yourself on a theatrical standpoint soā€¦ film, to me, is one of the ultimate levels of expression and freedom.Ā  To be able to do that and tell your own storiesĀ in your own wayĀ from facts to fiction is just one of those things that resonated with meā€¦ and improved itself over time.


SG:
Ā You had made a short film, a comedy, and then you tackle an entire feature next.Ā  Why such a tough project right away and what is the ultimate message youā€™d like to convey?

Rice:Ā Ā That Iā€™m a filmmaker.Ā  That Iā€™m telling a story and I can create details.Ā  I want to go so far left of what people would expect from me and to show that Iā€™m a serious filmmaker; as a storyteller and as of a responsible storyteller.Ā  I have a film going into theatres nationwide and it comes from a very organic place.Ā  Those tales I create are going to stay in the pulse of people.Ā  I watched the film ā€œNo Country with Old Menā€ and as I sat and watched that film, I was so enthralled and into this movie, that I said, ā€˜I want to make a film similar to thisā€™ā€¦ one thatā€™s going to lead you to the edge of your seatā€¦ thatā€™s going to be an adrenalin rush of a film, thatā€™s going to take you to epic heights and the lowest of lows, and things of that natureā€¦ so, I wrote ā€œUnsulliedā€ and ā€œUnsulliedā€ to meā€¦ it typifies the tipping point of what an action/thriller/suspense could be.Ā 

SG:Ā You achieved all of that.Ā  Itā€™sĀ crazy, this movie.Ā  Murray Gray was the perfect choice for it.Ā  She was tough mixed with innocence.Ā  Were you involved in casting her?

Rice:Ā Ā Yes.Ā  I cast her.Ā  She was brought to me by a casting agent slash one of our producers, Michelle Gracie andā€¦ yeahā€¦ I watched a lot of girls.Ā  I sat in that process and ultimately picked the one who suited this role the best.Ā  Her and her ability to translate emotion really spoke to me and she really went after this role and took on a full commitment and the responsibility of what a lead actress would do and Iā€™m overjoyed with her performance.


SG:
Ā Now the cinematic side.Ā  You had to have spentĀ manyĀ days in the woods, not a Hollywood set, and shot day for night and such in those woods.Ā  I have to commend you for picking the right director of photography, as well, Scott Winig, who started his career shooting music videos and won many awards there.Ā  He got some really beautiful shots that had to have been equally as difficult to capture.Ā  How many days did you spend in those woods?

Rice:Ā Ā We were there just about twenty days.Ā  The shoot was twenty-three days and we were in the woods about seventeen or eighteen of those days.

Ā 

SG:Ā Wow.Ā  Thatā€™s a LOT of work!Ā  What was the biggest challenge for you there?!Ā 

Rice:Ā Ā I dealt with a lot of challenges but I think the biggest challenge was justā€¦ ummmā€¦ theĀ anxietyĀ of it.Ā  Dealing with my own anxieties before shooting and having confidence in my own ability as a director.Ā  But once I got on set, I think the biggest anxiety was the unknown; the fear of the unknown when youā€™re going into production.Ā  But once I got on set, it all made senseā€¦ it all felt natural and I felt that I shouldnā€™t have been anywhere else but right there in the directorā€™s chair creating this film.

SG:Ā Well, congratulations.

Rice:Ā Ā Thank you.


SG:
Ā I must know your opinion here.Ā  Which do you find harder, a three-week film shoot or a seventeen-week football season?

Rice:Ā Ā They both have their inherent strengths.Ā  You have to endure so much as a player.Ā  You have to endure so much as a filmmaker slash writer slash producer and executive producer.Ā  They are both very respected in their own different ways.Ā  Obviously playing football has a toll on me physically and creating films, you deal with great highs and lowsā€¦ they both are different but both have their levels of complications.Ā  I respectĀ bothĀ professions.Ā 


SG:
Ā Who came up with the title, ā€œUnsulliedā€?Ā  Are you a ā€œGame of Thronesā€ fan?!

Rice:Ā Ā Iā€™m a ā€œGame of Thronesā€ fan but it was more related to what she went through.Ā  It begs the question, ā€œUnsulliedā€, does she or does she not, you know?Ā  It was just one of those thingsā€¦ the fact that the guys were soĀ sulliedā€¦ so tainted, you know?Ā  She goes through this and we want to know, does she lose her way?Ā 


SG:
Ā Right.Ā  Does she stayĀ clean?

Rice:Ā Ā Itā€™s also an open-ended question.


SG:
Ā Exactly.Ā  So, what was your favorite part of directing?

Rice:Ā Ā My favorite part of directing?Ā  I donā€™t really deal in favorites because thatā€™s an absolute.Ā  I kind of enjoyedĀ everyĀ aspect of it but really connecting with the actors is my biggest joy in terms of directing.Ā  To connect with the actors in terms of the role, in terms of expression, in terms of casting them and communicating an idea and then working through some of the complications that come with itā€¦ thatā€™s a joy.


SG:
Ā Is there anyone out there youā€™d like to work with in particular?

Rice:Ā Ā Iā€™m so humble.Ā  Iā€™m so fortunate ifĀ anyoneĀ would work with me.Ā  There are so many great actors out there in the platform of theatre and production that if Iā€™m connected withĀ anybodyĀ out there that wants to tell a great story, Iā€™d be overjoyed.Ā 


SG:
Ā Whatā€™s your advice for anyone who wants to go into filmmaking?

Rice:Ā Ā Come in the game very prepared if you want to see your story through.Ā  Tell your story.Ā  Tell your tale.Ā  Be dedicated.Ā  Make sure, whatever you do in terms of storytelling, that you have an outlet for the big game.Ā  Be honest in your creativity.Ā  Be honest in your storytellingā€¦ but be a responsible storyteller and make sure that the message youā€™re trying to convey is parallel with the message you want to get out there. Ā 

Talking ā€œThe Choiceā€ with Nicholas Sparks

Interview with Nicholas Sparks for the release of his film ā€œThe Choiceā€

By: Ā Shari K. Green


PHOENIX, AZ ā€“ Nicholas Sparks, as you know, is the author of books such as,Ā Message in a Bottle, Ā The NotebookĀ and Ā The Best of Me,Ā Ā which have all been turned into big Hollywood money makers, not to mention the fact that these films widened his already immense and devoted audience with each movie; suddenly books had to be seen by his fans and the movies had to be readā€¦ pretty good deal for a Carolina Panthers fan.Ā  When he came to town for a chat, I had to go there with him.Ā  I asked and, yes, heā€™s for CarolinaĀ in the Super Bowl this weekend, of course, and Iā€™m for the Broncos.Ā  Weā€™ll see. Ā Anyway, he sat with me and a few others to discuss his most recent offering,Ā The Choice, opening in theaters starting February 5th.Ā 

Ā Very bubbly and fun, he walked in the room and gave us a ā€˜How are yaā€™ll doinā€™?ā€™Ā  Then he grabbed himself a Coke, offered everyone else one, as well, before finding a seat and introducing himself.Ā  He tells us that he generally has water the rest of the day, but touring means he usually has caffeine ā€˜til noon and this throws him off his normal healthier schedule, and how can you blame him?Ā  This is how he gets through these long days of interviews. Ā His energy was very nice to be around and I find him to be quite warm and genuine; a very kind soulā€¦ sincere.Ā  He looks you in the eyes when he speaks to you, making sure that not only he is heard and understood, but to be sure to give you the feeling that you are heard and understood.Ā  Heā€™s a very easy person to talk to and one Iā€™m glad I had the chance to spend some time with.Ā  Here are some of the questions from our time together.Ā  Enjoy!! Ā Ā 

*FYI There will be SPOILERS

Shari: Ā You are one of the only writers to give us these deep romance stories from the manā€™s perspective.Ā  Do you get stopped on the street and get asked advice on romance all the time?

NS:Ā Ā No.Ā  In fact, I donā€™t know thatĀ its ever happened before so how about that.Ā  Iā€™m not recognized by men.Ā  Iā€™m recognized by women sometimes, but never men.Ā  Unless Iā€™m supposed to be inā€¦ they know kinda where Iā€™m supposed to be, Iā€™m very seldom recognized at all.Ā  Like, for instance if people know Iā€™m in Phoenix doing stuff, they might see me in a hotel lobby and recognize me but had they not seen me on the news that morning, they might not.Ā  So, in the history of my career as far as I know outside of my hometown of New Bern, North Carolina,Ā I think Iā€™ve been recognizedā€¦ less than a dozen.Ā  I had a lady sit next to me on a plane, reading my book, staring at my author photoā€¦ and she didnā€™t recognize me. Ā So no; but to answer that question I do, often by journalists, get asked, ā€˜can you give romantic advice?ā€™Ā  And I say, ā€˜I donā€™t think so.ā€™Ā  He laughs.


Shari: So youā€™re not going to start a column or anything?

NS: Ā Absolutely not.Ā  I just try to write the best novels that I can.Ā 

 

Shari: Ā Being that youā€™re going through some change right now, what advice would you give to students on making a life changingĀ choice?

NS.:Ā In general?Ā  Iā€™d say, ā€˜chooseĀ your struggles wisely because it is your struggles that will define the life you live.ā€™Ā  What do I mean by that?Ā  If you ask people what they want, if you ask almost anyone what they want, everyone pretty much wants the same thing; they want a job they enjoy and great personal relationships, they want to be close with family and get along with friends, they want to be healthy, right?Ā  Everyoneā€¦ the answer is so common itā€™s ubiquitous, however, if you ask someone, ā€˜How do you choose to suffer?ā€™Ā  Thatā€™ll tell you a little bit about the person.Ā  I choose to write novels.Ā  I isolate myself from friends and family for hours on end.Ā  The time vanishes when one writes it feels as though you sacrifice a bit of your life.Ā  Iā€™m willing to put up with the torture of creation, you know, the struggles of writersā€™ block, to get to the end, right?Ā  Thatā€™s one of the struggles that I choose.Ā  So, choose your struggles wisely because how you choose toĀ sufferĀ will largely define the life you live.Ā 

Ā 

Shari: Is the suffering worth it?

NS: Ā Thatā€™sĀ the question.Ā  Most people donā€™t, I find, get what they want.Ā  They really just didnā€™t want it bad enough ā€˜cause if you really want something, you really will do what it takes to get there.Ā 

Ā 

Shari: Ā For someone who does spend a lot of time in their room, maybe on the computer or what have you, what would you maybe say to someone who needs to maybe break away from that mold and to kind of get into that ā€œromancesphereā€?

NS:Ā Ā I would say that unless thatā€™s what they truly want, they probably never willā€¦ and to accept that.Ā  And itā€™s okayā€¦ to each his own.Ā  (He thinks a moment and speaks again).Ā  Toā€¦ to step out of a box in which youā€™re very comfortable and put yourself in an uncomfortable position, you have to really want to do that and there areĀ certainlyĀ joys and wonders that can come about but thereā€™s also heartbreak and sadness which are also part of the game.Ā  You know, everyone wants a wonderful relationship; they pretty much want the view from the top of the mountain but ya gotta be willing to walk up the mountain.Ā  Ya gotta be able to do the climb so, if theyā€™re not willing to then have them accept themselves and to make the most of the lives they can with the friends they have and lifeā€™s about enjoyment.Ā  Lifeā€™s not only about work, itā€™s about enjoyment so as long as theyā€™re good, Iā€™m good.

Ā 
Shari:Ā  Has anyone made a decision that youĀ didnā€™tĀ like?Ā  One that you had no say in; thatā€™s the way itā€™s going to be?

NS:Ā Ā Has anyone made a decision IĀ didnā€™tĀ like.Ā  Sure!Ā  We can start with my children.Ā  (Laughs)Ā  Of course, you know?Ā  Andā€¦ I suppose it goes to the nature of the question that was up to require the decision, right?Ā  Most of the time I try to live my life by simple words that my mom taught me, ā€˜If someone says something you donā€™t like, or you disagree with, say, (And this is true though) itā€™s your life you can do with it what you wantā€¦ you can.ā€™Ā  Now how I deal with that, thatā€™s up to me, but you can do whatever you want.Ā  My childrenĀ hateĀ when I tell them that.Ā  They hate it with a passion, like, ā€˜Put all the burden on me!ā€™Ā  But itā€™s very true.Ā  I donā€™t know how successfulĀ youā€™veĀ been at running someone elseā€™s life, but I already found that itā€™s not very successful so I try not to give advice.

Shari:Ā  What are their age ranges?

NS:Ā Ā Fourteen to Twenty-Four.Ā  But itā€™s not just them, itā€™s siblings and people you work with.Ā  People are going to do what theyā€™re going to do and the only thing you can control is how you respond to it.

 

Shari: Ā Religion became a part of the narrative of the story, subtly and not so subtly; where Travis pulled away from his faith.Ā  Do you think that after the story ended, that Travis would go back to his faith?

NS:Ā My opinion is that it would be difficult for TravisĀ notĀ to go back to his faith.Ā  That would be my thought on that subject but, of course, thatā€™s just my opinion on the matter.Ā  And that was not an element that was within the novel.Ā  That was an element that came about in the filmā€¦ and so, I suppose an even better person to ask would be Ben Walker for his version of the character and the director (Ross Katz).

Ā 

Shari: Ā How did you bring Gabby (Teresa Palmer) and Travis (Benjamin Walker) together?!Ā  They had such great onscreen chemistry.

NS: Ā First we cast people who we thought were immensely talented and then throughout the casting process, we look for chemistry.Ā  How do they seem to get along, do they seem to be friendsā€¦ and Teresa has one of these personalities that draws everyone in, and so does Ben, in fact.Ā  And so, what they hadĀ was just magnetic, even in the read, so, when we put them on screen, when you get them in the big picture, it comes across as being incredible.Ā  But itā€™s something that we definitely look for.

Ā 

Shari: Ā The brother/sister relationship that you had occurā€¦ is there something in your personal life that you drew from because the sister is very likeable.Ā  Her character brought a lot to the film.

NS: Ā The sister in the novel was an even broader character.Ā  Iā€™ve been asked numerous times to write a story about the sister cuz she had it all together and she really did.Ā  She was as comfortable as he was, withĀ herselfĀ and I find that a wonderful element to someoneā€™s personalityā€¦ just the comfort with who they are.Ā  So, yeah, I was very close to my siblings growing up and Iā€™m still incredibly close to my brother; we actually took a trip around the world and I wrote a non-fiction book about that called ā€œThree Weeks with My Brotherā€.Ā  And, Iā€™d say Iā€™m close to my sister, too, but she passed away.Ā  She passed away from a brain tumor about sixteen years agoā€¦ soā€¦ yeah, the relationship between Ben and his sister was very much inspired by the relationship that I have with my siblings.Ā  I had parents that really stressed the fact that your siblings will always be around.Ā  Your friends will come and go but your familyā€™s there forever.Ā  In many ways, they are the people that you can tell anything to and they still keep coming backā€¦ right?

Travis Shaw (Ben Walker) and Gabby Holland (Teresa Palmer) in THE CHOICE. Photo Credit: Dana Hawley

Shari: Ā Up to the accident, you have your love storyā€¦ and then the accident happened and Iā€™m in tears; multiple times throughout.Ā  What about trauma do you think makes the story that much better?

NS: Ā Well, I write in a very distinct genreā€¦ itā€™s really called a love story as distinguished from a romance novel; a romance novel is really about romantic fantasy and itā€™s really supposed to be able to allow the reader to escape into a world and you go through conflicts but you pretty much know that the couple is going to get together in the end.Ā  Thatā€™s what itā€™s about and thatā€™s why you read them and itā€™s certainly a very valid, you know, itā€™s a wonderful genre; Cinderella.Ā  I mean, it works every time.Ā Ā ThisĀ is a love story and a love story is not necessarily romantic fantasy, although there are romantic elements.Ā  The purpose of that is to move the reader or the viewer through all of the emotions of life; to make it feelrealĀ so you might call it romanticĀ realismĀ versus romanticĀ fantasy.Ā  And that realism requires the reader or the viewer feelĀ allĀ of the emotions of life, cuz otherwise somethingā€™s missingā€¦ you know that; and the simple fact of life is that everyone goes through tragedy.Ā  Thereā€™s not one of us that will escape scot-free.Ā  Ā So, we have characters that feel real then they go through emotions that feel realā€¦ and they allow you, the viewer or reader to live someone elseā€™s but to feel like it was a full life; like you got itĀ allĀ even though it was just a snippetā€¦ a point in time.Ā 

Ā 

Shari: Ā You have romance down, for sure, have you ever, even if you did it under a pseudonym or something, considered writing maybe a horror novel ala Stephen King; try a different genre?

NS: Ā No.Ā  I donā€™t.Ā  Iā€™m very happy writing the kind of novels I write.Ā  One of the wonderful things about the genre in which IĀ work, is that Iā€™m able to pull elements from all sorts of genres and build them into my novels.Ā  For instance, ā€œSee Meā€, is my latest novel; itā€™s a love story; these two opposite characters meet, itā€™s my first Hispanic character and sheā€™s a lawyer and this guy is a reformed bad-boy and, okay, theyā€™re going to make it workā€¦ overcome these obstacles.Ā  And somewhere around the halfway point the novel starts devolving into a very twisty mystery thriller.Ā  Something like my attempt at what Harlen Coben would do.Ā  And Iā€™m not saying I did it but it was my attempt to do what he does so expertly wellā€¦ and part of the fun of that novel is, the tension is increasing and youā€™re not even sure whatā€™s going on.Ā  The reader is as confused as the characters in the novel.Ā  You can just feel the tension growing and growing.Ā  So, I can put elements of mystery into my novels.Ā  I put elements of the supernatural in ā€œSafe Havenā€ā€¦ take that for what itā€™s worthā€¦ itā€™s very light.Ā  Uhhā€¦Ā Epic.Ā  Iā€™ve doneĀ epicĀ sweepingĀ stories like ā€œThe Longest Rideā€.Ā  So, all of these elements that are particular to various genres, Iā€™ve been able to put into mine.Ā 

 

Shari:Ā  Have you ever or are you now, writing with a specific actor in mind?

NS:Ā Ā No.Ā  The only time I did that was for ā€œThe Last Songā€.Ā  If the movie got made it would be for Miley Cyrus and thatā€™s because I worked with Disney on the project.

 

Shari:Ā  Never??

NS:Ā Ā No.Ā  No.Ā  (Laughs)Ā  I neverā€¦ neverā€¦ no.Ā  (Laughs again)

Ā 

Shari:.Ā  I love the cast, especially the side characters, Tom Wilkinson and Tom Welling are terrificā€¦ ummā€¦ were there any jokes on the set or how was Ben feeling about stealing Supermanā€™s girlfriend?

NS: Ā There werenā€™t any particular jokes about that.Ā  It was a very familial set because we asked all of those characters to have arcs; even the father had an arc, you know, the sister had an arc.Ā  So, because they all had arcs, we all asked them to do various things emotionally andā€¦ we wanted them to be very comfortable, really experimentingā€¦ pressing themselves, going out on a limb, really (allowing) them to evoke these emotions in the viewer in a real way and we did that by having it become a family setting.Ā  When theyā€™re filming the backyard for the bbq, things like that, it was like we were at a backyard bbq.Ā  The dogs were running around, the kids were over thereā€¦ the sun, itā€™s beautiful, itā€™s warm, youā€™re in your shorts, youā€™re cooking on the grill; it was like, ā€˜I canā€™t believe weā€™re working.ā€™Ā  It was more like that.Ā 

Ā 

Shari:Ā  Whatā€™s it like seeing your novels come toĀ lifeĀ from a producerā€™s point of view?

NS:Ā Ā Itā€™s a lot of thought.Ā  I love the fact that viewers are going to see a new way to hear the story that I conceived.Ā  I have my chance to tell the story the way I did in the novelā€¦ but letā€™s see how someone else does with my story, you know?Ā  What kind of colors, who are we going to cast, how are we going to frame thisā€¦ what elements do we keep, what elements do we change to capture the whole spirit of the story and the characters.Ā  ForĀ me itā€™s a wonderful way to experience the story in a different medium.

Ā 

Shari: Ā Have you ever thought of just skipping the whole novel thing and just writing the screenplay and producing films yourself?

NS:Ā Ā Sure I have and Iā€™ve chosen to do that in television not as far asĀ film.Ā  Television is a bit more like a novel so you have a longer opportunity to tell a specific story.Ā  Iā€™m currently, for instance, writing a pilot for HBO but thatā€™ll give me ten episodes to tell a full story.

Gabby Holland (Teresa Palmer) and Travis Shaw (Ben Walker) in THE CHOICE. Photo Credit: Dana Hawley

Shari:Ā  The big ending, whether she lives or diesā€¦ what was the deciding factor for you?Ā  Was there a deciding factor?

NS:Ā Ā Well, it was during the course of the novel and, of course, thatā€™s what happens in the novel is what Iā€™m trying to say there; and I knew all along that she would come out.Ā  I knew.Ā  I didnā€™tā€¦ I didnā€™t want toā€¦Ā uhhh, I just knew but it was to bring the reader through all the emotions on the way to get there becauseā€¦ because sometimes these things happen; sometimes theyĀ donā€™t.Ā  When they do, thereā€™s a really magical and wondrous feeling with it.

Ā 

Shari:Ā  The husband in a film calledĀ 45 YearsĀ that just came out, says ā€œAll of the big decisions that we make, we do when weā€™re young; big decisions /choicesā€.Ā  And he had a real defeatist attitude which I donā€™t agree with.Ā  What is your take on that?Ā  I think we can make life changing choices every day.

NS:Ā Ā Of course.Ā  And at the same time, thereā€™s some validity (in it), when youā€™re young is usually when you choose your career, you might choose a partner or a spouse to be with; you might choose whether or not to have children and there are certain points in time when some of those are no longer valid.Ā  If youā€™re a woman and all of the sudden youā€™re fifty and you never had childrenā€¦ you canā€™t bear them.Ā  You might be able to adopt, but you canā€™t bear them.Ā  So, some choices, just by the nature of time itselfā€¦ yeah, they come and go and theyā€™re focus is more when youā€™re young.Ā  However, thereā€™s always major choices that one can make because thereā€™s always the kind of life that youĀ wantĀ to live and the newĀ strugglesor the newĀ sufferingsthat youā€™re willing to experience to get there; right?Ā  You want to go climb Mount Everest?Ā  Sure.Ā  Someoneā€™s done that in their seventies.Ā  Alrightā€¦ youā€™re willing to do that suffering; all the trainingā€¦ are you willing?Ā  Do you really want to climb Everest?Ā  That would be one example, but sure itā€™sĀ possible.Ā 

Ā 

I know what else is possibleā€¦ you running to the theater this weekend and checking out Lionsgate presenting a Nicholas Sparks / Safran Company / POW! Production of Ā The ChoiceĀ starring Ā Benjamin Walker, Teresa Palmer, Maggie Grace, Alexandra Daddario, Tom Welling, Brett Rice, and Tom Wilkinson.Ā  Donā€™t forget to come back and let me know what you think of it!!!Ā  Have fun and Go Broncos!Ā  *Although, I have a feeling SparksĀ will win this oneā€¦ just like his film will. Ā Bring a tissue! Ā