“20th Century Women” is a movie about a middle-aged woman with a teenage son, and the trials and tribulations of living in 1979. They live in Santa Barbara during a time of social change and upheaval. With some close friends, they all try to come to accept the changes in life.
The story of Ray Kroc, a salesman who turned two brothers’ fast food eatery, McDonald’s, into one of the biggest restaurant businesses in the world.
Find your chance to receive special advance movie screening passes below.
Date: Tuesday, January 17
Location: Harkins Scottsdale 101
Time: 7:00pm
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Alice is back!!
In anticipation of the release of RESIDENT EVIL: THE FINAL CHAPTER , Screen Gems has launched a 360 Experience based on the movie. It takes place on the Killing Floor of The Hive and takes you inside the horror of the undead! When experiencing it on Facebook mobile, you can move around the room 360 style by using your finger. Here’s the video and a link to Facebook!
Facebook: https://www.facebook.com/ResidentEvilMovie/videos/10155648190013709/
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BURBANK, Calif. (Jan. 10, 2017) – The epic journey continues for “Moana” fans as Walt Disney Animation Studios introduces an all-new sing-along version of the hit, critically-lauded comedy-adventure “Moana,” coming to theaters nationwide Jan. 27, 2017. Additionally, the original theatrical version of the film will release digitally Feb. 21 and on Blu-ray March 7.
Fans are invited to warm up those vocal cords and set sail with an all-new sing-along version of “Moana” launching in more than 2,000 theaters nationwide on Jan. 27 andexclusively at Hollywood’s El Capitan Theatre on Jan. 20.
“Moana” audiences were swept away by the film’s original songs and score from a dynamic team that includes Tony®-, Emmy®- and Grammy®-winning songwriter Lin-Manuel Miranda (Pulitzer Prize- and Tony-winning “Hamilton,” Tony-winning “In the Heights”), Mark Mancina (“Tarzan,” Broadway’s “The Lion King”) and Opetaia Foa‘i (founder and lead singer of the award-winning world music band Te Vaka).
The sing-along version of “Moana” includes the full feature film with on-screen lyrics, so audiences can belt out the words to their favorite songs, such as the Golden Globe®-nominated “How Far I’ll Go.” Moviegoers can check local listings for showtimes and theaters; the sing-along run will vary by location.
Walt Disney Animation Studios’ 56th animated feature opened domestically on Nov. 23, 2016, becoming the No. 2 Thanksgiving debut ever with $82 million. The film continues to delight audiences around the globe, earning more than $225 million domestically and $450 million worldwide to date. The film has a 95% score on Rotten Tomatoes and an “A” CinemaScore.
“Moana” has received, thus far, nominations for BAFTA, PGA, Golden Globe® and a Critics’ Choice Movie Award for best animated feature. The film’s uplifting soundtrack has dominated the music charts for more than six weeks, peaking at No. 1 on the iTunes Albums chart; it is currently No. 1 on Billboard’s Top Album Sales chart and No. 2 on the Billboard 200 album chart. The soundtrack is available wherever music is sold and at streaming services.
At Hollywood’s El Capitan Theatre, the “Moana” sing-along will begin Jan. 20, one week prior to the nationwide opening. Daily showtimes are at 9:30 a.m. and 12:30 p.m. Tickets are available at El Capitan Theatre (6838 Hollywood Blvd.), by calling 1-800-DISNEY6 (347-6396) or online at www.elcapitantickets.com.
Audiences can soon enjoy the original theatrical version of the film at home and packed with a variety of bonus extras when “Moana” arrives on Digital HD/3D and Disney Movies Anywhere (DMA) on Feb. 21, and on Blu-ray 3D, Blu-ray, Digital SD, DVD and On-Demand on March 7.
xXx: Return of Xander Cage is in-theaters January 20, 2017
Directed By: DJ Caruso
Starring: Vin Diesel, Donnie Yen, Deepika Padukone, Toni Collette, Ruby Rose, Nina Dobrev, Tony Jaa, Kris Wu, Michael Bisping, Rory McCann, Nicky Jam, Neymar Jr., Samuel L. Jackson
The third explosive chapter of the blockbuster franchise that redefined the spy thriller finds extreme athlete turned government operative Xander Cage (Vin Diesel) coming out of self-imposed exile and on a collision course with deadly alpha warrior Xiang and his team in a race to recover a sinister and seemingly unstoppable weapon known as Pandora’s Box. Recruiting an all-new group of thrill-seeking cohorts, Xander finds himself enmeshed in a deadly conspiracy that points to collusion at the highest levels of world governments. Packed with the series’ signature deadpan wit and bad-ass attitude, “xXx: RETURN OF XANDER CAGE” will raise the bar on extreme action with some of the most mind-blowing stunts to ever be caught on film.
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*Vin Diesel and the cast of xXx: Return of Xander Cage sing Deepika Padukone Happy birthday
“A Monster Calls” is a heart-wrenching yet artistic view into a 12-year boy and his troubled life. With a slowly dying Mom, a divorced dad who lives far away, and a grandmother with a gruff and unemotional manner, he is dealing with quite a lot. Also, his time in school is marred by a group of bullies who confront him every day. If only he had the size and strength and courage of a Monster…
Conor O’Malley (Lewis MacDougall) lives in a small rural town in the English countryside. His life is in turmoil because his Mom, Lizzie (Felicity Jones) is getting worse with a terminal illness. It is difficult at school, because there are boys that bully Conor, mostly because he has a sick mom and he is a good artist. Mom and Dad (Toby Kebbell ) are divorced, and he lives in California. Dad comes to visit, but he again shows that he is not part of Conor’s life.
When Lizzie gets so bad that she needs to be in the hospital, Conor must stay with his grandmother (Sigourney Weaver). She is strict with Conor, and she cares more about cleanliness and keeping order in her house than she does about Conor. Conor has dreams of being big and strong and getting his way. He wants to set things right, and to get his Mom back. Then one night, something strange happens.
Out on the distant hill, there is an old church and a still older yew tree. The anxiety and pain in Conor’s life is felt by the yew tree. It comes to life, and it comes to visit Conor. The immense humanoid tree seems very scary, yet he speaks with a gentle but authoritative voice. The Monster (voiced by Liam Neeson) has three stories to tell Conor, and when he is done, Conor must tell him one story.
The stories that the Monster tells are illustrated with a beautiful watercolor animation sequence. The first story is about a magical kingdom that has kings and queens. The second story is about a pastor who shames an old man who sells roots and herbs that can cure people. The third is about an invisible man and a monster that helped him. Conor hears the stories, but they do not work out the way that he thought they would.
Conor hears the stories, but he overreacts. He drives away his father and becomes more distant to his grandmother. He goes overboard and destroys everything precious in his grandmother’s living room. He is overcome with rage and fights back against the bully, but sends him to the hospital. In each of these cases, even when he has done something outrageous and destructive, he does not receive any punishment. Conor is simply dealing with too much stress, they all say.
But nobody knows about the Monster, and nobody knows about the stories. They surely don’t know that Conor now has to tell his story, and Conor is very afraid. The Monster said that he was sent for healing, but Conor’s mom is still in bed at the hospital. Conor is sad, angry and confused. Exactly why did the Monster come to visit with Conor?
The story of “A Monster Calls” is very simple and direct. It focuses on Conor and what he is going through. He feels alone and powerless until the Monster calls upon Conor. But the final story reveals the full sadness in Conor’s life and what he truly wants. He is ashamed to have the Monster know what he feels inside. The dread and sadness of the story are then lifted up by the artistic beauty of the story sequences and the emotional release at the end.
Lewis MacDougall is a major young actor who can handle the tricky role of Conor. He is well cast and performs in a very believable way. Felicity Jones does ok with the Lizzie role. However, not a great deal is asked of her in the role, and she fades out near the end. Sigourney Weaver does a sturdy job as the grandmother, who at first seems very mean and harsh, but she learns that Conor is more important than just things in the house.
The Monster is voiced by Liam Neeson, who has a very distinct quality of overwhelming scariness in his tone, but has a soft and comforting aspect as well. The Monster design is very well-done CGI. It has the unfortunate tendency of bringing to mind a similar character from the movie “Guardians of the Galaxy”. So the Monster is a huge giant, and he is a big tree. This movie might be called “The BFG 2: The Big Friendly Groot”.
In the early days of the Space Race, when the USA and the USSR both worked to be the first in space, there was limited technology. The only ‘computer’ available was a person who excelled in math and could handle very complex calculations. The math experts and engineers who ran NASA in the early 1960’s were brilliant people. Almost all of then were men, and even more were White. That’s why this true story of three Black women is so outstanding.
When a Black person (‘Negro’ was the phrase used back then) was the best ‘computer’, and that person was also a woman – well that could lead to whole lot of trouble. Katherine Johnson (Taraji P. Henson) was a complete master of math, and could calculate complex re-entry points down a few hundred yards. She was needed for her skills in doing the computations, but the NASA engineers all looked down on her. She was not like them, so they did not think she was quite as good…
Katherine also had two good friends at the NASA facility, Mary Jackson (Janelle Monáe) and Dorothy Vaughan (Octavia Spencer). Mary had the skills and the desire to become an engineer, but the schooling was not available to ‘colored folks’. That is, until she challenged the local rulings and was permitted to take night classes at the all-White school. Dorothy was the leader of several talented Black women who were on staff at NASA. Yet she was not permitted to have the title of Supervisor. The White office manager Vivian (Kirsten Dunst) would not help Dorothy to advance, because she was Black, and therefore, unqualified.
Katherine had to face countless times when bigotry and low expectations hindered her progress. The chief of the lab was Paul Stafford (Jim Parsons). He would give Katherine work to review that was incomplete because sections had been removed, since she did not have the security clearance. But when the Manager of the NASA facility Al Harrison (Kevin Costner) found out how smart Katherine was, he made sure she got all the information that she would need. He even removed the limitations of ‘Colored’ bathrooms, so that Katherine would not need to run across the campus.
Also, the lab obtained its first IBM mainframe computer system, and Dorothy Vaughan had been teaching herself how to code programs on the new device. She became an expert and she was in charge of several other women and became a real Supervisor. Mary Jackson earned her degree in engineering and also continued to work at NASA on the space program.
Seeing that this is a true story of real people involved at the early stages of NASA, this movie shows the struggles that many of these women had to overcome. Before any Equal Rights laws were passed, these smart and powerful women showed that they were equal to the White men. They did that just by being able to perform at their highest levels. They did not allow the racism and sexism to fester and make them bitter. The fought back in the best way they knew how – they excelled at what they did.
The three main characters are played by three fantastic actresses: Janelle Monáe, Octavia Spencer and Taraji P. Henson. They all handle the character with grace and with dignity, even when the White world around them is harsh and cruel. They all show a deep courage and persistence to achieve great things. Also, Kevin Costner is a great addition, because he shows an understanding that success shows no ‘Color Line’. His character would not allow bigotry to stand in the way of getting the best results.
“Hidden Figures” does a terrific job in bringing to light a little-known aspect of the early days of NASA. The social norms of that era were broken so that some very talented Black women could have a chance to make a big difference in the success of the program. It is great story to tell, and it does it in a quiet, dignified manner.
Sometimes, movies need to be more deeply emotional and have the epic grandeur of a sweeping historical look at Western and Eastern cultures as they clash over religion and basic tenets of faith. Or you could just see “Rogue One” again. Your choice…
But in “Silence”, the passionate work of Martin Scorsese, the story of ancient Japan is brought to life. It is viewed through the eyes of two Portuguese Jesuit priests; Padre Rodrigues (Andrew Garfield) and Padre Garrpe (Adam Driver). In the late 1600’s, the missionary work to Japan had been met with fierce resistance by Japan’s rulers.
Rodrigues and Garrpe plead with the head of the order (Ciarán Hinds) to make a journey to Japan. They have learned that a close mentor and fellow priest named Father Ferreira (Liam Neeson) had been tortured to the point of rejecting the One True Faith. They want to travel to Japan and find Ferreira, so they can learn the truth.
They make it to China, and they are paired up with a Japanese fisherman named Kichijiro (Yōsuke Kubozuka). He agrees to lead them back to his homeland to find the “Hidden Christians”. These are converts created by the prior missionaries. But all the priests and Jesuit brothers have been expelled or killed. Father Ferreira also faced torture and perhaps wound up instead becoming a Buddhist.
Rodrigues and Garrpe get separated and both eventually are captured. Rodrigues has an interpreter (Tadanobu Asano) who can speak both Japanese and very good English. He explains that any foreign religion can never take root in Japan, because the outsider cannot see the island kingdom has a culture that will never believe as the Westerners.
So it is a clash of Western ideas, thought and religion against the history of Japanese culture and upbringing. Rodrigues will face losing the very one thing that he took vows to honor and protect, or he will see many of the village Christians tortured and killed because of his stubbornness.
The movie that Scorsese has made is a long, slow exposure to the wearing down of the human soul. The Japanese officials do not hate Rodrigues, Garrpe or Ferreira. They do not hate Christians or those who deliver the Gospel, the Jesuits and the missionaries. But they demand conformity and order. So they root out Christians and put them to death. So it sure seems like they hate them…
Andrew Garfield does a heart-wrenching job as Padre Rodrigues. He thinks himself as a humble and holy man, yet he borders on arrogance because he thinks only he can know the Truth. Adam Driver and Liam Neeson have much smaller roles, but they seem to be sincere in their own beliefs.
The visual imagery is fantastic, with the wide sweeping vistas of a shoreline, or mountainside or a steamed-up area of hot springs. Clouds and fog and haze are in many scenes. This brings to mind some the animated movies of Hayao Miyazaki, or the epic films from Akira Kurosawa. Scorsese can borrow the beautiful look of the movie from the best Japanese directors.
However the storyline is so morbid and predestined that the extended run time hurts the picture. Rodrigues is put into a no-win situation, and there are only two possible outcomes. He will either renounce his Faith, or he will die. But to get to that end, the movie seems to drag on and on. More tortures, more denials, more angry outbursts, more slow panoramic shots that lead to the next one…
So be forewarned. If you do not want to see some nasty things done to people in captivity, you might not like the movie. If you do not want to know in great detail about the difficult spread and quick demise of Christianity in Japan, you might not like the movie. If you do not think that Andrew Garfield, Adam Driver and Liam Neeson are fine capable dramatic actors, you might not like the movie.
In other words, if you would rather go and see “Rogue One” again, but you see this movie instead, you might suffer in “Silence”.
The Lovers is a refreshing, funny look at love, fidelity, and family, starring Debra Winger and Tracy Letts as a long-married and completely dispassionate husband and wife. Both are in the midst of serious affairs and are increasingly committed to their new partners. But on the brink of officially calling it quits, a spark between them suddenly and unexpectedly reignites, leading them into an impulsive romance that forces them to navigate the hilarious complications of “cheating” on their respective lovers. A mixture of humor and powerful emotion, the story is a uniquely honest take on modern marriage.
STARRING
Debra Winger, Tracy Letts,
Aidan Gillen, Melora Walters, Tyler Ross and Jessica Sula
WRITTEN/DIRECTED BY
Azazel Jacobs
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RINGS
Directed by: F. Javier Gutierrez
Starring: Matilda Lutz, Alex Roe, Johnny Galecki, Aimee Teegarden, Bonnie Morgan and Vincent D’Onofrio
A new chapter in the beloved RING horror franchise. A young woman becomes worried about her boyfriend when he explores a dark subculture surrounding a mysterious videotape said to kill the watcher seven days after he has viewed it. She sacrifices herself to save her boyfriend and in doing so makes a horrifying discovery: there is a “movie within the movie” that no one has ever seen before…
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