7 Days in Entebbe Movie Review

In July 1976 almost all people around the world were enjoying the upcoming U.S.A. Bicentennial celebrations. Except a handful who happened to be aboard an Air France jet that was hijacked in Athens. The jet left Israel and was taken over by Palestinian extremists and two German revolutionaries. The plane finally found safe passage into Uganda and landed in Entebbe. That country was led by a dictator named Idi Amain, and he gave the hijackers a place to stay. The Israeli government was backed into a corner, and something had to be done.

The hijackers were from split between Palestinians wanting a homeland, and the Germans, who had no other revolts left to join. The German authorities had shut down the German terror cells, and these two headed off to hang out with the others. Brigitte Kuhlmann (Rosamund Pike) and Wilfried Böse (Daniel Brühl) had no prior experience doing something major like this, so they decided to help the Palastinians.  Idi Amain (Nonso Anozie) had no love for the major world powers, so he thought he would shove their nose into the situation. Amin let the hijackers use the airport in Entebee as a place to conduct negotiations, or perhaps executions. Air France was helpless to end the stand-off, so it left it up to the Israelis.

The Israeli Prime Minister Yitzhak Rabin (Lior Ashkenazi) knew that they could not negotiate. If they gave in, then more planes would be taken and more hostages would be in danger. The Defense Minister was Shimon Peres (Eddie Marsan) who knew that as things went on, he could persuade Rabin to eventually take military action. Not action that would confront Uganda directly, but a stealth operation that could get done under cover of darkness to free the passengers. This would not be an easy mission, but Peres believed that it needed to be done.

Böse was becoming more discouraged by the actions of the Palestinians. They had no respect for any of the hostages, and even less for those who were Jewish. Kuhlmann had turned the corner in her sanity and was popping more and more drugs to stay awake. She would lose touch with reality every now and then, but she was a brutal soldier in the fight. The crew of the Air France flight acted bravely and took special care to see that all the passengers were treated OK. But they had no control over anything. They could only hope for some type of rescue.

That rescue did come, by the way. There can be no spoilers about this, because it all happened more than 40 years ago! Amin’s forces helped to guard the old terminal where the hostages were held. But when the Israeli Special Forces arrived, the rescue operation would take down many of the Ugandan forces. Then they focused on the hijackers, and all of them were eliminated. The initial group of 248 taken hostage was then down to 94 by the time the rescue team arrived. Of those, only three people died in the fight, plus one Israeli soldier. The soldier killed was named Netanyahu. His younger brother went on to become the current Prime Minister of Israel.

For some reason this movie was made now, after several other films have already been made about the same events. This movie is over 40 years after the incident, so in does not reflect any breaking or recent news. The director, José Padilha, does a weird thing in the final act by cutting between the hostage rescue and a modern jazz dance recital. Yes, that does sound odd, but the actual depiction is even stranger. Perhaps it means that the soldiers are fighting for the right of dancers to make jazz hands? Don’t know…

The biggest actors of note are Daniel Brühl and Rosamund Pike. But there is something creepy about humanizing a couple of leftist anarchists who help hijack a plane. They are portrayed as wanting to make a big difference in the world. But doing that by holding hostages and threatening to kill them might not win any arguments.  All the Palestinians portrayed as mean and belligerent. Idi Amin is mostly a joke character.

If any portrayal is positive, it is in the way that the Israeli government finally made the gutsy decision to make the rescue attempt. The entire thing was fraught with risk, and the fact that they made it out with as such a small number of causalities is amazing. In short,

Watching “7 Days in Entebbe” makes one weak…

Tomb Raider Movie Review

Better Title: Indiana Croft and the Raiders of Tomb

Lara Croft is the main character from a video game ‘Tomb Raider’. She shares many things in common with Indiana Jones. Both are adventurous treasure seekers, who travel all about the globe. Both have fathers who also were adventurous treasure seekers and both are handy with person weapon. With Indiana, it is his bullwhip; for Croft, she uses a bow and arrow. They fight evil people who are looking to harm the earth and its people. Indiana fights Nazis, and Croft faces off against an evil organization called Trinity.

Lara (Alicia Vikander) is the daughter of a successful London businessman named Lord Richard Croft (Dominic West). But for seven years, he has been missing and presumed dead. Lara will not accept that fact. The entire holdings of the Croft empire would be in her control, if she would only sign the papers that officially declare her Dad is dead. Her guardian Ana Miller (Kristin Scott Thomas) is waiting still for Lara to come to her senses. But instead Lara has found a key hidden by her Dad before he left on a journey many years ago. This leads her to a secret hideaway that her Dad had created, and she learns the reasons he left.

She makes her way to retrace her Dad’s steps by going to Hong Kong and find the ship he last sailed on. She finds the ship, and the ship’s captain is the son of the man that took her Dad years ago. Lu Ren (Daniel Wu) has given up on the past, because he lost his dad at the same time. But Lara convinces Lu Ren to take her to an unknown island where her father was headed. Perhaps they can both find out what happened to both their parents. This island is supposed to hold the tomb of an ancient Queen of Japan.

But a bad storm shipwrecks the two of them on a reef, and they are separated. Lara swims to the island, but is taken hostage by the mysterious group who is also on the island searching for the Queen’s tomb. This group is led by Vogel (Walton Goggins), and he is as ruthless as his thugs. Lu Ren is also there, physically forced into hard labor. Many other lost souls are also being forced to work against their will. The entire focus is to find the tomb, and that is what brought Richard Croft there to search years ago. Vogel claims to have killed Lara’s dad years ago.

But Richard Croft is still alive on the island, and soon he meets up with Lara. But they are captured by Vogel again and they find their way into the tomb. That is when the real Indiana Jones stuff stars to happen. Vogel is working for Trinity, the shadowy evil group who wants to use the special supernatural power of the ancient Queen of Japan for some evil purpose. Richard has pledged his life to stop it, and Lara is there to make sure that something works out right. But there are Indiana Jones-type life-or-death bobby traps to puzzle out. There are ‘National Treasure’ type riddles to figure out.

A Video game based movie is pretty similar to a Comic book based movie. You go into it knowing that it is a bit removed from reality. But with “Tomb Raider”, the writing and direction are trying to make it part of the real world. It could have used director Roar Uthaug playing it with a few winks and nods to the audience. But it strives for a Shakespeare level of literary value that just is not there. It is a very well-done popcorn matinee type movie. Even the soundtrack swells and drumbeats you into how you should feel about a scene.

Alicia Vikander knows that this is less than Oscar worthy material, but she puts in a very physical and high-value performance.  Walton Goggins is great yet unsettling as he plays a very bad man, slowly going nuts on that island. Dominic West is decent and he gets some heroics in the end. Daniel Wu is OK and he gets a few good lines. Kristin Scott Thomas plays a very minor role overall, and then the plot attempts to ‘Keyser Söze’ her character, with does not work out well.

Has this been done before? Yes, of course. Has it been done better?  Yes, but there is a certain charm to Vikander and her attempt to turn Lara Croft into a more brainy, and not quite as busty, woman adventurer. She handles the roles well, but the movie does not live up to what it could have been.

Pope Francis – A Man of His Word Trailer

Focus Features will soon release Pope Francis – A Man of His Word

StoryWim Wenders’ new documentary, “Pope Francis – A Man of His Word,” is intended to be a personal journey with Pope Francis, rather than a biographical documentary about him. The pope’s ideas and his message are central to this documentary, which sets out to present his work of reform and his answers to today’s global questions.  From his deep concern for the poor and wealth inequality, to his involvement in environmental issues and social justice, Pope Francis engages the audience face-to-face and calls for peace.

Director: Wim Wenders (“Buena Vista Social Club,” “Pina,” “The Salt of the Earth”)

For more info, please follow the film on social:

Official Site I Facebook I Twitter I Instagram

#ThePopeMovie

In Theaters May 18th

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Midnight-Sun-movie-screening

Midnight Sun Advance Movie Screening

Movie Screening Summary

MIDNIGHT SUN, an epic romantic drama, follows 17-year-old Katie Price (Thorne), sheltered since childhood with a life-threatening sensitivity to sunlight. Katie’s world opens up after dark when she ventures out to play her guitar for travelers. One night, she meets Charlie (Schwarzenegger) whom she has secretly admired for years. She hides her condition from him, and the two embark on a uniquely powerful romance.  Rob Riggle plays Katie’s loving and compassionate father, Jack, who endeavors to give his daughter a good life.

MIDNIGHT SUN Official Channels

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Phoenix, Arizona

Advance Movie Screening Details

Movie Screening Date: Wednesday March 21
Location: Harkins Tempe Marketplace
Movie Screening Time: 7:00pm
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Las Vegas, Nevada

Advance Movie Screening Details

Movie Screening Date: Wednesday, March 21
Location: Regal Red Rock
Movie Screening Time: 7:00pm
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Advance Movie Screening Information

To redeem a pass, simply click the Get Passes button. You will taken to our movie screening partner site (where you can sign up for a free account). Once you’ve done so, you’ll be able to print out your pass and bring it with you to your screening or event.

Admittance into a screening or event is not guaranteed with your pass. Events and advance screenings are filled on a ” first come, first served ” basis. To ensure that you stand a good chance of being admitted, we recommend that you show up 30 minutes to one hour early.

The number of admissions that are permissible for each pass are printed clearly on the ticket that you print out. You are allowed to bring as many guests as is indicated on your pass. For example, if your pass is for ” Admit Two, ” you can bring yourself and one guest. If you have an ” Admit One ” pass, you can bring only yourself.

If you have any other questions or comments, please contact us.

Submission Movie Review

Stanley Tucci plays, Ted Swensen, a moderately famous professor of literature in ‘Submission.’ Due to having sold one somewhat lucrative novel and being touted, for a moment, ‘the writer to watch,’ he teaches the subject but isn’t necessarily where he wants to be.  On occasion, he gets some special attention from students, fans of his work, he might not otherwise have received and smiles at the thought. However, after the failure of being able to write a follow-up book, he realizes that things might not ever be better than it is now. Wanting more than what his station can provide, he gets himself into a mess when an opportunity to feel on top again presents itself. It comes in the form of the adoration of a young student. Enjoying the praise and attention, his ego or inner nature doesn’t see the path he is being led down, only where the road may ultimately lead. I’ll give you a hint… he’s on a course to self-destruction.

Richard Levine’s adaptation of the Francine Prose novel, ‘Blue Angel’ is a fascinating, dramatic narrative about the glaringly oblivious, powerful male archetype being chewed up and swallowed by a seemingly sympathetic, innocent and doting student, aptly named, Angela. It is divine. The angelic student is presented to us by the wonderfully gifted Addison Timlin, who first starts weaving her web by flattering Ted, telling him how much his book helped her get through her father’s death. Timlin’s Angela is engaging and hypnotizing. Angela is crafty and manipulative and though tender at first, she gets more aggressive, knowing full well when to bring out the big guns.

One day while speaking to him after class, she overwhelms him with the things and people she most admires. She throws out some of her other favorite authors, all names that impress him and help them relate to one another, not to mention, compel him to want to know more. She speaks of her own book and while doing so she makes herself seem vulnerable, cutting herself down whenever possible so that she can gauge his feelings by whether or not he tries to build her back up. She the queen to his pawn in a game he isn’t prepared to play. She soon asks her professor to read the first chapter of her book and asks him to tell her what he thinks of it. Who better to give her an opinion than the wonderful and talented Ted Swensen? After she explains all the reasons he shouldn’t read it, he agrees to make time for it. The book is called ‘Egg’ which turns out to be largely sexual in nature.

We listen to Swensen’s inner dialogue through the beginning of the film, which is fitting to carry the story forward. You might not be a big fan of voice over but it’s humorous and instructive at times and helps endear the audience to his character. However, as we move further along, we don’t hear his thoughts as much, only the chapters he is reading as they now have consumed his every thought, his imagination and have cost him sleep. As his interest in the story intensifies so does his interest in Angela. He believes this young author to be, ‘Quite accomplished,’ and instructs her not to show it to others; to keep is close.

Through different characters and situations, at a dinner party with his loving wife, Sherrie (Sedgwick), and speaking of his student Angela with another professor, Magda (Garofalo), he is given subtle warnings about her and the situation that’s building in general and doesn’t catch a single one. Through these warnings, the audience gets a glimpse of how dangerous having one’s ego stroked to this degree can be. Tension builds, you shake your head at him and though he tries to tell himself he’s only a mentor, maybe even a father figure, it’s not working with you.

This is a great strategy and Tucci is the perfect everyman to associate with. This story is fantastic. We see that the jig is finally up when he reads the line in the book, ‘I alone had the power to make a grown man risk everything.’ This is a brilliant way to finally give Ted an awakening, one of many.

Submission is a pleasure. It’s well written, well shot and the actors were remarkable. It unfolds to reveal two opportunists, one more vicious than the other. I’ll let you decide which one that is.   *See it at Harkins Shea 14 tonight!

Ready-Player-One-Movie-Screening

Ready Player One Advance Movie Screening

Movie Screening Summary

From filmmaker Steven Spielberg comes the science fiction action adventure “Ready Player One,” based on Ernest Cline’s bestseller of the same name. The film is set in 2045, with the world on the brink of chaos and collapse. But the people have found salvation in the OASIS, an expansive virtual reality universe created by the brilliant and eccentric James Halliday (Mark Rylance). When Halliday dies, he leaves his immense fortune to the first person to find a digital Easter egg he has hidden somewhere in the OASIS, sparking a contest that grips the entire world. When an unlikely young hero named Wade Watts (Tye Sheridan) decides to join the contest, he is hurled into a breakneck, reality-bending treasure hunt through a fantastical universe of mystery, discovery and danger.

http://readyplayeronemovie.com

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Advance Movie Screening For Ready Player One

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Phoenix, Arizona

Advance Movie Screening Details

Movie Screening Date: Monday, March 26
Location: Harkins Arizona Mills
Movie Screening Time: 7:00pm
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Tucson, Arizona

Advance Movie Screening Details

Movie Screening Date: Monday, March 26
Location: Century El Con
Movie Screening Time: 7:00pm
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Las Vegas, Nevada

Advance Movie Screening Details

Movie Screening Date: Monday, March 26
Location: AMC Town Square
Movie Screening Time: 7:00pm
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Albuquerque, New Mexico

Advance Movie Screening Details

Movie Screening Date: Monday, March 26
Location: Regal Winrock
Movie Screening Time: 7:00pm
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Advance Movie Screening Information

To redeem a pass, simply click the Get Passes button. You will taken to our movie screening partner site (where you can sign up for a free account). Once you’ve done so, you’ll be able to print out your pass and bring it with you to your screening or event.

Admittance into a screening or event is not guaranteed with your pass. Events and advance screenings are filled on a ” first come, first served ” basis. To ensure that you stand a good chance of being admitted, we recommend that you show up 30 minutes to one hour early.

The number of admissions that are permissible for each pass are printed clearly on the ticket that you print out. You are allowed to bring as many guests as is indicated on your pass. For example, if your pass is for ” Admit Two, ” you can bring yourself and one guest. If you have an ” Admit One ” pass, you can bring only yourself.

If you have any other questions or comments, please contact us.

THE STRANGERS: PREY AT NIGHT

The Strangers: Prey at Night – Movie Review

If you’ve ever read any of my reviews for horror films, you’ll know I base how frightening the movie was by whether or not I have to leave the light on at bedtime. This is a leave, at least, a nightlight on type of situation. The main reason for that is because if you let the main theme of the film, people out to kill you who won’t stop until they do, sink into your psyche it’s quite distressing and can interrupt one’s plans for a good night’s sleep. The movie played a part it in, as well, of course. It’s a decent horror but it did have its fair amount of eye-rolling scenes, mostly due to things the characters do that no one in their right mind would. If they hadn’t continually done, well, stupid things that make you periodically root for the killers, Dollface, Pin-Up Girl and Man in the Mask, the flick would most likely keep you up all night. The very thought that people would want to kill indiscriminately because they’re bored is terrifying. When asked by one of the characters why she’s doing what she’s doing, Dollface responds, ‘Why not.’

The original movie, The Strangers, written and directed by Bryan Bertino, one of the writers of this film, was unique and more frightening than this but its sequel is filled with just as much blood and as many jump-scares as its predecessor. Dollface and Pin-Up Girl seem to always come out of nowhere to wrangle this family of vacationers right where they want them to be able to torture them with ease. The first film, starring Scott Speedman and Liv Tyler, is similar in that they are a married couple who are terrorized at their vacation home by masked strangers. This time, it’s a married couple with two teenage kids, going to spend a vacation at a family members trailer park near a lake. What makes this all more frightening of a thought is where the premise of the screenplay originally came from. The Strangers came to Bertino because of two true events. Those of the Manson family, Tate murders, where several people were killed for being in the wrong place at the wrong time and also a series of break-ins that happened in Bertino’s neighborhood when he was younger, whereupon a stranger would knock on the door and ask if a particular person was home, just to see if someone was there. If no one was home at the moment, that was the place they hit. Combining these two ideas made it possible to construct a horrifying tale of unwitting victims unable to escape the circumstances they found themselves.

Christina Hendricks (Madmen) plays a mother named Cindy and Martin Henderson (Grey’s Anatomy) plays her husband, Mike, who decide to force their teenagers, Kinsey (Madison) and Luke, played by Bill Pullman’s son Lewis, to take a trip with them to a place where Cindy and Mike, more or less, have their kids to themselves. Well, they do get them to themselves but not for long.

They find that the trailer park is deserted and her uncle isn’t there to greet them so they’ll see them in the morning. It’s peculiar but god forbid anyone listens to the hairs on the back of their necks which are pointing the way out for them. They ignore their gut feelings and because of that decision, their family vacation never gets underway. The terror starts almost the very moment they get there… without a chance to play cards or reconnect. From earlier scenes, you can see that the siblings aren’t close but before long they’re having to save each other. They find themselves wandering alone, in a place they’re not familiar with, without help and no way to get any.

For the most part, it’s cliché (a wounded girl can’t run) and it’s highly predictable (the victims moves toward the problem not away from it) and I just can’t say enough how ridiculous it is that the individuals in this film’s scenarios put themselves in danger more than help themselves out of it. That said, if you like a good, fun horror, you’ll get plenty out of it. There are a lot of jump-scares and the occasional clutch-your-seat scene to make this a worthwhile watch. There was particular care in making sure you heard people struggling to live. That was a plus. Director Johannes Roberts puts you into the action in a scene where Luke is being attacked by Man in the Mask in a pool. We go under the water with him, briefly come up for air only to be yanked back under giving us that feeling of all hope being lost at the same time Luke experiences it. Eerie. I would like Roberts to explain one thing to me, though. Why on earth is Man in the Mask a big fan of Kim Wilde and Air Supply? Perhaps to remind us that he is just a normal guy under there or that he’s a touch on the older side? Whatever the answer, it was odd. So is the film. Watch it anyway but I’d wait for cable.

 

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Gringo Movie Review

The movie “Gringo” finds a way to mix humor into a horrific kidnapping situation. When a timid middle-manager is sent to Mexico to oversee a large corporation laboratory, he gets mistaken for the guy in charge. And when the guy in charge is pulling a fast one on the local drug cartel, then the results might not be so pleasant for that guy. But can the tables be turned on the corporation bosses and the cartel kingpin?

 

Harold (David Oyelowo) works for that large corporation which manufactures drugs. He is ignorant of many facts around him. His wife Bonnie (Thandie Newton) is having an affair and is going to leave him. His boss Rich (Joel Edgerton) is working side deals with the cartel, and is attempting to cover it up, so he can sell the business to a mega-firm. His partner Elaine (Charlize Theron) is all business, until her trysts with Rich are ending. Then she looks for a way to get even.

Harold goes down to the company lab in Mexico, where a cannabis tablet is being made. When it becomes legal everywhere in the States, then the company will have a gold mine. But Rich has been selling much of the product on the side to the cartel. Harold begins to see where the trail is leading, and he wants out. His wife is leaving him, he is dead broke and the company thinks he is expendable. The cartel wants Harold because they think he is in charge and can make the special tablets.

Harold happens to meet an American girl named Sunny (Amanda Seyfried), who is also in Mexico. Her boyfriend is planning on stealing the tablets and smuggling them back to make drug mule money. Harold is caught between the cartel thugs, and then some amateur thugs, when both try to kidnap him. Rich finally calls his brother Mitch (Sharlto Copley) who an ex-Special Forces guy and can get Harold back home safe. But Harold is not going to trust anyone anymore. Can anyone make it out alive?

“Gringo” takes serious subject and plays it for some laughs. Getting kidnapped in Mexico is not a fun thing. But David Oyelowo plays such a hilarious character that you want to root for the underdog. Joel Edgerton plays a great sleazy businessman in over his head who is courting disaster. Sharlto Copley does a crack-up job with a fairly brief role as Mitch, and he is fun to watch. The rest of cast is also well placed in the roles that they play. Nash Edgerton handles the direction with very few issues, and he keeps the action moving forward at a brisk pace. The action goes from Chicago to Mexico many times, and there are no dull pauses.

The movie takes a pretty good swing at being an action movie with a big dose of comedy. There are many places where it could have been a too dark for comedy, but it pulls it back just in time. The pacing makes it so each scene does not linger too long and become stale. And you even get to enjoy David Oyelowo singing along with “Getting’ Jiggy wit It”.  That will warm the heart of any gringo!

The Grinch – Trailer

For their eighth fully animated feature, Illumination and Universal Pictures present The Grinch, based on Dr. Seuss’ beloved holiday classic.  The Grinch tells the story of a cynical grump who goes on a mission to steal Christmas, only to have his heart changed by a young girl’s generous holiday spirit.  Funny, heartwarming and visually stunning, it’s a universal story about the spirit of Christmas and the indomitable power of optimism.

Academy Award® nominee Benedict Cumberbatch lends his voice to the infamous Grinch, who lives a solitary life inside a cave on Mt. Crumpet with only his loyal dog, Max, for company.  With a cave rigged with inventions and contraptions for his day-to-day needs, the Grinch only sees his neighbors in Who-ville when he runs out of food.

Each year at Christmas they disrupt his tranquil solitude with their increasingly bigger, brighter and louder celebrations.  When the Whos declare they are going to make Christmas three times bigger this year, the Grinch realizes there is only one way for him to gain some peace and quiet: he must steal Christmas.  To do so, he decides he will pose as Santa Claus on Christmas Eve, even going so far as to trap a lackadaisical misfit reindeer to pull his sleigh.

Meanwhile, down in Who-ville, Cindy-Lou Who—a young girl overflowing with holiday cheer—plots with her gang of friends to trap Santa Claus as he makes his Christmas Eve rounds so that she can thank him for help for her overworked single mother.  As Christmas approaches, however, her good-natured scheme threatens to collide with the Grinch’s more nefarious one.  Will Cindy-Lou achieve her goal of finally meeting Santa Claus?  Will the Grinch succeed in silencing the Whos’ holiday cheer once and for all?

Find out, Christmas season 2018.

Genre: Animated Comedy

Directed by: Scott Mosier, Yarrow Cheney

Based on the Book by: Dr. Seuss

Produced by: Chris Meledandri, Janet Healy

ILLUMINATION PRESENTS DR. SEUSS’ THE GRINCH – In Theaters November 9

Official Website | Facebook | Twitter | Instagram | #TheGrinch

In Theaters November 9th

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A Wrinkle in Time Movie Review

This is a story of light overpowering the darkness, good overwhelming evil and love’s triumph over hate. There are some magical moments in the film but a few instances of head-scratching will occur, as well. We are taken on a journey that a young woman, Meg (Reid), must take in order to move forward with her life. Doubting love, unhappy with life and questioning her self-worth most of all, the sweet and happy-go-lucky little girl of the past has lived the last four years in misery and prefers keeping to herself, the only person she can trust. She knows her little brother, the highly intelligent and gifted Charles Wallace, played by an adorable and very into the part, Deric McCabe, loves her. If she’s to believe in love, however, why did her father leave her if he loved her as much as she loved him? The central question eating away at Meg is if he could just walk away, so could anyone else so why get attached?

Its been four years since she last saw her father, Mr. Murry (Pine), a brilliant Nasa scientist who believed you could fold time and move through it. Alone one night, he simply disappeared without a trace. At the time, he and her mother were working on a theory of projecting oneself through the universe with one’s mind. They introduced this idea to a group of scientists who weren’t ready to hear such a thing, not ready to hear that there were no rules to space and time. Her mother, played elegantly by Gugu Mbatha-Raw, a physicist and the more prudent of the two, knew telling them too early about the act of ‘Tessering’, moving from one place to another by closing your eyes, opening your mind and finding the right rhythm or frequency to travel, would not be taken seriously but her husband told them anyway only to be rejected. Not including her in another decision, he works in their lab and vanishes. Unsure if he left because he doesn’t love them anymore, the family is devastated and all work in science is halted… or so they thought. Young Charles Wallace has a secret to share with his big sister and the timing couldn’t be better.

He has been in contact with three divine, ethereal beings, referred to as the Mrs. as their names are (in order of appearance), Mrs. Whatsit (Witherspoon), Mrs. Who (Kaling) and the blessed, more powerful, Mrs. Which (Winfrey). They’re colorful, otherworldly souls who are aware of Mr. and Mrs. Murry and their achievements. They inform Meg, Charles Wallace and their friend Calvin (Miller) that they have heard a call from Mr. Murry and that they intend to help the children find him. They also tell them that he may be in danger. The spirits teach a very stubborn Meg that she needs to believe and to open her heart to find the right pitch in order to leap or Tesser into another dimension. She’s suspicious but joins the group to find herself on another plain in the universe. At a later moment, Mrs. Which explains that to Meg that a lot went into making her and that she’s a part of this giant universe, too. She deserves love… is love.

Zach Galifianakis, who gives a wonderful and somewhat stirring performance as Happy Medium (a fun play on words), a seer who helps point them in the direction their father can be found, tries to break through the wall Meg has surrounded herself with. It’s at this point that they all agree they need to show Meg what’s at stake. The It, which is the darkest mind in the universe, that can reach any and everywhere, even earth, wants to bring pain, despair and darkness to the universe and is where their father is trapped. They must save him, and but the Mrs. can go no further. The children are given a few gifts to help them and are sent out on their own. Once they are on their own, the movie has visual delights that will fascinate and amuse all who watch, especially the youngest in the audience. Structures begin to move and change which is interesting. There are some creepy moments and surreal moments, all done exceptionally well. Michael Peňa makes his appearance in a scene you wish you could rewind to watch again, and before he’s gone, he grabs Charles Wallace and infects him with the evil energy. The actor playing Charles Wallace is wonderful here, portraying a loving child one moment and conjuring a demon the next. He tries to get Meg to join him but she fights for their lives against the darkness; fights for them all. Megs final Tesser is glorious and you’ll know what I mean by that when you experience it yourself.

The film is good. This will be the family movie of the year. Youngsters will have a wonderful time watching it and so will you. Forget about Madeline L’Engle’s fantasy novel, just enjoy the film. I had a few problems with how director DuVernay didn’t set up the connection with Meg and her father enough for the audience to truly feel the love and bond between and scene with them toward the end which makes him look like a complete coward and turns you against him. That doesn’t make sense but overall, she did an exceptional job directing these young actors and bringing this beautiful story to the screen. The score and the soundtrack are fantastic, as well. See this at the theatre to experience it all the ways it should be.

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