Measure of a Man Movie Review

The film ‘Measure of a Man’ is an adaptation of the book ‘One Fat Summer’ by Robert Lipsyte. It’s directed by Jim Loach, whose father Ken Loach has been working in the film business for over fifty years. Seeing this movie makes me certain Jim will have the same kind of staying power. Jim had writer David Scearce write the screenplay and make some changes to it to create a more relatable world for him to work with. Doing this has made his twenty-second directing achievement a triumph. His casting choices also helped. Topping off a fabulous cast of young actors whom you may not know quite yet is Judy Greer, Luke Wilson and the crème de la crème, Donald Sutherland.

‘Measure of a Man’ is set in the 1970’s and is a story about an awkward teenager, Bobby Marks (Cooper), trying to fight bullies and his own lack of confidence to grow up and become a man. Depending on how one interprets that, what he wants to do is be helpful to those around him and be a good person but has so much anxiety, he can barely help himself. He’s overweight, uncomfortable in his own skin and outside of his mother (Greer) and sister Michelle (Liberato), is too nervous to talk to girls, save one, Joanie (Danielle Rose Russell), who he grew up knowing. He knows Joanie because his family gets together every year with hers after upstate travel for summer vacation brings them together for picnics, swimming and county fairs. The chubby kid certain that one day her acceptance of him over summer break will blossom into love.

However, this summer, things are different. A lot has changed. Bobby hasn’t changed but other things have and he’s even more uncomfortable. The people upstate have finally let the vacationers know what they think of their visitors, the locals are harsher and less tolerant of the mess they leave and find an easy target in Bobby to take it out on. Joanie frightens Bobby more than anything a thug could do to him. She has matured and is now taking off for a month and won’t explain to him why. Heartbroken, he gets a summer job helping Dr. Kahn (Sutherland) with his lawn and basic yard maintenance. It’s this relationship that becomes the turning point of the film. Kahn is a rich elite who you think is being severe but you come to realize, through his own experience, he’s guiding him into manhood. Kahn also accidentally stumbles onto a sort of friendship he wasn’t quite expecting.

The characters in the film are well thought out and the acting is convincing. Bobby and Michelle’s relationship as brother and sister is hateful yet compassionate and Cooper and Liberato’s performances are spot on. Loach is largely to thank for pulling performances out of his young cast that keep you both amused and captivated. When feeling for the poor youngster, you’ll also feel inflamed when he’s confronted with more than he can handle. I like the movie and believe you will, too. Jim Loach knows how to handle a story. This movie is potent and effective and one not to miss. Include ‘Measure of a Man’ in YOUR summer vacation films.

Playing in Phoenix Exclusively at *Harkins Camelview

READ MY INTERVIEW WITH JIM LOACH AND LIANA LIBERATO

Life of the Party Movie Review

“Life of the Party” is a new movie that relies on the comedy talents of the star, Melissa McCarthy. There is no problem with that, because McCarthy is a totally likable and engaging comic presence. She has the star power and charisma to pull off being a major player when given the right role. That is the biggest problem. Her abilities far overpower the meager gruel that this movie. She tones down her snappy and sarcastic style to play the neutral beige of her character, and jokes fall like gentle snowfall – when she is best suited for a full-scale blizzard of snark.

 

Deanna Miles (Melissa McCarthy) is dropping her only daughter Maddie (Molly Gordon) off at college for her senior year. Little does Deanna know that her husband Dan (Matt Walsh) is dropping Deanna – he wants a divorce from the bland matronly woman that he married. She is broken apart, and she knows she must propel her life in a new direction. She decides to go back and finish college herself. She had dropped out in her senior year to get married and have Maddie. Now it’s her time to shine. Her best friend Christine (Maya Rudolph) gives her the encouragement to get out on her own.

 

Deanna bring her cheerfulness and Hallmark-card sentimental gooey nature into the college dorms and classrooms and Greek houses. She is a little unusual, and some of the ‘mean girls’ make fun of her gentle and uplifting manners. But she endures, and even Maddie and her friends are brought over her sunny-side-up attitude. She attends the frat parties and becomes the teacher’s pet. She gets something going with a boy toy that is less than half her age. You go girl!

 

But her divorce proceeding threatens to bring the whole house down around Deanna. She gets a little bent out-of-shape and ruins Dan’s wedding reception. She is close to failing her favorite class and dropping out of school.  But her friends that she made in the sorority will help to throw a big bash for cash. And to get everyone to attend and pay the cover charge, they start the rumor that a big celebrity will stop by after her concert. But is all just a lie, or is it? Does her roommate actually have a secret of her own, one that will save the day?

Melissa McCarthy is the main player in this show, but she gets very little in the way of good material to work with. Mostly all the jokes are a variation of ‘Dad jokes’ just told by the Mom. There are a couple of snappy lines here and there, but most of the script seems to have been warmed over like a week-old stew on the low burner. There could have been much more zing in the story line, but Deanna is forced to get by on phrases like “I’m down to clown”. There is hardly any chemistry between the actors and almost no character development.

 

There is basically not much Life in this Party. It seems too toned-down to have any edge, and all that is left is a frumpy bedazzled sweater of a movie. It may look nice on the rack in the clothes store, but is not the right style that would have you wear it home.

Breaking In Movie Review

“Breaking In” is a taut little thriller that echoes back to a similar situation in the movie “Panic Room”. In this case, there is not just a single room that is fortified and protected, it is the entire house. Maybe call it “Panic House”? Like in “Panic Room”, there are thugs after hidden money, and a mother is all alone while defending her kids against the murder and mayhem. She has the willpower to overcome some evil creeps who want to make off with the money and ‘eliminate’ and problems. The power of motherly love can battle against criminal sleaze, and she might be able even the odds.

 

Shaun Russell (Gabrielle Union) has found out that her estranged father was killed in a hit-and-run accident. The old man was perhaps into some bad things, since he was on the radar of the DEA. Shaun must go to his estate to clear it out and get it ready for sale. He brings her two kids, teenage daughter Jasmine (Ajiona Alexus) and younger brother Glover (Seth Carr). She finds that the old man had taken the family home and had given it a full protective make over. There are multiple security doors and lights and sensors, plus shields that come down on the unbreakable glass windows. The place is a fortress, so nothing can get in, right?

 

Not so fast there, bucko. A group of murderous thieves is about to get into the house to find some hidden cash that the old man stored in a safe. Shaun’s dad was up to no good, but it did pay well. But now he is dead, and the gang of misfits and ex-cons is ready to ransack the house. But then they find that there are two kids inside, while mom is out on the phone ordering a pizza. She gets attacked by a thug but runs, and soon she gets the upper hand. She finds that the main bad guy is Eddie (Billy Burke), who found out that the money was hidden in the house from another ex-con Sam (Levi Meaden). Eddie also has with him Peter (Mark Furze), but he has been tied up by Shaun. The wild-card psycho on his team is Duncan (Richard Cabral), who could kill a real estate agent just to make sure that she does not call the police. Which he does…

 

Shaun is alone there with the gang holding her children hostage. She needs to find a way to get them safe and to get the bad guys removed. Eddie wants to get the money, but with Shaun and her kids there, it poses a problem. They have weapons, but she has her wits. She also has a fierce protective streak that not even polycarbon-resin based shields can resist. She uses her brains and the tools that she has at hand to play a game of cat and mouse to slowly eliminate the bad guys one by one. She only wants the safety of her family, and if there are people who get in her way – they had best beware.  Her husband could not make the trip with her, so she is left to her own resources. And she becomes very resourceful…

 

This movie is a nice take on the ideas from “Panic Room”, with perhaps a little touch of “Die Hard” thrown in. When Shaun is first attacked and runs away, she had left her shoes behind and is running barefoot. Gabrielle Union does a very powerful job as mother put into a bad situation. She has a screen presence that shows Shaun is resourceful and smart, but she is still scared for the safety of her kids. Billy Burke does a nice job as thoughtful, yet merciless bad guy. The rest of the cast is quite good. For the brief times that they have on screen, they get across a decent idea of that character and what they are capable of doing.

 

“Breaking In” does take a bit of thunder from some prior movies, but it does present it in a clear and straight-forward way. The movie moves along very quickly, and you can get a pretty good idea of the layout of the entire estate and who is located where. That helps to ratchet up the tension in many scenes. It comes across as an interesting look at how one woman can become a very real nightmare for a gang of thieves. When Shaun gets her “John McClane” going, she is an unstoppable force to be reckoned with.

 

As Shaun might say “Welcome to the wooded estate home protected by massive security measures, pal!

COMPLETELY FREE “MAMMA MIA!” event happening on Mother’s Day at Harkins Camelview at Fashion Square!

Need something for your mother and you to do this weekend?

Take her to a free screening of ‘Mamma Mia!’ as you both get ready for ‘Mamma Mia! Here We Go Again!’ to release on July 20th!!

Only 25 markets will be getting this special MammasDaySingAlong version of the film and Phoenix is one of them!!

These screenings are 100% free at all 25 locations, no strings attached.

This means you don’t even need a ticket to enter.

You just show up at the theater and if there are seats available, they’ll let you in.

No ticketing needed, nothing to reserve in advance, and no purchases required.

-Find out more at WWW.MammasDaySingAlong.com

Ten years after Mamma Mia! The Movie grossed more than $600 million around the world, you are invited to return to the magical Greek island of Kalokairi in an all-new original musical based on the songs of ABBA.  With the film’s original cast returning and new additions including Lily James (Cinderella, Baby Driver), the musical comedy will open on July 20, 2018.

Mamma Mia! Here We Go Again is produced by Judy Craymer and Gary Goetzman, producers of the original film.  Craymer is also the creator and producer of the worldwide smash-hit stage musical.

Ol Parker, writer of The Best Exotic Marigold Hotel, writes and directs the sequel from a story by Catherine Johnson, Richard Curtis and Parker.  Benny Andersson and BjÜrn Ulvaeus return to provide music and lyrics and serve as executive producers.  Tom Hanks, Rita Wilson, Phyllida Lloyd, Richard Curtis and Nicky Kentish Barnes also serve as executive producers.

Reprising their roles from Mamma Mia! The Movie are Academy Award® winner Meryl Streep as Donna, Julie Walters as Rosie and Christine Baranski as Tanya.  Amanda Seyfried and Dominic Cooper reunite as Sophie and Sky, while Pierce Brosnan, Stellan Skarsgård and Oscar® winner Colin Firth return to play Sophie’s three possible dads: Sam, Bill and Harry.

As the film goes back and forth in time to show how relationships forged in the past resonate in the present, James will play the role of Young Donna.  Filling the roles of Young Rosie and Young Tanya are Alexa Davies (A Brilliant Young Mind) and Jessica Keenan Wynn (Broadway’s Beautiful).  Young Sam will be played by Jeremy Irvine (War Horse), while Young Bill is Josh Dylan (Allied) and Young Harry is Hugh Skinner (Kill Your Friends).

Genre: Musical Comedy

Cast: Meryl Streep, Pierce Brosnan, Colin Firth, Stellan Skarsgürd, Julie Walters, Dominic Cooper, Amanda Seyfried, Christine Baranski, Lily James, Josh Dylan, Hugh Skinner, Jeremy Irvine, Alexa Davies, Jessica Keenan Wynn, Andy Garcia and Cher

Written and Directed by: Ol Parker

MAMMA MIA! HERE WE GO AGAIN – In Theaters July 20

Website | Facebook | Twitter | Instagram | #MammaMia2

Measure of a Man movie poster

Interview with Jim Loach and Liana Liberato from the film ‘Measure of a Man’

Following in his director father’s footsteps, Jim Loach has become an outstanding storyteller. His father is the well-known director, writer, producer Ken Loach, who directed last year’s impressive film ‘I, Daniel Blake’ among countless others. Read more

show-dogs-movie

Show Dogs Advance Movie Screening

Movie Screening Summary

SHOW DOGS stars a delightful cast of talking canine characters, including our hero Max, a rugged lone-wolf Rottweiler police dog. Max and his human police partners are investigating an underground network of illegal animal traders when they get a tip that the crime ring is planning an attack on the prestigious “Eastminster” Dog Show. Macho Max must undergo a makeover – mud baths, ballet lessons, a Brazilian waxing – to go undercover in order to thwart the plot. In the hands of his new human handler Frank, Max gets in touch with his inner show dog, and also learns that trusting the help of others can sometimes be more rewarding than working alone.

Release: May 18, 2018
Studio: Open Road Films
Genre: Animation
Director: Raja Gosnell
Producers: Deepkak Nayar And Philip Von Alvensleben
Executive Producers: Tom Ortenberg, Nik Bower, Max Botkin, Raja Gosnell And Scott Lambert
Writer: Max Botkin And Blaise Hemmingway
Cast: Will Arnett, Chris “Ludacris” Bridges, Natasha Lyonne, Jordin Sparks, Gabriel “Fluffy” Iglesias, Shaquille O’Neal, Alan Cumming, and Stanley Tucci
Rating: PG

See more advance movie screenings from tmc

Advance Movie Screening For SHOW DOGS

Find your chance to receive special advance movie screening passes below.

 

Phoenix, Arizona

Advance Movie Screening Details

Movie Screening Date: Saturday, May 12
Location: Harkins Tempe Marketplace
Movie Screening Time: 10:00 am
[button link=”http://www.gofobo.com/TXTDogsPHX” type=”big” newwindow=”yes”] Get Passes[/button]

Las Vegas, Nevada

Advance Movie Screening Details

Movie Screening Date: Saturday, May 12
Location: Regal Red Rock
Movie Screening Time: 10:00 am
[button link=”http://www.gofobo.com/TXTDogsLV” type=”big” newwindow=”yes”] Get Passes[/button]

Advance Movie Screening Information

To redeem a pass, simply click the Get Passes button. You will taken to our movie screening partner site (where you can sign up for a free account). Once you’ve done so, you’ll be able to print out your pass and bring it with you to your screening or event.

Admittance into a screening or event is not guaranteed with your pass. Events and advance screenings are filled on a ” first come, first served ” basis. To ensure that you stand a good chance of being admitted, we recommend that you show up 30 minutes to one hour early.

The number of admissions that are permissible for each pass are printed clearly on the ticket that you print out. You are allowed to bring as many guests as is indicated on your pass. For example, if your pass is for ” Admit Two, ” you can bring yourself and one guest. If you have an ” Admit One ” pass, you can bring only yourself.

If you have any other questions or comments, please contact us.

The Endless Movie Review

Sometimes a movie can sneak up on you and take your idea of reality and throw it in the trash can. “The Endless” can do just that. It can lift out your brain, put it in the blender, and hit ‘Frappe’. But when you are finished watching, you realize that the movie that you just saw has taken you on a trip into an alternate dimension Fun House. Be careful, you still might be stuck somewhere in the Hall of Mirrors.

Two brothers have escaped ten years ago from a weird ‘UFO death cult’, as they called it. Aaron Smith (Aaron Moorhead) rememebers things much differently than his older brother Justin (Justin Benson). Being far removed from that time, they both feel isolated without contact with the cult members. They are living dull and drab lives, and they wish to make a final closing statement to the other cult people. So they head back for just single night to confront them. But at the same time, Aaron thinks they might be able to take them back.

Justin and Aaron stop at the roadside marker that shows where their mother was killed in a car crash and the cultists found the two boys alone. The cult took them in and cared for them, and Aaron has some fond memories. Back at Camp Arcadia, Aaron and Justin meet with many of the people with whom they used to live. The group has no actual leader, but Hal (Tate Ellington) is the one who talks the most and explains things to them. But how to explain that 10 years have gone by, yet the entire group seems to have not aged? There is Anna (Callie Hernandez) who is sweet to Aaron and might be using her charm to make him stay. There is Tim (Lew Temple) who is big and brawny and might be an enforcer who can make people stay.

Justin wants to get going quickly, because he feels something is not quite right at the camp. The members of the group never leave, and there are very odd things that he sees. Gravity does not seem to work in the same way. The full moon is shown to be two moons in the sky. There are things that Justin cannot explain, Aaron is not paying attention at first, but soon he also gets the idea that there are unnatural forces at work. Justin tries to leave, and he gets lost in the woods.

Justin finds a fellow named Carl (James Jordan) and he explains some things to Justin. But he does not believe Carl, until he sees the results of what happens. There is an unseen force or an entity that is controlling these people, at the camp and in Carl’s cabin. Justin goes not he finds a couple of guys in a cabin where unusual things happen with time. In some areas, there is repeating loop where time is not advancing into the future. Justin and Aaron reconnect and both decide that it is time for them to go. But will they be able to get out of the mystery location, without a way to know what the hell is going on?

Justin Benson has come up with a story that takes you and gives you a very strange tingle of your spidy-sences. Justin Benson and Aaron Moorhead manage to not only direct the entire film, but also two play the two key roles. As brothers who had been able to escape the clutches of a strange death-cult, they return to find things were more bizarre then they thought. The story unfolds very slowly and methodically, with just enough unexplained images and dialog to make you wonder if the two guys are just insane.

For a very small independent movie, this reaches and succeeds far better than a handful of major Hollywood releases. It explores the presence of an unseen entity better than “Annihilation”. It takes a stab at displaying time loops that can rival the movie “Edge of Tomorrow”. It takes a clever look at what being in a cult can do to mess up the brain of young kids, better than any other major movie.

“The Endless” does a credible job of breaking out of a ‘cult status’ movie and being able to become a well-respected and interesting movie that will be talked about for ages.

In Phoenix, playing the FilmBar

Disobedience Movie Review

The movie “Disobedience” is a deep dive into the inner workings of an Orthodox Jewish enclave located in London. The focus is on two women, and how the community reacts to the sexual attraction between them. The pacing of the story is slow and methodical, as the ramifications of their forbidden love spreads even deeper. Since one of the stars is Rachel McAdams, the shortcut title might be “The Notebook for Orthodox Jewish Lesbians”. All that is missing is the kiss in the pouring rain and the swans on the lake…

Ronit (Rachel Weisz) is the daughter of the main rabbi in a small London Jewish community. The elder rabbi is much respected, and Ronit is estranged from everyone in the Orthodox group. She has moved far away and does not communicate with anyone from back home. That is, until the rabbi dies suddenly. She is informed that he has passed away, and she decides to make a trip from New York back to her old community. That is, if anyone there will put up with her. There was some undefined incident that caused the falling out with her father and the rest of the people. But she comes back and stays with a childhood friend.

That friend is Dovid (Alessandro Nivola) who is a young man getting setup to be the new rabbi for the community. He is married to their childhood friend Esti (Rachel McAdams) who is the one that secretly contacted Ronit. Dovid is surprised to see Ronit return, because he thought that nothing would make her come back to the place that caused her so much pain. Esti is secretly pleased, because she and Ronit have a hidden past of passion and love. It was this relationship that caused Ronit to leave in the first place.

Passions get reignited and emotions get all tumbled when Esti and Ronit reconnect. The community around them start to get wind of the underground love affair that has rekindled. Dovid becomes very angry and at the same time confused. The things that Ronit assumed would be part of her father’s will that he would leave to her are instead being funneled to the synagogue. So, she left with nothing, and she is coming back for nothing. Only the subversive and illicit love between her and Esti will bring her anything resembles joy. Yet the passion that connected them is tearing apart the community in which they live.

The keys of this movie are ‘The Two Rachels’, Rachel Squared as it were. Rachel Weisz and Rachel McAdams are very enlightening as the two leads, Ronit and Esti. They pour a lot of talent into the lost and longing looks and steely gazes of the two characters. They are the reason that a very mediocre story line can be enhanced into a higher level of viewing. Also, Alessandro Nivola does a very fine job as the poor guy who gets stuck in the middle of something that he does not understand. Every other actor is well suited to be a typical Jewish community member. Perhaps a bit too stereotypically, in some of the cases.

This will, in most cases, be a must-see movie for a very small and select slice of the audience. It does have two strong female leads. They are in a very interesting situation where they rebel against a very traditional religion. But for a clear majority of people, it might be a little languid in the pacing of the movie. It might also be a little non-specific in the final resolutions. There are many loose ends, and many times an audience likes to see most of the situations wrapped up. There is not a huge excitement factor in the plot or the pacing. The movie simply exists to give ‘Rachel Squared’ a platform to give a very powerful pair of performances.

In Phoenix, playing exclusively at Harkins Camelview…

Tully Movie Review

Going into ‘Tully’ I didn’t know what to expect. Sometimes when I know ahead of time that I’ll be reviewing a film, I avoid all mention of the said film, so I can go in without any knowledge of the concept and therefore don’t build any preconceived notions. I especially avoid trailers as I believe, this is especially true of the last few years, they give away too much of the plot. I’ll try not to reveal too much here, myself.

What I knew of ‘Tully,’ and all I needed to know to sell me on it, were the stars, the director and the writer. Charlize Theron, Mark Duplass and Ron Livingston in a film directed by Jason Reitman who directed the wonderful ‘Up in the Air’?! Enough said! But then written and produced by Diablo Cody, too?! Cody first came on the scene when she wrote her smash hit film ‘Juno” for which she procured a BAFTA, Writers Guild, Critics Choice and Academy Award® for Best Original Screenplay. Quite the accomplishment. ‘Juno’ was also directed by Reitman. ‘Young Adult,’ which I considered to be rather good, as well, Sees Cody and Reitman together also and stars Charlize Theron. Knowing this, I was chomping at the bit for this new film. Still I refused to learn too much of the story, instead, I went in trusting the team that designed the piece. I had heard all I needed to know to get me in the theatre and should do it for you, too. Reitman and Cody make a good team. ‘Tully’ is very well written, quite charming and whether you think you can relate to the characters or not, very much worth your time.

Theron plays Marlo, a pregnant mother of two, who’s about to have baby number three shortly. One of her children, her son, has difficulties in school, shows all the signs of autism, and makes getting through the day quite a struggle. She has to brush his body to reduce the anxiety of everyday stimulation for him. Her husband Drew, played by Ron Livingston, of ‘Office Space’ fame, works a lot and when home he spends more time playing video games than he does noticing if Marlo has had a good day, is okay or needs his help. He is a good father and they do have a loving relationship, but their communication is more about the kids and problems that arise rather than relaxed and problem free. Then, of course, when she has the baby things get more chaotic for Marlo and, seeing less of him, she begins feeling drained and sleep deprived.

Her concerned and very wealthy brother Craig, played by the charismatic Mark Duplass, offers to pay for Marlo to have a night nanny come over in the evenings and help her. This is so she can get some rest and be more prepared to handle the sunrise. At first, the idea of someone coming into her home and taking care of her child doesn’t thriller Marlo but she eventually finds herself unable to dig herself out from underneath mounds of housework piling up around her. She feels neglectful and, realizing how good it’ll be for her family to have someone help, she accepts the generous gift.

This is when Tully, (Mackenzie Davis from ‘Blade Runner 2049’), a young woman in her twenties, enters her life. Still a little nervous about the situations, when she finally meets Tully she feels genuine warmth come from her. Knowing that all will be well, Marlo puts her head on the pillow, closes her eyes and gets the first good night’s sleep she’s had in years.

As the relationship deepens and the help she’s receiving becomes more about the bond between the two women, their conversations and the film itself gets more engaging. It’s also considerably witty. Whether you’re a woman or have been a parent or not, you’ll enjoy the banter between all the characters in the film. The Reitman/Cody union has always been strong and this time it’s not only good but has matured, as well. A twist they throw at you at the end of the film is not only kept well-hidden but is a testimonial to how Cody has evolved as a writer which makes you giddy for her future work. Whatever she has coming up for us, hopefully, she’ll not stray too far from her formula and from these partnerships that work.

For more information, visit the website and check out the social pages:

Official Website:     http://www.tullyfilm.com/

Facebook:                https://www.facebook.com/tullymovie/

Twitter:                      @TullyMovie

Instagram:                @TullyMovie

#Tully

Kings Movie Review

The movie “Kings” is an attempt to tell the story of the LA riots in 1992. It zooms in to a close-up level on a black foster mother raising quite a few kids while living in the South Central section of LA. After the beating of Rodney King, there were four cops on trial for the incident. The verdict came back ‘not guilty’, and much of the town exploded in violence. Black people were outraged and took to the streets in droves.

Mille (Halle Berry) somehow has seven or so children in her care. She gets some money from the state for raising the kids, but she also gets some more cash by selling bundt cakes. Which is a very black thing to do, I hear. There are some her kids with names, but there are so many it all seems a blur of who is who.  There is an incident at night where Millie pulls another young black boy off the streets, who is being stopped by the cops. She just takes him in and that’s that. Also, there is some young black girl who drops out and maybe gets involved in a gang, but it is not clear.

 

There is a neighbor who lives alone named Obie (Daniel Craig) and he is one of the only white men left in that part of the city. He plays classical music (it figures) and he gets annoyed when Millies younger boys play ball in the alley. There is one day when Mille is mad at the three younger boys and tells them to stay outside, because they misbehaved will not get supper. Obie sees them and takes the three smaller kids in and gets them some food and cares for them. Millie is panicked, but she sees that her grumpy neighbor has a softer side.

The weeks go on and there is a rising sense of tension, until the verdict comes in from the trial. Then a match that has been thrown onto a puddle of racial gasoline ignites the city into flames. There are roving gangs of violent gangs and multiple stores being looted. There are multiple fires across the city, and the firemen and policemen cannot come out to save structures or people. The raw power of hatred has overcome society, and Millie and Obie are trapped in the middle.

This movie very uneven and it has a place that it wants to get to. But it never seems to get to that place. In a time where there are major true stories to tell (LA race riots), this movie would rather serve up a weak fictional story of a black mother and some white guy. There is a very awkward sort-of romance that is tacked onto this relationship. But that does not feel deserved at all. The characters of each of the kids is so fuzzy that I could not tell which black teenage foster son was the ‘good son’ and which was the ‘mean streets son’.

 

And there is no indication of that silly movie title and what it means. “Kings’, does that mean LA Kings, the NHL team in LA? Does it mean that LA cops see all the inner-city black dudes as ‘Kings’, as in a bunch of Rodney Kings? Does it mean there was a defective deck of cards, and it contained only face cards, the ‘King’ type card? Inquiring minds what to know!

 

If this movie wants to see what an excellent movie about a race riot looks like, then they can check out ‘Detroit’. It is a movie from last year, but it also had some similar themes of racial injustice and black rage. This movie “Kings’ is a Hallmark version of a real gritty, down-to-earth expose of a race riot.

 

Playing in Phoenix area at Harkins Shea 14