BlacKkKlansman Movie Review

August 9, 2018 (updated November 16, 2018)

Getting straight to the point, no credits or anything to distract from the message the filmmaker is presenting, ‘BlacKkKlansman’ starts with an old fake news clip. An actor, played by Alec Baldwin, tells his audience about how white American children have been forced to go to school with an inferior race, the black race, who are listening to Martin Luther ‘Coon,’ and have become super predators. I’m actually being nice in telling you what the despicable character and his distorted vision of reality says as he looks straight into the camera and into the racist soul of certain people in that period of time. However much the film may depict a particular year in the past (BlacKkKlansman is based in the 70’s), it’s really showing you our present, especially at the end of the film… it’s shattering to see, on the big screen, who we are today.      

Director Spike Lee gives us the racial issues going on in the Black Power movement by introducing us to strong activists trying to get the message of their struggle through to people while showing that they are no different than Black Lives Matter, a group born from the police brutality and racial discrimination of today. Juxtaposed to that is their KKK and white supremacists and today’s very vocal and bigoted alt-right. He does so this is a powerful way that’s emotionally disturbing and will have you thinking way beyond the theatre doors.

Director Spike Lee gives us the racial issues going on in the Black Power movement by introducing us to strong activists trying to get the message of their struggle through to people while showing that they are no different than Black Lives Matter, a group born from the police brutality and racial discrimination of today. Juxtaposed to that is their KKK and white supremacists and today’s very vocal and bigoted alt-right. He does so this is a powerful way that’s emotionally disturbing and will have you thinking way beyond the theatre doors.

The film is set in Colorado Springs and is actually based a retired African-American police officer Ron Stallworth’s (played expertly by John David Washington), book which is hard to believe is true, though it all is. Stallworth, tired of being treated like a second-class citizen and participating in infiltrating the rallies of the Black Power Movement, he decides to turn the tables. With help from fellow officers, he dupes the local chapter of the Ku Klux Klan, and eventually David Duke (Grace) himself, to become a card-carrying member of, the KKK. His skin tone would never allow him to get close to members of the Klan so Stallworth sets everything up via the phone and his partner, Flip (Driver), who has to deny to the members that he’s Jewish, meets with them. Though the film has plenty of comedic moments, here is where it gets really intense and shows what a master of the narrative Spike Lee is. This is the best piece of work he has put out since his earlier films and you won’t want to miss this on the big screen.

Throughout the film, images and verbal messages are used to get an incredibly important directive out to the audience. People are people, you are powerful and, chief among them, believe what you see. The alt-right and the KKK and white supremacists exist, they’re not something made up in a film or by a news channel, who is just trying to tell the American people the truth. Racism is a horrible thing yet more common than anyone wants to admit and ‘BlacKkKlansman’ has been made because the people that racism targets are tired of it. There is no superior race as characters in the film, in scene after scene, suggests and SAYS there is but there are a great many people out there who honestly believes there is. This film is fascinating and incredibly entertaining but also, it’s a reminder that what we have done in our past, can be… is being mirrored in our streets today. I can’t possibly express to you all the reasons why but as an American with an open mind, it’s crucial you don’t miss this eye-opening, impressive film. 

 

Official Website: http://www.blackkklansman.com/  

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Dog Days Movie Review

August 8, 2018 (updated August 14, 2018)

“Dog Days” is a movie named after the dead of summer, when many times things come to a crawl and life slows down. But this mixed breed of a movie has a theory that new friends can be found and romance can be kindled, with just a little canine help. Using a large ensemble cast and interweaving story lines, they are trying to go for the loosely connected Rom-Com style. Perhaps you could call it: “Love, Arf-ily”.  The main connecting thread is a group of dogs; Mabel, Sam, Charlie and Gertrude.

 

These dogs are in the care of some humans. Mabel (a very overweight pug) is with a retired professor named Walter (Ron Cephas Jones), who lives alone after the passing of his wife. He meets a pizza delivery boy named Tyler (Finn Wolfhard), and when Mabel runs away, Walter and Tyler team up. A childless couple named Kurt (Rob Corddry) and Grace (Eva Longoria) adopt a little girl. But the child is unhappy, until she comes across a stray very overweight pub – yes it is Mabel. Walter is very sad with his dog gone, but Kurt and Grace are happy that their new child is now also happy.

Dax is a slacker musician who has to take care of his sister’s dog Charlie. Dax slowly becomes attached to the shaggy mutt. But his apartment building does not allow dogs, so he needs to hide Charlie all the time. Also living at the same place is Tara (Vanessa Hudgens), who find s stray little Chihuahua dog with no name. She brings the pup to a no-kill shelter run by Garrett (Jon Bass) – who has secretly pined for Tara for ages. He names the dog Gertrude, for the author Gertrude Stein. But the shelter is having major problems, when the landlord decides to sell out and kick the tenants out.

 

But at the same time, Liz (Nina Dobrev) – a popular morning host on an L.A. TV program, has a sweet little mutt named Sam. Sam is sweeter than her boyfriend who is cheating on her. Liz gets new co-host on the program, and it is Jimmy (Tone Bell). He is an ex-football star with an older dog of own named Brandy. Brandy and Sam get along great, but it requires a little bit more time for Liz to warm up to Jimmy. Liz is so afraid to get her heart broken again; she feels that Jimmy might just be using her. But don’t worry, all of these seemingly unconnected plots will be brought together at the end…

 

But as things always go in these types of movies, the various groups get pulled together slowly. The romances grow and the new friends are there to always help. A little family gets bigger and the dogs have a way of making everyone chill out. The story line is busy with several plots and sub-plots all running together. Some are much more interesting than the others, so that weighs the movie down slightly. The director tries to make the various plot threads come together near the end, and tries to keep all the stories moving forward. It has some hiccups along the way, but it mostly works.

 

“Dog Days” is not a pure-bred, and not in the same league as “Love, Actually”. But for people who like romantic comedy movies — and they really like dogs — then “Dog Days’” is one that you might want to take for a walk around the block.

A24’s ‘Never Goin’ Back’ – Red Band Trailer

August 6, 2018

NEVER GOIN’ BACK

Written & DirectedBy: Augustine Frizzell

Starring: Maia Mitchell, Cami Morrone, Kyle Mooney, Joel Allen, Kendal Smith, Matthew Holcomb, Atheena Frizzell, Spencer Rayshon, Marcus Mauldin, Liz Cardenas

Running Time: 86 minutes

Rating: R for crude sexual content and language throughout, drug use and brief nudity – all involving teens.


Synopsis:

Never Goin’ Back is a fresh and funny look at female friendship, following lifelong best friends Angela and Jessie, who dream of escaping their waitressing jobs at a low-rent Texas diner. Taking place over the course of just a few days, the film follows their hilarious and unpredictable misadventures on the streets of suburban Dallas, as they attempt increasingly madcap and wild schemes to try and raise some cash.

Friday, August 10th at Harkins Valley Art

http://www.fandango.com

McQueen Movie Review

August 3, 2018 (updated November 16, 2018)

This is top notch documentary filmmaking. It’s both incredibly entertaining and highly inciteful.  It’s exceptionally well done not only in its value for its own artistic endeavors but its ability to show how truly talented fashion designer Alexander McQueen was. You may not be into fashion but you don’t have to be to enjoy this you just have to want to see an entertaining documentary on an interesting subject… that would be this film.

Alexander McQueen was an artist who, at a young age, was bitten by the fashion bug. Once he realized what it was he wanted to do he never let the fantasy of doing it die. At the age of seventeen, he was making his sister skirts. From very humble beginnings, he knew he didn’t have the money to go to expensive schools for his craft, so he got a job tailoring suits and thus began his dream. Realizing his talents, his aunt (who always supported and encouraged him), helped him get into Saint Martin’s School of Art. There, he felt he could let his true self out and it wasn’t long before he expressed what that was for the entire world to see. He had a legitimately dark side and after reading ‘Perfume,’ a book about the murder of women, he started doing research on Jack the Ripper and out of these influences came his ’92 graduation show in London called, ‘Jack the Ripper Stalks His Victim’s.’ It’s here where he catches the attention of Isabella Blow who was enamored with the craftsmanship, intensity and passion in his work. His ability to capture beauty and violence made her decide to take him on as her prodigy to which a deep friendship developed, one peppered, sadly, with ups and downs until her death at only forty-eight years of age. I don’t want to get into that too much here but know that their relationship was, most likely, more important than either one of them ever realized. This is stated and captured very well in this film.

McQueen was so good at what he did, such a uniquely complex visionary, that he didn’t even have to measure people before he made their clothing. He could size a person up and make something for them by just his eye just as a pianist might play a piece of music they’ve heard only once. His gifts were noticeable and vast as he always had a natural, physical association with what he crafted.

In this documentary we see him move from England, who loves him, to Paris, France where his work isn’t quite as understood. He is asked to be the creative director of Givenchy and with boyfriend Murray Arthur in tow, he goes to expand his technique and portfolio. He has more money than he ever dreamed of, but it hasn’t changed him… not yet. He tries the best he can to fit into the world of Paris fashion and does this by exposing a softer side. As far as fashion went, it didn’t matter which side he disclosed, it was always brilliant… but not necessarily for him.

Of all people, he deserved to be successful and by the end of this documentary, you’ll wish, for yourself, he had left one move in his life behind. If he had, we’d still be enjoying his broad, unconventional completely stunning work today. God knows how far he would have gone. That said, his last show will devastate you. What Ian Bonhôte and Peter Ettedgui reveal is a man crying out for help but too quietly to be heard. You can tell the filmmakers appreciated and loved him and his work because you can feel it in the way the movie was shot. By the time it’s over, you’ll feel the same way and want to Google everything you missed. So, do that and watch this, too. It’s a good way to get to know Alexander McQueen and it’s the least he and his intellectually complicated collections deserve. 

Official Website: www.McQueen.film

The Spy Who Dumped Me Movie Review

August 3, 2018 (updated November 16, 2018)

‘The Spy Who Dumped Me’ is entertaining but highly predictable. It isn’t a terrible movie, hence the reason the rating I gave it didn’t destroy this comedic narrative, but outside of the two leads making you chuckle, there isn’t a lot to be thrilled about. Mila Kunis seems to be top billed, but Kate McKinnon definitely steals the show as Audrey’s (Kunis’) best friend, Morgan, who would do anything to protect her friend… just as McKinnon does anything to make an audience laugh. McKinnon alone is responsible for why the film will have a modestly successful theatrical run because she lives a breathes insanity into unpretentiously deranged characters. She’s a treasure. Which leads me to the story.

Audrey’s recent break up with Drew (Theroux) and her being angry at him, gives license to her bestie, Morgan, to determine the worth of Drew’s things that had been left in Audrey’s apartment. Once defined as worthless, Morgan wants to burn his possessions to rid her friend of this slug once and for all. Drew is warned and, as expected, shows up to stop it. This is when the women learn he’s a secret agent. During all of this, we flip back and forth as to who he’s working for and whether he’s a good guy or not. Suddenly, Audrey and Morgan are being followed, dodging bullets and being shoved into vans. Again, it’s unclear as to whether or not Drew is a good guy, a question we are left to ponder until the very end of the film. They learn who Drew is, around the same time they meet the hunky Sebastian, (Heughan), who Audrey can’t help but drool over. Drew says he’s a spy; Sebastian says he’s intelligence. Who to believe? It isn’t easy so, as Morgan puts it in the film, they’re going to own their intelligence and figure everything out on their own. It’s on to Europe to sort out the mess. They’re told a lot of people will die if a trophy in their possession isn’t at a certain location on time. That won’t happen on their watch.

To make a film an action/comedy, and that’s what ‘The Spy Who Dumped Me’ is billed as you must have fight sequences and car chases and such. You’ll be quite impressed with how well director Susanna Fogel embraced that convention when, after viewing the trailer, it seemed as if the movie originally sold itself as a chick flick of sorts. Leaving the bad digital blood aside, they’re superbly choreographed, well shot and in beautiful locales, all the things needed to please today’s action audience. Another highlight for some may be the addition of Gillian Anderson as the head of the British Secret Service. Though it was great to see her in the role of a boss who pulls no punches, it was hardly a stretch for her. Perhaps she took the part to remind us all that she’s out there to which she does in spades.

I liked the film, but I didn’t love it. Having said that, you should see it at a matinee because what works is worth seeing. McKinnon. Anderson. Strong characters and complete insanity. It will work for you as a laid-back, informal summer spy thriller during your easygoing, passive summer weekend.

The Darkest Minds Movie Review

August 3, 2018 (updated August 6, 2018)

“The Darkest Minds” is a movie adaptation of a book series, and it follows a typical Young Adult dystopian narrative. The world has gone very, very bad – and the main character(s) will be the only one(s) who can set things right. Or maybe just survive. The adults of the world either caused the dystopian disaster, or did nothing to stop it. Now the adults/government/group/agency are actively working against the main character and his or her friends. The adults will use the power of force and weapons if need be to stop the valiant heroes as they defeat the people they rise against. If this is done right, or it has some twist or a clever hook, then it is something interesting and fun to watch. Otherwise…

Ruby Daly (Amandla Stenberg) is one of a very small fraction of the world’s children to survive a horrible disease. Even the President’s son – Clancy Gray (Patrick Gibson) – has been affected, but he survived. He was supposedly cured of the wretched sickness. Other youngsters who have survived now possess unusual side effects. A large majority is affected with increased intelligence, and then another group has telekineses powers. And even above them are smaller groups with the most special abilities, but they are considered dangerous. Like a Homeland Security pyramid chart of risk, the top are labeled Orange and Red. Ruby is an Orange, but she is hiding as a Green (the lowest level).

Ruby has been removed from her parents and is confined at a military work camp for six years. Her powers have remained under wraps, but the job might be up. A doctor named Cate (Mandy Moore) seems to help Ruby escape. Ruby has super mind control, and does a sort of Jedi Mind Trick on the officer in charge. Cate wants Ruby to be part of the Children’s Alliance – a paramilitary type group that will spread the truth about the harsh work camps. But Ruby wants to get away, and then she finds a small group of other ‘special’ kids. They are led by Liam (Harris Dickinson) who also has powers. He travels with Chubs (Skylan Brooks), who is a super-smarty and also with Zu (Miya Cech) who can control electricity. Ruby joins with this little band of renegades, and she finds they are always chased by bounty hunters and threatened by government agents. But they hear about a special camp for the young gifted survivors. It is code-named EDO, and it is somewhere out in the woods. The group finally gets to the EDO camp, and they find it is run by Clancy Gray, the President’s son who was thought to have the disease but was cured. But he actually has the Orange level powers, just like Ruby.

This movie has some attractive leads, and the story moved quickly from one crisis and confrontation to another. But it lacks the deep emotional punch that a better movie would have. The Bad Guys are over-the-top insane, and the kids have all the ‘Stranger Things’ powers to get the upper hand. So there is no big threat. A couple of forced relationships are too pat, and the there is the wanna-be love interest stand-off between Liam and Clancy. At the end, there is Jedi Mind Trick that used in a very heartbreaking fashion. But even that (erasing memories) has been seen before, in the Harry Potter movies.

Amandla Stenberg does a very good job in this role. Harris Dickinson and Patrick Gibson are just OK. The rest of cast goes between just all right and over-the-top bad. The pacing keeps the story moving, but there is the forced love-triangle aspect that is a clunky add-on. The look and feel of the childless future looks a little eerie. Funny how in a dystopian future, everyone has perfect hair and shiny clean teeth!

This is lukewarm rehash of ideas served up with a very attractive cast, but without any fresh ideas from those Darkest Minds.

 

Website: https://www.TheDarkestMinds.com

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Christopher Robin Movie Review

August 3, 2018 (updated August 2, 2018)

“Christopher Robin” (also known as “Disney Christopher Robin”) is a movie about Winnie the Pooh’s friend. But when Christopher has grown up and has lost the feeling of wonder in the Hundred Acre Woods, he gets very moody. Chris is now married and has a family, but his job is making demands on him that make him testy and short-tempered. The kind little boy from the children’s books is nowhere to be found. Perhaps a visit to grown-up Christopher from his old childhood friend Pooh would be just the thing to cheer him up.

Christopher Robin (Ewan McGregor) is a manager at a London luggage factory. He is under the gun all of the time. His playful childhood memories are a thing of the past. He and his wife Evelyn (Haley Atwell) and their daughter Madeline (Bronte Carmichael) are many miles away from the Hundred Acre Woods. But Winnie the Pooh still plays there and waits for the return of his best friend. One day, all of Pooh’s other friends go missing, including Tigger, Piglet, Owl, Kanga and Roo. Winnie the Pooh is very afraid and he thinks that only Christopher Robin could help to find them. So, Pooh goes to find Christopher.

Pooh does find Chris in London, and the two of them decide the only thing to do is get back to the Hundred Acre Woods. Chris is on a tight deadline to make drastic changes at work to cut costs. So, the last thing he needs is to go traipsing in the Woods to locate Pooh’s other pals. But he decides that that is what Pooh needs him to do. Chris takes all of his important work papers with him, just he can keep them safe. You know, what could go wrong?

Christopher finds Pooh’s friends, and then he realizes that they are still also his friends. A burden is lifted from his mind. He gets back to London to show his evil boss all the work that Chris accomplished over that weekend. But of course, the papers are with his friends back in the Woods, and Madeline meets up with the talking stuffed animals, and they decide to sneak back to London, and soon Evelyn must also follow them to London, and Chris is about to give an important presentation, but all the important papers are… well, let’s just say that a mild level of chaos ensues.

This is a very nostalgic appeal to those who grew up with Winnie the Pooh and still want more of him. This movie gets you quite a lot of Pooh and his friends. But is also gives you a look at might have happened to Christopher Robin as he grew up and more removed from the Hundred Acre Woods. The movie takes a long amount of time to get moving, but it rewards with beautiful scenes of the Woods and of the English countryside. Ewan McGregor does a very pleasant job with being a guy stuck in a mid-life crisis – but who needs a stuffed bear to show him what is most important in his life. All the acting is very good, including the voice acting for Winnie the Pooh and for Tigger (both voiced by Jim Cummings).

Perhaps your life will not be changed by watching this movie. But it has a similar feel to the movie ‘Paddington’, also about a stuffed bear that walks and talks around London. And if you really stretch it, there is a resemblance to ‘Hook’, with the older Peter Pan reconnecting with the joys of his youth. And if you enjoy a movie like those other two, then “Christopher Robin” will be a new friend that will take you back to your childhood…

“People say nothing is impossible, but I do nothing every day” – W. Pooh

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STANLEY KUBRICK’S SCI-FI CLASSIC “2001: A SPACE ODYSSEY” COMING TO IMAX® THEATRES FOR THE FIRST TIME EVER

August 1, 2018 (updated August 1, 2018)

STANLEY KUBRICK’S SCI-FI CLASSIC “2001: A SPACE ODYSSEY”

COMING TO IMAX® THEATRES FOR THE FIRST TIME EVER

The one-week IMAX engagement follows the ongoing success of the 
50th anniversary release of the “unrestored” 70mm print

            BURBANK, CA – August 1, 2018 – Continuing the 50th anniversary celebration of Stanley Kubrick’s science fiction masterpiece “2001: A Space Odyssey,” Warner Bros. Pictures is bringing the film to more than 350 IMAX® theatres across North America for one week only, beginning on August 24th.  This marks the first time ever that moviegoers will have the opportunity to view the seminal film on the largest possible screen, creating a truly immersive experience.  The announcement was made today by Jeff Goldstein, President, Domestic Distribution, Warner Bros. Pictures.

The IMAX engagement comes on the heels of the widely successful “unrestored” 70mm film release of “2001: A Space Odyssey,” which was overseen by acclaimed filmmaker Christopher Nolan, a lifelong admirer of Kubrick.

As part of the week-long IMAX release, four select theatres will be showcasing the feature on IMAX® 70mm film: AMC Universal Citywalk IMAX, Universal City, AMC Lincoln Square IMAX, New York City, AMC Metreon IMAX, San Francisco, and Ontario Place Cinesphere IMAX, Toronto.  The IMAX 70mm film print, to be shown exclusively in these four locations, was created from the recently released “unrestored” 70mm print—a true photochemical film recreation struck from new printing elements made from the original camera negative with no digital tricks, remastered effects, or revisionist edits.  The additional IMAX theaters will be presenting a brand new 4K restoration of “2001: A Space Odyssey” in IMAX® with Laser and IMAX® Xenon projection formats.

Tickets for the IMAX engagement go on sale this Friday, August 3rd.

            Widely considered among the greatest films of the 20th century, “2001: A Space Odyssey” was originally released on April 4, 1968, igniting the imaginations of both critics and audiences.  With the film, Kubrick redefined the limits of moviemaking and cemented his legacy as one of the most revolutionary and influential motion picture directors of all time.

            “2001: A Space Odyssey” was directed and produced by Kubrick from a screenplay he co-wrote with legendary science fiction author Arthur C. Clarke.  The film stars Keir Dullea and Gary Lockwood.

It Lives Inside – Trailer

August 1, 2018

IT LIVES INSIDE

This August, stay out of the shadows.

From High Octane Pictures, the studio that brought you Jurassic Games and Clowntergiest, comes It Lives Inside, premiering on digital this summer.

A chronic sleepwalker reads from a mysterious book that foretells his impending demonic possession. He then struggles to hold his family together as the ancient evil threatens to consume everything he holds dear.
Rett Terrell (The Jurassic Games) and Alissa Rose Ford (Army of Frankensteins) star in this Jeff Hall film.

August 7 on VOD and September 4 on DVD

Crazy-Rich-Asians-movie-screening

Crazy Rich Asians Advance Movie Screening

August 1, 2018 (updated August 1, 2018)

Movie Screening Summary

Jon M. Chu (“Now You See Me 2”) directed the contemporary romantic comedy “Crazy Rich Asians,” based on the acclaimed worldwide bestseller by Kevin Kwan.

The story follows New Yorker Rachel Chu (Constance Wu) as she accompanies her longtime boyfriend, Nick Young (Henry Golding), to his best friend’s wedding in Singapore. Excited about visiting Asia for the first time but nervous about meeting Nick’s family, Rachel is unprepared to learn that Nick has neglected to mention a few key details about his life. Not only is he the scion of one of the country’s wealthiest families, but also one of its most sought-after bachelors. Being on Nick’s arm puts a target on Rachel’s back, with jealous socialites and, worse, Nick’s own disapproving mother (Michelle Yeoh) taking aim.

It soon becomes clear that the only thing crazier than love is family, in this funny and romantic story sure to ring true for audiences everywhere.

“Crazy Rich Asians” features an international cast of stars, led by Constance Wu (“Fresh Off the Boat”), Gemma Chan (“Humans”), Lisa Lu (“2012”), and Awkwafina (“Ocean’s 8,” “Neighbors 2”), with Ken Jeong (the “Hangover” films”) and Michelle Yeoh (“Star Trek: Discovery,” “Crouching Tiger, Hidden Dragon”). The large starring ensemble also includes Henry Golding, making his feature film debut, Sonoya Mizuno (“La La Land”), Chris Pang (“Marco Polo”), Jimmy O. Yang (“Silicon Valley”), comedian Ronny Chieng (“The Daily Show”), Remy Hii (“Marco Polo”), and Nico Santos (“Superstore”).

Color Force’s Nina Jacobson (“The Hunger Games” films) and Brad Simpson (“World War Z”), and Ivanhoe Pictures’ John Penotti (“Hell or High Water”) produced the film, with executive producers Tim Coddington, Kevin Kwan, Robert Friedland, and Sidney Kimmel. The screenplay is by Peter Chiarelli and Adele Lim, based on the novel Crazy Rich Asians, by Kwan.

The creative filmmaking team included director of photography Vanja Černjul (“Marco Polo”), production designer Nelson Coates (“Fifty Shades Darker”), costume designer Mary Vogt (“Kong: Skull Island”) and editor Myron Kerstein (“Going in Style”). The music was composed by Brian Tyler (“Avengers: Age of Ultron”).

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