We the Animals Movie Review

“We the Animals” is an independent film that shares some of the goals and ideas from other indies, like “Moonlight” and “The Florida Project”. It also shares a similar feel to the films of Terrence Malick, having a very slow-paced and almost documentary feel to it. Some parts of the movie are contemplative and other parts use an alternative fantasy sequence to show the characters inner-most thoughts. It is entirely dependent on having three young actors play the main parts, three brothers living with difficult circumstances. But the young actors overcome whatever issues that can sometime sink an otherwise worthy production.

Jonah (Evan Rosado) is the youngest of three brothers, at age nine. Joel (Josiah Gabriel) and the oldest Manny (Isaiah Kristian) are normally found with all three of them together. It does not matter, as they run around the semi-rural area in upstate New York where they live. They have a dad, Paps (Raúl Castillo) who is Puerto Rican, and Ma (Sheila Vand) who is white. The three boys are olive-skinned and have close cropped hair. They are all younger than twelve or so. But they are bursting out with energy and vitality. These three are never shown attending any school, but they are being taught every day.

They are mostly taught by example from Paps and Ma, but usually not very good examples. Paps struggles to keeps a late-night shift job, and when he is upset about something, he will take it out (and beat up) on Ma. She also struggles to keeps a job, and she struggles to keep any self-respect. Ma knows that Paps loves her and the boys but wishes he would not be so brutal. Paps is angry that he had to marry Ma when they were both teens, and she was pregnant. Jonah is very observant and keeps a private journal about all that he sees.

Jonah has very mixed inner feelings, and he tries to express them in writing. He also draws a lot in his journal and sometimes he imagines that the images on the paper come to life and explain what he thinks. Sometimes he thinks in an alternative fantasy sequence that shows some of Jonah’s deepest feelings. There is a repeated idea of everything and everyone being underwater. There is a repeated idea of Jonah being lifted up off the ground to fly. Or, maybe, at least to float in the air. There are confused and mixed images of sexuality, and these might be indicating that he is internally gay. But he is way too young to express anything like that.

There is not much in the way to story movement. It slowly meanders back and forth to the three boys and what they are doing. Sometimes the focus is on Paps, and how he has trouble staying with the family, and trouble staying with a job. Ma wants to run away from the stress, but she is unable to decide what she should do. She looks to the boys to tell her what her next move should be. Joel and Manny do not know about Jonah’s secret journal, but when they find it, they feel they cannot trust him anymore.

 

“We the Animals” will not be a movie for everybody, but there some very moving performances from the trio of young actors. Given the subject matter, it might be difficult to watch. Jonah is just around ten years old, yet the story strays into his questioning feelings about other boys and men. The other odd part is the fantasy style sequences that do not mesh up all that well with the rest of the ‘documentary’ and ‘hard reality’ style of most of the other scenes. Also, Jonah’s journal creeps me out. The small writing filling up the entire page, plus the wild cartoonish drawings resemble something that serial killer might keep…

For More Info:

Official Website
https://www.wetheanimals.film/

Facebook
https://www.facebook.com/WeTheAnimalsFilm

Twitter
https://twitter.com/TheAnimalsFilm

In the Phoenix area, opens exclusively at the Harkins Scottsdale Camelview

Peppermint Movie Review

Director Pierre Morel is known for the movie “Taken” which made Liam Neeson famous again, and revenge murder cool again. Since then, the movie “John Wick” showed that revenge murder could be an artistic ballet of bullets and bodies. So now with an added healthy dose of “Death Wish”, which is the old-school revenge murder original, he has a new movie. “Peppermint”, and you might want to call it — “Taken by a Death Wish with Jane Wick”. Revenge has never tasted so minty…

Riley North (Jennifer Garner) is a loving wife to her hard-working husband and mother to her precious daughter. But there is a local Los Angeles drug kingpin named Diego Garcia (Juan Pablo Raba) who is pissed that her husband ALMOST was part of a plot to rip off a Garcia drug house. Her husband called and backed out, but that did not stop Garcia to put out a hit on the whole family. In a hail of bullets, the North family was torn to pieces, with only Riley barely hanging on. The police were attempting to talk her out of being an eyewitness and giving testimony. She thought that she needed to get that scum off the street.

Riley worked with Det. Moises (John Ortiz) and Det. Carmichael (John Gallagher Jr.) from the LAPD to ID the perps. Then the slimly defense lawyer for Diego Garcia visits Riley and attempts to buy her silence, or at least threaten her safety. The three gang members get off — due to the bribes and payoffs to dirty judges and dirty Assistant District Attorneys and dirty police officials. Riley is going to be taken to mental hospital, but she escapes — and is not heard from until five years later. And she comes back with a vengeance!

Five years of martial arts training and firearms training have made Riley a well-oiled revenge murder machine. She comes back to LA and hides out in the Skid Row area, becoming a local ‘avenging angel’. But on the five-year anniversary of her tragedy, Riley sets out to take on Diego Garcia and his minions, and will not let any LAPD or FBI official stand in her way. She makes quick work of the three main perps, the corrupt judge, the dirty D.A. and most any other people who were involved. There are still some bad cops out there, and the main bad guy Diego Garcia. There are quite a few hard targets that Riley will use for her next practice.

Riley takes out Garcia’s drug house and his main drug warehouse, and they she goes after the fortified Garcia mansion. Det. Carmichael has an idea about where Riley might be staying, and the FBI also on to her location. Det. Moises is wondering if there is information getting from the police to the Garcia organization. Riley takes a beating over and over again, but she still has the juice to go after anyone who is working with Garcia’s gang. When the media starts to track Riley in real-time, the social media goes nuts to support her. It does not matter how many people Riley has killed…

“Peppermint” is a hot mess of female revenge fantasy and weapon worship. There are huge gaps, like the five-year disappearance of Riley North, that go unexplained. Where did she go? Where did she get the training, and where did she get the money to live on for all those years? They explain something about how she took money from the bank where she worked before she left, but – come on! That will last for five years?  There were times in the screening that brought (unintentional) laughter. Not good for an action flick.

This “Peppermint” shtick is weak attempt to turn Jennifer Garner into an action hereo, making Riley North into a new ‘Jason Bourne’ or ‘John Wick’. Nah, that’s not in the cards. But if you team her up with ‘The Atomic Blond’…

God Bless the Broken Road Movie Review

“God Bless the Broken Road” is an odd-ball combination. There is a Christian view on life that goes from being overly preachy to almost an afterthought. There is a main plot of a woman recently widowed, who gets a treatment straight out of the Book of Job. After her husband dies in Afghanistan, all sorts of tribulations befall her. She doubts her faith, and loses her house and even her young daughter turns against her. Yet at the same time, there is a sub-plot that is straight out of the movie “Cars”. A hot-shot driver meets up with an old-timey mentor who can teach him out to ‘correctly take the turns’, both on the track and in real life.

Amber Hill (Lindsay Pulsipher) lives is an ideal little town located in the heart of Kentucky. Everything is perfect, with all of her friends at the local church. She is a choir leader and she loves her husband, who is off in a war overseas. She loves her little daughter Bree (Makenzie Moss) who spouts off some cute biblical sayings when times are tough. Her friends at church are Karena (Robin Givens) and her daughter Bridgette (Jordin Sparks). The church is led by Pastor Williams (LaDainian Tomlinson) who is a linebacker-size preacher.

But after Amber’s husband is killed in battle, everything falls apart. Two years later, she has not recovered from the shock and the grief. She stops going to church and she works a lot more hours at the diner. Many more things are working against her, including a mother-in-law Patti (Kim Delaney) who always seems to criticize her. Bree is getting worried that her mom is giving up on her life. Amber is missing payments on the house, so the bank is getting ready to foreclose. Her van is held together with duct tape and bungee cords.

But a super-cool NASCAR driver named Cody Jackson (Andrew W. Walker) comes to town to work with a guy named Joe Carter (Gary Grubbs). Joe is master mechanic and a NASCAR driving coach. Cody is having problems with the turns and he only has the need for speed. He is being sent down to the minors for a while to pick up tips from Joe on how to drive fast, but still make the corners without spinning out. Cody meets Bree at the church, where he get ‘volunteered’ by Joe. There is a go-kart club that they start up for the youth group. Cody feels an attraction to Amber, and tings might get serious.

If this sounds like it is meandering and unfocused, then I have correctly described the plot. Just think of Amber as a Biblical version of Job, and think of Cody as Lightning McQueen. Amber’s life continues to crumble around her. She is a widow with very little money, the house is taken away, Bree runs away and then decides that staying with her Grandma Patti is better then her own mom, Amber.

The acting is stiff and wooden, except for Gary Grubbs (as Joe). The whole story-line is strained and fuzzy. The child actors are not up to today’s excellent standards. The melding of small-town religion and NASCAR idolatry seems to be forced. The movie shares only the (extended) name in common with a Rascal Flatts country song (“Bless the Broken Road”).

“God Bless the Broken Road” is a poor attempt to make an uplifting, spiritually strong movie. It’s in not even clear if that was the intention of this production.  This might be a re-envisioning of “Talladega Nights”, for all I know. Know that this movie was better as a song.

God may bless this “Broken Road” – but sure as the devil, you don’t need to sit through it.

Instant Family – Trailer

INSTANT FAMILY

SYNOPSIS

When Pete (Mark Wahlberg) and Ellie (Rose Byrne) decide to start a family, they stumble into the world of foster care adoption. They hope to take in one small child but when they meet three siblings, including a rebellious 15 year old girl (Isabela Moner), they find themselves speeding from zero to three kids overnight. Now, Pete and Ellie must hilariously try to learn the ropes of instant parenthood in the hopes of becoming a family. INSTANT FAMILY is inspired by the real events from the life of writer/director Sean Anders and also stars Octavia Spencer, Tig Notaro and Margo Martindale. 

DIRECTED BY:

Sean Anders 

WRITTEN BY: 

Sean Anders and John Morris 


STARRING

Mark Wahlberg, Rose Byrne, Octavia Spencer, Isabela Moner, Tig Notaro and Margo Martindale 

 

Social Media:

Facebook: https://www.facebook.com/InstantFamily/

Instagram: https://www.instagram.com/instantfamily

Twitter: https://twitter.com/instantfamily

Hashtag: #InstantFamily

In Theaters November 16

http://www.fandango.com

The Favourite – Trailer

Early 18th century. England is at war with the French. Nevertheless, duck racing and pineapple eating are thriving. A frail Queen Anne (Olivia Colman) occupies the throne and her close friend Lady Sarah (Rachel Weisz) governs the country in her stead while tending to Anne’s ill health and mercurial temper. When a new servant Abigail (Emma Stone) arrives, her charm endears her to Sarah. Sarah takes Abigail under her wing and Abigail sees a chance at a return to her aristocratic roots.

As the politics of war become quite time consuming for Sarah, Abigail steps into the breach to fill in as the Queen’s companion. Their burgeoning friendship gives her a chance to fulfill her ambitions and she will not let woman, man, politics or rabbit stand in her way.

 

A Film By Yorgos Lanthimos Written by: Deborah Davis, Tony McNamara

Produced by: Ceci Dempsey, Ed Guiney, Lee Magiday, Yorgos Lanthimos

Starring: Olivia Colman, Emma Stone, Rachel Weisz, Nicholas Hoult, Joe Alwyn, James Smith, Mark Gatiss

 

Social Media:

Visit The Favourite on our WEBSITE: http://www.foxsearchlight.com/thefavo…

Like The Favourite on FACEBOOK: https://www.facebook.com/TheFavourite…

Follow The Favourite on TWITTER: https://twitter.com/the_favourite

Follow The Favourite on INSTAGRAM: https://www.instagram.com/thefavourit…

#TheFavourite

 

In Select U.S. Theaters November 23rd

http://www.fandango.com

At Eternity’s Gate – Trailer

CBS Films will open AT ETERNITY’S GATE in select theaters in November…

Directed by Julian Schnabel (The Diving Bell and the Butterfly, Before Night Falls, Basquiat)

Screenplay by Jean Claude CarrièreJulian Schnabel, Louise Kugelberg

Produced by Jon Kilik

Starring Willem DafoeMads Mikkelsen, Emmanuelle SeignerAmira Casar, Niels Arestrup, Oscar Isaac

Academy Award® Nominee Julian Schnabel’s At Eternity’s Gate is a journey inside the world and mind of a person who, despite skepticism, ridicule and illness, created some of the world’s most beloved and stunning works of art. This is not a forensic biography, but rather scenes based on Vincent van Gogh’s (Academy Award® Nominee Willem Dafoe) letters, common agreement about events in his life that present as facts, hearsay, and moments that are just plain invented.

Indiewire says, “Willem Dafoe Is an Inspired Van Gogh in Julian Schnabel’s Impressionistic Masterwork. No ordinary biopic, this portrait of the artists takes you inside Van Gogh’s mind.”

 

Variety says, “Willem Dafoe has his greatest role since Jesus Christ in Julian Schnabel’s luminous present-tense drama about the last days of Vincent van Gogh.”

 

The Hollywood Reporter says, ”…due in large part to the febrile intensity Dafoe brings to the central role. With his craggy features and piercing blue eyes peering out from under a battered straw hat, he fully evokes the van Gogh we know so intimately from self-portraits. The dangerous urgency of Dafoe’s performance reveals an artistic genius whose crippling mental illness seems to feed rather than impede his capacity to create ahead-of-their-time works of stunning originality and sensitivity.”

In Theaters In November

http://www.fandango.com

Halloween – New Trailer!

Jamie Lee Curtis returns to her iconic role as Laurie Strode, who comes to her final confrontation with Michael Myers, the masked figure who has haunted her since she narrowly escaped his killing spree on Halloween night four decades ago.

 

Master of horror John Carpenter executive produces and serves as creative consultant on this film, joining forces with cinema’s current leading producer of horror, Jason Blum (Get Out, Split, The Purge, Paranormal Activity).  Inspired by Carpenter’s classic, filmmakers David Gordon Green and Danny McBride crafted a story that carves a new path from the events in the landmark 1978 film, and Green also directs.

 

Halloween is also produced by Malek Akkad, whose Trancas International Films has produced the Halloween series since its inception, and Bill Block (Elysium, District 9).  In addition to Carpenter and Curtis, Green and McBride will executive produce under their Rough House Pictures banner.  Ryan Freimann also serves in that role.

 

Halloween will be distributed worldwide by Universal Pictures.  www.HalloweenMovie.com

 

Genre: Thriller

Cast: Jamie Lee Curtis, Judy Greer, Andi Matichak, Will Patton, Virginia Gardner, Nick Castle

Director: David Gordon Green

Written by: Jeff Fradley & Danny McBride & David Gordon Green

Based on Characters Created by: John Carpenter and Debra Hill

Produced by: Malek Akkad, Jason Blum, Bill Block

Executive Producers: John Carpenter, Jamie Lee Curtis, Danny McBride, David Gordon Green, Ryan Freimann

Social Media:

Website | Facebook | Twitter | Instagram | #HalloweenMovie

In Theaters October 19

http://www.fandango.com

Searching Movie Review

“Searching” is a new movie about a missing person and the resulting search, and it portrays it in a unique way. Only a few other movies have used the idea that a window into the modern world can be done with various screens. That is, computer screens, laptop screens, iPhone screens, security monitor screens, TV screens, etc. — you get the idea.  The movie “Unfriended” does a similar thing, but only with computer screens. With “Searching”, the idea is opened up a little more, and the resulting movie draws you into the mystery. By examining social media and other online posts and Internet trails, the mystery deepens and is becomes a compelling look into current life online – and how the surface image can hide much different truths.

David Kim (John Cho) is introduced as a happily married man. With his wife Pam (Sara Sohn) they have a little girl. Margot is first a small baby, and then young girl and then a high school teenager. All of this unfolds with fifteen-year old technology, think Windows XP, AOL Mail and Messenger and the like. But the happy family has a breakdown when Pam develops cancer, and it relapses, and it then returns with fatal results. This is all done in the first few minutes of the movie, and it outlines the personal tragic story of this family. In some ways it is emotionally similar to the beginning of the movie “Up”, with a twist on the way that the audience learns the various details of the family story.

With the wife and mother gone, both David and Margot (Michelle La) have been dealing with the loss in very different ways. David becomes very busy with work, and every time he talks with Margot it is a reminder of his late wife. So, he tends to communicate more and more via technology, with iPhone calls, and FaceTime and instant messages. Margot is having a rough time with the death of her mother, but she knows that her Dad is feeling very fragile right now. She tries not to bother him about little things. So she does not tell him everything. David has a brother named Peter (Joseph Lee) who is much closer to Margot than David knows.

Then one night, David insists that Margot do some chores at the house when she gets home from a study group. She calls and tells him she will be home much later than usual. David sleeps, and as he does there are two phone calls from Margot, plus a FaceTime request, deep in the middle of the night. He misses them and does not know that she never came home. It does not register that she did not come home until David gets back from work the next evening. He sees that Margot did not take out the trash when she got home. But she also did not take her laptop. Why would she go to a school study group without her laptop? He also realizes that he does not know any of the people that Margot would know.

He gets into the old laptop and finds Pam’s notes and records and contact lists. He makes many phone calls to find out there was a ‘ditch day’ and camping up in the mountains. He is sure that Margot will call when she gets back from camping. Until he finds out that Margot did not go with that group. He calls 911 to report Margot as missing. Detective Vick (Debra Messing) shows up and tells him that she is assigned to case and not to worry. They will go over all the details that David has found and contact many of the people that he feels might know Margot’s whereabouts. David searches further and finds an online personal streaming site that Margot had used to post quite a few videos. Margot has also been taking money meant for piano lessons and putting into a private PayPal account. Until she withdrew $2,500 a few days before she disappeared.

David is going crazy in his mind, with all the possible thoughts of what might have happened. There are some online posts that allude to Margot and her online activities. David finds someone who has been posting to Margot about her online videos, but the person appears to be miles away in another state. But could someone be ‘catfishing’, making a fake fictitious online presence to pretend to be somebody else? There are more clues, and David takes off to a nearby lake, where a car is found underwater. It belongs to Margot, but she is not in the car. What has happened? Could the person involved in the disappearance be somebody very close to Margot? Could it be a random stranger, recently released from parole? How can David be sure what is the truth, when everything online can be changed and adapted and modified?

“Searching” does take a very specific approach to the technology that has become an everyday part of our life. It uses that tech to both tantalize and torture the main character by showing him various version of what might be the truth. John Cho is superb as the grieving husband who cannot stand another loss in his life and is determined to figure out the puzzle. The clues and red herrings are everywhere, and the use of modern social media tools to explain the recent past show the real limitations of those online systems.

 

The movie goes about displaying the entire story as if it were unfolding on the devices that we use every day. This brings a closed-in, claustrophobic feel to the overall movie, but also gives it a larger sense of urgency. David is not the only one who is feverishly finding and mentally processing the clues. So is the audience.

 

Facebook: http://www.fb.com/Searchingmovie

Twitter: http://www.twitter.com/Searchingmovie

Instagram: http://www.instagram.com/Searchingmovie

#SearchingMovie

First Man – Trailer

FIRST MAN

One giant leap into the unknown.

On the heels of their six-time Academy Award®-winning smash, La La Land, Oscar®-winning director Damien Chazelle and star Ryan Gosling reteam for Universal Pictures’ First Man, the riveting story behind the first manned mission to the moon, focusing on Neil Armstrong and the decade leading to the historic Apollo 11 flight.  A visceral and intimate account told from Armstrong’s perspective, based on the book by James R. Hansen, the film explores the triumphs and the cost—on Armstrong, his family, his colleagues and the nation itself—of one of the most dangerous missions in history.

Written by Academy Award® winner Josh Singer (Spotlight, The Post), the epic drama of leading under the pressure of grace and tragedy is produced by Wyck Godfrey & Marty Bowen (The Twilight Saga, The Fault in Our Stars) through their Temple Hill Entertainment banner, alongside Isaac Klausner (Love, Simon) and Chazelle.  Steven Spielberg, Adam Merims and Singer executive produce, while DreamWorks Pictures co-finances the film.  www.firstman.com

Genre: Drama

Cast: Ryan Gosling, Claire Foy, Jason Clarke, Kyle Chandler, Corey Stoll, Ciaran Hinds, Christopher Abbott, Patrick Fugit, Lukas Haas

Director: Damien Chazelle

Screenplay by: Josh Singer

Based on the Book by: James R. Hansen

Produced by: Wyck Godfrey, Marty Bowen, Isaac Klausner, Damien Chazelle

Executive Producers: Steven Spielberg, Adam Merims, Josh Singer

FIRST MAN – In Theaters October 12

Official Website | Facebook | Twitter | Instagram | #FirstMan

In Theaters October 12

http://www.fandango.com

Neil Simon’s ‘Rose & Walsh’ playing at AZ’s ‘Theater Artists Studio’ through this weekend!

‘Rose & Walsh’  by Neil Simon

 

Directed by: Deborah Lee Hall

Starring: Marney Austin, Tom Koelbel, Julie Lee and Jason Isaak

 

Phoenix! Don’t miss ‘Rose & Walsh,’ Neil Simon’s thirty-third play which closes this weekend on Sept. 2nd. I’ve never been to a live performance of a Neil Simon and the fact that he just passed away made the experience of this being my first that much better. He said of ‘Rose & Walsh’ that his play, ‘Follows two great literary figures and the depth and consequence of their enduring love.’ The literary minds are those of Rose Steiner and Walsh McLaren, a couple who were together in life and who are still together even though he has been deceased for five years.

 

Playing Rose and Walsh are Marney Austin and Tom Koelbel respectively. Marney, who hopped all over the globe performing, producing and directing, continued to do the same after returning to the U.S. She serves on the board of the Theater Artists Studio and was excited about the opportunity to play such a fun yet heartbreaking character. She’s impressive in her performance. While watching her you realize she’s energized the room. She’s so comfortable with her co-stars, especially when arguing that she’s right and they’re wrong. Switching from a comedic to a dramatic moment was not a problem for Marney. I’d like to see more from her and I hope I do.

 

You’ll treasure watching Tom McLaren’s Walsh. Tom, a Theater Artists Studio member has opened several plays there and is thrilled he’s part of their 13th season. He’s played some incredible roles outside of Walsh, including Atticus Finch in ‘To Kill A Mockingbird’ and George Bailey in ‘It’s a Wonderful Life’ and has received three ‘Zoni’ nominations. A ‘Zoni’ is an award for theatre excellence. His enthusiasm for the studio and the parts he chooses shows in his strong portrayal of the characters. His comedic timing, especially playing off Marney Austin’s Rose, comes from years of experience that were obvious to the audience. As Walsh does, Tom commands the room when he speaks. He’s compelling to watch, and it comes from great confidence in knowing Walsh, trusting his co-stars and believing in himself that you can’t look away.

 

Jason Isaak plays Gavin Clancy, a writer hired to be a ghostwriter to finish a novel that Walsh hadn’t completed before his death. You can’t help but detect a certain magnetism he exudes when on stage. He’s dynamic and though he’s only been with the Studio since 2016, you can see that he’ll be a part of it for a long time to come.

 

Which brings us to Julie Lee, our final cast member. She plays Arlene Moss, friend to Rose. Like Marney, she, too, has directed and produced for the studio. She owns DYNAMIC! Productions with her husband, Don Woodard and has been involved with the Studio, one way or another, since it came to be. Her Arlene ends up being someone you weren’t quite expecting to meet and Julie’s exuberant, spirited and passionate take on her, is not to be missed.

 

All four actors do an exceptional job bringing the story of a woman who spent all of her money on clothes instead of essentials who, at the breaking point, gets an opportunity of a lifetime via the man she can’t let go of. She gives an opportunity to a new writer and ends up playing matchmaker at the same time. By the end of the story, it’s she who, once again, finds herself with her true love.

The set was great and never seemed to get old. Though the stage wasn’t large, it wasn’t small either and it felt very much alive. The staff is pleasant, and the intimate theatre will have you excited to be there; thrilled to be a part of it… so much so that as the lights go down you’ll be wiggling in your seat. Check out ‘Rose & Walsh’ tomorrow through Sunday! It’s your last chance but be sure to pick up a brochure regarding the rest of the season.

 

THEATRE SITE