Storm Boy Movie Review

“Storm Boy” is a new movie based on a 1963 book concerning a boy growing up in a wild section of Western Australia. There was a prior movie also created, so this is a reboot of that prior version. It is a coming-of-age story of a young boy who helps raise some orphaned pelicans back in the 1950’s.  The shots of the ocean and the beach and the surrounding wildlife make up a large part of the allure of this movie. Also, the boy meets and befriends an older aboriginal native who is wise in the ways of nature and in the ways of the human heart. The story line moves from the present time back to flashbacks in the 50’s, where the majority of the plot unfolds.

In present day Adelaide (Australia), there is an older man named Michael Kingley (Geoffrey Rush) who is there to vote on a business deal. The deal is for his son (Erik Thomson), who has taken over Michael’s business now that he is retired. But the local folks do not what this deal to go thru, including Michaels’ grand-daughter Maddy (Morgana Davies). The sale of land to a mining company would ruin the land, they all say. The vote gets delayed, and Michael begins to tell Maddy of his childhood – which was near Coorong National Park. That is a home to a large pelican nesting ground.

The young Michael (Finn Little) lived a simple life with his fisherman father, called ‘Hideaway’ Tom (Jai Courtney). They lived in a small shack on the beach, across from the nature preserve. Tow would take his small boat to off shore a ways to fish. He would sell his fish in the ‘big’ city of Adelaide, and he would very often need to extend his credit with the local stores. But they all knew that Tom was good man, even if he did keep to himself. Tom was just not same after his wife and young daughter were killed in a freak auto accident

Michael meets an aboriginal man named Fingerbone Bill (Trevor Jamieson). Bill is very wise in the ways of the land and the ocean and the storms. When Bill meets Michael, a pelican has just been shot by hunters. That means a storm will be coming soon. And it does come, to drench the beach and the town. After that, Bill called Michael “Storm Boy”.  The pelican mother that died left three orphan chicks, and Michael tries to raise all three of them. He calls them Mr Proud, Mr Ponder and Mr Percival. These little hatchlings grow until they eat most of the fish that Tom can bring home. So, when they are all grown up – they need to go.

Except that Mr Percival comes back, and he wants the easy life – not to fish for his own food. But there is a day when Tom is out on his little boat in a storm, and he becomes stranded. Michael and Fingerbone Bill find a way to get Mr Percival to fly out to Bill and drop a fishing line. The other end is connected to a stronger rope. Bill pulls the rope to himself, and then Michael and Bill haul him back onto land. The pelican has saved the day! Michael becomes a local hero, and Mr Percival is well known.

Michael grows up to build a huge empire, and now his son controls it. Michael and two of his old friends have enough control over the vote to postpone getting the deal put through. So the mining company will have to wait to tear up the land, or look elsewhere. But there is not much else to say about the plot, and the actual purpose is still unclear. Except that the photography and the visual vistas of the Western Australia are amazing to see. Even at a basic level, this movie is wonderful ad campaign for the tourist bureau in the Land Down-Under.

All the actors do a very reasonable job with the roles they have been given. The story is slow and there is not much in the way of plot movement. Young Michael never has a true antagonist – a person or thing that is against his. At times you think it could be the local hunters. Then you think is might be his father is against him. Then it almost turns into a movie where Nature is against him. But none of these actually follow through with being driving force for Michael.

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PET SEMATARY Final Trailer!

PET SEMATARY is in theatres Thursday

SYNOPSIS

Based on the seminal horror novel by Stephen King, Pet Sematary follows Dr. Louis Creed (Jason Clarke), who, after relocating with his wife Rachel (Amy Seimetz) and their two young children from Boston to rural Maine, discovers a mysterious burial ground hidden deep in the woods near the family’s new home. When tragedy strikes, Louis turns to his unusual neighbor, Jud Crandall (John Lithgow), setting off a perilous chain reaction that unleashes an unfathomable evil with horrific consequences.

DIRECTED BY

Kevin Kölsch and Dennis Widmyer

BASED ON THE NOVEL BY

Stephen King

SCREEN STORY BY

Matt Greenberg

SCREENPLAY BY

Jeff Buhler

STARRING

Jason Clarke, Amy Seimetz, Jeté Laurence, Hugo & Lucas Lavoie and John Lithgow

Social Media:

#PetSematary

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In Theaters April 5th

http://www.fandango.com

The Dead Don’t Die Trailer

 Focus Features will releaseThe Dead Don’t Die’ this summer!

 

THE DEAD DON’T DIE has the greatest zombie cast ever disassembled!

Starring Bill Murray, Adam Driver, Tilda Swinton, Chloë Sevigny, Steve Buscemi, Danny Glover, Caleb Landry Jones, Rosie Perez, Iggy Pop, Sara Driver, RZA, Selena Gomez, Carol Kane, Austin Butler, Luka Sabbat and Tom Waits.  

Written and directed by Jim Jarmusch.

For more info, please visit us on social:

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In Theaters June 14th

http://www.fandango.com

The wicked new, ‘Brightburn’ Trailer

What if a child from another world crash-landed on Earth, but instead of becoming a hero to mankind, he proved to be something far more sinister?

With Brightburn, the visionary filmmaker behind Guardians of the Galaxy and Slither presents a startling, subversive take on a radical new genre: superhero horror.

Starring: Elizabeth Banks David Denman Jackson A. Dunn Matt Jones and Meredith Hagner
Directed by: David Yarovesky
Written by: Mark Gunn & Brian Gunn

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In Theaters Memorial Day Weekend

http://www.fandango.com

Dumbo Movie Review

‘Dumbo’ is the latest live-action remake of the Disney films. This 1941 animated classic gets a new look and feel by the genius mind of Tim Burton. ‘Dumbo’ wasn’t known as one of Disney’s most influential films, therefore, anything Tim Burton could add to the story would improve it significantly, and he does just that. Included in this retelling is the magic that makes you feel as if you’re watching an old-style Tim Burton movie. Maybe because he realized how important a story about elephants would be. With the circus industry taking a big hit because of animal abuse, especially toward the elephant, he had to send a strong statement that he wasn’t condoning harming animals. He does this several ways. He gives you characters that both charm and please you. With his ‘bad’ characters, he gives you cruelty but only in the realm of suggestions. There’s no genuine love for the circus whatsoever. This is clear from the beginning to the end. Especially the end, which you’ll appreciate dearly. The animals are all CGI and he makes a point to let you know his story is a love letter to animals if nothing else… especially to the beloved pachyderm.

With every Tim Burton film comes a land of wonder and excitement to explore but what also appears is a note of hard reality and a ruthless villain to wake you from any trance-like state you could be in from his breathtaking visuals. ‘Dumbo’ has similar elements with an actual ‘Dreamland’ to try and seduce you. This is where it seems its most Burton like. The film is seen mostly through the lens of the children which is good and bad as it doesn’t dig very deeply into the adult characters. To extend the length of the film, the original was only one hour and four minutes, Burton spun a yarn around a veteran and his children. Their mother has passed on, he was gone, and they were being raised on the road. They need to bond once again and become a family.

In the beginning, we meet Holt Farrier (Farrell) who was once a circus star and is now a war hero. After returning from war minus a limb, the owner of the circus he worked for, Max Medici (DeVito), rehires him to take care of the elephants. Holt’s two children are more than happy to help when the female elephant gives birth to a bright, blue-eyed bundle of… big ears?!? Max bought the mama knowing that a baby would bring people to see him but when he sees what he calls a freak, he wants ‘it’ and the mother gone… and his money back! Already struggling to make ends meet, he can’t afford more loss! As he stomps around, visibly angry, the mama gets very upset and goes ‘mad.’ He sells her, keeping her and her darling baby apart. The children see Dumbo breathe in a feather and sneeze wildly. When this happens, he flaps his ears and… and he flies! Good enough! When word of this gets out, an enthusiastic businessman named Vandevere (Keaton) talks Max into going into a partnership in his park called Dreamland; where they make the impossible, possible. He explains that the future of business isn’t to have you packing up and traveling for the audience. If the audience wants to see what you’ve got to offer, they’ll have to come to you. Keaton and DeVito. Batman and the Penguin. Together again. This will not get by the fans of the Burton directed, ‘Batman Returns.’ Nor will the appearance of Dreamland compared to that of Disneyland where they’re already selling Dumbo toys in the remarkably similar theme park.

Vandevere’s aerial artist, Colette Marchant (Green) sees that she and the little flying elephant can soar through the tent together and swoon the audiences below. Max closes his circus and joins Vandevere’s Dreamland, managing to keep his entire troupe together in the process. While traveling through Dreamland, you’ll see a somewhat spooky message about the 20th Century and about automation ‘helping’ humans. Watching the scene, I couldn’t help but think how spot on he is. It has helped. But are we the better for it? Is Max better for getting into business with a snake? Time will tell. 
  

If you’re wondering why you should see this version of ‘Dumbo,’ Tim Burton is reason enough to attend, but he also brought along the magnificent Danny Elfman to score the film. Elfman’s arrangement for the ‘Pink Elephants on Parade’ is simply sublime. It’s quite distinctive from the original and the visuals are more low-key which I think may have been done so you could simply sit back and experience what Elfman offers your ears. The film is touching, it’s sweet and magical. This is imaginative but now that they’ve opened it up, I’d like to see Disney attack the subject of what elephants are facing today with one of their Disney Nature films. The truth of it needs to be treated with utmost urgency. 

Official Website: https://movies.disney.com/dumbo-2019

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Hotel Mumbai Movie Review

“Hotel Mumbai” is a ‘ripped from the headlines’ look at the 2008 terror attack in Mumbai, India. The carnage was vast, and no more so than at “The Taj Mahal” luxury resort in Mumbai. The hotel staff and guests were cut down and killed, without regard to nationality or status or wealth. The tension and fear that existed in that hotel for three days is recreated for the screen. It feels very much like “You Are There”, but in this case – you don’t want to be there! The attack turned “The Taj” into “The Grand Terrorist Hotel”.

The Taj staff is very dedicated to the client’s wants and needs. It is one of finest hotels and luxury resorts in the world. The head chef Hemant Oberoi (Anupam Kher) runs a very tight crew. One staff member is Arjun (Dev Patel) who is Sikh and wears the traditional beard and turban. Somes guest arrive that day including Vasili (Jason Isaacs), a wealth Russian with a secret background. Also coming in on that day were newly married David (Armie Hammer) and his Muslim wife Zahra (Nazanin Boniadi). They have a small newborn son, and they travel with a nanny named Sally (Tilda Cobham-Hervey). There are many guests and staff, and all are shocked when a small band of terrorists enter and take over the hotel.

The attackers have come from Pakistan, but they are with an international terrorist group. They have attacked the railway station, a hospital, a Jewish center, and several cafes. They get to the Taj Mahal, and then situation worsens. They have plenty of targets, and they are indiscriminate in who they kill. There are some people in the dinning room, including David and Zahra. Also, Vasili is in the dining room loudly discussing his later plans (and supposed sexual conquests) with several female escorts. Arjun is soon aware that the hotel is under attack. He leads a group into the back-kitchen area. Chef Oberoi allows any staff to leave and be with family – if they must. Then Oberoi leads the staff, including Arjun and the group from the dining room up to a secure room called The Chambers Room. This is a place with very heavy door and secure locks. Sally and the baby are alone in a hotel room, while terrorists roam the building shooting staff and guests.

There are very tense moments when roving gunmen get into the room with Sally and the baby. Will she be able to keep the infant quiet as they search the room for more victims? David is locked away in the secure Chambers Room, but he wants to leave to find Sally and the baby. Arjun meets up with a couple of police officers who want to access the monitors in the security room. He helps them out, and he also alerts his boss Oberoi that the gunmen are right outside the door in the Chambers Room. They all run and hide, and the Chambers Room door stays closed. Zahra and Vasili leave the secured room a little later, attempting to find a safe passage out to the safety of the streets. Zarha wants out because she does not know where her husband and her baby are located.

The local police are not in any position to take on the terrorists who roam the Taj hotel. They are in stand-down mode, until the National Anti-Terror squad comes into the city. Many persons lay dead or dying. There are random attacks still going on in the hotel, and most of the other terrorists have been killed or captured. Through several nights and day, the level of tension and terror increases. Several guests are taken hostage by the gunmen, perhaps for future ransom payment. Or more likely, it will be for future death in front of the hundreds of TV cameras focused on Mumbai.

“Hotel Mumbai” is a very detailed recreation of a terrorist tragedy. There are many deaths caused by a relative few people. The story is taut and very fast-paced. Any second a new danger could be found, and a life could be ended. It is a devastating thing to watch, because the stakes are so high. The motives of the terrorist group are somewhat explained, and they look to be more brainwashed youngsters rather than demonic monsters. But the way the movie is filmed and the level of the acting is so precise and accurate that it gives you chills seeing what is occurring. Can the nanny keep the baby quiet long enough to elude the gunmen? Can Arjun help the overwhelmed police officers, and can they help any of the guests? Can families be reunited, and can the guests and staff continue to work together to avoid discovery by the terrorists?

This movie is not for the faint-of-heart. It will not lead you a new and deeper understanding of world issues. But it shows you that many different people can stick together, and make sacrifices for others, when faced with a horrible situation. It is display of an real-life event, and it may feel a little too real to some people.

The Phoenix Film Festival announces the World Premiere of “Alice Cooper: Live from the Astroturf”

PHOENIX FILM FESTIVAL TO HOST WORLD PREMIERE OF

“ALICE COOPER: LIVE FROM THE ASTROTURF”

Alice Cooper and Filmmakers Will Be in Attendance to show us his documentary/concert film that captures the original band’s 2015 reunion.

The documentary and concert film stems from a life-long Alice Cooper superfan Chris Penn who convinced the original lineup of his favorite band to reunite at his record store, Good Records in Dallas, TX, 40 years after the band parted ways.

As part of the Phoenix Film Festival World Premiere, Alice Cooper and his bandmates as well as the director, Steven Gaddis will be in attendance. “Alice Cooper: Live from the Astroturf” will screen at the Phoenix Film Festival on Friday, April 5 at 7:50 p.m. To purchase tickets, visitwww.phoenixfilmfestival.com.

 

From LiveFromTheAstroturf.com:

“To unleash the movie of the historic event, we’re going back to where it all started.  Phoenix, Arizona, the birthplace of the original Alice Cooper group, will be the first city you’ll be able to witness this concert film/documentary.”

About Phoenix Film Festival

The 19th Annual Phoenix Film Festival will take place from Thursday, April 4 to Sunday, April 14. Continually breaking attendance records since its inception, last year’s festival saw over 28,000 attendees and there are hopes to pull in even more film enthusiasts this year. The eleven-day Festival will once again be held at Harkins Scottsdale 101 Theatre located at 7000 E. Mayo Blvd. Phoenix, AZ 85054. 

For movie lovers, this is an event not to be missed. Tickets and passes are on sale now and available through the Phoenix Film Festival website www.PhoenixFilmFestival.com. Tickets may also be purchased in person at the Phoenix Film Festival Ticket Center next to the Harkins Scottsdale 101 Theatre. Tickets range in price from $15 for a single screening to $450 for a platinum pass. For more information, call 602-955-6444.

Blast from the Past (March 2019)

Yeah, the Box Office is rockin’ today with a whole lot of movies. But there are some from prior years that you may (or may not) remember. These older movies came out 5, 10, 15, 20 years ago, maybe even longer back. Some were instant classics, while others were not. So let’s jump into the DeLorean and travel backwards in time to revisit a few of these forgotten gems…

March 2014 (5 years ago)   — The Grand Budapest Hotel  – Wes Anderson checks you into a magnificently quirky movie that was so artsy and fun

The bellhop will take your bags now, and get you to relax in this movie’s perfectly portrayed display of nuance and nattiness. Ralph Fiennes is the Hotel’s Heart and Soul – a wonderful, slightly off-kilter concierge named Gustave H. and a new Lobby Boy named Zero (Tony Revolri). Together they deal with difficult guests and some false accusations of murder. But always in a gloriously color-coordinated, quirky way…

March 2009 (10 years ago)  — Watchmen – once a major cult Graphic Novel that was never able to be made into a movie, and here we can see why

The DC Comics limited series about some underground Superheroes was turned into a Graphic Novel. It was not adapted into a movie for decades. The themes were very dark and disturbing, and there were difficult special effects hurdles to be crossed. But when Zach Syder took it over and pushed it into the theaters, the fans had mixed reactions. But it was made, but the muted response seemed to keep the box office receipts from jumping over a skyscraper in a single bound.

March 2004 (15 years ago)  — Eternal Sunshine of the Spotless Mind – Jim Carrey and Kate Winslet create a ‘memorable’ movie about removing memories

Erasing memories to forget a ruined love affair is what can create the ‘Spotless Mind’. But the effect that it has on the mind can lead to sadness and madness. A slightly Sci-Fi vision of Roto-Rotor for the Brain, writer Chalie Kaufman and director Michael Gondry made a jigsaw puzzle of a movie. Oddball characters and out-of-sequence scenes also give the audience a twisty puzzle box to work with…

March 1999 (20 years ago)  — The Matrix – This brought in a totally new dimension into mind-bending movies, by mixing heavy philosophy with ‘bullet-time’ special effects

Keanu Reeves stars in this twisty tale of questioning every aspect of your existence and seeing if you’re just plugged into some very elaborate virtual reality. The Wachowski siblings had created an original science fiction universe that turned pumping ‘lead’ into box office gold. But then they ruined their own reality with the awful sequels…

March 1995 (25 years ago)  — Outbreak – Very fictionalized version of a potential Ebola strain virus that comes to a small city in California

The true-life Centers for Disease Control were put up as a front-line defense against a potent strain of deadly virus that finds its way to the US, when it was first located in Africa. The CDC doctors are struggling with some military commanders who would want to fry the virus, along with all the people in that small town. Dustin Hoffman plays the main doctor who puts his life on the line to save the people and cure the sick.

March 1989 (30 years ago)  — Chances Are – A Dull Romantic Comedy for the Spring doldrums

This is an early effort by Robert Downey Jr. to star in a comedy with the likes of Cybill Shepard and Ryan O’Neil. With some convoluted plot of a man with the memories of a man who had died 23 years earlier, and then is attracted to the dead man’s daughter – but then later to the dead man’s wife – and he figures out that he is a somewhat reincarnated version of the man who died…  You catch all of that so far? Perhaps that is why this movie did not quite break even at the box office…

The Nextflix Debut of Brie Larson’s ‘Unicorn Store’ Trailer

Unicorn Store

Kit (Brie Larson) is a lonely twenty-something dreamer who’s reluctant to leave the comforts of childhood and fully embrace adulthood. But when art school sends her packing, Kit is forced to move back home with her parents and take a temp job in a boring office. Just when she’s resolved to finally put her Care Bears aside and grow up, a mysterious salesman (Samuel L. Jackson) enters Kit’s life and offers to give her childlike heart its greatest desire.

Larson’s directorial debut, with a script by Samantha McIntyre, is a love letter to everyone’s inner child, and a reminder that no dream is impossible.

Starring Brie Larson, Samuel L. Jackson, Joan Cusack and Bradley Whitford

Directed by Brie Larson

Produced by Lynette Howell Taylor, David Bernad, Ruben Fleischer, Brie Larson, Paris Kasidokostas-Latsis and Terry Dougas

Executive produced by Jean-Luc De Fanti, Nathan Kelly, Samantha McIntyre and Anne Woodward

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@NetflixFilm

#UNICORNSTORE

Will launch globally on Netflix April 5

The Hummingbird Project (2018) Movie Review

‘The Hummingbird Project’ just has to based on a true story. It must have really happened. The setup, the punch, the end result. It has a name attached and everything! It’s real! That’s my story and I’m sticking– what?! It isn’t real?! Impossible. This felt so much like true events that I searched for information on its characters, hoping I’d find out more about them. But I was fooled. From what’s going on in the world today, plus such vivid details in the film, it felt like every bit of this happened in a story already forgotten amongst all the rest of how to get more money for ourselves and how to get it faster than anyone else. Oh, and of course, without regard to anyone or anything. Sure, the telling of two men managing to make digital information move faster, between the Kansas Electronic Exchange and New York Stock Exchange, than anyone else can seem exciting, but I assure you, it’s quite banal. The characters are not, however, which is why I can’t say this is one to skip.

Director Kim Nguyen uncovers for his audience how cutthroat a business the digital world has become. Vincent (Eisenberg) and Anton (Skarsgård) are cousins working in New York. They have a shared dream of building a line of fiber-optic cable from Kansas to New Jersey that would beat out the competition and give everyone using it a leg up on everyone else as far as digital information is concerned. Every millisecond counts, after all. If this procedure goes well, they will make millions. They’re the perfect team to get this done… on paper. They can talk a good game and do have the smarts but are impractical, even farcical when it comes to executing their own proposal. Vincent is a fast talker who’s, well, very much like Jesse Eisenberg but Anton is quite different. That difference is the story and, comparatively, quite appealing.

Vincent talks people out of their money to help the pair advance in their business. That’s what he does best. With the other side of his mouth, he can communicate to another person he’s taking advantage of, that if they help him, it’ll benefit them. It’s for the best if they give Vincent a piece of their property to dig under. Sure he may have to part with a few bucks, but in the end, Vincent comes out on top.

He too good at getting them everything they want that you know it’s too good to be true. Yep. He suddenly falls ill… leaving Anton. Anton is a special nerd who isn’t good on his own. He’s not the hustler Vincent is and when pressured tends to break down. They’re an unreliable team but if it wasn’t for their old boss, Eva Torres (Hayek), trying to stop them at every turn, they’d have gotten a lot further.

Eva is the powerful and manipulative trader at the top who lost Vincent and Anton as employees but will not lose her speed to them. What it comes down to is, they’re in way over their heads. Once they found out Eva was tipped off to what they were doing, maybe they should have gotten out of the pool.        

Skarsgård was fantastic in this. He was comedic yet, simply… strange. This character is unlike anything he’s done before which is always a plus for any actor and certainly his audience. Eisenberg was incredible. I’ve yet to see him in anything I didn’t love him in. Here his performance is stirring and powerful. He nails the role every single time. And Hayek was strong in the devious, scheming administrative role that usually goes to a man. The film these actors were in together wasn’t quite as good as they were in their roles, but it was thought-provoking at times and an insanely deep ride to be on. Though it isn’t all that exciting, it does move at a pace that will keep you involved in the story to see it all play out. As I’ve stated though, it’s the list of well-chosen actors that will make you have to stay and see what would keep a man with stomach cancer from giving up his optic dreams. His idea is absurd. The logic behind it makes no sense. What’s a millisecond right? Thing is, apparently, to the stock market, it’s everything. 

This film will be opening at Harkins Shea 14 this Friday, March 22nd.


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