Twentieth Century Fox Offers Fans FREE SCREENINGS of ALITA: BATTLE ANGEL

TWENTIETH CENTURY FOX OFFERS FANS FREE SCREENINGS OF ALITA: BATTLE ANGEL FROM PRODUCERS JAMES CAMERON AND JON LANDAU AND DIRECTOR ROBERT RODRIGUEZ ON THURSDAY, JANUARY 31

 

BE THE FIRST TO WITNESS THE AMAZING CINEMATIC EXPERIENCE THAT IS BEING CALLED

“A WILD, VISCERAL RIDE THAT OFFERS KICK-ASS ACTION AND AN IMMERSIVE VIRTUAL WORLD”


LOS ANGELES, CA – January 28, 2019
 – Twentieth Century Fox is inviting fans across the country to be the very first to experience the highly-anticipated action-adventure epic ALITA: BATTLE ANGEL from producers James Cameron and Jon Landau (AVATAR) and director Robert Rodriguez on Thursday, January 31 at 7PM EST/PST/C.  The film opens nationwide on February 14.

The screenings will take place in DolbyÔ Cinema in 3D at AMC, IMAXÔ 3D and other select 3D premium large format theatres. In addition to the film, fans at selected theaters will get to see a conversation with the filmmakers and cast including James Cameron, Jon Landau, director Robert Rodriguez and cast members Rosa Salazar, Christoph Waltz, Jennifer Connell, and Keean Johnson and a special inside look at the making of the film. 

Said Cameron, “People may have heard of Alita, but don’t know who she is.  Why is she called the Battle Angel?  What is her world like?  Well, I think you’ve simply got to see it to believe it.  And the best way to see it is in a cinema, and in gorgeous 3D, the way Robert Rodriguez shot it.   So we’ve decided to do some special free screenings, for fans around the country, to introduce our Alita to the world.  When you see how big a heart she has, and what she stands for, and how she kicks major butt —  you’re going to fall in love with her, the way I did.”

Fans can RSVP to the free screenings via  ExperienceAlita.com and submit questions for the filmmakers and cast on James Cameron’s newly launched official Instagram @JamesCameronOfficial and Facebook @OfficialJamesCameron pages in the comments section using the hashtag #ExperienceAlita.

About ALITA: BATTLE ANGEL

Cameron (AVATAR) and Robert Rodriguez (SIN CITY), comes ALITA: BATTLE ANGEL, an epic adventure of hope and empowerment. When Alita (Rosa Salazar) awakens with no memory of who she is in a future world she does not recognize, she is taken in by Ido (Christoph Waltz), a compassionate doctor who realizes that somewhere in this abandoned cyborg shell is the heart and soul of a young woman with an extraordinary past. As Alita learns to navigate her new life and the treacherous streets of Iron City, Ido tries to shield her from her mysterious history while her street-smart new friend Hugo (Keean Johnson) offers instead to help trigger her memories. But it is only when the deadly and corrupt forces that run the city come after Alita that she discovers a clue to her past – she has unique fighting abilities that those in power will stop at nothing to control. If she can stay out of their grasp, she could be the key to saving her friends, her family and the world she’s grown to love. @AlitaMovie #Alita

About Twentieth Century Fox Film

One of the world’s largest producers and distributors of motion pictures, Twentieth Century Fox Film produces, acquires and distributes motion pictures throughout the world. These motion pictures are produced or acquired by the following units of Twentieth Century Fox Film: Twentieth Century Fox, Fox 2000 Pictures, Fox Searchlight Pictures, Twentieth Century Fox Animation and Fox Family.

Cold War Movie Review

If you’re looking for reasons to see ‘Cold War’ I’ll give you a few. One is that it’s said to have received a standing ovation at the Cannes Film Festival. After seeing it, I can believe this. Another is that Rotten Tomatoes has certified it as 93% Fresh. On to my reasons as to why you should make a trek to the theatre to watch this movie. Yes. I said it. There’s no waiting for home viewing with a movie this alluring. Its beauty is sophisticated, profound and slight. It doesn’t scream directly in your face but rather hits you when you revive the entity the film was to you from your memory. The black and white cinematography will look clean and quiet while whispers of genius glide across the screen and entices you to watch this lovely heartbreaking story of love. I promise you that you’ll not be able to look away. It’s a real treasure to observe. Part of why was the 4:3 aspect ratio used that allows the viewer to examine the picture as a piece of photographic art. By shrinking its scale, it’s also possible for the audience to see themselves in the characters or better relate to what they’re going through.

 

In the story, we have two main characters named Zula and Wiktor. She is a student and he’s her teacher at a school that advocates for Polish folk music and dance. ‘Cold War’ recounts the tale of Zula (Kulig), who’s a gifted singer, and Wiktor (Kot), her teacher and interestingly enough, a songwriter. When they meet, they fall instantly in love. Set in Poland in 1949, the lovers, who dream of being together once and for all, have not only their station in life but communism to worry about. Sadly, for the next fifteen years, this perfect pairing must perform a dance of hiding their relationship from everyone, while at the same time trying not to have the torch they carry for one another extinguished by their circumstances. They secretly meet one another whenever and wherever they can until they can stand it no longer and finally decide to leave and be together once and for all. Best laid plans, right? He leaves for the border where he waits for her to join him. However, afraid of what could happen to them, she doesn’t meet him. Realizing she’s not coming, he decides not to go back and goes on with her. Several years go by and during this time, she struggles deeply. Oh, if only she could find him aga… wait! Look! Here comes Wiktor who can always put a smile on her face. Well, not really. Though they do find one another, it isn’t long before they’re separated again. This storyline is repeated over and over. They’re doomed to a life of searching which is good for their art but terrible for their hearts.

She’s married when they meet once again in Paris. These scenes are the most rewarding. The music, and her performance, in particular, is outstanding. During this period, she’s drunk all the time and they’re both miserable but with so much working against them, how could anyone truly be happy? What’s most provocative about this ‘love story,’ is that when they find themselves together, it never works out. It’s as if they have longed for it so deeply, that’s all they know how to do. Wanting is one thing… having what you reach for is quite another. Who are Wiktor and Zula if not the two seeking one another? The ending, that I’m not revealing to you here, is superb. It couldn’t have been improved upon. All of that said, describing this film does nothing for what it essentially is. It’s magnificent. See it before Oscar season. It’ll most likely be everywhere.  

 *OPENING AT HARKINS CAMELVIEW 

What Men Want Red Band Trailer

Ali Davis (Taraji P. Henson) is a successful sports agent who’s constantly boxed out by her male colleagues. When Ali is passed up for a well-deserved promotion, she questions what else she needs to do to succeed in a man’s world… until she gains the ability to hear men’s thoughts! With her newfound power, Ali looks to outsmart her colleagues as she races to sign the next basketball superstar, but the lengths she has to go to will put her relationship with her best friends and a potential new love interest (Aldis Hodge) to the test.

WHAT MEN WANT is the latest comedy from director Adam Shankman (HAIRSPRAY) and producers Will Packer and James Lopez (GIRLS TRIP), co-starring Tracy Morgan, Richard Roundtree, Wendi McLendon-Covey, Josh Brener, Tamala Jones, Phoebe Robinson, Max Greenfield, Jason Jones, Brian Bosworth, Chris Witaske and Erykah Badu.

Directed by:

Adam Shankman
Starring:

Taraji P. Henson, Aldis Hodge, Richard Roundtree, Wendi McLendon-Covey and Tracy Morgan

Social Media:

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In Theaters February 8th, 2019

http://www.fandango.com

Lez Bomb Movie Review

Coming out films are often stories filled with struggle and pain. The writers and directors generally fill the hearts and minds of their audiences with some of the trauma that a person who’s in love with the same sex oftentimes goes through. This isn’t the case with ‘Lez Bomb.’ This is a comedic take on how Lauren, played by the writer/director herself, Jenna Laurenzo, marches up that hill with a family who simply won’t listen. She’s nervous. She’s scared. However, she also feels confident enough in their acceptance that she chooses Thanksgiving to tell them the big news. Maybe she figures the tryptophan will relax them enough. If that doesn’t work, there’s plenty of wine.

On Thanksgiving morning, before other arrivals, Lauren finds a moment alone with her mother, Rose (O’Connell), to tell her who she really is. Rose, playing a caring mother with naïve tendencies, doesn’t really give Rose any reason to fear telling her but she’s simply too busy to give her daughter any of her attention. She’s running around the kitchen like a chicken with its head cut off. Very much like a television sitcom, this scene along with many others following, felt contrived. Lauren finds out that her parents have been looking at her social media accounts and have short-sightedly mistaken a friendship with her male roommate, Austin (Brandon Micheal Hall), as the relationship she’s trying to hide. They also believe she’s pregnant. Even though Lauren is an adult and they like Austin, this suddenly becomes a problem, one of which her father, George (Pollak), threatens Austin’s life unless he officially brings the relationship to light. As the movie continues, what is revealed isn’t what poor Lauren is trying so desperately to shed light on, but instead how insane her family is. They stumble over one another, refusing to hear the other and throughout the film, and sabotage what Lauren wants to accomplish.

There are funny moments; you’ll laugh and you can thank Bruce Dern, who plays Lauren’s grandpa, and Cloris Leachman, who plays Josephine, for a lot of that. However, for the most part, the comedy feels less instinctive than forced and strained rather than composed. In ‘Lez Bomb,’ we have a comedy but often a comedy of errors. A woman is desperately trying to come out to her parents and is stopped at every turn. She tries over and over to inform them that the friend she has with her means much more to her than they realize and as she quietly takes it, you want to be her voice. It’s frustrating to watch. I wanted to like it more but I thought the characters were weak and some of the situations they were put in too sophomoric to accept.

*Opens Friday, November 9 In Theatres and on VOD

In Phoenix at AMC Arizona Center 24

If Beale Street Could Talk – Trailer

IF BEALE STREET COULD TALK

Academy Award-winning writer/director Barry Jenkins’ first film since the Best Picture Oscar-winning Moonlight is If Beale Street Could Talk, his adaptation of James Baldwin’s novel — the first English-language feature film based on the work of the author, to whom the movie is dedicated.

Set in early-1970s Harlem, If Beale Street Could Talk is a timeless and moving love story of both a couple’s unbreakable bond and the African-American family’s empowering embrace, as told through the eyes of 19-year-old Tish Rivers (screen newcomer KiKi Layne). A daughter and wife-to-be, Tish vividly recalls the passion, respect and trust that have connected her and her artist fiancé Alonzo Hunt, who goes by the nickname Fonny (Stephan James). Friends since childhood, the devoted couple dream of a future together but their plans are derailed when Fonny is arrested for a crime he did not commit.

Through the unique intimacy and power of cinema, If Beale Street Could Talk honors the author’s prescient words and imagery, charting the emotional currents navigated in an unforgiving and racially biased world as the filmmaker poetically crosses time frames to show how love and humanity endure.

Director: Barry Jenkins

Writer: Barry Jenkins

Producers: Megan Ellison, Barry Jenkins, Adele Romanski, Sara Murphy, Jeremy Kleiner, Dede Gardner

Cast: KiKi Layne, Stephan James, Regina King, Colman Domingo, Teyonah Parris, Brian Tyree Henry, Michael Beach, Ed Skrein, Diego Luna, Dave Franco, Pedro Pascal

#BealeStreet

Official Site: BealeStreet.movie

Facebook: /BealeStreet

Instagram: @BealeStreet

Twitter: @BealeStreet

In Select Theaters November 30

http://www.fandango.com

WHAT MEN WANT – TRAILER

WHAT MEN WANT

 

SYNOPSIS

Ali Davis (Taraji P. Henson) is a successful sports agent who’s constantly boxed out by her male colleagues. When Ali is passed up for a well-deserved promotion, she questions what else she needs to do to succeed in a man’s world… until she gains the ability to hear men’s thoughts! With her newfound power, Ali looks to outsmart her colleagues as she races to sign the next basketball superstar, but the lengths she has to go to will put her relationship with her best friends and a potential new love interest (Aldis Hodge) to the test. WHAT MEN WANT is the latest comedy from director Adam Shankman (HAIRSPRAY) and producers Will Packer and James Lopez (GIRLS TRIP), co-starring Tracy Morgan, Richard Roundtree, Wendi McLendon-Covey, Josh Brener, Tamala Jones, Phoebe Robinson, Max Greenfield, Jason Jones, Brian Bosworth, Chris Witaske and Erykah Badu.


STARRING:

Taraji P. Henson, Aldis Hodge, Richard Roundtree, Wendi McLendon-Covey and Tracy Morgan

 

DIRECTED BY:

Adam Shankman

 

PRODUCED BY

Will Packer and James Lopez 

EXECUTIVE PRODUCED BY

Adam Shankman, Taraji P. Henson, Amy Sayres,

David McFadzean, Dete Meserve, Matt Williams

 

Click the icons below to follow What Men Want on Social!

 

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#WhatMenWant

In Theaters JANUARY 11

http://www.fandango.com

Life Itself (2018) Trailer

From Amazon Studios comes ‘Life Itself’

Written and Directed By Dan Fogelman

Starring Oscar Isaac, Olivia Wilde, Mandy Patinkin, Olivia Cooke, Laia Costa, with Annette Bening and Antonio Banderas

Produced By Marty Bowen, Wyck Godfrey and Aaron Ryder

As a young New York couple goes from college romance to marriage and the birth of their first child, the unexpected twists of their journey create reverberations that echo over continents and through lifetimes in Life Itself. Director and writer Dan Fogelman (“This Is Us”) examines the perils and rewards of everyday life in a multigenerational saga featuring an international ensemble including Oscar Isaac, Olivia Wilde, Antonio Banderas, Annette Bening, Olivia Cooke, Sergio Peris- Mencheta, Laia Costa, Alex Monner and Mandy Patinkin. Set in New York City and Carmona, Spain, Life Itself celebrates the human condition and all of its complications with humor, poignancy and love.

Rated R | 117 minutes

For more info:

Official Website | Facebook | Twitter | Instagram

#LifeItself

In Theaters September 21, 2018

http://www.fandango.com

Anything Movie Review

If you’re interested in a narrative that has layers and depth, you need to see ‘Anything,’ a film that represents anyone who has ever loved for any reason and who will give of themselves… anything. It’s a moving piece because we can all relate to the characters and their powerful emotions of love. I say this with certainty as we’ve all, for the most part, experienced a love where we have given and where we have received.

The characters in the film are complex and more intricate then one might think based on the pedestrian one-word title it was saddled with. However, that word, as you can tell based on what I’ve written so far, plays an important role in the overall message of the story.

The main character is Early Landry. He’s a middle-aged widower, played by character actor John Carroll Lynch of ‘Fargo,’ who easily manipulates the audience into seeing this individual as both the prey and the preyed upon. At the moment Early is introduced to us, we’re seeing him through the eyes of his overbearing sister, Laurette (Tierney). He’s depressed, suicidal and since the passing of his wife, needs some love and support, but not as much or the kind Laurette has in mind. Not really giving him much of a choice in the matter, she makes him aware of the fact that she wants him to move in with her so she can help him with his feelings of despair and with settling things from his old life in Mississippi to his new life with her in L.A. Early does move in with her. Though he doesn’t speak up for himself, it’s not hard to tell that he’s quickly growing tired of her. She speaks to him and treats him as if he were a child and it’s not long into his stay that he decides he has to move out and be on his own.

Without informing her, he gets himself a little apartment in an area of town she wouldn’t approve of. This is most likely done to keep her away. In a short time, he meets his transgender neighbor Freda Von Rhenburg (Bomer), who works the streets and often gets into trouble with men and when money gets tight. Being the gentleman that he is, he’s there for her, no matter what she needs and a hot and cold relationship develops. It doesn’t take long for them both to see what’s good about the other and how deeply they need what the other has to offer. Perhaps at first getting to know Freda just might be the right thing to agitate Laurette but if that’s what he had in mind then he was just as surprised by the materialization of their romance as we, the audience, are.
They’re an odd pairing but the performances both actors give to their roles accommodates the concept of their love and what the significance of a man from Mississippi being open-minded enough to accept the love of a man means today. I highly recommend this even though an obvious misstep is not casting a transgendered actress in the role of Freda. Regardless, Bomer is exceptional and deserves to be seen.

 

Opening in Phoenix at HARKINS VALLEY ART

HOW TO TALK TO GIRLS AT PARTIES Trailer

TALK TO THE GIRL, SAVE THE WORLD. FROM DIRECTOR JOHN CAMERON MITCHELL, THIS IS THE OFFICIAL TRAILER FOR HOW TO TALK TO GIRLS AT PARTIES

Based on a story by Neil Gaiman 

From the raucous dual imaginations of fantasy laureate Neil Gaiman (“American Gods,” CORALINE) and glam-rock multi-hyphenate John Cameron Mitchell (HEDWIG AND THE ANGRY INCH, SHORTBUS) comes the electrifying and singular pop extravaganza film, HOW TO TALK TO GIRLS AT PARTIES.  Enn (Alex Sharp) is a shy suburban London teenager in 1977, sneaking out with his best friends to after-hours punk parties. One night they stumble upon a bizarre gathering of sexy teenagers who seem like they are from another planet.  In fact, they are from another planet, visiting Earth to complete a mysterious rite of passage.  That doesn’t stop Enn from falling madly in love with Zan (Elle Fanning), a beautiful and rebellious alien teenager who, despite her allegiance to her strange colony, is fascinated by Enn. Together they embark on a delirious adventure through the kinetic punk rock world of 1970s London, inadvertently setting off a series of events that will lead to the ultimate showdown of punks vs. aliens, and test the limits of how far each of them will go for true love. 

STARRING

Elle Fanning, Alex Sharp, Nicole Kidman, Ruth Wilson and Matt Lucas

DIRECTED BY
John Cameron Mitchell

WRITTEN BY
John Cameron Mitchell, Philippa Goslett

Website: htttgap.movie
MPAA: Rated R for language throughout, sexual content, some drug use and nudity
Facebook: https://www.facebook.com/HTTTGAP/
Instagram/Twitter: @HTTTGAP

In Theaters May 18th

http://www.fandango.com

Finding Your Feet Movie Review

Though the older crowd is the obvious target audience for a film like this, it can be and will be enjoyed by anyone who watches it, no matter what age the moviegoer happens to be. Richard Loncraine’s (The Missionary, Richard III, Band of Brothers) Finding Your Feet is an amusing, romantic comedy and a sweet and touching tale of two sisters reuniting after many years apart.

The reunion comes due to the fact that the younger of the two sisters, Sandra, played remarkably well by Imelda Staunton (Harry Potter, Shakespeare in Love, Vera Drake), leaves her husband, Mike (Sessions), when she catches him cheating on her with, Pamela (Lawrence), a woman Sandra thought was a friend of hers. This revelation happens when she sees them at an inopportune time at a party she and Mike are throwing for his retirement. She not only sees them kissing but then learns it has been going on for five years. It’s rather difficult to watch her be humiliated even though our first introduction to Sandra is to find her rather stuffy.

Unable to trust or stay with him, she packs her bags and heads to the only place she knows she’ll be safe, the doorstep of Bif (Imrie), her very liberal and independent-minded older sister. Actress Celia Imrie, who was also in Bridget Jones’s Baby, The Best Exotic Marigold Hotel and Nanny McPhee, was outstanding in this part. The two actresses were believable as sisters in their authentic performances and their commitment to the roles. It was easy to like them and root for them.

It isn’t long before Bif, so named because as a little girl, Sandra couldn’t say Elizabeth, is trying to play matchmaker. Her friend Charlie (Spall) might be the perfect match for Sandra. Charlie, who lives on a houseboat after selling his home to pay for the care his ailing wife, Lilly (Sian Thomas), receives, is lonely, interesting and interested. Lilly is in the advanced stages of Alzheimer’s, something he doesn’t share with Sandra who, after what she recently went through, wouldn’t ever want to be the other woman. Bif, Sandra, Charlie and his widowed friend Ted (Hayman), dance away the blues at a dance class Sandra can’t help but get involved in. A lot of the humor in the film comes from this class, such as a line from actress Joanna Lumley who plays their friend, Jackie. She shares with the group that she and her husband broke up over religious difference, ‘He thought he was God. I didn’t.’ Even though she’s still bitter, it’s pleasant watching the members of the dance troupe accept Sandra and for Bif to observe her slowly become more like the person she remembered her sister was before marrying the man who killed her dreams. Sandra gave her younger years to what Mike wanted to be and do and forgot who she was in the process. Bif is now tasked with bringing her back to life.

It is a tale that’s been told before but not quite in this fashion. With that said, you can see everything coming a mile away but with this cast and with the struggles the characters face, Loncraine manages to keep things fresh enough for you to stay fascinated in the story and you don’t much mind the predictable moments. The film is littered with the occasional character in a circumstance that’s heartbreaking. These situations work as well as the comedy does and when the dance troupe starts a flash mob and ends up going on a trip to Rome because of it, you’re overjoyed that Sandra has finally gotten the message that it’s time she ‘went for it.’ This is a feel-good piece, the pace is good, the dancing is believable and quite entertaining and there’s also a wonderful soundtrack that takes you through the entire film. If you’re enjoying it, it continues through the end credits with the Elkie Brooks’ song Running to the Future. I recommend. Enjoy.

 

Movie Website:    www.findingyourfeetthemovie.com/

Social Pages:  Facebook: /www.facebook.com/FindingYourFeetMovie/

#FindingYourFeet