Movie Screening Summary
Justin Bieber: Our World takes viewers backstage, onstage and into the private world of the global superstar as he prepares for a record-breaking New Year’s Eve 2020 concert. Read more
Justin Bieber: Our World takes viewers backstage, onstage and into the private world of the global superstar as he prepares for a record-breaking New Year’s Eve 2020 concert. Read more
Pauli Murray is such an outstanding person that I’d like to know what mistake I made in life for having never heard of her. There is no way to sum up this fantastic human being in a 91-minute film, but directors Julie Cohen and Betsy West did a phenomenal job of introducing the subject of their movie with what time they had.
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What is this title all about? Just what are filmmakers Petra Epperlein and Michael Tucker saying they believe it takes to be a fascist, the Hitler, of this generation?
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Written, directed and produced by: Petra Epperlein and Michael Tucker
Featuring: Martin Amis, Koen Baert, Prof. Yehuda Bauer, Dr. Mark Benecke, Prof. Sir Richard J. Evans
Run time: 1h 32min
Genre: Documentary
Executive produced by: Jeffrey Lurie, Marie Therese Guirgis and Anthony Dobkin
Producers: Dana O’Keefe and Mike Lerne
Associate Producers: Susan Norget and Matilda Tucker
Cinematography: Michael Tucker
Directed by: Peter Mortimer, Nick Rosen
Cast: Marc-Andre Leclerc, Brette Harrington, Peter Mortimer
Rated: PG-13
Run Time: 1h 22min
Produced by: Mike Negri, Clark Fyans and Ben Bryan
Executive Produced by: Peter Mortimer, Josh Lowell, Nick Rosen, Scott Bradfield, Philipp Manderla
The new documentary, “Enemies of the State,” starts by giving us some Oscar Wilde, “The truth is rarely pure and never simple.” That’s for sure… and you’ll see it playout here.
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That little jeer! When I hear Val Kilmer’s name, I always think of when ‘Ice,’ his character in “Top Gun,” snaps his teeth at a surprised Maverick (Tom Cruise). That image is burned in my brain. It could be because, with the serious actor that Val Kilmer is, he created a backstory for the presence of his almost non-existent character.
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I never thought I’d be reviewing a film about a smirk. Still, I found myself doing that very thing this week while watching Jonathan Schroder’s “The Boys in Red Hats.”
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