Baywatch – Trailer

BAYWATCH follows devoted lifeguard Mitch Buchannon (Johnson) as he butts heads with a brash new recruit (Efron). Together, they uncover a local criminal plot that threatens the future of the Bay.

 

Director: Seth Gordon

Cast: Dwayne Johnson, Zac Efron, Priyanka Chopra, Alexandra Daddario, Jon Bass, Kelly Rohrbach, Ilfenesh Hadera

 

#BeBaywatch

Facebook: https://www.facebook.com/BaywatchMovie/

Twitter: https://twitter.com/baywatchmovie

Instagram: https://www.instagram.com/baywatchmovie/

In Theaters May 26th

http://www.fandango.com

The Boss Baby Advance Movie Screening

Movie Screening Summary: DreamWorks Animation and the director of Madagascar invite you to meet a most unusual baby.  He wears a suit, speaks with the voice and wit of Alec Baldwin, and stars in the animated comedy, DreamWorks’ The Boss Baby.  The Boss Baby is a hilariously universal story about how a new baby’s arrival impacts a family, told from the point of view of a delightfully unreliable narrator, a wildly imaginative 7 year old named Tim.  With a sly, heart-filled message about the importance of family, DreamWorks’ The Boss Baby is an authentic and broadly appealing original comedy for all ages.  

Directed by: Tom McGrath
Written by: Michael McCullers (based on the award-winning picture book by Marla Frazee)
Producer: Ramsey Ann Naito
Cast: Alec Baldwin, Steve Buscemi, Jimmy Kimmel, Lisa Kudrow, Miles Bakshi
THE BOSS BABY is in theatres March 31, 2017

See more advance movie screenings from tmc

Advance Movie Screening For THE BOSS BABY

Find your chance to receive special advance movie screening passes below.

 

Phoenix, Arizona

Advance Movie Screening Details

Movie Screening Date: Saturday, March 25
Location: Harkins Scottsdale 101
Movie Screening Time: 11:00am
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Las Vegas, Nevada

Advance Movie Screening Details

Movie Screening Date: Saturday, March 25
Location: Century South Point
Movie Screening Time: 11:00am
[button link=”http://www.gofobo.com/BOSSTMC1″ type=”big” newwindow=”yes”] Get Passes[/button]

Advance Movie Screening Information

To redeem a pass, simply click the Get Passes button. You will taken to our movie screening partner site (where you can sign up for a free account). Once you’ve done so, you’ll be able to print out your pass and bring it with you to your screening or event.

Admittance into a screening or event is not guaranteed with your pass. Events and advance screenings are filled on a ” first come, first served ” basis. To ensure that you stand a good chance of being admitted, we recommend that you show up 30 minutes to one hour early.

The number of admissions that are permissible for each pass are printed clearly on the ticket that you print out. You are allowed to bring as many guests as is indicated on your pass. For example, if your pass is for ” Admit Two, ” you can bring yourself and one guest. If you have an ” Admit One ” pass, you can bring only yourself.

If you have any other questions or comments, please contact us.

Interview with Director Adam Collis of “Car Dogs”

L.A. filmmaker, Adam Collis, director of the film Car Dogs, is also a Professor who teaches film courses at Arizona State University.  He’s an outstanding individual who takes other people’s welfare to heart when making certain professional decisions.  Wanting to see the film Car Dogs made, being involved by directing and helping to produce shows proof of that.  There isn’t any, ‘all talk, no action’ with this guy.

I’m happy to say that he was triumphant in accomplishing his goals with Car Dogs and that, luckily, he learned a big lesson along the road to success… share your knowledge and support those with whom you can if you have some influence to do so.  Meeting and chatting with the director of the film, which features actor and writer George Lopez, Patrick J. Adams (Suits), Octavia Spencer (Hidden Figures), Nia Vardalos (My Big Fat Greek Wedding), and Christ Mulkey (Whiplash), was very enlightening.  I had an enormous amount of fun picking his brain not only about his film and how it came to be but about the local talent here in Phoenix that he used.  Collis was more than happy to give people who have only worked on smaller films, or who have never at all but always wanted to work on films (both in front of the camera and behind), the opportunity to work on a true Hollywood production with a substantial budget.  He’s able to do this through his internship program at ASU called Film Spark which connects film students with professionals in the movie industry. 

Film Spark and his involvement in it is something he’s quite passionate about.  With his attitude about filmmaking and love of the craft, he’s being instrumental in growing the Arizona film community as a whole, connecting individuals with one another which gives us all a reason to be very proud of him.  He holds his head high acknowledging the accomplishments of Film Spark, knowing full well what he’s offering his students.  Through his connections and ability to get a film made, not only do they get to learn from him, but they get the hands-on experience that not many would have a chance to if it weren’t for the program he so happily embraces.  He cheerfully tells me that he loves, ‘giving them the opportunity to learn filmmaking on a real film set and to work with an Oscar-winning cast and crew.’ Adam was thrilled with how the film turned out.  The cinematography by David Stump is beautiful and captures all the allure of the city of Phoenix.  He concentrated mainly on Papago Park where he said he knew, ‘It was meant to be shot.’   A shot from above gives his audience a full view of the area and if you live near there or have driven by, you’ll agree that it was a good choice.  It’s a gorgeous shot.  He’s excited for everyone to see the film, especially if they were involved with the production. 

A close friend and past student of his, Mark Edward King, wrote Car Dogs.  ‘He had originally written it as a short film and I thought it was excellent and encouraged him to turn it into a feature.’  King had been a car salesman himself and had an interesting take on the business and all that goes on in the life of a salesman or a car dog as they’re referred.  He concentrated his story on these particular car dogs having to meet a quota by end of day.  It was almost kismet that he ended up making the film.  He teaches at ASU and King is from Scottsdale, Arizona.  King had been shopping his script in L.A. and it was doing well but it wasn’t getting picked up.  Collis liked it and thought this would be perfect for the internship program.  Collis tells me, ‘It’s set in Scottsdale, written by a Scottsdale native, shot here, made with dozens of student interns.  The film is going to be shown in Phoenix’s own Harkins Theaters.  What we’ve done here is really special.’  Scott Derrickson, who Collis had gone to film school with and who later went on to direct Doctor Strange, had also been a car salesman in a past life so it seemed there were plenty of good sources at Collis’ fingertips if he needed.  After seeing it done in the film, I asked him if salesmen really listen in on buyers discussing, in private, whether or not to buy, as is suggested in the film and he replied, ‘You’ll have to ask Mark.’  He stands firm that car salesmen will do a great deal to sell a car saying, ‘Everyone would serve themselves well by watching this movie before going and buying a new car.’  So I took that response as a yes.  This is a warning, everyone!  No buying a car until you’ve seen Car Dogs!

In the film, Malcolm, the dictatorial business owner of the car dealership which employees his son, Mark, takes advantage of his son and other employees by expecting them to do “Whatever It Takes” to meet a certain number of sales by end of day, all to make himself look good as he closes a deal behind the scenes.  He has promised Mark the next dealership and works him hard with little reward.  Can Mark meet the demands of his father to get the prize he so deeply covets?  Will his ambitions lead him to delude his team and the buyers who walk in, making him become more and more like his father?  Mark is played beautifully by Adams and Mulkey is a very frightening Malcolm.  Circling back to the whatever it takes sales issue, Collis did tell me that he was given the advice to have an amount written down before walking into a dealership and to, ‘Not ever go over that amount.’  Got that?  Never go over that amount. 

As I mentioned, his Film Spark program does connect film students with professionals in the movie industry but also gives artists in the Phoenix area a chance to show their stuff.  He hired crew and cast and they reimbursed his kindness by taking an already great script and improving it with superb performances all around.  Smiling, he mentions, ‘This is a good opportunity for filmmakers in Arizona.  There’s so much creativity in this state and this is a new model for getting a film made.  Why go to L.A. to launch a film when you have Harkins Theatres?’ 

Curious, I asked him if he could remember any of the local talent that he used.  He took out his phone and scanned the IMDB credits.  Some of the people he mentioned were Raymond Scott who, as a car salesman, stood out not only by wearing a brightly colored shirt but by appearing to be continually in sales mode.  He then mentioned actor, Drew Moore, who played a particularly tough customer.  Moore, who had played football in the NFL and the CFL before the acting bug took hold, is a big muscular man who made an impression on the director and likely will the audience when they see his character intimidate a salesman into giving him a better deal.  Collis laughed as he evoked the memory of Moore mainly because of the mistake he made by giving him the direction to hit something harder.  Moore is not a small guy but it was a very small object he hit.  As I’m sure you could guess… it didn’t go well.  He had another performance he couldn’t wait to talk about and that was the work done by Wendy Crawford.  He told me, ‘She had a small part as the receptionist but she was so good; very professional.’  Not only did she give an exceptional performance but her husband Guy Crawford was extremely helpful with equipment that was needed.’  Guy Crawford works for BKW, Inc. in Tempe.  He and owner, Jim Weingard, provided services for the Car Dogs film for which Collis will be forever grateful.  One thing I learned right away from talking to him was that he realizes what a big effort it is to make a movie and that he is only one part of a massive undertaking.  Collis wants everyone to get their credit.  A few other people he wanted me to mention were production designer Scott Cobb, Hamilton Sterling his sound designer, Maggie Morgan the production’s costume designer and all of the veteran Hollywood department heads who were willing to help turn Car Dogs into a reality.

I had to inquire about whether he’d be willing to make a film like this again; to take a chance on making a movie of this size outside of L.A.  I’m pleased to announce his answer was, ‘Yes.’  He had nothing but positive things to say about Arizona and his experience with the feature film went smoothly.  I must ask one thing of all of you.  Car Dogs will be playing exclusively at Harkins Theaters around the valley starting March 24th.  Get out and see it.  Get everyone else there, too.  If it’s a success, there’s no way he wouldn’t do this again.  This will be a success but will be an even bigger success if you’re willing to get to the theatre the weekend of the 24th and give him and the Harkins Theater chain a reason to believe they made the right decision in choosing to premiere it here in Arizona.  Enjoy the film and spread the word! 

The Last Word Movie Review

When a person dies, there is usually a line, a paragraph or an entire page in the obituary section. It depends on how notable that person was, and how connected they were. Or perhaps, if you are the control-freak type, you hound the local newspaper obit writer and you make the final decisions about what should be in “The Last Word”.

The control-freak is Harriett (Shirley MacLaine) who is a former business leader in the small town. She is divorced with one adult child, whom she never sees. She has a snippy attitude towards everyone, because – obviously – they could never do as great a job as she can. She berates the gardener and harasses the cook. And one night she has too many sleeping pills with her bottle of red wine.

When she recovers, he doctor asks if it was actually just an accident.  Of course, she replies, “I was very tired and I was very thirsty!”. But Harriett starts thinking that some day an obituary will be written for her. So, by God, while she still has the gumption, she will make sure it is written correctly!

The local paper has an obituary writer named Anne (Amanda Seyfried). Really, how many obituaries will they need in a week? Harriett uses her influence to have Anne ‘assigned’ to her full-time, so that Harriett can properly get “The Last Word” done to her liking. Anne objects to her boss, saying that Harriett puts the “bitch” in obituary…

Anne is stuck with Harriet, so she starts interviewing people from her past. Harriet turns out to be none too popular, even getting the thumbs down from her pastor. Anne wants to find out about Harriett’s family, her ex-husband Edward (Phillip Baker Hall) and her daughter Elizabeth (Anne Heche). But Harriet has more immediate needs.

Anne takes Harriett to a school for at-risk kids, so she can ‘connect with a disadvantaged child’. A young girl named Brenda (AnnJewel Lee Dixon) thinks Harriett is only there for court-ordered reasons. Brenda has foul attitude, and a mouth to match.  She is as feisty as Harriett, so they wind up being a good match.

Harriett still has some tricks up her designer sleeves. She takes Brenda and Anne to a local radio station, one that actually uses live DJs. She impresses the station manager with her eclectic tastes that he actually does give Harriett a morning DJ slot. Anne is finding out her first impression of Harriett was incomplete, and she does have many more talents than anyone knew.
Harriett, along with Anne and Brenda, take a trip to visit Elizabeth. But she does not want to reconnect with her mother. Harriett goes to see her ex-husband Edward, and they realize that they could never live with each other, but they do miss each other. Harriett has a few snappy words when she first meets Edward…

Edward: As I live and breathe..
Harriett: Well, from what I see, you have not been too successful at either activity!

Harriett learns that sometimes people can be good to her, if she is good to them. Anne becomes like a substitute daughter. Anne finds a new purpose in her writing, and wants to make a substantial impact with her work. Brenda learns to believe in herself and knows that she can make a difference in the future.

The story does follow a typical formula and it has more than a few loose ends. The ending seems unlikely. Harriett is a local pariah one day, and then in the course of a few months, people would flock to her funeral and have nice things to say about her. The way that Brenda gets squeezed into the plot is a bit hokey.

Shirley MacLaine is the star of the show. She has a command of the screen and can look in to be in total control in any situation. Her role is pretty interesting, and she appears to have fun playing a grumpy old lady. Amanda Seyfried has a paper-thin character and can do nothing more that react to the Harriett character. She could use a little more depth in the role, but there is not much to offer.

Anne Heche and Phillip Baker Hall have little more than a cameo in the movie. They are good in the roles, but there is nothing that adds to the movie. AnnJewel Lee Dixon is a cute little hell-raiser, and does a great job. But you just want to wash out her mouth with soap afterwards…

“The Last Word” is a cute little movie that hints how great Shirley MacLaine could have been with a much better written role. This one will give you a few chuckles while you watch, and eventually you can rent it and watch it with your mother. She probably knows a few grumpy old ladies herself…

Disney•Pixar’s “Cars 3” reveals key voice cast and characters

DISNEY·PIXAR’S “CARS 3” ROLLS OUT KEY CAST & CHARACTERS

 

Kerry Washington, Nathan Fillion, Lea DeLaria and Lewis Hamilton

Join Franchise Favorites on the Big Screen

BURBANK, Calif. (March 9, 2017) — Disney•Pixar’s “Cars 3” reveals key voice cast and characters, featuring award-winning stars. According to director Brian Fee, the roster includes both new and returning characters. “We’re introducing some fun and really appealing characters in ‘Cars 3,’” said Fee, “so we really wanted to find the right voices to help us breathe life into them. We hit a homerun with this group; I couldn’t be happier.”

Following are the newcomers and “Cars” franchise veterans who join the previously announced voice talent and characters: Owen Wilson as world champion racer Lightning McQueen, Cristela Alonzo as unconventional trainer Cruz Ramirez, and Armie Hammer as sleek next-gen racer Jackson Storm.


NEWCOMERS

  • Kerry Washington (ABC’s “Scandal,” HBO’s “Confirmation”) lends her voice to Natalie Certain, a highly respected statistical analyst who knows her numbers. Book-smart and mathematically gifted, Certain may earn top marks in her ability to evaluate a racer’s stats, but she could be underestimating the importance of determination.
  • Nathan Fillion (ABC’s “Castle,” ABC’s “Modern Family”) voices Sterling, a brilliant businesscar who runs Rust-eze Racing Center—one of the most successful elite training facilities in the country. The always dapper Sterling comes across as unassuming and laid back, but business is business, and Sterling is driven to ensure all of his investments pay off. 
  • Lea DeLaria (Netflix’s “Orange is the New Black”) provides the voice of Miss Fritter, a local legend at the Thunder Hollow Speedway demolition derby. Fritter’s formidable school-bus size is intimidating, but it’s her smoke stacks of doom, razor-sharp stop sign and crazy collection of her victims’ license plates that usually steers her opponents in the other direction.

 

LANE CHANGE

Three-time Formula One world champion Lewis Hamilton was called on to voice Hamilton, a fully loaded, built-in voice command assistant to high-tech trainer Cruz Ramirez. When Lightning McQueen takes his training off road, Cruz enlists Hamilton’s help to keep the struggling racer on track.

RETURNING FAVORITES

“Cars 3” also welcomes the gang from Radiator Springs back to the big screen, including Lightning McQueen’s best buddy Mater (voice of Larry the Cable Guy), and #95’s No. 1 fan Sally (voice of Bonnie Hunt). Friends supporting their hometown hero include Fillmore (voice of Lloyd Sherr), Sarge (voice of Paul Dooley), Lizzie (voice of Katherine Helmond), Ramon (voice of Cheech Marin), Sheriff (voice of Michael Wallis) and Flo (voice of Jenifer Lewis).

Loyal transporter Mack (voice of John Ratzenberger), big-hearted Italian Fiat 500 Luigi (voice of Tony Shalhoub) and charming little Italian forklift Guido (voice of Guido Quaroni) continue to support Lightning McQueen’s racing endeavors. World-renowned sports announcer Bob Cutlass (voice of Bob Costas) is still calling the races, and Chick Hicks (voice of Bob Peterson) is back—this time as a commentator on the Racing Sports Network. The lovable duo Dusty (voice of Ray Magliozzi) and Rusty (voice of Tom Magliozzi) return as Rust-eze’s chief proprietors—though they have big things in store for Lightning McQueen.

 ABOUT THE MOVIE

Blindsided by a new generation of blazing-fast racers, the legendary Lightning McQueen (voice of Owen Wilson) is suddenly pushed out of the sport he loves. To get back in the game, he will need the help of an eager young race technician, Cruz Ramirez (voice of Cristela Alonzo), with her own plan to win, plus inspiration from the late Fabulous Hudson Hornet and a few unexpected turns. Proving that #95 isn’t through yet will test the heart of a champion on Piston Cup Racing’s biggest stage! Directed by Brian Fee (storyboard artist “Cars,” “Cars 2”), produced by Kevin Reher (“A Bug’s Life,” “La Luna” short) and co-produced by Andrea Warren (“LAVA” short), “Cars 3” cruises into theaters on June 16, 2017.

Rough Night – Red Band Trailer

In Rough Night, an edgy R-rated comedy, five best friends from college (played by Scarlett Johansson, Kate McKinnon, Jillian Bell, Ilana Glazer, and Zoë Kravitz) reunite 10 years later for a wild bachelorette weekend in Miami. Their hard partying takes a hilariously dark turn when they accidentally kill a male stripper. Amidst the craziness of trying to cover it up, they’re ultimately brought closer together when it matters most.

 

Directed by:

Lucia Aniello

 

Written by:

Lucia Aniello & Paul W. Downs

 

Cast:

Scarlett Johansson

Kate McKinnon

Jillian Bell

Ilana Glazer

Zoë Kravitz

Paul W. Downs

Facebook | Twitter | Instagram | #RoughNightMovie

In Theaters June 16th

http://www.fandango.com

Car Dogs Premiere Red Carpet Advance Movie Screening

FILMED IN ARIZONA

Attend the red carpet movie premiere with cast members right here in Arizona!

Movie Screening Summary: With everything to gain, and even more to lose, Mark Chamberlain (Patrick J. Adams) and his brazen sales team have just eight hours to sell more cars than have ever been sold in a single day. As the clock ticks down, their outrageous tactics step up, with each salesperson ready to do whatever it takes to be top “car dog”. But for Mark, the stakes are much more than a paycheck. Leading the pack is sales vet, Christian Caldera (George Lopez). He’s slick, fast talking, and conniving; able to get customers to both open their wallets and part with their better judgement. Hot on his heels is Sharon Stavron (Nia Vardalos). She’s smart and savvy, outmaneuvering the competition with her wit and charm. Sales vet, Scott Williams (Dash Mihok), has a baby on the way that’s keeping him from doing his job. Mark’s best friend, Boyd Robertson (Cory Hardrict), wants the best for Mark but also for the team. And Tyler Bedloe (Joe Massingill) is the rookie of the team, trying to compensate with enthusiasm for his lack of experience – though that may not be enough to get him through the good natured hazing that is the rite of passage for all “newbies”. Undermining the team’s efforts is Mike Reynolds (Josh Hopkins), Mark’s underhanded and manipulative rival who has an agenda all his own. As victory comes within reach, Mark is pushed further to the edge by his ruthless and manipulative boss, Malcolm Chamberlain (Chris Mulkey), who also happens to be his father. Mark is forced to come face to face with his own reality. Is he his father? Or is he a man who can stand on his own two feet? And in one incredibly tense and life changing moment, he must decide if he can save his team, retain his self-respect, and still come out ahead of his old man..

RELEASE: March 24, 2016
GENRE: Drama/Comedy
DIRECTOR: Adam Collis
WRITER: Mark Edward King
CAST: Patrick J. Adams, George Lopez, Josh Hopkins, Cory Hardrict, Dash Mihok, with Nia Vardalos, and Chris Mulkey
PRODUCERS: Adam Robinson, Stefanie Epstein, Mark Edward King, James Mather Miller, F. Miguel Valenti, Adam Collis
RUN TIME: 100 Minutes
Car Dogs is in theatres March 24, 2017

See more advance movie screenings from tmc

Advance Movie Screening For CAR DOGS

Find your chance to receive special advance movie screening passes below.

 

Phoenix, Arizona

Advance Movie Screening Details

Movie Screening Date: Monday, March 20
Location: Harkins Camelview
Movie Screening Time: 6:00pm
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Advance Movie Screening Information

To redeem a pass, simply click the Get Passes button. You will taken to our movie screening partner site (where you can sign up for a free account). Once you’ve done so, you’ll be able to print out your pass and bring it with you to your screening or event.

Admittance into a screening or event is not guaranteed with your pass. Events and advance screenings are filled on a ” first come, first served ” basis. To ensure that you stand a good chance of being admitted, we recommend that you show up 30 minutes to one hour early.

The number of admissions that are permissible for each pass are printed clearly on the ticket that you print out. You are allowed to bring as many guests as is indicated on your pass. For example, if your pass is for ” Admit Two, ” you can bring yourself and one guest. If you have an ” Admit One ” pass, you can bring only yourself.

If you have any other questions or comments, please contact us.

Table 19 Movie Review

If you’ve ever found yourself as the party guest who has been invited to the party but can’t be super involved due to the placement of your table, then you’ll understand why this movie was made.  It was made for all the odd men out who have watched all of the festivities from afar.  So far away in some cases that you can barely even say you were there!  You were practically scuttled off into another room or the hallway, at least this is how you begin to feel.  If you have ever sat and scanned the table in which you’re seated and noticed you’re at a table full of strangers rather than with those who invited you, and your tablemates seem not to fit in with the other guests, you need to do one thing… examine why you’re at that table, too.  Consider this movie a wake-up call if you’ve ignored this happening to you, especially if it has happened more than once. 

Writers Mark and Jay Duplass have either been there or have put people there; waaay back there at Table 19 because they certainly hit the nail on the head as to how a guest would feel when realizing they’ve been relegated to the outskirts of a given gala or celebration.  They did a good job writing a script that empowers anyone who has felt shunned in this manner.  At a lost, distant table, one can find hope, friendship and maybe love, if they just open their minds to it.  I liked how it championed for those who should have checked no on their RSVP, but the movie goes out of its way to make a few characters likable that just aren’t. 

It starts off well, revealing Eloise’s’ (Kendrick) reason for being at the bad table.  She’s the ex-girlfriend of the bride’s brother, Teddy (Russell), and now ex-maid of honor.  One by one, explanations for the other characters at the table are established.  They’re even accompanied by flashbacks.  We have some witty banter which at times, especially when dispatched by Walter (Stephen Merchant), have you laughing and at other times has you feeling sorry for this group of misfits, which isn’t good when you made your way to the theatre, promised a comedy, and are having a hard time finding a reason to chuckle.  It is labeled on IMDB as a comedy, drama but who are we kidding?!  Duplass writing for this cast?!  I’ll not highlight that too soon.  Back to the characters. 

Jo (Squibb) is a sweet old woman who all but raised the bride and is being treated horribly by her today.  Rezno (Revolori) is an incredibly obnoxious and extremely unfunny virgin who figures, along with his mother, this is where he can land a drunken, foolish young woman to be his first.  Drunk and foolish is what she’d have to be because no one in their right mind would be into this awkward nightmare of a character.  Rezno was simply too far out to be believable and I thought the film would have been so much better had he not been a part of the story.  Kudrow and Robinson are Bina and Jerry, a couple who has been married for years and are falling out of love.  Though at a wedding, they don’t find it an issue at all to air their differences in front of everyone.

I liked some of what was going on.  I can’t say that if you enjoy a character driven story that you shouldn’t watch this one but there is a lot wrong with Table 19.  It, at times, shows real promise.  The characters grow and you’re genuinely happy about that.  I was having fun watching these flakes get to know each other and also wanting to help one another through the vexing situation they realize they’re all in but at times I actually found myself looking around the theatre to make sure I knew the location of the emergency exit.  It was all over the place with what kind of movie it wanted to be. 

I think had the writers focused on one genre, director Jeffrey Blitz (The Office and Parks and Recreation) would have had a much better script to work with.  Choosing drama over comedy then switching back and… my head is spinning!!  It got a little frustrating.  Sure there’s comedy in misery but it was anguishing watching how miserable some of these poor things are.  For Squibb, Robinson and Merchant, I’d say watch this when it hits cable.  It isn’t a terrible waste of your time.  But be sure you’re in the mood for a comedy, I mean, be sure you’re in the mood for a drama… well, you get the drift.  When you don’t know what you want to see, seat yourself at Table 19.  Sometimes that’s where you just find yourself being put but maybe you won’t mind being there.

Table 19 Advance Movie Screening

Movie Screening Summary: Ex-maid of honor Eloise (Anna Kendrick) – having been relieved of her duties after being unceremoniously dumped by the best man via text – decides to hold her head up high and attend her oldest friend’s wedding anyway. She finds herself seated at the ‘random’ table in the back of the ballroom with a disparate group of strangers, most of whom should have known to just send regrets (but not before sending something nice off the registry). As everyone’s secrets are revealed, Eloise learns a thing or two from the denizens of Table 19. Friendships – and even a little romance – can happen under the most unlikely circumstances.

Director: Jeffrey Blitz
Writers: Jay Duplass (screenplay), Mark Duplass (screenplay)
Stars: Anna Kendrick, Lisa Kudrow, Stephen Merchant
Table 19 is in theatres March 3, 2017

See more advance movie screenings from tmc

Advance Movie Screening For TABLE 19

Find your chance to receive special advance movie screening passes below.

 

Phoenix, Arizona

Advance Movie Screening Details

Movie Screening Date: Monday, February 27
Location: Harkins Scottsdale 101
Movie Screening Time: 7:00pm
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Las Vegas, Nevada

Advance Movie Screening Details

Movie Screening Date: Tuesday, February 28
Location: Regal Red Rock
Movie Screening Time: 7:00pm
[button link=”http://www.foxsearchlightscreenings.com/tXTLVTable19″ type=”big” newwindow=”yes”]Get Passes[/button]

Advance Movie Screening Information

To redeem a pass, simply click the Get Passes button. You will taken to our movie screening partner site (where you can sign up for a free account). Once you’ve done so, you’ll be able to print out your pass and bring it with you to your screening or event.

Admittance into a screening or event is not guaranteed with your pass. Events and advance screenings are filled on a ” first come, first served ” basis. To ensure that you stand a good chance of being admitted, we recommend that you show up 30 minutes to one hour early.

The number of admissions that are permissible for each pass are printed clearly on the ticket that you print out. You are allowed to bring as many guests as is indicated on your pass. For example, if your pass is for ” Admit Two, ” you can bring yourself and one guest. If you have an ” Admit One ” pass, you can bring only yourself.

If you have any other questions or comments, please contact us.

Fist Fight Movie Interview with Charlie Day & Director Richie Keen

Fist Fight Movie Interview By Shari K. Green

Actor Charlie Day and Director Richie Keen, of the film Fist Fight, came to Phoenix for a movie interview press event to discuss the film.A few of us got to meet and talk with them during our movie interview.  Here are some of those questions.

Q: Having just come from Chicago, and we have such beautiful weather here in February, it had to be asked, what do these gents think of Arizona?

Richie Keen (RK): I love Arizona.  I’ve been to Arizona many times, I’ve been to Phoenix many times I have friends who live here and there’s something very, very peaceful about this sort of desert life.  Uh, I grew up in Chicago and it’s a much different vibe and yeah… I always loved coming here; I just find it really peaceful. Charlie Day (CD):  Same here.  I grew up in Rhode Island and there’s something about when I come to the desert that I like so much and it’s like a well-kept secret, too.  It’s like, ‘What’s out there in Phoenix?’ And you get here and you’re like… ‘of course, no one ever leaves.’  He smiles. RK:  Yeah. CD:  It’s… you’re living in paradise. RK:  It’s like a nicer L.A. CD:  That’s right.  L.A. without the cars. They both laugh. RK:  And everyone looking over their shoulders.

Q:  Charlie, did any of your cast mates try to throw you off?

CD:  Kym (Whitley) threw me off a bit. (Laughs)  I assume you mean get me off my game? I think when Ice Cube threw me into the school bus (Keen snickers) for the fifteenth time in a row, it really started to rattle me. RK:  He’s a very committed actor. CD:  I started to wonder if anyone realized we were still filming and if he was trying to smash me to pieces. RK: I was impressed because I was thrown by Tracy Morgan and Charlie wasn’t.  To me, he’s so… bizarre and interesting and nothing is ever the same way again that I couldn’t believe how Charlie could just role with him and stay in the character and stay in the story.  I was just cracking up, thanking God I had a camera on him for half the time so– CD:  Yeah… for some reason, I feel like I speak Tracy Morgan. RK:  Yeah. CD:  I like the absurd nonsequitur.

Q:  Part of the fun of this film is that Andy has to grow and learn on this journey.  One thing he learns is that ‘snitches get stitches’, right?

CD:  Yeah that’s the tough lesson.

Q: That’s one.  But he also learns another life lesson which I won’t reveal here for the people reading… what about Ron Strickland (Ice Cube).  What do you think he learned?

CD:  That’s a great question.  I think Ron Strickland learns that, possibly, his methods are a little too extreme.  That this man who is known for being so soft and kind and easy with the students wasn’t just a fool for having that point of view but that he has a point of view and that he’s willing to go down swinging for that point of view and that both he and Ron Strickland have to find middle ground.  It’s a good metaphor for, I think, everyone in life which is that no matter what your point of view is if you disagree with someone you can’t be so bullish on your point of view as to not listen to them.  And so they’re forced to understand one another. RK:  Yeah, just piggybacking off that, I think it was so important to us that both teachers be teachers who cared and they just happen to have different philosophies and that Ice Cube was, you know, he loves the Civil War.  I mean, he cares.  It’s not like he’s a bad teacher, he just believes that (he’s old school), he believes, as he says in the movie, ‘I don’t need to be liked.  I need to educate.  Whereas, Charlie wants to be your buddy.   And there’s different philosophies in teaching now… I…I don’t know what the right answer is; it’s probably specific to each school and even each class and even each student but I do think that Ron Strickland probably learned that he could probably ease up a little bit.  I mean, without ruining the ending, he does actually tell Charlie’s character to calm down a little bit at one point. CD:  Right!  Maybe that is where he learns his lesson. RK:  He sees someone else doing it and he realizes it’s a little out of control. CD:  That there’s such a thing as too far.

Q:  If you scrub away all of the laughs and all of the F bombs and all that, there’s some good social commentary here.  Was that in the script or was that something you guys brought into it during the production?

CD:  I’m sure that there was something in the original draft there but it was something that was very important to both Richie and myself that the movie was anchored on… which is, I think essential to any kind of comedy, especially comedy where you want to be edgy or occasionally outrageous.  If it’s not anchored on some positive message then it really just feels like shock value for the sake of shock value.  And we’ve been doing that for twelve years on It’s Always Sunny in Philadelphia. I think we would have been a one season show if each episode or the majority of the episodes weren’t rooted in some message… I hesitate to say what they are but for people to watch and make them think just a little bit.

RK:  Yeah–

CD:  It was important to us.

RK:  I think we felt like, first of all, we don’t have the answers but we do… we all can agree no matter what you think about politics or anything that we need to look at the education system.  It’s just not working the way it once did.  And I wanted the film to feel like a prison riot movie.  I felt it was the prison guards versus the inmates.  You’ll never see two students going at each other; that was deliberate in the movie.  And the way I shot it, I wanted to open in that prison yard, that courtyard.  I didn’t open it from the school or from where the flag or the brick wall are and even in the way I tried to light it, you know, the cinematographer I hired did Copland he did To Die For he did My Own Private Idaho I didn’t hire the guy– I mean, he’s done commercial movies but I wanted it to have that feel of like– the school I picked was rusty and crumbling and so it was important to all of us that– we’re not a hard message film; we wanted to be the most outrageous comedy of the year but–

CD:  It’s a very pro-teacher film, too.

RK:  Absolutely.

CD:  I think it really shines a good light on the difficult situation that teachers are in these days both with their lack of ability to discipline kids and their lack of resources sometimes.  And I think Cube’s character would have been really one dimensional if we didn’t give him a great philosophy as to why he wanted to have this fight… beyond the fact that I got him fired.

Q:  There’s a lot of intensity in this movie.  There’s a lot of characters who are right on the edge of losing their sh*t and as I’m watching it, it reminded me of this story I read a long time ago.  Bruce Willis, one of his action films, before each take, would get psyched up… throwing chairs around and such.  I was wondering if you or any of the other actors had any little routines you ran through before each take to get into that mindset.

CD:  It depends on where in the movie I was.  Certainly, in the beginning of the movie where it’s just me talking to my students I probably wouldn’t do too much before but if I was supposed to be especially agitated, I would do a little bit of jumping up and down and pumping my fist.  It’s something an actor once told me he saw Tom Cruise doing and uh, as a joke we started doing it on It’s Always Sunny in Philadelphia and now I love to do it.  I just feel like it gets the blood flowing.  Or sometimes even, and I learned this one from Danny (DeVito), I’ll start just saying a few lines in character, either to somebody else in the scene or to nobody, just right before we roll the camera but… there’s little tricks you can try.

RK:  I will say, I don’t think you’ll mind me saying this, in the scene where Charlie finally tells off the administration… he did it one time.  Perfect.  I shot it a second time just in case the camera messed up.  I was sure I was going to be there for hours.  I mean, it’s this passionate scene and this monolog and it was just… (He thinks) …he was so– by the point of the shoot, when we had gotten to that point, he was so ready for it. Umm… just in terms of the tension that is something we added, ultimately, in the script when Charlie and I started working on it.  It was important that the fight have meaning.  It had to have a cathartic experience for everyone so we added these crazy senior pranks that the principle’s going through because I just kept thinking, when I cast Dean Norris, seat Charlie between an angry Dean Norris, (Hank from Breaking Bad), on one side and Ice Cube on the other, I really felt like that is a no win situation.  What do you do?  And to watch him try and finesse that and just– Yes, he did it but he had a reason and so… I’m glad you picked up on that because we wanted all the teachers… Tracy Morgan getting pranked, and everyone.  We just wanted to feel that by the time we got to the fight it was gonna be–

CD:  And there were great pranks in the script, in the original draft, but we definitely wanted to make this such a terrible day for Andy Campbell that by the time he finally says, ‘I’m gonna go down swinging no matter how hard you hit me,’ that you can kind of justify that he gets to that place.

Q:  The world has gotten a little bit more absurd lately.  As someone who deals with absurdist humor, how do you catch up to a world that’s just getting crazier and crazier?  Do you use your free speech to ridicule things that are going on or do you go in a different direction?

CD:  It’s really interesting.  I think, certainly Sunny, has thrived in that era and we’ve been around a long time.  When we first started the show, I think Bush was in his first term, maybe his second term.  So, that was an interesting time if you remember… [sic] we were in Iraq and then, of course, it’s not to say the Obama years weren’t interesting times, too, and, of course, now it’s very volatile and out of volatility comes great comedy.  I think it’s our job to just point out our flaws, no matter what side of the political line you’re on.  I think both sides deserve a good comedic lashing and umm, you know, I don’t think anything’s ever going to change in terms of that with comedy.  If the world gets to such a tame place that we can’t have any sort of satire any more than maybe that won’t be a good thing… who knows.

Q:  Kinda lookin’ like you might not be able to make fun.

CD:  Yeah, that’s true.  It’s definitely getting harder for people to take a joke.  I think humor is necessary in times like this.  I think the greatest thing that could happen right now is for a movie like this to come out so people can just go laugh and relax a little bit and they can watch people punch each other if they feel rage and want to punch somebody.  I think movies that have something intelligent behind the humor will survive.  It’s tougher to make senseless jokes and it should be tougher to make senseless jokes but if there’s a good intelligent reason behind the joke telling, I think it should hang in there.

Q:  How did you pick the song you have Andy’s daughter sing on stage to her bully during the talent show?  That song is a touch dirty, we’ll say.

RK:  That was written to be the Kanye West song, Power, which is the coolest song.  I’m so excited about it.  And then we found out, shortly before filming, that we couldn’t afford it.  I was like, ‘Oh my God!  How do you replace this Kanye song?!’  And my music supervisor must have sent me a hundred songs and I got my headphones on late one night and I hear this song and I’m not that hip… I don’t know all the best stuff.  And I send it to Charlie and I go, ‘Charlie, this will change the movie!’  And Charlie’s like, ‘We gotta do this song!’

CD:  Well, for me, it gave us the idea of… cuz originally we kept getting notes about that sequence that it felt like this sort of an About A Boy moment and then suddenly, ‘Oh, what if it feels like it’s going to be an About A Boy moment but then we make it a big comedic…’

RK:  …we don’t do earnest very well.

CD:  But also then that gave us the idea, ‘Oh, what if my daughter is being bullied and she’s using this song as payback?’  Cuz in the original script, she was just a fan of rap music.  Sometimes those limitations lead you to an idea that makes it a better movie.

RK:  It was Charlie’s great idea that, ‘Wouldn’t it be interesting if he and his daughter were going through a very similar day and she also didn’t know how to handle it and that in helping her handle it, he manned up enough to realize now he’s gotta go handle his stuff.’  So, it was a really amazing opportunity that started off as a problem.

CD:  Yeah.  Sometimes the best ideas come from the limitations that you have.

Q:  Did you allow a lot of improvising, Richie?

RK:  Charlie made a distinction between improvising and alternative punch lines.  Everyone stayed on story.  We’d always get everything we wrote and then I’d be a fool not to have Tracey or Jillian or Charlie or Kumail take a shot at, ‘Do you think there’s something funnier to be said?’  For example, in that scene in the hallway where they’re talking about meth, a written line was, ‘Don’t do meth.’  ‘Why?  Because it’s a gateway?’  ‘No.  Because it’s the finish line.’  That’s written.  Charlie’s saying, ‘Don’t do meth.  Period’  And Jillian is saying, ‘When I’m on my period don’t do it, because that’s when I need it the most.’  Jillian came up with it so… we always played.  It was such a challenge for me in editing because I did like to let people play and there were so many things that made me laugh.  You know, I had a playwriting teacher in college who said, ‘Disciplined writing isn’t writing every day… it’s cutting your favorite scene because it doesn’t progress the story.’  And editing was an exercise in that.

Q:  Given the nature of the narrative, were there any pranks on set?

RK:  There really weren’t.

CD:  I’ll tell you what… if anybody pranked me during the shooting of that fight, I would have killed them.  Parts of this movie were so physically difficult to shoot there wasn’t a lot of room for extracurricular activities.

RK:  I’m not a prankster ever as a director because, for me, I want everyone to feel so safe.  I want them to feel so taken care of that… people can fuck with me all they want and I have a sense of humor about it, although on this movie no one did, but my job with this group of personalities is to just be like a big hug around everyone saying, ‘We’re gonna do it.  It’s gonna be great!’ So, I’m not a big believer in it.

When I first walked in to meet them during the movie interview, I immediately noticed they related with one another very well.  They seemed like brothers or dear friends who have known each other for their entire lives.  They were overwhelmingly warm to me and that said, I don’t want to sound like a fan, I’m only presenting what I witnessed.

Charlie Day and Richie Keen are two of the friendliest people I’ve met in a long time.  I sincerely hope they continue working with one another and as often as possible.  As I’m sure so many are aware, the air around them is filled with the aroma of mutual respect and admiration and each would only wish the best for the other… not only themselves or their friends but for anyone.  I was happy to have been around them.  To be honest, I don’t think I saw Keen’s face ever drop its smile.  What impressed me the most was their attitude toward their fans.  Where the interview was taking place, we could be seen through a window and people couldn’t help but notice the familiar faces behind the glass.  Much to my surprise, they stayed after the interview and met their fans, took pictures, signed autographs never once saying, ‘No.’  They were very humble and very kind.

More Movie Interviews By Shari K. Green