Victoria & Abdul Trailer

Story: The extraordinary true story of an unexpected friendship in the later years of Queen Victoria’s (Academy Award winner Judi Dench) remarkable rule. When Abdul Karim (Ali Fazal), a young clerk, travels from India to participate in the Queen’s Golden Jubilee, he is surprised to find favor with the Queen herself. As the Queen questions the constrictions of her long-held position, the two forge an unlikely and devoted alliance with a loyalty to one another that her household and inner circle all attempt to destroy. As the friendship deepens, the Queen begins to see a changing world through new eyes and joyfully reclaims her humanity.

Director
: Stephen Frears (“The Queen,” “Philomena,” “Mrs. Henderson Presents”)

Writer: Lee Hall (“Billy Elliot”), based on Victoria & Abdul: The True Story of the Queen’s Closest Confidant by Shrabani Basu

Cast: Judi Dench, Ali Fazal, Adeel Akhtar, Simon Callow, Michael Gambon, Eddie Izzard, Ruth McCabe, Tim Pigott-Smith, Julian Wadham, Olivia Williams, Fenella Woolgar

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In Theaters Sept 29th

http://www.fandango.com

The Glass Castle Trailer

The Glass Castle

Lionsgate presents, a Gil Netter/Lionsgate production.​

Directed by: Destin Daniel Cretton.  Starring: 

Chronicling the adventures of an eccentric, resilient and tight-knit family, THE GLASS CASTLE is a remarkable story of unconditional love.  Oscar® winner Brie Larson brings Jeannette Walls’s best-selling memoir to life as a young woman who, influenced by the joyfully wild nature of her deeply dysfunctional father (Woody Harrelson), found the fiery determination to carve out a successful life on her own terms. 

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#TheGlassCastle

In Theaters August 11th

http://www.fandango.com

Battle of the Sexes Trailer

The true story of the 1973 tennis match between World number one Billie Jean King and ex-champ and serial hustler Bobby Riggs.

Directed by: Valerie Faris & Jonathan Dayton

Cast: Emma Stone, Steve Carell, Andrea Riseborough, Sarah Silverman, Bill Pullman, Alan Cumming, Elisabeth Shue, Austin Stowell, Jessica Mcnamee, Natalie Morales and Fred Armisen

In Theaters Sept 22nd

http://www.fandango.com

Tommy’s Honour Movie Review

Director Jason Connery, son of actor Sean Connery, is usually in front of the camera. Appearing in over seventy films, he now has five directing credits to his name. Tommy’s Honour, a piece about the birth of the golf pro of today, is his latest achievement. Appearing in Film Festivals across the globe, the Phoenix Film Festival being one of them where it had the honour of closing the fest, it’s getting great buzz and as it’s now at a theatre near you, I must recommend you see it. It’s an engaging movie with history about the evolution of the professional golfer and in my opinion; you don’t have to be a fan of the game to enjoy the spirit within the movie. Interestingly enough, the players went from being paid employees, hired to play the game for rich men who bet on the winners, to then playing on their own terms… and it would not have been possible if not for Young Tommy Morris (Jack Lowden) who made it happen.

At the time Tommy was the best player, one that the members of the club St. Andrews for whom he played, could always count on. He, well aware of his skills and knowledge of the game, refused to continue to play and only take home a small percentage of his own winnings. Not appreciating how the men of St. Andrews have always treated his father Old Tom, (Peter Mullan), he rejects the idea of ending up like his dad, crawling around on the ground setting up Tees for men who only looked down at him. Tommy decides it’s time to redesign how players are seen and how the game is played and with one game he does just that. Shocking every man in the club, especially Alexander Boothby (Sam Neil), he makes some requests that the members deny, fearing that next Tommy will expect to be called a Gentleman and demand entrance through the sacred door.

Tom, greenskeeper at St. Andrews, who’s responsible for establishing many of the game’s rules as well as making their balls and clubs, is fine with his station in life. When Tommy suggests rising above it, he gets a little nervous. Being a much better course designer these days than player, Tom is no longer asked to play; therefore he can no longer bring home the extra money his family needs. Having his son around to help run things and support the family has always been the plan. What starts concerning Tom, even more, is that at the time Tommy decides to carve his own path in golf, he also meets a woman, Meg (Ophelia Lovibond), who he falls instantly in love. Now his parents worry that he, along with this woman they do not trust, will destroy his future… and theirs.

What accent heavy dialogue you can make out in Tommy’s Honour, (you’re likely to miss a few words here and there so it’s worth mentioning), will affect you. It’s a thought-provoking and compelling story. With the characters being set up so well, you root for Young Tommy right away and want him to achieve his goals and prosper. You also feel for his family but when Meg enters the scene that may start to turn. As previously mentioned, Tommy has never been encouraged to dream or to love but he does now. With what he has achieved and where he sees his future heading, he insists on being his own man, no matter who likes it or who doesn’t. Suddenly, a sports movie about Tommy planning to tour different courses collecting his winnings and forever changing the face of the game turns into a heavy drama. Be prepared when it does… that’s all I’ll say about that.
Ophelia Lovibond is fabulous as she faces Tommy’s unforgiving mother and Peter Mullan expresses Old Tom impressively through not only dialogue but his face, especially when he sees his actions has cost him so much. This is an incredible cast in a wonderful story. See it playing in Phoenix at the theatres listed below or at a theatre near you, today.

Harkins Fashion Center 20

Superstition Springs 25

Harkins Arrowhead Fountains 18

AMC Desert Ridge 18

Shea 14 Theater

A United Kingdom

Your first thought upon walking out of A United Kingdom very well may be one of bewilderment at the story itself.  Not that it could happen, of course, (look at today’s headlines, this type of forbidden love is still happening) but that a King was questioned and almost denied his wish.  Anyway, you might next have the inclination to Google this to learn more about these individuals.  It could also be, as it was mine, to gather all of the performances of David Oyelowo to date and, find out what he’s up to next so that you can see all of this man’s work. 

Not to disparage the other performances in the production but he delivered the story of a man choosing love over country beautifully.  He never waivered in his ability to sell us on the saga that deep within him, he believed the people of his county would, in due time, not require him to make that sacrifice and did so with the strength and compassion you rarely see with such balance.

It would be impossible not to be impressed with this entire cast and it would be nearly pointless to try and look beyond director Amma Asante’s (Belle) achievements with the film.  She does an exceptional job with this labored piece and with only five directing credits under her belt, quite a feat, she handles the very difficult true life events like a master. 

A United Kingdom was a hefty project to take on.  It’s about Seretse Khama (Oyelowo) and Ruth Williams (Pike) and the political climate of their countries at the time they met in the 1940’s.  He’s heir to the kingdom of Botswana and she’s a white woman from London and despite what their families feel about their union, they insist on being together and will be, even though they’ll be under great scrutiny.  Her father has disowned her for being with a black man and his people, especially members of his own family, would prefer their leader be with his own kind.  Not considering others feelings and only listening to their hearts, they marry and move to South Africa where, unfortunately for all, apartheid is starting to grow.  Their union becomes widely known and a topic of great discussion.  Ruth is a likable person and does her best to be friendly, learn the language and fit in as his family members do their best to make her want to leave.  Oyelowo is outstanding when he addresses his tribe with a moving speech and speaks of Ruth with tears in his eyes, asking to see who would truly deny him his love.  It’s a stirring confrontation and a memorable scene. 

What ultimately doesn’t really work, but may have been better with a seasoned director, is the setup.  This story is a pure and true love so strong that this couple defies all rules, family and country to be with one another should have had you cheering their achievements.  However, as it’s told, you don’t really care.  The reason for this is that we meet Ruth and Khama when they first meet and almost immediately they’re in love and getting married.  There isn’t time for you to feel for these people or for the plight in which they find themselves.  Asante does a wonderful job of keeping the rest of the story flowing, especially the focus on the British government wanting the diamonds and minerals on his land, but sadly, missing this crucial step of giving the audience time to identifying with what the couple is going through or to feel compassion for them, hurts her very efforts.  It’s the single most important goal before telling the rest of the narrative for it to have worked as a well-structured and cohesive piece.  It is a good drama about pressures put on them both and his overcoming his uncle asking him to renounce his birthright to the throne for marrying a white woman, but it isn’t as romantic as it claims to be.  Keep in mind it is a true story… life doesn’t always come out as we plan. 

I do recommend A United Kingdom but I’d say wait for VOD or DVD instead of paying to see this at the theatre.

A United Kingdom Advance Screening

Prince Seretse Khama of Botswana causes an international stir when he marries a white woman from London in the late 1940s.

Find your chance to receive special advance movie screening passes below. 

Phoenix, Arizona

Date: Wednesday, February 15
Location: Harkins Scottsdale 101
Time: 7:00pm
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The Founder Advance Screening

The story of Ray Kroc, a salesman who turned two brothers’ fast food eatery, McDonald’s, into one of the biggest restaurant businesses in the world.

Find your chance to receive special advance movie screening passes below.

Phoenix, Arizona

Date: Tuesday, January 17
Location: Harkins Scottsdale 101
Time: 7:00pm
[button link=”http://www.gofobo.com/tMCPHXFounder” type=”big” newwindow=”yes”] Get Passes[/button]

jackie

Jackie

“Jackie” is a film about what Jacqueline “Jackie” Kennedy had to endure directly after the assassination of not just the President of the United States of America, the country she loved so much and the man she most admired, but the assassination of her husband, Jack Kennedy, who was that President.  It’s an accurate portrayal of a woman in agony.  She loses the husband she always had to share with the world and has to share the pain of this, as well.  Nothing can be personal; nothing private.  The delicate nature of the story itself is handled beautifully.  To your joy, what is evident from the first moment she speaks is that Portman will not only get a Best Actress nomination but quite possibly win the Oscar this year.  She is Jackie. 

To begin the film the theatre goes dark and sounds of gun shots fill the house.  It’s November 22, 1963.  Dallas.  We also spend time in 1961 when the First Lady is giving a tour of the White House.  This is broadcast on television and is, some would consider, the defining moment for the American people, who fell in love with Jackie when Kennedy first took office, that she was their queen.  Why we’re flashing back to her life becomes clear when we are suddenly in a room on her estate in Hyannis Port, Massachusetts with “the journalist” (Crudup) from Life Magazine who is there to talk to her for his publication about the assassination and her life since. 

Many have told the Kennedy stories in books and on film but not so have they delved quite so deeply into the woman behind the man especially when it comes to touching the sensitive subject of her life directly after the his death. 

Quite addled, she clings to what she has left of the soon to be past position she held of First Lady with more than high acclaim in the world.  There are key moments in the film where we see her pain and if you’ve done any Kennedy reading you’ll recognize the truth telling of this piece, especially about why she wore her blood-stained dress, ‘Let them see what they’ve done’, and how difficult it became for, not only her, but for the Johnsons’ to get her to leave, which is why I appreciated this movie even more.

It isn’t the tale of Camelot but a reminder of how it all ended”
Shari K. Green

Sr. Film Writer and Community Manager, tmc.io

Using real clips mixed in with those of director of photography, Stéphane Fontaine, who also shot this years, “Captain Fantastic”, one of my top five for 2016, Larraín creates for us the real trauma that was happening at the time.  The story may not be pretty but it does her justice in a way that it shows not only her vulnerability and vanity but her misery and contempt for what “they” did to her.  Writer Noah Oppenheim tells of one of the darkest times, the story of Jackie planning Jack’s funeral procession.  She wants the world to know that a good man was murdered and much to the chagrin of all around her, she wants the parade to be long and large, one like that of Lincoln.  Being, clearly, a very intelligent woman, she knew her children were at risk so she takes certain precautions with them during this time.

As I previously mention, Portman is fascinating in this role.  Billy Crudup isn’t really given much to do but be a character for Portman to act opposite of.  His character could have been a lamp and it wouldn’t have mattered.  Sarsgaard isn’t the best Bobby but again, the film was not about him; it’s about Jackie and if you want to see a film where only one role is sufficient enough for the film to stand on its own, it’s this.  Only she is truly necessary to move the story along.  This is a must see for anyone who likes biography’s and for anyone who lived through the Kennedy era and like to peek inside the dynasty that once was.  It’s a brave film.  It isn’t the tale of Camelot but a reminder of how it all ended; how one woman suffered through it and how we as a country were never the same.

hacksaw-ridge-movie-review

Hacksaw Ridge

War is Hell, as it is said, but a movie about War can go many different ways. “Hacksaw Ridge” plays up the unusual angle of a World War II conscientious objector who was the first one to win the Congressional Medal of Honor. He refused to carry a weapon on the battlefield, and instead carried 75 wounded men to safety on Okinawa.

Desmond Doss (Andrew Garfield) grows up in a backwoods area in Virginia. He was raised by his strict alcoholic father (Hugo Weaving) and loving mother (Rachel Griffiths). When his brother goes off to WWII, Desmond also decides to enlist. His new girlfriend Dorothy (Teresa Palmer) is surprised, because Doss is such a gentle soul.

Doss proclaims status as conscientious objector is valid in the Army. But it does not sit well with his superiors, Sergeant Howell (Vince Vaughn) and Captain Glover (Sam Worthington).  They try every way possible to make Doss uncomfortable so he will leave on his own. The base commander orders Doss to pick up a rifle. When he refuses, Doss is threatened with court marshal.

Doss misses the leave from the base when he was to be married to Dorothy. Desmond’s father pulls some old favors from a World War I buddy. Desmond Doss is set free again to become a medic for the unit.

As the war winds down in Europe, the savage battle rages on in Japanese waters. On Okinawa, the unit is sent to perform an impossible mission: take Hacksaw Ridge. The long climb up rope ladders deposits the troops in a barren field of death. Other units have tried to take the Ridge, and many have died fighting the Japanese.

The fierce battle starts death coming from every direction. There are tunnels and bunkers and heavy weapons that the Japs are bringing down on the troops. Doss and his unit are slogging and fighting on, at the cost of many dead and wounded.  The Japanese retreat into hiding, getting ready to come in full force again.

Doss remains in the field, up on top of the Ridge. He hears a weak cry and goes to help a soldier. And then there is another, and another. He devises a way to lower the wounded down the side of the cliff, so he can stay and care for more wounded. Doss becomes the only one able save some of the solders. He helps Sergeant Howell among others.

Captain Glover is shocked to see so many of his men in the field hospital the next day. He finds out that Desmond Doss treated and carried out each of the 75 men. Doss and the rest of the troops are ordered to take the Ridge again. But this time, all the men are ready to reach the goal, knowing that Doss had the courage to stay up on the Ridge all night and save so many.

Andrew Garfield does a marvelous job with the difficult role of Doss. He plays a man of principles who is put down for his beliefs, but who is so strong in his conviction that he makes up for the fact that he will not fight. In a bloody and gruesome situation, Doss continued to find a way to save his fellow solders.

Every other actor does a really good job with the roles that they portray. But a special nod must go to Vince Vaughn, because in this role he is stretching his acting ability to new level. He plays a drill sergeant with a slight sarcastic streak. He is nowhere as good as R Lee Ermey in “Full Metal Jacket”, who was the real deal.

Mel Gibson is the director, and he is making his way back to place of respectability in Hollywood. Gibson might be criticized for the level of violence and gore in this movie. But it is a War movie, of course, so there will have to be something that will be bloody. The first part of the movie is almost a fantasy of small town and rural life, so the next part with the blood and guts does come as a shock.

The true life story of Desmond Doss is worth telling, and this movie tells the story well. It dips into a section of extreme war time violence that is disturbing. But Doss made the choice not to fight, he made the choice to help save. He was recognized and rewarded for his efforts.