Bohemian Rhapsody Movie Review

Bryan Singer, known for Superman Returns, X-Men and The Usual Suspects was the perfect choice to make a movie about Queen. You’d be hard pressed to find anyone who could have caught and ceremonious displayed the man Freddie Mercury was, with such concentrated effort on Queen’s stunning and charismatic music at the same time, as Bryan Singer. They were outstanding performers with phenomenal talent but what you never knew about the band off stage, most especially their inventive and creative lead singer, is gloriously shown here. ‘Bohemian Rhapsody’ is a must-see. Rami Malek, who plays him, embodies Freddie so well it’s almost eerie to see. Singer bookends the film with Queen’s epic performance at Live Aid and watching Malek’s Mercury brings both joy and sorrow
 for what we had and what we lost.

The film establishes for us the timeline that took Queen to rise to the top of the charts around the globe. They start out as a common club band who were headed nowhere. Freddie, a man desperately searching for a way to escape who he is and become who he knows he can be, reaches out to them when they lose their lead singer. They look him over and aren’t interested until he opens his mouth and blows them away with his surprisingly extraordinary set of pipes. On stage, the audience looks at him the same way the band did and weren’t inclined to give him a chance either until he impresses them with his stage presence, versatility and his ability to hit the high notes and hold it.

While this is a biopic about Queen, and it does include their brilliant songs throughout the entire film, Singer gets more deeply involved in Freddie than the other individual members. Singer knew, as Freddie knew, there was no Queen without him.

Since it examines what brought Freddie to this point and where it leads him just as much as it covers the group entirely, it might feel as if you’re invading his personal space but it only tackles what he would have allowed
 only what you may have already known. It’s very respectful of who he was, while at the same time, removing the thinnest of veils for us to see who he loved, what he was able to give and how little he needed in return.

‘Bohemian Rhapsody’ is an absolute delight. This is a fantastic tribute to Freddie, it’s a good night out at the movies and practically an opera on its own. If you’re not a Queen fan when you walk into the theatre to find your seat you will be by the time you stand up and walk out. The cast gives this dramatic script life while at the same Rami Malek brings Freddie Mercury back to life for just a moment. It’s not a stretch to assume he’ll be up for an Academy Award for his performance. You’ll love Mike Myers as Ray Foster, the man whose shortsightedness let them get away. Also, when you get home, watch Queen at Live Aid. It’s uncanny how very well the actors and filmmakers were at reproducing that moment for you.

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Boy Erased – New Trailer

Story: “Boy Erased” tells the courageous story of Jared Eamons (Hedges), the son of a Baptist pastor in a small American town, who must overcome the fallout of being outed to his parents (Kidman and Crowe). His parents struggle with reconciling their love for their son with their beliefs. Fearing a loss of family, friends, and community, Jared is pressured into attending a conversion therapy program. While there, Jared comes into conflict with its leader (Edgerton) and begins his journey to finding his own voice and accepting his true self.

Writer/Director: Joel Edgerton (“The Gift,” “Loving”) based on Boy Erased: A Memoir of Identity, Faith and Family

by Garrard Conley

Producers: Steve Golin, Kerry Kohansky-Roberts, Joel Edgerton

Cast: Lucas Hedges, Nicole Kidman, Russell Crowe, Joel Edgerton, Cherry Jones, Michael “Flea” Balzary, Xavier Dolan, Troye Sivan, Joe Alwyn, Emily Hinkler, Jesse LaTourette, David Joseph Craig, ThĂ©odore Pellerin, Madelyn Cline, and Britton Sear

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In Theaters November 2

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Can You Ever Forgive Me? Movie Review

Finally! Something Melissa McCarthy can sink her teeth into! She was impressive in this role. Though I wasn’t fired up to see this for some reason, the story didn’t exactly excite me, I knew she wouldn’t disappoint me. And she did more than delight, she proved she’s worth one of those bright shiny trophies they give away at the end of the season. Not just her but her cohort, supporting actor Richard E. Grant. It’s easy to envision this film walking away with several, not only nominations, but wins.

The film is based on true events that happened in New York in 1991. However, you get the feeling it could be set in any town, in any year and happen to anyone. Nothing about this story tells you that the setting is particularly special to the storyline. I rather liked that approach. McCarthy plays Lee Israel, a real-life writer/biographer who once saw for herself a bright future but ends up being convicted of forgery; something she did to pay the bills. What unravels onscreen is why she did it, how she got away with it as long as she did, who her accomplice was and what her ultimate unraveling ends up being. The forgery was her unraveling, of course, but desperation plays a large part. No longer brave enough to write a book of her own words, she writes about other people.

When we meet her, she’s turned to drinking, loses her job, is behind on her rent and on top of that, has a sick cat named Jersey. Jersey is her world. She would have no one else but Jersey had it not been for running into someone with even worse luck, Jack Hock (Grant), a sickly-looking friend she once had drinks with. He uses that moment to get closer to her and with no one else in her life, she clings to him, too. Perhaps once successful himself, he keeps himself alive these days by selling coke that’s cut mostly with a laxative and lives on the streets. Though you’re happy these two at least have someone, you know this is a disaster waiting to happen.

Hoping to not have to do something extreme to make ends meet, Lee visits her agent Marjorie (Curtain) who gives it to her straight. Lee tells her she is close to finishing her biography on Fannie Brice but Marjorie explains that her subjects and her style are not what people are looking for anymore. She needs to change with the times and come up with something better or she needs to look for work in a different field. Rather than looking inward, Lee turns the blame on Marjorie and drowns her sorrows in more scotch, her favorite pastime. While doing research for her book, Lee finds a letter that’s signed by Fanny Brice. Score! She sells it to the owner of a bookstore and thus begins her life of crime. Being a creative woman, she gets so much money from the sale of the letter, why not try again? She knows the people she has studied very well. She decides she needs to be very detailed about the work and ages the paper, writes something to fit the style of the author and everyone in town falls for it. It works perfectly
 until it doesn’t.

Though Lee is a mess and a grump you couldn’t stand to be around more than five minutes, you root for her and that’s because of the relationship director Marielle Heller and Melissa McCarthy accomplished to create before the cameras even started rolling. This deserves Oscar’s attention. I hope he turns his head and takes a look. The soundtrack is beautiful. The structure of the writing is spectacular. The directing is spot on and if you want examples of incredible character acting performances, look no further. It’s all here. The title is also something that intrigued me. Who does Lee want to forgive her? Her ex-girlfriend, her agent, the friends she’s always cranky toward, the people she defrauded or is it herself?

Beautiful Boy Movie Review

This story is based on a memoir written by David and Nic Sheff. It’s about the cycle of drug abuse Nic couldn’t liberate himself from and David who tried everything he could think of to help him escape. The title, ‘Beautiful Boy’ comes from the John Lennon song that David (Carell) used to sing to Nic (Chalamet) when he couldn’t sleep at night be. He was singing it still when Nic was eighteen and laying on the bed passed out from the many drugs that were running through his system. They seized the boy, refusing to loosen their grip but there sits David, stroking his hair remembering the Nic he knew, certain that one day he’d return.

With this film director Felix Van Groeningen, who also had a hand in writing the script, is making available to you a world you’ll find frighteningly realistic and familiar or, hopefully, one you’re blissfully ignorant of yet paralyzed by. Regardless of which it is, you’ll be pleased with the presentation in every design choice he’s made to entertain and captivate you. The score is gorgeous, and the soundtrack is equally pleasing. The cinematography is such that you feel you’re experiencing how Nic feels when he’s high while concurrently reminded of what his exposure and reliance on the drugs is doing to those who love him. We’ve all seen the drug abuse movie before but not the way Van Groeningen brings it to you. David is desperate to help rescue Nic and he rummages through Nic’s things. While he does this, we watch memories of Nic in various stages of childhood run through his mind. We watch them grow close and see when Nic begins to pull away

Nic tells him that he’s tried almost every drug there is but likes methamphetamine’s the most. He goes on to say that meth makes him feel better than he has ever felt in his life. Upon hearing this, you can feel the pain ripple through David as he realizes his child prefers drugs and what they can give him to the unconditional love he has always offered.

David researches rehab facilities several times but for the most part, they’re unsuccessful, as is Nic’s lies about getting sober. David’s hopes are dashed when he’s told that Nic’s particular addictions have a success rate in the single digits. In order to get to know his son more, he takes some cocaine himself and starts talking to people who use. He does everything he can to learn not only what he can understand what Nic likes so much but about whether or not it’s time to do the inevitable and let him go.

You may not like the use of flashbacks and cuts in editing that constantly take you from one stage of Nic’s life to another; one stage of David’s discovery to the next. It sometimes gets a little hard to keep up but it’s reasonable to assume this the impression Van Groeningen wanted to leave you with is one of nervousness, restlessness and anxiety so you could understand the Sheff’s that much more.  

Chalamet is flawless in his take on Nic. He was fully committed to the part even using facial tics the young child actor who played him as a little boy has when on screen. I predict right now that he’ll be walking up to the stage to accept an Academy Award or at the very least will be nominated for this outstanding performance. This is a very powerful and heartbreaking story. I recommend you see this as soon as humanly possible.  

Bad Times at the El Royale Movie Review

You absolutely must get online and get your reservations for the El Royale tonight! This Tarantino style noir or ‘black’ film has dustings of Hitchcock and early Hollywood capers and mysteries. Don’t waste another moment reading about it. Just go. The trailer does a spectacular job of keeping certain plotlines a secret which is rare these days so if you were already interested by watching them, you haven’t seen anything yet.
The opening of the film declares why a certain character is at the hotel and what he’s searching for. ‘Bad Times at the El Royale,’ like similar films before it, allows us to get to know each of her other characters one by one. Little is revealed about them but as more people and circumstances crop up, with the use of flashbacks, you’re investigating the characters yourselves and learning more. Often, you’ll be surprised at what you see. A little warning to those who are faint of heart, there are several jump-scares that will leave you unsettled and anxious for what’s to come during the rest of the film. This is something I liked about Drew Goddard’s film ‘The Cabin in the Woods,’ too. He knows how to keep you sitting on the edge of your seat and he likes it.

The film’s two hours and 21 minutes are rather long but for the most part, the cast makes each minute count. And don’t ask me to pick who, out of this magnificent assembly of actors, is best. They were all outstanding! Okay, fine. If you’re going to twist my arm, I have to admit that I couldn’t take my eyes off Jeff Bridges. The man is unbelievable in this role. But I digress. Let’s get back to the length of the movie. Though a well-orchestrated film otherwise, where Goddard could have shaved off some time would have been by not having the characters discover things the audience has already seen through the eyes of several others before. That said, I’d see it again in a heartbeat. Let me tell you some about what to expect from your bi-state stay in the El Royale. The hotel sits on both Nevada and California and is split in half by a red line painted down the middle of the lobby. The hotel has hosted many performers of the stage and screen where gambling is allowed only on the Nevada side, obviously, but plenty of boozing and canoodling have happened on both. With the band of misfits joining us now, it certainly hasn’t been and still isn’t a virtuous place to stay. The hotel is very much a central figure of the film. It reveals and has as much personality as any of the others do.

Through Goddard’s clever and inventive script and exceedingly brilliant and vivid imagination, you get involved in their stories and grow to either love or hate them. The bellboy named Miles (played by Bill Pullman’s son) Lewis, is perhaps the most compelling by movies end, something not expected upon first meeting him. I don’t really want to introduce you to them or reveal too much so I’ll not be saying much more. You need to be sitting in the theatre watching, not reading about, why you need to see this. You’ll be sucked in right away with a very impressive and striking opening. The thrills, the wit, and the outlandish situations along with the players and the music that accompanies them will take you voluntarily to the end of your stay.

First Man Movie Review

‘First Man’ focuses on the beginnings of Nasa and invests most of its two hours and twenty minutes to Neil Armstrong, the first man to ever set foot on the moon. It’s captured beautifully with an incredibly exciting screenplay by Josh Singer, who wrote ‘The Post,’ ‘Spotlight’ and twenty-six episodes of ‘The West Wing,’ that’s filled with motivation, trepidation, elation and plenty of heartaches.
If you want to feel what Neil Armstrong felt as he flew his jet across the sky and if you want to experience the inside of a space capsule with him, as well, see this movie at the theatre but if you can, get to an IMAX theatre quickly for an enhanced adventure into space.

Director Damien Chazelle (La La Land, Whiplash), obviously no novice when it comes to music and tone, had a sound department of thirty people working overtime for this one! The metal of the rocket the astronauts are jammed into before it takes off and after speaks to them. It moans and groans, shrieks and creaks, articulating its disapproval of what is being asked of it, setting your nerves on edge before you’re anywhere near the moon. Chazelle manages to make us see and feel the vibrations and each bump, jolt, quiver and jerk they are going through as they train for their mission and as they’re launched into orbit. Uncertainty is a big part of the film which is puzzling because we all know how it turns out but that’s how beautifully structured the film is and how strong the characters are. It’s so believable that even YOU aren’t sure of what’s next for them.

Though Armstrong and other astronauts were in happy marriages, Chazelle was able to catch and target in on their lives at home during the 1960’s with the Apollo missions going on. As they watched friends burn up or blow up, they tried not to show it but were a bundle of nerves inside. Armstrong kept himself at a safe distance from his wife Janet, played quite skillfully by Claire Foy. They lose a child, Karen, which Neil never seems to recover but as they continue to have more children, he pulls away emotionally, saving it for the missions, and she remains strong for their family. She understood he had to direct his attention on surviving but wasn’t about to let him kill what they had. The scene between the two of them toward the end of the film strengthens an already powerful film and cements this as one of the best movies of the year. That said, however, it’s no ‘Whiplash,’ which is a more determined Chazelle film, but this is still intense and a must-see this weekend. Don’t wait to watch it at home. The exceptional photography and superb score deserve to be seen and heard properly. 

First Man Movie Review

“First Man” is a gripping personal view of one of humanity’s crowning achievements. When three astronauts traveled to the Moon, and two of them touched down and explored the lunar surface, it was a stunning accomplishment. Now there is a movie that defines the inner drive and personal demons of that initial person who put down a boot onto the crusty dust of the Earth’s satellite. That person was Neil Armstrong, and he was the “First Man” to get that historical privilege. This movie is a reminder of the technological push of the 1960’s that took America to the Moon and back.

Neil Armstrong (Ryan Gosling) is an engineer and a test pilot at NASA. He is not one of the military-bred astronauts that first rose in the ranks of the Air Force. Yet his cool-headed ability to think deeply, even in extreme circumstances, makes him a valuable addition to the group of space-bound pioneers. He and his wife Janet (Claire Foy) have a perfect 1960’s marriage. She tends the home front, and he ventures into space. Neil and Janet have a young daughter named Karen, but she passes away from cancer. Even with all the up-to-date technology, their little two-year-old could not be saved. They already have a son, and soon after, they have one more boy. But Neil is shattered inside from the pain of his loss. He is introverted and a shy person to begin with, so the loss does not help.

Neil has skills and knows how to take high-level math equations and then using that knowledge to fly and pilot a spacecraft. He has experience with the experimental rocket planes, and he jumps at the chance to get into the Gemini program. That space program will be another step on the way to the big cheese – the Moon. The Gemini craft will hold two astronauts, and the planned Apollo mission will carry three. When Neil gets selected, he is very pleased to be working for former astronaut Deke Slayton (Kyle Chandler). The Gemini missions will be important to pave the way for Apollo and moon landings. The mission that gets Neil into space goes well, and the docking tests go smoothly. That is, until there is a problem with the thrusters…

Neil and his fellow astronaut are soon spinning out-of-control. Neil figures out a way to reverse the bad thruster, and gets the Gemini under control again. It uses up most all the fuel, so the mission needs to be aborted. But one bad mission left the astronauts safe. Not so with the first testing of Apollo 1, with all three astronauts on-board in the capsule. In the simulated launch, there was an electrical spark that ignited the pure oxygen in the capsule. All three died in the test, and the Apollo missions were delayed for a while. But then Neil was picked for Apollo 11, as was Buzz Aldrin (Corey Stoll) and Michael Collins (Lukas Haas). This was the mission that would go to the Moon, land and explore the surface, and get the three explorers back in one piece.

Neil and Buzz make it to the lunar surface, and they are true explorers. But every step of the way was a catastrophe that did not happen. Every piece of equipment had potential for failure, no matter how many engineers worked on the design. Some of the people lost their lives along the way to Neil’s ‘one small step’.  He knows that, and he knows that his safe return is only the best of the calculated odds. His trip is successful and NASA still explores into space.

Damien Chazelle has taken the story of the first man on the moon and explored the difficult personal journeys of the people involved. There is always an emphasis on the characters and what they can see and how they react to all the events that surround them. Even with a ground-breaking walk on the moon, there is the inner pain of Armstrong’s loss of his daughter. The launch is not shown as a breath-taking wide shot of the rocket zooming into the sky. There is a real person strapped into the Spam can attached to the top of a big firecracker. The sounds of creaking and straining bolts make you think at any moment it will become the Fourth of July.

Ryan Gosling plays Neil Armstrong ass a very soft-spoken and subdued man. He is always examining and recalculating the situation, to make sure there is way to continue the mission. That includes his marriage. Claire Foy also gives a powerful performance as Janet; the wife who needs to raise her kids but is not afraid to raise her voice. The other actors have also been cast with an idea as to how well they would fit in the 1960’s Space Race.

“First Man” is nearly fifty years in the making since the actual events that mesmerized the world. It tells of real adventure in the outer space, but still keeps in focus the difficult emotions of Armstrong’s inner space.

22 July Movie Review

‘22 July’ is shocking, stirring, it’s heart wrenching, unsettling and hard to wrap your mind around. Greengrass is best known for making several of the ‘Bourne’ films and ‘United 93’ which was a real-time account of United Flight 93, the plane that was hijacked on 9/11, but crashed due to passengers willing to take drastic measures to stop the terrorists in their tracks. ‘22 July’ is, again, the story of a terrorist’s actions as he carries out brutal killings only this time it’s a right-wing extremist named Anders Behring Breivik, played very coolly by Anders Danielsen Lie, in 2011 near Oslo Norway, who feels that he, as a white man, is being discriminated against.

He attacks what he refers to as a political summer camp which is located on an isolated island. He sees this camp as a place where the ‘Marxist, Liberals and members of the elite’ send their children to learn to accept minorities.

Dressed as a police officer, he packs guns, plenty of ammo and explosives and leaves the house. He drives a van near the Prime Minister’s office and parks. He gets out, lights a fuse, and slyly walks down the street where he easily slips into another vehicle and drives away, headed for the teenagers who await their fate like sitting ducks. He gets onto the island where the children are and starts, one by one, picking them off. They run but he knows there is absolutely nowhere for them to go. He’ll get them all eventually.

The explosion is well done, along with the confusion in its aftermath, but watching the children run screaming is brutal. Anders goes into a building where people are hiding and tells them, ‘You will die today!’ It’s hard not to put yourself in that scenario once you start thinking of how often murder in the name of someone’s beliefs goes on in this world.

One child, Viljar, gets a call off to his mother to tell her what has happened. She’s involved in politics and was near the explosion so she’s able to alert the police about what her son informed her of and they head to the island immediately. An intense scene shows us that, sadly, Anders is still shooting and gravely injures Viljar. When he’s found by his parents, he’s only clinging to life. Greengrass does a beautiful job of making all the events seem as realistic as possible. What follows is how these people restore their lives in the wake of such a tragedy but on top of that, being very much alive, the gunman has ways to still twist the knife. He doesn’t care about his victims, he tells his lawyer, Geir Lippestad, he would do it all again for the cause. He also tells Geir his demands or a third attack will be coming. He wants the liquidation of the political camp and a ban on immigration. This is where my interest was piqued even more. I knew of this story but it so parallels what’s happening in my own country today which makes it more relevant than I thought it would be.

It’s frightening to take a good hard look at certain activities in our world, but I rather like that films are bringing these subjects to light. It’s important not to hide racism and pretend it’s not going on.

The rest of the film is court filings, Viljar’s struggle to come back from what happened to him and the Prime Minister realizing where he went wrong. All of this is notably well done. It’s an explosive, captivating story of good versus evil with meaningful dialogue and pacing that doesn’t bore. Don’t think for one minute you have to see it on the big screen to appreciate it. Netflix is doing more and more and with this proves they’ll continue to get better and better. But if you’re lucky enough to be in a city where it’s coming out… it would be good to experience it that way.

In case you were curious, the only reason ‘22 July’ didn’t get a higher score is for the few times it felt as if it went a little long and one other mistake that writer/director Paul Greengrass made, which was crucial, and that’s where we first find ourselves in the story. Coming in at two hours and twenty-three minutes, he captured us by getting straight to the meat of the matter. That said, to the viewers, it felt as if he had nowhere to go but down. Turns out that it’s quite enough to be considered a must-see, but had he stretched out the action a bit
 had the action happened a little later in the film, instead initially introduced to us some of the characters, it wouldn’t have become the long-lasting drama it felt it became. Then again, maybe this was done on purpose because what these Norwegians endured didn’t end with Anders Behring Breivik’s massacre of seventy-seven people, not to mention the hundreds of others he injured. The slaughter was only the beginning.

*22 JULY will debut Wednesday, October 10th globally in select theaters and on Netflix.

Vice – Trailer

VICE explores the epic story about how a bureaucratic Washington insider quietly became the most powerful man in the world as Vice-President to George W. Bush, reshaping the country and the globe in ways that we still feel today.


Writer/Director: 
Adam McKay

 Production Companies: Annapurna Pictures, Gary Sanchez Productions and Plan B.

Producers: Megan Ellison, Brad Pitt, Dede Gardner, Jeremy Kleiner, Adam McKay, Will Ferrell, Kevin Messick

Cast: Christian Bale, Amy Adams, Steve Carell, Sam Rockwell, Jesse Plemons, Alison Pill, Lily Rabe, Tyler Perry, Justin Kirk, LisaGay Hamilton, Shea Whigham and Eddie Marsan.

Genre:  Drama/Comedy 

In Theaters Nationwide Christmas Day


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In Theaters Nationwide Christmas Day

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Lizzie Movie Review

There’s a nursery rhyme, for lack of a better term, that you probably heard while you were growing up that goes as follows, ‘Lizzie Borden took an ax and gave her mother forty whacks; When she saw what she had done she gave her father forty-one.’ This was based on Lizzie Borden and the murder of her parents and the movie does a great job of getting down to ‘IF’ Lizzie was guilty, why did she do it? The very thought of it is horrible and you immediately think her a monster but was she guilty? If she were, was she pushed too far? Was she in her right mind? At trial, a jury of all men deliberated for ninety minutes and returned a not guilty verdict because they, ‘refused to believe a woman of her social standing could commit such a heinous crime.’

 

During the film, we learn that Lizzie’s (Sevigny) father, Andrew (Sheridan) and his icy cold second wife Abby  (Shaw) are very wealthy. Andrew requires an undeserved amount of respect from everyone, from those he employs to work around the house and from his daughters and their stepmother. All are to do as he says and to submit. He takes advantage of those in his charge and when the movie picks up, in the year 1892, we learn that everyone does do as they’re told
 everyone except for Lizzie. She’s very strong willed and refuses to be ruled over. Lizzie has seizures, something he sees as an embarrassment to his name. He doesn’t even want her going to the theatre in case she has a ‘spell’ that others may see.

 

Lizzie is very kind to animals and staff, paying particular notice to the new maid, Bridget (Stewart) who starts teaching to read. The film then leads to Lizzie and Bridget having a lesbian affair. This is handled quite beautifully with one woman offering love to someone who had never been allowed to experience it before. Before this, we see Andrew at his worst after he discovers that Lizzie had pawned some of her mother’s jewelry. He does something appalling and Lizzie lets him know that she’ll not be victimized by his fear tactics. Soon after she finds out that her father is changing his will. This is when it’s suggested that a plan has already been in place for her to murder her father for his misdeeds and his mistreatment of her, her sister and of Bridget.

 

The blows to the head come next, which are no surprise, of course, but it’s gripping to find out how it actually happens and what happens directly after. Since all we ever really knew of were the whacks themselves, if it were Lizzie, we, at this point, could certainly find a reason to empathize. Even though they were beyond brutal to sit through and watch. So brutal it hardly leaves room for doubt who would have delivered to these people such savagery but someone who was greatly pained by them. The film’s pacing can be slow at times but the sets, the acting and the history of it all are fascinating. Stewart and Sevigny are fantastic, and I have to strongly suggest you see this for the performances if nothing else.

 

In Phoenix, it’s playing at the following theatres:

 

AMC Desert Ridge 18

Camelview at Fashion Square

Tempe Marketplace 16

Arizona Mills 24

Harkins Arrowhead Fountains 18