MARVEL STUDIOS’ “ANT-MAN AND THE WASP” TRAILER and IMAGES!

Marvel Studios’ ANT-MAN AND THE WASP
Ant-Man/Scott Lang in his Giant-Man form (Paul Rudd)
Photo: Film Frame
©Marvel Studios 2018

From the Marvel Cinematic Universe comes “Ant Man and the Wasp,”a new chapter featuring heroes with the astonishing ability to shrink. In the aftermath of “Captain America: Civil War,” Scott Lang grapples with the consequences of his choices as both a Super Hero and a father. As he struggles to rebalance his home life with his responsibilities as Ant-Man, he’s confronted by Hope van Dyne and Dr. Hank Pym with an urgent new mission. Scott must once again put on the suit and learn to fight alongside the Wasp as the team works together to uncover secrets from the past.

Marvel Studios’ ANT-MAN AND THE WASP
The Wasp/Hope van Dyne (Evangeline Lilly)
Photo: Film Frame
©Marvel Studios 2018

“Ant-Man and the Wasp” is directed by Peyton Reed and stars Paul Rudd, Evangeline Lilly, Michael Pena, Walton Goggins, Bobby Cannavale,  Judy Greer, Tip “T.I.” Harris, David Dastmalchian, Hannah John Kamen, Abby Ryder-Fortson, Randall Park, with Michelle Pfeiffer, with Laurence Fishburne, and Michael Douglas.

Marvel Studios’ ANT-MAN AND THE WASP
L to R: Scott Lang/Ant-Man (Paul Rudd) and Hope van Dyne/The Wasp (Evangeline Lilly)
Photo: Film Frame
©Marvel Studios 2018

 

Kevin Feige is producing with Louis D’Esposito, Victoria Alonso, Stephen Broussard, Charles Newirth, and Stan Lee serving as executive producers. Chris McKenna & Erik Sommers, Paul Rudd, Andrew Barrer & Gabriel Ferrari wrote the screenplay. “Ant-Man and the Wasp” hits U.S. theaters on July 6, 2018.

 

ANT-MAN AND THE WASP

MARVEL STUDIOS

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In Theaters July 6th

http://www.fandango.com

The first trailer for the breakout horror sensation “Hereditary” arrives!

EVIL RUNS IN THE FAMILY IN FIRST TRAILER FOR ARI ASTER’S HEREDITARY

The Toni Collette horror sensation that shook Sundance will hit theaters nationwide on June 8th.

STARRING
Toni Collette, Gabriel Byrne, Ann Dowd, Milly Shapiro, Alex Wolff

WRITTEN & DIRECTED BY
Ari Aster

SYNOPSIS

When Ellen, the matriarch of the Graham family, passes away, her daughter’s family begins to unravel cryptic and increasingly terrifying secrets about their ancestry. The more they discover, the more they find themselves trying to outrun the sinister fate they seem to have inherited. Making his feature debut, writer-director Ari Aster unleashes a nightmare vision of a domestic breakdown that exhibits the craft and precision of a nascent auteur, transforming a familial tragedy into something ominous and deeply disquieting, and pushing the horror movie into chilling new terrain with its shattering portrait of heritage gone to hell.

In Theaters June 8th

http://www.fandango.com

sherlock_gnomes_poster

SHERLOCK GNOMES is in theaters March 23, 2018 – New Images!

Sherlock Gnomes, Watson, Gnomeo and Juliet in Sherlock Gnomes from Paramount Pictures and MGM.
 SHERLOCK GNOMES is in theaters March 23, 2018
 
Director
John Stevenson
The beloved garden gnomes from GNOMEO AND JULIET are back for a whole new adventure in London. When Gnomeo and Juliet first arrive in the city with their friends and family, their biggest concern is getting their new garden ready for spring. However, they soon discover that someone is kidnapping garden gnomes all over London. When Gnomeo and Juliet return home to find that everyone in their garden is missing – there’s only one gnome to call… SHERLOCK GNOMES. The famous detective and sworn protector of London’s garden gnomes arrives with his sidekick Watson to investigate the case. The mystery will lead our gnomes on a rollicking adventure where they will meet all new ornaments and explore an undiscovered side of the city. This action-packed sequel features the voices of returning cast, James McAvoy, Emily Blunt, Michael Caine, Maggie Smith, Stephen Merchant and Ozzy Osbourne, plus Johnny Depp as Sherlock Gnomes, Chiwetel Ejiofor as Watson and Mary J. Blige as Irene.

Social Media

Latest collaboration between Blumhouse and Universal hits on July 4th! “The First Purge”

THE FIRST PURGE – In Theaters July 4

Website | Facebook | Twitter | Instagram | #TheFirstPurge

Behind every tradition lies a revolution.  Next Independence Day, witness the rise of our country’s 12 hours of annual lawlessness.  Welcome to the movement that began as a simple experiment: The First Purge.

To push the crime rate below one percent for the rest of the year, the New Founding Fathers of America (NFFA) test a sociological theory that vents aggression for one night in one isolated community.  But when the violence of oppressors meets the rage of the marginalized, the contagion will explode from the trial-city borders and spread across the nation.

Coming off the most successful film in the series, The Purge: Election Year, creator James DeMonaco (writer/director of The PurgeThe Purge: Anarchy and The Purge: Election Year) returns alongside the producers of this worldwide phenomenon: Blumhouse ProductionsJason Blum (Insidious series, Get OutSplit), Platinum Dunes partners Michael Bay, Brad Fuller and Andrew Form (Teenage Mutant Ninja Turtles and Ouija series, The Texas Chainsaw Massacre), and DeMonaco’s longtime production partner, Sébastien K. Lemercier (Assault on Precinct 13Four Lovers).

The First Purge is directed by Gerard McMurray (Burning Sands), working from a screenplay once again written by DeMonaco.  www.thefirstpurge.com

Genre: Thriller

Cast: Y’Lan Noel, Lex Scott Davis, Joivan Wade, Luna Lauren Velez and Marisa Tomei

Directed by: Gerard McMurray

Written by: James DeMonaco

Produced by: Jason Blum, Michael Bay, Andrew Form, Brad Fuller, Sébastien K. Lemercier

Executive Producers: Steve Molen, Jeanette Volturno, Couper Samuelson

The Insult – Movie Review

The Insult  (original title L’insulte)

Directed by: Ziad Doueiri

Starring: Adel Karam, Kamel El Basha, Rita Hayek, Camille Salameh, Diamand Abou Abboud, Talal El Jurdi, Christine Choueiri, Julia Kassar, Rifaat Torbey, Carlos Chahine

Rating: R

Run Time: 1h 52 min

Genre: Drama

This movie is the ultimate story of someone needing to make peace with his past to have any sort of future.  Lebanese director, writer and cinematographer, Ziad Doueiri, (West of Beirut, The Attack), who worked under Quentin Tarantino, can rest easy if he was attempting to make his magnum opus… because he just did.

At the beginning of the film, a message pops up that reads, the opinions in this film do not reflect the official policy or position of the Lebanese government.  Knowing the film is a drama and not a documentary, I found that interesting.  The Insult tells the story of Tony Hanna, played magnificently by Adel Karam who had to balance frustration, hate and anger with forbearing.  Karam achieves a fantastic counterbalance which makes you both like and dislike him at the same time.  It couldn’t have been easy.  Tony is a Lebanese Christian who gets upset when he perceives just a misunderstanding to be a terrible insult; a slap in the face, if you will.  To be insulted in his homeland of Beirut is one thing, to be disgraced in his own home is another.

The manager of the residential building in which Tony resides allows the foreman of a construction company, Yasser Salameh, (Kamel El Basha), a Palestinian living in a refugee camp, to fix a drainpipe as it’s getting all of his workers wet.  They’re there to make repairs to the building anyway, so taking care of Tony’s pipe, which is not up to code, can get done quickly and they’ll be on their way.  When Yasser tells Tony he needs to fix the pipe, Tony refuses to allow him to and closes the door in his face.  He isn’t interested in change, which is part of his personality, as well.  There is ultimately a reason for this, but it takes the entire film to get you there which is what makes this film so damn good.  Tony’s character is revealed slowly and the justifications for his actions do come but will there be a large cost to his stubborn behavior?  Who pays and why?

Without Tony’s permission, Yasser fixes the pipe.  Tony then smashes and breaks it, screaming that they had no right whatsoever to make adjustments to his home when his life is fine.  When the manager of the building attempts to make amends and apologize, it isn’t good enough for Tony.  He wants to hear an apology from Yasser himself.  When the manager finally talks Yasser into apologizing, Yasser and Tony, both very proud men, only stare at one another.  When words are spoken, they are harsh and the problem escalates from there.  Tony, who listens to propaganda all day, tells the Palestinian that he wished, ‘Ariel Sharon had finished you off.’  These words are more than an insult to Yasser and he strikes Tony.

What happens next is intense and dramatic, in that we see these two struggle for power yet also fight against the system.  A court battle to prove guilt or innocence in what becomes a national debate ensues and the original point is skewed.  Not allowing a simple fix to a pipe leads us on a journey into Tony’s dark past and it leads Yasser there, as well, which brings in the much-needed human aspect to the conflict.  It’s exciting to watch these two men, both in complete control of their characters, spar. 
They’re willing to be imprisoned, even die if they must, but they will not lose face.  The final courtroom battle is extremely powerful and I enjoyed how you know there’s something brewing inside of Tony but you just don’t know what.  Kudos to these performers and to Doueiri for getting them there.  There is much more to be revealed about this film, but I’d rather you see it for yourself.  It will be up for a few 
Academy Awards, that I can promise.  It’s surprisingly moving and, again, the acting is unforgettable.  Also, in our political climate today, such films need to be seen and I’m glad they’re being made… which explains the message at the beginning of the film.

Catch it at Harkins Fashion Square on FEB 2nd, 2018

PACIFIC RIM UPRISING Trailer

PACIFIC RIM UPRISING – In Theaters March 23

The globe-spanning conflict between otherworldly monsters of mass destruction and the human-piloted super-machines built to vanquish them was only a prelude to the all-out assault on humanity in Pacific Rim Uprising.

 John Boyega (Star Wars: The Force Awakens) stars as the rebellious Jake Pentecost, a once-promising Jaeger pilot whose legendary father gave his life to secure humanity’s victory against the monstrous “Kaiju.”  Jake has since abandoned his training only to become caught up in a criminal underworld.  But when an even more unstoppable threat is unleashed to tear through our cities and bring the world to its knees, he is given one last chance to live up to his father’s legacy by his estranged sister, Mako Mori (Rinko Kikuchi)—who is leading a brave new generation of pilots that have grown up in the shadow of war.  As they seek justice for the fallen, their only hope is to unite together in a global uprising against the forces of extinction.

Jake is joined by gifted rival pilot Lambert (The Fate of the Furious’ Scott Eastwood) and 15-year-old Jaeger hacker Amara (newcomer Cailee Spaeny), as the heroes of the PPDC become the only family he has left.  Rising up to become the most powerful defense force to ever walk the earth, they will set course for a spectacular all-new adventure on a towering scale.

Pacific Rim Uprising is directed by Steven S. DeKnight (Netflix’s Daredevil, STARZ’s Spartacus) and also stars Jing Tian, Burn Gorman, Adria Arjona and Charlie Day. 

Genre: 3D Epic Adventure  

Cast: John Boyega, Scott Eastwood, Jing Tian, Cailee Spaeny, Rinko Kikuchi, Burn Gorman, Adria Arjona and Charlie Day                

Directed by: Steven S. DeKnight

Screenplay by: Emily Carmichael & Kira Snyder and Steven S. DeKnight and T.S. Nowlin

Story by: Steven S. DeKnight and T.S. Nowlin

Based on the Characters Created by: Travis Beacham

Produced by: Thomas Tull, Mary Parent, Jon Jashni, Cale Boyter, Guillermo del Toro, John Boyega, Femi Oguns

Executive Producer: Eric McLeod

In Theaters March 23rd, 2018

http://www.fandango.com

Tom Cruise starts an Instagram account and posts…

MISSION: IMPOSSIBLE – FALLOUT

Today, Tom Cruise launched his official Instagram @tomcruise to reveal

the TITLE and FIRST LOOK photo of the latest installment of the MISSION: IMPOSSIBLE franchise!

MISSION: IMPOSSIBLE – FALLOUT is in theaters July 27, 2018

STARRING

Tom Cruise, Henry Cavill, Simon Pegg, Rebecca Ferguson, Ving Rhames, Sean Harris, Angela Bassett, Vanessa Kirby,

Michelle Monaghan, Alec Baldwin, Wes Bentley, Frederick Schmidt

DIRECTED BY

Christopher McQuarrie

SYNOPSIS

The best intentions often come back to haunt you.  MISSION: IMPOSSIBLE – FALLOUT finds Ethan Hunt (Tom Cruise) and his IMF team (Alec Baldwin, Simon Pegg, Ving Rhames) along with some familiar allies (Rebecca Ferguson, Michelle Monaghan) in a race against time after a mission gone wrong.  Henry Cavill, Angela Bassett, and Vanessa Kirby also join the dynamic cast with filmmaker Christopher McQuarrie returning to the helm.

MISSION: IMPOSSIBLE – FALLOUT Official Social Channels:

Facebook: https://www.facebook.com/missionimpossiblemovie
Twitter: https://twitter.com/MissionFilm

Instagram: https://www.instagram.com/missionimpossible

#MissionImpossible

Official Tom Cruise Social Channels:

Facebook: https://www.facebook.com/officialtomcruise/

Twitter: https://twitter.com/TomCruise

Instagram: https://www.instagram.com/tomcruise/

Journey’s End Trailer

Where courage was found…innocence was lost
 
March 1918. C-company arrives to take its turn in the front-line trenches of northern France, led by the war-weary Captain Stanhope (Claflin). With a German offensive imminently approaching, the officers (Bettany, Graham, Sturridge) and their cook (Jones) use food and the memories of their lives before the war to distract themselves, while Stanhope soaks his fear in whiskey, unable to deal with the dread of the inevitable. A young officer, Raleigh (Butterfield), arrives fresh out of training and abuzz with the excitement of his first real posting –not least because he is to serve under Stanhope, his former schoolhouse monitor and the object of his sister’s affections. Each man is trapped, the days ticking by, the tension rising and the attack drawing ever closer…
 
DIRECTED BY: Saul Dibb
CAST: Paul Bettany, Sam Claflin, Asa Butterfield
WRITTEN BY: Simon Reade
 
 
#JourenysEnd

In Theaters March, 2018

http://www.fandango.com

Maze Runner: The Death Cure Movie Review

The Maze Runner” series is a young adult dystopian fiction (is there any other kind?) that deals with teens in a critical situation when the world goes haywire. “Maze Runner: The Death Cure” is the final chapter of the three books converted into movies. The books/movies have been pretty popular, but the quality is sometime lacking. This latest serving assumes that you have a precise knowledge of the prior two movies, “The Maze Runner” and “Maze Runner: The Scorch Trials“. If you are not familiar with them, you could be in for a shock.

 

The movie barrels right into the action as if the “Fast and Furious” was the guiding light from Heaven. With nothing in the way of introduction, it gets straight into a train robbery right off the bat. But they are not stealing cars, they are releasing prisoners. There are the goody guys against a wicked organization called WCKD. Great use of subtlety here, right? Anyway, the train is carrying captive kids from the prior movies, and they are being taken for more experiments. Thomas (Dylan O’Brien) is the leader with Newt (Thomas Brodie-Sangster), Brenda (Rosa Salazar) and Jorge (Giancarlo Esposito) helping him to get all the kids freed. Vince (Barry Pepper) is also an ally who can get the materials the need to attack the train.

 

Thomas and Newt are from the “Glade”, and they escaped with Minho (Ki Hong Lee) who has been captured. He was taken when another person from the Glade, named Teresa (Kaya Scodelario), turned traitor and gave Minho up to WCKD. Now Teresa works for the evil agency with Dr. Ava Paige (Patricia Clarkson), who is studying the kids to see why they have an immune gene to prevent a disease called the “Flare”. WCKD is also run by a slimy guy named Janson (Aidan Gillen), who will stop at nothing to get the “Glade” kids and keep them captive for more study.

Minho was not found on the train, so he is still captured and taken into the WCKD-run Last City, a final place for civilization that is free from the Flare virus. Thomas and Newt and friends find an old-time Glader named Galley (Will Poulter) who was missing for a long time. Galley can get into the city, so there they can search for Minho and free him. Thomas will work with a new partner named Lawrence (Walton Goggins) who is suffering from the Flare and is ebbing away. Thomas can bring back a serum from in the city where Dr. Paige and Teresa are doing the terrible experiments. When they find and release Minho, then will also bring back all the serum, which is known as the “Death Cure”.

 

When they enter the City and attack WCKD headquarters, it all goes sideways. There are outrageous plans to get imprisoned kids and free them and take them away on a bus. They find Minho and get him free, but by that time the City is under attack from Lawrence and his minions of Flare-infected followers. Teresa tries to get Thomas to stay and help because he is the key to the cure. Dr. Paige is ready to leave and escape, but the evil Janson will prevent anyone from leaving. Newt and Thomas are about to escape, but Newt is has been ill for some time. Who will live? Who will die? And who can make it out alive?

There is so much stuffed into this movie that it only moves forward with the full-on action sequences.  There is very little exposition that connects to any of the prior movies, so the audience needs to know a lot of details from all that happened before. Characters are introduced, or reintroduced, without much fanfare about where you might have seen them before. The explanation of what the main story is about is left to seeing the action and knowing which group is the good people and which are the bad guys.

Granted, there are many well constructed action pieces that have you following along with excitement. But the characters are mostly cardboard cutouts of real people, and not given much depth or deeper meaning. With the action as the greatest asset in the movie, all the actors and acting talent become nothing more than pawns on a chessboard. They move back and forth, and there is a lot happening, but nothing really is revealed.

 

The practical visual effects and the CGI effects blend in pretty well. It is a well designed movie and the places look futuristic and potentially frightening. But there is no better purpose but to finish up the story that was started a couple movies back. Most things get wrapped up, presuming that you kept track of who was from what prior movie and who did what back then.  There is a lot of action and it keeps going on for almost two and a half hours.

 

Director Wes Ball has actually been in charge of all three of the “Maze Runner” movies. He could have used a better editor, who could have taken this movie and focused the main action into a narrower path. By the time this movie ends, you are glad you made it out of the “Maze”…

Mom and Dad Movie Review

Say you could take a movie like “The Happening“, where a mysterious plague overcomes people and makes them want to commit suicide, but it changes the results a little. Now, it only affects the parents, who exhibit a change in the attitude from protecting their children, to instead wanting to kill them.  Now add the forever crazy antics of Nicolas Cage and you have “Mom and Dad”, bizarre creation that gives you another reason to demand that Cage hand back that Oscar he won back in 1995.

Brent Ryan (Nicolas Cage) and his wife Kendal (Selma Blair) have the ideal life in the suburbs with their two kids. Carly (Anne Winters) is a teen-ager in high school, and Josh (Zackary Arthur) is her younger brother. The whole family gets along pretty well, but Ryan is dealing with a mid-life crisis and Kendall wants to be back in a creative job like she used to have. Carly and her friend Riley (Olivia Crocicchia) would like more freedom to have fun. Carly has a boyfriend Damon (Robert T Cunningham), but Brent does not like him because he is older, and he is black.

But there is a sudden turn in events. The parents are overcome by an insatiable urge to murder their children. Regardless of age or disposition, they are driven like wild animals to slaughter the fruit from their loins. It happens slowly over the course of one day, and then the first reports come in of dead children. The news is ablaze with reports of theories of all sorts. It could be unusual microbe activity in the water, or a sinister plot of an evil foreign nation. But these parents are compelled to kill the lovely little shining stars in their lives.  They are guided by an unseen desire to destroy their spawn.

Carly and Joshua are caught up in the murder spree that is about to imposed by their parents, Brent and Kendall. The can hide and they can run, but they have nowhere else to go. Damon has been able to escape his own death-by-paternal-unit, so he comes by to help. Carly is clever in ways that can fight back, so she can survive with her brother. Oh, and of course, this all happens on the night that Brent’s own parents are coming over for dinner. His dad Mel (Lance Henriksen) is of course under the same spell and feels the need to do the dirty deed – kill his own son in a gruesome manner.

Yes, this is a frankly bizarre and twisted movie. But it is a crazy set-up that seems tailor-made for the frantic and manic performances for which Nicolas Cage is most famous. And he does not disappoint here at all. In a sequence (a flashback that is set weeks before the weird killing virus), Cage plays Brent at home in the basement constructing a large pool table. And then in a fit of rage and fury, he destroys the same pool table with a sledgehammer, all while singing the “Hokey Pokey”. Ridiculous? Yes, it is – but at the same time it is fascinating to watch.

Brian Taylor is also the writer and director (with partner Mark Neveldine) of movies like “Crank”, Crank: High Voltage” and “Ghost Rider: Spirit of Vengeance”. That is, writing and directing movies that are so tilted and perversely skewed is second nature to him. So this movie fits quite well into his wheelhouse.

Is this movie great or meaningful? Is it even good? The movie is competently made, but the soundtrack does not fit at all. The acting is somewhat uneven. Cage and Blair are really good, but there is no depth to being depraved. Anne Winters is the best, because she has a real emotion of fear and wanting to protect her much younger brother.

I just want to see this family at the next Thanksgiving dinner…

In Phoenix area, playing only at the Harkins Valley Art in Tempe.