Halloween – New Trailer!

Jamie Lee Curtis returns to her iconic role as Laurie Strode, who comes to her final confrontation with Michael Myers, the masked figure who has haunted her since she narrowly escaped his killing spree on Halloween night four decades ago.

 

Master of horror John Carpenter executive produces and serves as creative consultant on this film, joining forces with cinema’s current leading producer of horror, Jason Blum (Get Out, Split, The Purge, Paranormal Activity).  Inspired by Carpenter’s classic, filmmakers David Gordon Green and Danny McBride crafted a story that carves a new path from the events in the landmark 1978 film, and Green also directs.

 

Halloween is also produced by Malek Akkad, whose Trancas International Films has produced the Halloween series since its inception, and Bill Block (Elysium, District 9).  In addition to Carpenter and Curtis, Green and McBride will executive produce under their Rough House Pictures banner.  Ryan Freimann also serves in that role.

 

Halloween will be distributed worldwide by Universal Pictures.  www.HalloweenMovie.com

 

Genre: Thriller

Cast: Jamie Lee Curtis, Judy Greer, Andi Matichak, Will Patton, Virginia Gardner, Nick Castle

Director: David Gordon Green

Written by: Jeff Fradley & Danny McBride & David Gordon Green

Based on Characters Created by: John Carpenter and Debra Hill

Produced by: Malek Akkad, Jason Blum, Bill Block

Executive Producers: John Carpenter, Jamie Lee Curtis, Danny McBride, David Gordon Green, Ryan Freimann

Social Media:

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In Theaters October 19

http://www.fandango.com

Searching Movie Review

“Searching” is a new movie about a missing person and the resulting search, and it portrays it in a unique way. Only a few other movies have used the idea that a window into the modern world can be done with various screens. That is, computer screens, laptop screens, iPhone screens, security monitor screens, TV screens, etc. — you get the idea.  The movie “Unfriended” does a similar thing, but only with computer screens. With “Searching”, the idea is opened up a little more, and the resulting movie draws you into the mystery. By examining social media and other online posts and Internet trails, the mystery deepens and is becomes a compelling look into current life online – and how the surface image can hide much different truths.

David Kim (John Cho) is introduced as a happily married man. With his wife Pam (Sara Sohn) they have a little girl. Margot is first a small baby, and then young girl and then a high school teenager. All of this unfolds with fifteen-year old technology, think Windows XP, AOL Mail and Messenger and the like. But the happy family has a breakdown when Pam develops cancer, and it relapses, and it then returns with fatal results. This is all done in the first few minutes of the movie, and it outlines the personal tragic story of this family. In some ways it is emotionally similar to the beginning of the movie “Up”, with a twist on the way that the audience learns the various details of the family story.

With the wife and mother gone, both David and Margot (Michelle La) have been dealing with the loss in very different ways. David becomes very busy with work, and every time he talks with Margot it is a reminder of his late wife. So, he tends to communicate more and more via technology, with iPhone calls, and FaceTime and instant messages. Margot is having a rough time with the death of her mother, but she knows that her Dad is feeling very fragile right now. She tries not to bother him about little things. So she does not tell him everything. David has a brother named Peter (Joseph Lee) who is much closer to Margot than David knows.

Then one night, David insists that Margot do some chores at the house when she gets home from a study group. She calls and tells him she will be home much later than usual. David sleeps, and as he does there are two phone calls from Margot, plus a FaceTime request, deep in the middle of the night. He misses them and does not know that she never came home. It does not register that she did not come home until David gets back from work the next evening. He sees that Margot did not take out the trash when she got home. But she also did not take her laptop. Why would she go to a school study group without her laptop? He also realizes that he does not know any of the people that Margot would know.

He gets into the old laptop and finds Pam’s notes and records and contact lists. He makes many phone calls to find out there was a ‘ditch day’ and camping up in the mountains. He is sure that Margot will call when she gets back from camping. Until he finds out that Margot did not go with that group. He calls 911 to report Margot as missing. Detective Vick (Debra Messing) shows up and tells him that she is assigned to case and not to worry. They will go over all the details that David has found and contact many of the people that he feels might know Margot’s whereabouts. David searches further and finds an online personal streaming site that Margot had used to post quite a few videos. Margot has also been taking money meant for piano lessons and putting into a private PayPal account. Until she withdrew $2,500 a few days before she disappeared.

David is going crazy in his mind, with all the possible thoughts of what might have happened. There are some online posts that allude to Margot and her online activities. David finds someone who has been posting to Margot about her online videos, but the person appears to be miles away in another state. But could someone be ‘catfishing’, making a fake fictitious online presence to pretend to be somebody else? There are more clues, and David takes off to a nearby lake, where a car is found underwater. It belongs to Margot, but she is not in the car. What has happened? Could the person involved in the disappearance be somebody very close to Margot? Could it be a random stranger, recently released from parole? How can David be sure what is the truth, when everything online can be changed and adapted and modified?

“Searching” does take a very specific approach to the technology that has become an everyday part of our life. It uses that tech to both tantalize and torture the main character by showing him various version of what might be the truth. John Cho is superb as the grieving husband who cannot stand another loss in his life and is determined to figure out the puzzle. The clues and red herrings are everywhere, and the use of modern social media tools to explain the recent past show the real limitations of those online systems.

 

The movie goes about displaying the entire story as if it were unfolding on the devices that we use every day. This brings a closed-in, claustrophobic feel to the overall movie, but also gives it a larger sense of urgency. David is not the only one who is feverishly finding and mentally processing the clues. So is the audience.

 

Facebook: http://www.fb.com/Searchingmovie

Twitter: http://www.twitter.com/Searchingmovie

Instagram: http://www.instagram.com/Searchingmovie

#SearchingMovie

First Man – Trailer

FIRST MAN

One giant leap into the unknown.

On the heels of their six-time Academy Award®-winning smash, La La Land, Oscar®-winning director Damien Chazelle and star Ryan Gosling reteam for Universal Pictures’ First Man, the riveting story behind the first manned mission to the moon, focusing on Neil Armstrong and the decade leading to the historic Apollo 11 flight.  A visceral and intimate account told from Armstrong’s perspective, based on the book by James R. Hansen, the film explores the triumphs and the cost—on Armstrong, his family, his colleagues and the nation itself—of one of the most dangerous missions in history.

Written by Academy Award® winner Josh Singer (Spotlight, The Post), the epic drama of leading under the pressure of grace and tragedy is produced by Wyck Godfrey & Marty Bowen (The Twilight Saga, The Fault in Our Stars) through their Temple Hill Entertainment banner, alongside Isaac Klausner (Love, Simon) and Chazelle.  Steven Spielberg, Adam Merims and Singer executive produce, while DreamWorks Pictures co-finances the film.  www.firstman.com

Genre: Drama

Cast: Ryan Gosling, Claire Foy, Jason Clarke, Kyle Chandler, Corey Stoll, Ciaran Hinds, Christopher Abbott, Patrick Fugit, Lukas Haas

Director: Damien Chazelle

Screenplay by: Josh Singer

Based on the Book by: James R. Hansen

Produced by: Wyck Godfrey, Marty Bowen, Isaac Klausner, Damien Chazelle

Executive Producers: Steven Spielberg, Adam Merims, Josh Singer

FIRST MAN – In Theaters October 12

Official Website | Facebook | Twitter | Instagram | #FirstMan

In Theaters October 12

http://www.fandango.com

Neil Simon’s ‘Rose & Walsh’ playing at AZ’s ‘Theater Artists Studio’ through this weekend!

‘Rose & Walsh’  by Neil Simon

 

Directed by: Deborah Lee Hall

Starring: Marney Austin, Tom Koelbel, Julie Lee and Jason Isaak

 

Phoenix! Don’t miss ‘Rose & Walsh,’ Neil Simon’s thirty-third play which closes this weekend on Sept. 2nd. I’ve never been to a live performance of a Neil Simon and the fact that he just passed away made the experience of this being my first that much better. He said of ‘Rose & Walsh’ that his play, ‘Follows two great literary figures and the depth and consequence of their enduring love.’ The literary minds are those of Rose Steiner and Walsh McLaren, a couple who were together in life and who are still together even though he has been deceased for five years.

 

Playing Rose and Walsh are Marney Austin and Tom Koelbel respectively. Marney, who hopped all over the globe performing, producing and directing, continued to do the same after returning to the U.S. She serves on the board of the Theater Artists Studio and was excited about the opportunity to play such a fun yet heartbreaking character. She’s impressive in her performance. While watching her you realize she’s energized the room. She’s so comfortable with her co-stars, especially when arguing that she’s right and they’re wrong. Switching from a comedic to a dramatic moment was not a problem for Marney. I’d like to see more from her and I hope I do.

 

You’ll treasure watching Tom McLaren’s Walsh. Tom, a Theater Artists Studio member has opened several plays there and is thrilled he’s part of their 13th season. He’s played some incredible roles outside of Walsh, including Atticus Finch in ‘To Kill A Mockingbird’ and George Bailey in ‘It’s a Wonderful Life’ and has received three ‘Zoni’ nominations. A ‘Zoni’ is an award for theatre excellence. His enthusiasm for the studio and the parts he chooses shows in his strong portrayal of the characters. His comedic timing, especially playing off Marney Austin’s Rose, comes from years of experience that were obvious to the audience. As Walsh does, Tom commands the room when he speaks. He’s compelling to watch, and it comes from great confidence in knowing Walsh, trusting his co-stars and believing in himself that you can’t look away.

 

Jason Isaak plays Gavin Clancy, a writer hired to be a ghostwriter to finish a novel that Walsh hadn’t completed before his death. You can’t help but detect a certain magnetism he exudes when on stage. He’s dynamic and though he’s only been with the Studio since 2016, you can see that he’ll be a part of it for a long time to come.

 

Which brings us to Julie Lee, our final cast member. She plays Arlene Moss, friend to Rose. Like Marney, she, too, has directed and produced for the studio. She owns DYNAMIC! Productions with her husband, Don Woodard and has been involved with the Studio, one way or another, since it came to be. Her Arlene ends up being someone you weren’t quite expecting to meet and Julie’s exuberant, spirited and passionate take on her, is not to be missed.

 

All four actors do an exceptional job bringing the story of a woman who spent all of her money on clothes instead of essentials who, at the breaking point, gets an opportunity of a lifetime via the man she can’t let go of. She gives an opportunity to a new writer and ends up playing matchmaker at the same time. By the end of the story, it’s she who, once again, finds herself with her true love.

The set was great and never seemed to get old. Though the stage wasn’t large, it wasn’t small either and it felt very much alive. The staff is pleasant, and the intimate theatre will have you excited to be there; thrilled to be a part of it… so much so that as the lights go down you’ll be wiggling in your seat. Check out ‘Rose & Walsh’ tomorrow through Sunday! It’s your last chance but be sure to pick up a brochure regarding the rest of the season.

 

THEATRE SITE

 

Operation Finale Movie Review

‘Operation Finale’ is the true story of an operation that gave the people of Israel peace from something terrible they had suffered through. Interestingly enough, this film couldn’t be coming out at a more perfect time in the history of our own country. I’m not suggesting that we can compare our situation in the slightest but our national discord and division, at the moment, is felt in a few moments of ‘Operation Finale,’ especially when you realize how easy it is to influence others and turn a country completely around.

Writer Matthew Orton used as his subject matter the fascinating account of when Israel gets a chance for the first time ever to try, in open court, one of the evilest men ever to walk the earth. ‘For the first time, we’ll judge our executioner.’ Other Nazi’s, most famously Hitler, who were responsible for the atrocities of World War II, killed themselves before they could be captured but Adolph Eichmann (Kingsley), the architect of the ‘Final Solution,’ (the Nazis plan to annihilate the Jewish people), got away and lived a full life. By 1960 he had faded into the past and was forgotten by most of the world but not by Israel. They wanted them all to pay for what they had done.

Many of Hitler’s top officers fled to Argentina which is where our story starts.  Eichmann’s son Klaus (Joe Alwyn), unbeknownst to him, begins dating a Jewish girl, Sylvia (Haley Lu Richardson) whose family is hiding as German immigrants. He brings her to a Nazi rally and terrified at what she sees, she abruptly leaves. She passes what she witnessed along to her father, Lothar Hermann (Strauss), who then passes word to Isser Harel (Raz) whose skeptical at first but when given photographic proof, immediately pulls together a team to try and pick up Eichmann. Argentina will never give him up so capturing him alive isn’t the safest or smartest way to go but it would mean so much to bring him in alive and make him pay, once and for all, for what he had done. Can they pull this off? They have a simple plan that becomes quite complicated, which is what works to give the audience moments of tension, otherwise, you’re watching the story play out very heavy on the drama with little action. They capture Eichmann, not in a graceful way, but they do succeed and they hold him in a safe house until their plane is ready to go. Nervous already, as there are many sympathizers looking for them not to mention they’ll be in prison themselves if discovered, they learn not only has the plane been delayed but that the airline that agreed to help the mission gets wind of its true purpose and doesn’t want any part of it. Before they’ll agree to let them board, they insist Eichmann give them a signed letter stating that he is going willingly to stand trial.

Israeli operative Peter Malkin (Isaac), after losing a sister and her family to the Nazi’s, takes it upon himself to be the one to do whatever it takes, even to befriend the beast, to get the signature. Instructed not to speak to Eichmann because he, ‘convinced Rabbis to fill the trains himself.’ The leader of the team will try but warns there’s no getting through to someone who has little humanity. Malkin gives it his best. This is when Kingsley goes from one spectrum to the other, appealing to his captors’ good senses and eventually using them against him. Isaac and Kingsley have wonderful chemistry and their scenes alone makes the film worth a watch.

A drama such as this can be somewhat slow but ‘Operation Finale’ keeps you engrossed with not only good dialogue, the issue and the acting but the assignment itself. They show enough of what the Jewish people truly went through, something the world at the time didn’t believe was happening, that at the end, learning of Eichmann’s fate, it made you want to stand up and applaud the team that made it all come together. Hearing Eichmann say, ‘You and your lying press will just try who you think I am.’ Was a bit too close to home but hopefully, people do learn from history and no other country will allow something like this to ever happen again. See the film. It’s powerful and it’s also important that you do.

Bad Times at the El Royale – Trailer

Director: Drew Goddard
Producers: Jeremy Latcham, Drew Goddard
Screenplay: Drew Goddard
Cast: Jeff Bridges, Cynthia Erivo, Dakota Johnson, Jon Hamm, Cailee Spaeny, Lewis Pullman, and Chris Hemsworth

SYNOPSIS
Seven strangers, each with a secret to bury, meet at Lake Tahoe’s El Royale, a rundown hotel with a dark past. Over the course of one fateful night, everyone will have a last shot at redemption… before everything goes to hell. Jeff Bridges, Chris Hemsworth, Jon Hamm, Dakota Johnson and Cynthia Erivo lead an all-star cast in BAD TIMES AT THE EL ROYALE.

BAD TIMES AT THE EL ROYALE Official Channels
OFFICIAL WEBSITEwww.ElRoyaleMovie.com 
FACEBOOKwww.facebook.com/ElRoyaleMovie 
TWITTERwww.twitter.com/ElRoyaleMovie  
INSTAGRAMwww.instagram.com/ElRoyaleMovie 
HASHTAG: #ElRoyaleMovie

In Theaters October 12, 2018

http://www.fandango.com

Johnny English Strikes Again – Trailer

Story:  Rowan Atkinson returns as the much-loved accidental secret agent in “Johnny English Strikes Again”.  When a cyber-attack reveals the identity of all active undercover agents in Britain, the country’s only hope is called out of retirement.  English’s new mission is his most critical to date: Dive head first into action to find the mastermind hacker.  A man with few skills and analogue methods, English must overcome the challenges of modern technology—or his newest mission will become the Secret Service’s last.

Director: David Kerr (“Inside No. 9”)

Writer: William Davies (“Johnny English,” “Johnny English Reborn”)

Producers: Tim Bevan, Eric Fellner, Chris Clark

Cast:  Rowan Atkinson, Olga Kurylenko, Ben Miller, Jake Lacy, Emma Thompson

 

For more info, please follow the film on social:

Official Site I Facebook I Twitter I Instagram

#JohnnyEnglish

In Theaters October 26th

http://www.fandango.com

The Little Stranger – Trailer & Clip

‘The Little Stranger’ tells the story of Dr. Faraday, the son of a housemaid, who has built a life of quiet respectability as a country doctor. During the long hot summer of 1948, he is called to a patient at Hundreds Hall, where his mother once worked.

The Hall has been home to the Ayres family for more than two centuries. But it is now in decline and its inhabitants – mother, son and daughter – are haunted by something more ominous than a dying way of life.

When he takes on his new patient, Faraday has no idea how closely, and how disturbingly, the family’s story is about to become entwined with his own.

The film stars Domhnall Gleeson, Ruth Wilson, Will Poulter, and Charlotte Rampling!

Listen as Gleeson reads a passage from the first chapter of the novel and watch an eerie clip of Rampling from the film.

Don’t miss this disturbing tale when it haunts into theaters on Friday August 31st!

Director: Lenny Abrahamson (“Room”)

Writer: Lucinda Coxon (“The Danish Girl”), based on the novel by Sarah Waters

Producers: Gail Egan, Ed Guiney, Andrea Calderwood

For more info, please follow the film on social:

#TheLittleStranger

Official Site I Facebook | Twitter | Instagram

In Theaters August 31

http://www.fandango.com

The Happytime Murders Movie Review

With this film, director Brian Henson, son of Jim Henson, is definitely leaving his mark. Not unlike the way a dog covers what the last one left behind, it’s as if he wants you to know that these aren’t your father’s Muppets… definitely not his. Some might not care for how he brazenly bastardizes his families legacy but for those of you who saw the Red Band trailer and liked the idea of raunchy puppets cursing at one another, watching porn and having sex, this most likely won’t be an issue. ‘The Happytime Murders’ would have been a really fun short film. Stretching it into a feature was reaching too far but it doesn’t mean you won’t have some laughs; it’s just ego on Henson’s part to believe adults will be so enraptured by foulmouthed puppets to bear with the time it takes to watch all the way through.

 

One could argue that there’s something twisted and devious about Henson using the puppets in this manner when his father, much to the delight of millions of people all over the world, utilized them to educate young children and entertain families but depending on how you look at it, Brian Henson is very much entertaining a specific audience, as well… just not the same one and not in as artful a way. Essentially, many of you won’t appreciate this type of crude humor and that’s okay. This film wasn’t designed for you and it seems Henson is okay with that because it doesn’t make it any less funny to those he created it for.

 

‘The Happytime Murders’ brings together a detective named Edwards (McCarthy) and former detective turned private investigator, Phil Phillips (voice of Bill Barretta) when members of The Happytime Gang (an old puppet television show) are murdered one by one. Phil’s brother Larry, who was ‘police officer Shenanigans’ on the show (which brought up thoughts of ‘Super Troopers’) is one of the victims. Edwards and Phillips were once partners in the department until an incident occurred that caused Phil to be released and excommunicate from the department. The tensions are high between these two but they’re both on the right side of the law and with only one goal in mind, they agree to work together. To bring some mystery in a caper that has little of it, Phil, who we know is a good guy, gets fingered for the killings and it’s up to Edwards, with help from Phil’s secretary Bubbles (Rudolph), to clear his name and find the real killer.

McCarthy is believable in her character to the degree I honestly don’t believe anyone, but she could have pulled this off. It’s time someone gives her a role in something other than a comedy, but she makes Edwards and all her animosity toward her old partner believable and thus more palatable when the jokes wear thin.

 

What I liked very much but think may have been largely missed because of the sexual perversions that you end up surprised with, was the discrimination by humans toward the puppets, who now must live among us. It seems they still ‘sing and dance for the man,’ even though they don’t want to… but how will they be taken seriously when they’re just colored felt and fluff? Even animals attack them on a daily basis, dogs especially, as they’re seen as nothing but a plaything. One of my favorite scenes is of two smalls dogs barking at a puppet while he screams at them that he isn’t a squeaky toy. Pay attention closely because there are several gems like that hidden in the background.

 

It isn’t difficult to shock people using sex, but it is challenging to keep the interest of an audience for over an hour using nothing but dirty jokes. I can’t say this is worth seeing at the theatre unless you’re paying matinee price but for those curious enough to see it, as you may have been with seeing ‘Sausage Party’ and ‘Team America,’ please know what you’re getting into. It’s going to be naughty but just have fun. And be sure to stay during some of the credits to watch a little of how they made this world come to life.

Papillon Movie Review

“Papillon” is a story of survival. It is the story of the unbreakable spirit in a man named Henri Charrière. He was a safecracker in Paris in the early 1930’s. His nickname was “Papillon” for the tattoo of a butterfly on his chest (it is French for butterfly). He worked with a low-rent crime boss, and earned enough to impress his girlfriend. But when he failed to impress the crime boss, he was framed for murder and sent to French Guiana. That island off of the coast of South America was home to a horrible prison camp. He was sent there and never was expected to return.

Papillon (Charlie Hunnam) is a talented thief, and he is a ladies man. He has a sweetheart named Nenette (Eve Hewson) who wants to sell the diamonds that he just robbed go to live in the country. The trouble is, the merciless crime boss wanted to have all the diamonds that Papi stole, but Papi kept a few for himself. Big Mistake. Next thing Papi knows is that he is charged with murder and sentenced to serve at the penal colony at Devil’s Island in French Guiana. On the ship sending the convict to the prison island, Papi meets Louis Dega (Rami Malek). Dega is an artist and a forgery expert, who was extremely wealthy. Dega was able to carry quite a bit of cash in — ahem — Deadpool 2 would call it a “Prison Wallet”.

Papillon was big and strong and willing to fight off any goons who attempted to kill Dega. So Papi agreed to protect Dega, as long as Dega would finance any escape attempt for Papillon. The protection and the financing parts worked out fine. The escaping part did not. Papi was able to try and escape, but when he did make it out the front gate, he did not make it very far. Papillon was sentenced to internal solitary confinement for two years.

Part of that time, Dega was able to pay off a trustee to deliver a hidden coconut to Papillon in his isolated cell. When the warden found out, he demanded that Papi tell him who paid for the coconut. But Papi was loyal, and silent. There where other escape attempts, and soon Papi was spending more time in solitary than in general population. Louis Dega could not make it through confinement, but the warden trusted Dega to handle the prison financial books. He was able to be a position of security. More escapes were planned, and with some assistance they made it off the island and landed in Colombia. But the long French arm of the law found them again. Dega was sent to Devil’s Island, and Papi (again) to solitary confinement. He was there for such a long time that he hallucinated most of the time. Then he was sent to join Dega at Devil’s Island.

At the Island, there was no method to escape. There were impossible cliffs around the deadly jagged rocks at the base, where the waves would crash violently into the Island. But past the base, there was a gentle tide, and tide pulled out into the sea — and off to a current that lead to the mainland. If only Papillon could devise a way to get past the danger zone, he could float gently out to freedom. Dega would not dream of leaving the Island, even if it meant dying there. However, Papi — he could not live the rest of his life in captivity. He would finally escape, or he would die trying…

Charlie Hunnam is well cast and has a physical appearance that resembles Steve McQueen. McQueen played Papi in the original movie adaptation. Hunnan plays Papi as strong and shows a brutal willingness to do anything, just to survive. Rami Malek plays Degas with an air of sophistication that is above an ordinary convict. The way that all of the historical places are recreated is excellent. At the end of the movie there are black-and-white photos of the actual prison. They have been able to capture that quite well.

The reason that a remake of “Papillon” was required to be made now is unclear. But the effort that is made to make this movie will not make you think of trying to escape the theater.