Red Sparrow Movie Review

March 2, 2018 (updated February 28, 2018)

“Red Sparrow” is Russian spy craft for what could be called a ‘honey pot’. It is an enticing and intriguing person willing to bend to your every whim, only to double-cross and lead you into destruction. When a former ballerina becomes a Sparrow – then secrets, and blood, will likely be spilled. Hope you can get that carpet cleaned…

Dominika (Jennifer Lawrence) is the ballet prima donna at the Russian ballet, until an unfortunate accident. With a bum leg, Dominika will no longer star in the ballet, and she will be tossed out of her place. Her mother will get no medical care, unless her uncle, Ivan (Matthias Schoenaerts), can help her. But she has little choice but to take Ivan’s offer: Sparrow Training Center.

Ivan runs the Russian Security Services (the new and improved KGB). Dominika goes to the training center to become adept at seduction and persuasion. If not, her mother will die. The strict woman who runs the school is the Matron (Charlotte Rampling) and she runs the place with an Iron Curtain fist. Dominika is stripped of all dignity, and at times, all of her clothes. Brutal training includes humiliation, beatings and near rapes. Ivan takes her away for a mission. There is a highly placed general named Korchnoi (Jeremy Irons) who thinks Ivan is not carful enough with the mission.

Her objective is to seduce a Russian oligarch who had made a little too much money. But she is brutalized and he is brutally killed. Dominika is taken away and given a new assignment. She is sent to Europe to attach herself to a CIA agent named Nate Nash (Joel Edgerton). Nash has a super-secret mole, a source inside the Russian government that Ivan and his pals want to ‘talk to’. That is spy talk for torture and slowly kill.

There is much traveling – to Bucharest, then Vienna, then London and then to Moscow and back to Bucharest. Anyway, Dominika gets wind of an American who can get military secrets. She has a roommate in Bucharest who tells her about the woman codenamed Swan (Mary-Louise Parker), but her roommate is brutally murdered. Dominika goes to meet with the traitor Swan and deliver the payoff. So she gets all the US State secrets, all on three and half inch floppy drives? Wow, so up-to-date…

But Agent Nash is attempting to win over Dominika to be his double-agent. But at the same time, it is Dominika’s job to win over Nash to determine the identity of the Russian mole. Both are playing a deadly game of Spy vs. Spy. And neither one can be quite sure whose side the other one is really on. At one point a Russian killer is there to take Nash hostage and begins to torture him to death. Will Dominika come to his aid, or is her training really set in stone?

“Red Sparrow” is based on a novel, but it tries to pack as many Cold War type stories inside as it can. There is a story about the Sparrow Training Center, which Dominika later calls “whore school”. There is the Nash and his mole story, which could have been made much more prominent. This is the subplot of the Swan character selling US secrets, and how that all could have come about. There is the main story of Dominika going to meet with Nash and turn him, while Nash is busy trying to change her into another asset.

Francis Lawrence (as the director) should have picked out one of these stories and stayed with it. The movie ends up being overly long and drawn out. Jennifer Lawrence (as the main character) does a passable Russian accent, which occasionally fades in and out. Lawrence (Francis, not Jennifer) takes way too much time focused on humiliation, brutality, murder, rape, and torture. Lawrence (Jennifer, not Francis) does quite a few bold adult moves with scenes of nudity and some sex scenes.

Both Joel Edgerton and Matthias Schoenaerts do very good with their characters. Also, Charlotte Rampling is quite chilling in her role as an emotionless head of the State-run school. But the movie could have used a lot more of Mary-Louise Parker and Jeremy Irons. These two are wonderful actors and the movie perks up a bit more when they are on the screen.

“Red Sparrow” is a quite adequate spy movie, with a high level of torture and sex thrown in. But that is an unusual combination, and it makes for an icy and chilly reception for the Cold War drama. Red Sparrow does get off the ground and flies, but it never does soar…

The Vanishing of Sidney Hall Movie Review

March 1, 2018 (updated March 1, 2018)

This film is about a young, talented writer who is loved and admired by everyone. With the help of his adoring teacher, he gets a publishing deal almost overnight, comes close to winning the Pulitzer Prize and then, instead of appreciating it and enjoying his success, he vanishes. Of course, there is a lot of tragedy and melodrama in between these moments, which explains some of his character, but it’s the way the story is told you’ll have the biggest problem with.

While watching the movie I couldn’t help but compare it to Catcher in the Rye, a popular book with adolescents about a young man looking for someone to connect with. Not only does the storyline remind me of the book but the main character, Sidney (Lerman), seemed to mirror J.D. Salinger himself. The 2017 film Rebel in the Rye came to mind while watching this, as well, with both the subject matter and the writers having almost the same artistic intentions and success, yet not having an enthusiasm later in life for either one.

Unfortunately, we jump back and forth in the timeline. The first hop leaves you somewhat baffled because where we are in the story isn’t displayed particularly well. After being introduced to Sidney, you’re left to guess if the next point in the story is, in fact, a book being written or a future timeline, but you do catch on to the fact that both story A and B belong to Sidney. In school, Sidney has a friend he was once close to named Brett (Jenner), who has completely changed for the worse. Brett is cold to Sidney and cruel to others and the revelation as to why will come as a shock to Sidney but not necessarily the audience, however, it does bring us deeper into why Sidney is so troubled. When Melody (Fanning) enters Sidney’s life, you know that with her zest for life and their goals and dreams together, will finally help him find a reason to be happy, but Sidney just may have a way to mess that up, too.

Kyle Chandler plays an investigator trying to find the missing writer who couldn’t live with his self anymore after a young fan of his kills himself after reading his book. Blaming himself for his death and the loss of his friend, Sidney sets out to ruin what’s left of himself, even attempting to rid the world of his books if he can.

I liked the acting in the movie but I didn’t much care for all the moodiness Lerman continually gives us. You tire of it quickly, as do other people in his life, but being that it’s a deep psychological introspective, you accept it. It was heavy on the drama and had some slow parts in the middle but an incredibly powerful final act and a wonderful Elle Fanning helps you forget all about the issues I’ve mentioned. The score is nice and the cast is good but had it not flipped around as often as it had, the yarn might have rolled out a bit easier and watching it been a little more enjoyable.

Ang Lee’s GEMINI MAN has officially started production!!

February 28, 2018

GEMINI MAN, from Paramount Pictures and Skydance, has officially started production!

The film opens in theaters October 4, 2019

Synopsis: Gemini Man is an innovative action-thriller starring Will Smith as Henry Brogan, an elite assassin, who is suddenly targeted and pursued by a mysterious young operative that seemingly can predict his every move. The film is directed by Academy Award®-winning filmmaker Ang Lee and produced by renowned producers Jerry Bruckheimer and David Ellison. Also starring are Mary Elizabeth Winstead, Clive Owen and Benedict Wong. Gemini Man opens in theaters October 4, 2019.

Follow the official GEMINI MAN Instagram page for more updates!

The Strangers: Prey at Night Advance Movie Screening

February 27, 2018 (updated February 27, 2018)

Movie Screening Summary

A family’s road trip takes a dangerous turn when they arrive at a secluded mobile home park to stay with some relatives and find it mysteriously deserted. Under the cover of darkness, three masked psychopaths pay them a visit to test the family’s every limit as they struggle to survive. Johannes Roberts directs this horror film inspired by the 2008 smash hit THE STRANGERS.

Release: March 9, 2018
Studio: Aviron Pictures
Genre: Horror
Director: Johannes Roberts
Writers: Bryan Bertino and Ben Ketai
Cast: Christina Hendricks, Martin Henderson, Bailee Madison, Lewis Pullman
Producers: Wayne Marc Godfrey, James Harris, Robert Jones, Mark Lane
Rating: R for horror violence and terror throughout, and for language
Runtime: 81 Min

THE STRANGERS: PREY AT NIGHT Official Channels
Website: preyatnight.com
Facebook: Facebook.com/TheStrangers
Twitter: @TheStrangers
Instagram: @TheStrangers

Advance Movie Screening For THE STRANGERS: PREY AT NIGHT

Find your chance to receive special advance movie screening passes below.

Phoenix, Arizona

Advance Movie Screening Details

Movie Screening Date: Monday, March 5
Location: Harkins Arizona Mills
Movie Screening Time: 7:00pm
[button link=”http://www.gofobo.com/STRANGETXT” type=”big” newwindow=”yes”] Get Passes[/button]

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Advance Movie Screening Information

To redeem a pass, simply click the Get Passes button. You will taken to our movie screening partner site (where you can sign up for a free account). Once you’ve done so, you’ll be able to print out your pass and bring it with you to your screening or event.

Admittance into a screening or event is not guaranteed with your pass. Events and advance screenings are filled on a ” first come, first served ” basis. To ensure that you stand a good chance of being admitted, we recommend that you show up 30 minutes to one hour early.

The number of admissions that are permissible for each pass are printed clearly on the ticket that you print out. You are allowed to bring as many guests as is indicated on your pass. For example, if your pass is for ” Admit Two, ” you can bring yourself and one guest. If you have an ” Admit One ” pass, you can bring only yourself.

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“READY PLAYER ONE” INVITES YOU TO JOIN THE LEADERBOARD

February 26, 2018 (updated February 26, 2018)

“READY PLAYER ONE” INVITES YOU TO JOIN THE LEADERBOARD

Enter for the chance to win free Lyft rides through 2045,
premium music from Spotify, and Atom movie tickets

BURBANK, CA, February 26, 2018 – In Steven Spielberg’s new science fiction action adventure, “Ready Player One,” the race is on to be the first to find three keys in the virtual world of the OASIS. But fans don’t have to wait to 2045 to level up their lives in the digital universe. In anticipation of the film’s March 29^th release, Warner Bros. is giving fans the opportunity to win one of three keys opening the door to fantastic prizes from Atom Tickets, Spotify or Lyft.

Launching on February 26^th, the Join the Leaderboard Sweepstakes offers three prizes that will be game-changers for years to come:

Copper Key: Atom Tickets – Enjoy movies on the big screen for free until 2045.

Jade Key: Spotify – Win codes for 27 years’ worth of Spotify Premium.

Crystal Key: Lyft – Let Lyft take you where you need to go until 2045.

The sweepstakes will close on March 12^th and winners will be announced in three stages: the winner of the Copper Key will be revealed on March 19^th; the Jade Key on March 21^st; and the Crystal Grand Prize on March 26^th.

For entry information and rules, please visit www.jointheleaderboard.com. *Unlock multiple entries by sharing “Ready Player One” content with friends via the website.

About “Ready Player One”:

From filmmaker Steven Spielberg comes the science fiction action adventure “Ready Player One,” based on Ernest Cline’s bestseller of the same name, which has become a worldwide phenomenon.

The film is set in 2045, with the real world on the brink of chaos and collapse. But people have found salvation in the OASIS, an immersive virtual universe where you can go anywhere, do anything, be anyone. The OASIS was created by the brilliant and eccentric James Halliday (Mark Rylance). When Halliday died, he left his immense fortune, and total control of the OASIS, to the first person to win three keys, unlocking the door to a digital Easter egg he hid somewhere in his seemingly infinite creation. His challenge launched a game that gripped the entire world, but after five years the scoreboard remained tauntingly empty…until now.

An unlikely young hero named Wade Watts (Tye Sheridan)—under his avatar name, Parzival—finally conquers the first contest, instantly becoming a celebrity…and a target. Ruthless corporate mogul Nolan Sorrento (Ben Mendelsohn) proves he will stop at nothing to beat Wade and take over the OASIS, and suddenly the virtual stakes are all-too-real. Ultimately realizing he cannot win alone, Wade joins forces with his friends—now the High Five (Sheridan, Olivia Cooke, Lena Waithe, Philip Zhao, Win Morisaki). Together, they are hurled into a reality-bending treasure hunt through a fantastical universe of discovery and danger to save the OASIS.

Spielberg directed the film from a screenplay by Zak Penn and Ernest Cline, based on the book by Cline. Donald De Line, Kristie Macosko Krieger, Spielberg and Dan Farah produced the film, with Adam Somner, Daniel Lupi, Chris deFaria and Bruce Berman serving as executive producers. “Ready Player One” stars Tye Sheridan, Olivia Cooke, Ben Mendelsohn, Lena Waithe, T.J. Miller, Philip Zhao, Win Morisaki, Hannah John-Kamen, with Simon Pegg and Mark Rylance.

Behind the scenes, Spielberg collaborated with director of photography Janusz Kaminski, production designer Adam Stockhausen, editors Michael Kahn and Sarah Broshar, and costume designer Kasia Walicka Maimone. The score is by composer Alan Silvestri.

Warner Bros. Pictures and Amblin Entertainment present, in association with Village Roadshow Pictures, an Amblin Production, a De Line Pictures Production, a Steven Spielberg Film, “Ready Player One.” Opening on Thursday, March 29, 2018 in 2D and 3D in select theatres and IMAX^®, the film will be distributed by Warner Bros. Pictures, a Warner Bros. Entertainment Company, and in select territories by Village Roadshow Pictures. This film has been rated PG-13.

readyplayeronemovie.com

*NO PURCHASE NECESSARY. Sweepstakes open to legal residents of the 50 U.S. states & D.C., 18 or older. Ends 11:59 p.m. ET on 3/12/18. Winners randomly selected. Visit www.jointheleaderboard.com for full details including eligibility, how to enter, odds, prize descriptions & limitations. Void in Puerto Rico, all U.S. territories and possessions and where prohibited or restricted by law. Sponsor: Warner Bros. Entertainment Inc., 4000 Warner Blvd., Burbank, CA 91522.

The Party – Movie Review

February 23, 2018 (updated February 23, 2018)

We start this cunning, noble achievement that writer/director Sally Potter (Orlando, The Tango Lesson) has presented us with, by waiting for a closed door to open as if we’re the ones about to be allowed entrance. Janet (Kristin Scott Thomas) opens the door but instead of greeting us with a smile, we are met with a gun to the face. Color me intrigued. That’s quite an arresting way to start the film. Potter wanted us immediately captivated and achieves this goal with the violent gesture which is a shrewd move for any director to make. Now that she has us hooked, she jettison’s us to an earlier point in the evening, before people show up for a celebratory dinner at the apartment she shares with her husband Bill (Timothy Spall). Bill mumbles to himself in the living room as if almost in a fugue state of some kind. This gets a little daunting but plays a large part in the story later.

To set the tone, The Party is exhibited in black and white, with the haunting yet seductive tune, ‘What is this thing called love?’ by Sidney Bechet playing on vinyl in the background. In fact, I have it playing as I write this. It’s splendid and both elements together give the film the vibe of an early Woody Allen picture.

Soon, we’re introduced to the guests as they file in, staggered so that we may have a complete and thorough examination of their character. Each congratulates Janet for a political accomplishment of some sort. Whatever the reason, and this is never quite made clear, this has all been a sophisticated setup to keep you restless and itching to find out the consequences as to why a celebration over a political win leads to a weapon being drawn.

Cherry Jones with her gravelly voice and unimposing self-assurance, is a strong presence in the film, playing Martha, married to the younger Jinny (Emily Mortimer) who is with child… with children. Martha, who came for a bash, now faces the biggest decision of her life.

The very memorable character, April, is played by Patricia Clarkson, who gets to somewhat portray the comic relief for the film but also carries the weight of being a more stereotypical female. Bitchy and ruthless, she attacks her beau Gottfried (Ganz) but she doesn’t discriminate, never holding her tongue. You can tell Clarkson has fun with the role getting to point out everyone’s flaws without regret.

Tom, played by the charismatic Cillian Murphy, walks in agitated and frantic about a deed he must carry out. When you learn why he’s there, you’ll wonder how he kept it together for so long. Murphy’s performance is aggressive and potent, however, I would have liked to have seen more of him.

All the players who postulate, proposing to know the reality of their situation, end up being fools, destroyed by their own egos. The actors who play them and bring this terrific tale to life, do a fantastic job of keeping the audience profoundly involved in the alternating storyline, without revealing the nuts and bolts of the situation and not exposing who they are or what’s going on until the director wants you to know.

Outside of these performances, what you’ll appreciate the most is learning what the party truly is… and how this yarn ends. Labeled a comedy/drama, the comedy is, to a large degree, missing and at times it feels like it doesn’t know what it wants to be. This is brilliant because struggles in life often turn out to be exactly that… not what you had planned.

Annihilation Movie Review

February 23, 2018 (updated February 23, 2018)

“Annihilation” is the movie adapted from the first book in a trilogy by Jeff VanerMeer. It is a science-fiction look at a strange cosmic phenomenon created on the Gulf Coast by a bizarre meteor. Many miles around the lighthouse where it landed is covered by an other-worldly dome that they call “The Shimmer”. Every team of military experts that are sent in to investigate is never heard from again. That is, until he comes back…

Lena (Natalie Portman) is an ex-military vet who is now a biology teacher at a university. Her husband Kane (Oscar Isaac) is a Special Ops soldier who was on a secret mission but when missing. Kane turns up a year later, back at home. But he is very ill and falls into a coma. Lena and Kane are taken by the military to Area X, which the home of “The Shimmer’. That is where Kane and his unit had been sent, and nobody else has every returned.

Lena volunteers for the next mission, led by Dr. Ventress (Jennifer Jason Leigh). Ventress is a psychologist who will lead a group of female scientists into the mysterious Area X. The others on the mission are Thorensen (Gina Rodriguez), Radek (Tessa Thompson) and Sheppard (Tuva Novotny). All are specialists and they want to unravel the mystery of “The Shimmer’.

However, once inside they discover that weeks pass by like days. The radios and even the compass are non-functional. All that they have are their wits and their wills. They must learn to trust each other, and trust in the mission. But when they find that nature inside “The Shimmer” has gone a little kooky, they feel that this has become a suicide mission. The things that they are encountering are becoming more insane, and more deadly.

Lena has her own mission, to find out what was going on with Kane when he was sent here. But the things that she finds out make her more disturbed. Dr. Ventress seems to have her own personal mission, while the others are being led down a path of potential human destruction. The final goal is to find the source of the mystery, which is near the lighthouse. But what can be found in there, and will anyone be alive to find out?

Alex Garland has created some fantastic screenplays in the past, and his first director effort for “Ex Machina” was superb. But here, he is constrained by the original material, and he makes some awkward choices. He has scenes with Lena being interrogated after the mission, and these are intercut with the overall movie. It is a trite excuse to explain or bring up some unknown fact. The scientific language about the event origins and what is happening are somewhat clunky.

Natalie Portman does a very credible job as Lena, with her military and science background helping her to cope. Almost all the other characters are basic movie stereotypes, with minimal depth or back-story. Even Oscar Isaac has very little to do, even when he is critical to the story. The worst off is Benedict Wong, who has to play the inquisitor behind a clean room mask.

This movie is however quite beautiful in how it looks and in the details of the alien environment. The soundtrack is also simple and unassuming, until it slowly builds up tension and suspense towards the end. The photography is amazing and also eerie as it goes deeper and deeper into “The Shimmer”. The story is good, but some of the ideas pull from other sources. Perhaps some parts resemble “The Day of the Triffids” and short story “Weeds” by Stephen King.

“Annihilation” is a brain-teaser, and that itself makes it a cut above most sci-fi movies. But perhaps the subject is a little too weird for most audience members. Let’s hope that “Annihilation” is not what happens to this movie in terms of box office revenue…

Game Night – Movie Review

February 22, 2018 (updated February 23, 2018)

Come to Game Night! Jason Bateman and Rachel McAdams are hosting! Actually, Bateman is one of the producers of the movie, as well, which isn’t all that much of a surprise. This has Jason Bateman comedy written all over it. I was surprised he didn’t write it because it so fit his dry wit. When he gets a fresh winner of a script like this and works with directors like John Francis Daley (Vacation reboot) and Jonathan Goldstein (Horrible Bosses), who know where his strengths lie and use him to his full potential, gold is struck. It certainly is here. This is what I’d consider a must-see because it was so well written and put together. It’s never once slow or overdone. They even took care to make you feel a part of the game. It’s shot to make it seem as if the actors in the film, the ‘players in YOUR game,’ are moving around a board. At one point, you’ll even see these delightfully insane characters involved in a dangerous game of keep away. Warning, you and everyone in the theatre will laugh until you cry so be sure to check at the customer service desk first to see that the volume is turned up to a level where you can hear over one another.

Jason Bateman and Rachel McAdams play Max and Annie who have wanted nothing more than to play games since they met over trivia in a bar years ago. Now middle-aged, they haven’t grown up much beyond the kids they were when playing board games with the family was the perfect Friday night. Now they’ve gotten several of their friends hooked and every Friday they stream into Max and Annie’s to see what the night has in store for them. Another satisfying element about the comedy is that each and every one of the actors cast, play off of each other exceptionally well, especially Jesse Plemons who plays Gary, their next-door neighbor who used to be welcome on game night. He was only a part of the fun because they were friends with his ex-wife, Debbie, who has since moved. His character is creepy and some of the earlier funny scenes are watching Max and Annie try to get out of his inviting himself over. Plemons plays him so admirably that you’ll never recognize him as being Todd from Breaking Bad.

What spoils this particular game night isn’t just the threat of Gary finding out it’s taking place, but that Max’s handsome and successful brother, Brooks (Chandler), is in town and wants to play. Not only does he come play and, as you might have guessed, unapologetically alerts Gary to the festivities, but he decides he’s hosting next. Unenthusiastically, they all decide to attend and the event Brooks has in store for them this evening is unlike what is usually held. No cards, paper, dice or pegs needed, just your wits. He hires a company to stage a murder mystery for them to solve. They’re paired up and the couple who solves the whodunit gets a Corvette Sting Ray. Now the movie turns into a thriller, mystery as Brooks is kidnapped. Twist! Kidnapped not by the company he hired to kidnap him but by people for whom he has done bad business. This is quite a unique set up and a fun adventure for the audience lies ahead.

The comedic timing everyone displays, while all of this is playing out, is spot on accurate. Rachel McAdams is irreplaceable as her Annie and Bateman’s Max banter back and forth, clueless as to what is really going on. Max even tells the kidnappers to drive safely as they’re pulling his struggling brother out of the house. Hysterical. Do yourself a favor and make this movie a part of your Friday Night amusement. You won’t be sorry. It meets all the requirements of a fantastic and memorable night out.

*Stay through the entire credits for two extra scenes!

A WRINKLE IN TIME ORIGINAL MOTION PICTURE SOUNDTRACK TO FEATURE RARE NEW RECORDINGS

February 21, 2018 (updated February 21, 2018)

A WRINKLE IN TIME ORIGINAL MOTION PICTURE SOUNDTRACK TO FEATURE RARE NEW RECORDING FROM SADE AND

END CREDIT TRACK BY DJ KHALED FEATURING DEMI LOVATO,

PLUS NEW SONGS BY SIA, KEHLANI AND CHLOE X HALLE

SOUNDTRACK PRODUCED BY AVA DuVERNAY

SCORE BY COMPOSER RAMIN DJAWADI

Burbank, Calif. — Feb. 20, 2018 – Walt Disney Records is set to release the digital version of the original motion picture soundtrack to Disney’s “A Wrinkle in Time,” from visionary director Ava DuVernay on March 9^th as the film opens in theaters nationwide.

The soundtrack was produced by DuVernay and features the end-credit song “I Believe” performed by Grammy® nominated and multi-platinum selling artists DJ Khaled featuring Demi Lovato. The song was written by Khaled, Lovato, Denisia “Blu June” Andrews and Brittany “Chi” Coney and was produced by Khaled. Both artists are embarking on a 20-date North American tour beginning February 26 in San Diego, CA.

The soundtrack also includes two versions of “Flower of the Universe” performed by Sade, one of which is a remix by No I.D. The multi-Grammy winning and multi-platinum selling artist also co-wrote and co-produced the track with Ben Travers and Andrew Hale. This is Sade’s second original song contribution to a soundtrack following 1986’s “Absolute Beginners.”

Five-time Grammy nominee singer-songwriter Sia performs “Magic,” a song she also co-wrote with Grammy-nominated producer-songwriter Jesse Shatkin. Shatkin also produced the track.

Grammy-nominated artist Kehlani performs “Let Me Live.” Kehlani released her debut chart-topping album, SweetSexySavage last year and will also be touring North America with Lovato and Khaled.

Also included is “Warrior,” written and performed by sisters Chloe x Halle. The duo made a cameo in Beyonce’s Lemonade visual album and were subsequently invited to join as the opening act on The Formation World Tour. The sisters released their debut EP, Sugar Symphony, in 2016 and are currently series regulars on Freeform’s “Grown-ish.”

The “A Wrinkle in Time” score is composed, conducted and produced by Ramin Djawadi. The German-born composer has scored over 100 projects including blockbuster films such as “Pacific Rim,” “Iron Man” and “Clash of the Titans” and celebrated television scores including “Game of Thrones,” “Westworld,” “Prison Break” and “The Strain.”

The Grammy and Emmy®-nominated composer recorded the score in Los Angeles with a 71-piece orchestra and a 29-person choir, as well as a 24-member children’s choir.

Speaking of the artists and composer, DuVernay said: “Each song on the ‘Wrinkle in Time’ soundtrack was crafted with great care in close collaboration with the artists. My creative partnership with Sade on ‘Flower of the Universe’ was so connected that I reverse engineered the usual process and used her lyrics as actual dialogue within the film. I truly loved working with DJ Khaled who jumped into this project with open arms and an open heart, along with the great Demi Lovato. Sia, Kehlani and Chloe x Halle beautifully embraced the visuals of the film to create distinct songs that expand and elevate Meg’s heroic journey. And working with Ramin Djawadi was a dream come true as I have been a long-time admirer of his stellar work. His musical compositions for the film are perfectly otherworldly.”

The track list for A Wrinkle in Time follows:

1 Flower of the Universe (No I.D. Remix) Performed by Sade

2 I Believe Performed by DJ Khaled Featuring Demi Lovato

3 Magic Performed by Sia

4 Let Me Live Performed by Kehlani

5 Warrior Performed by Chloe x Halle

6 Park Bench People Performed by Freestyle Fellowship

7 Flower of the Universe Performed by Sade

Score by Ramin Djawadi

A Wrinkle in Time
Mrs. Whatsit, Mrs. Who and Mrs. Which
Darkness Across the Universe
Touch the Stars
Happy Medium
Camazotz
Home
Uriel
Is This a Dream?
Forgive Me
Be a Warrior
Tap Into Your Mind
Tesseract
Sorry I’m Late
The Universe Is Within All of Us

The A Wrinkle in Time original motion picture soundtrack will be available at digital retail HERE

and streaming services HERE on March 9th.

The physical version will be available following the film’s release on March 30 and can be pre-ordered HERE.

For more information on Walt Disney Records’ releases become a fan at Facebook.com/disneymusic

or follow us at Twitter.com/disneymusic and Instagram.com/disneymusic.

Submission

February 21, 2018

SUBMISSION

Directed by: Richard Levine (“Nip/Tuck” and “Masters of Sex”)

Starring: Stanley Tucci (Julie & Julia, The Devil Wears Prada, Hunger Games)

Kyra Sedgwick (“The Closer,” “Brooklyn Nine-Nine,” The Edge of Seventeen)

Addison Timlin (“Californication,”The Town That Dreaded Sundown)

Ted Swenson (Stanley Tucci) is a once-acclaimed author who teaches writing at a small liberal arts college. Though his marriage to Sherrie (Kyra Sedgwick) is comfortable, he finds himself drowning in discontent—stuffy departmental dinners at which he drinks too much, smug colleagues whom he dislikes yet fears he resembles, and an endless stream of students who are as untalented as they are unteachable. But when a new pupil, Angela Argo (Addison Timlin), shows promise Ted focuses on nurturing her career, and she appears more than willing to devote the one-on-one time required. Basking in Angela’s youth, talent, and admiration, just as she benefits from Ted’s wisdom, experience, and professional connections, it’s only a matter of time before lines are crossed and it becomes unclear whether Ted is predator or prey and Angela is victim or victimizer. Based on the acclaimed novel “Blue Angel” by Francine Prose, which slyly updates the 1930 Marlene Dietrich/Josef Von Sternberg classic for today’s politically correct times, SUBMISSION is a biting morality play about lust, ambition, power, and living in a world where scandal is as likely to make a reputation as destroy it.

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In Theaters March 9th

http://www.fandango.com

Red Sparrow Movie Review

The Vanishing of Sidney Hall Movie Review

Ang Lee’s GEMINI MAN has officially started production!!

The Strangers: Prey at Night Advance Movie Screening

Movie Screening Summary