Smallfoot-movie-poster-wallpaper

Smallfoot Advance Movie Screening

Movie Screening Summary

An animated adventure for all ages, with original music and an all-star cast, Smallfoot turns a myth upside down when a bright young yeti finds something he thought didn’t exist—a human.

News of this “smallfoot” throws the simple yeti community into an uproar over what else might be out there in the big world beyond their snowy village, in an all new story about friendship, courage and the joy of discovery.

Smallfoot stars Channing Tatum (The LEGO® Batman Movie, the Jump Street films) as the yeti, Migo, and James Corden (Trolls, The Emoji Movie) as the Smallfoot, Percy. Also starring are Zendaya (Spider-Man: Homecoming), Common (Selma), LeBron James (upcoming Space Jam 2), Danny DeVito (The Lorax, Oscar nominee for Erin Brockovich), Gina Rodriguez (Jane the Virgin), Yara Shahidi (TV’s Black-ish), Ely Henry (TV’s Justice League Action), and Jimmy Tatro (22 Jump Street).

Smallfoot is directed by Karey Kirkpatrick, Annie Award-winning director of Over the Hedge and Annie nominee for the screenplays for Chicken Run and James and the Giant Peach. The screenplay is by Kirkpatrick and Clare Sera, screen story by John Requa & Glenn Ficarra and Kirkpatrick, based on the book Yeti Tracks, by Sergio Pablos.

The film is produced by Bonne Radford (Curious George), Glenn Ficarra (Storks, This is Us,) and John Requa (Storks, This is Us). Serving as executive producers are Nicholas Stoller, Phil Lord, Christopher Miller, Jared Stern, Karey Kirkpatrick, Sergio Pablos, Courtenay Valenti, and Allison Abbate. The creative team includes editor Peter Ettinger, and composer Heitor Pereira. Animation is by Sony Pictures Imageworks.

Smallfoot is set to debut in theaters September 28, 2018.

From Warner Bros. Pictures and Warner Animation Group, a Zaftig Films production, Smallfoot will be distributed worldwide by Warner Bros. Pictures, a Warner Bros. Entertainment Company.

https://www.warnerbros.com/smallfoot

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Advance Movie Screening For SMALLFOOT

Find your chance to receive special advance movie screening passes below.

 

Phoenix, Arizona

Advance Movie Screening Details

Movie Screening Date: Saturday September 22nd
Location: Harkins Tempe Marketplace
Movie Screening Time: 7:00pm
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Tucson, Arizona

Advance Movie Screening Details

Movie Screening Date: Saturday September 22nd
Location: Century 20 El Con
Movie Screening Time: 7:00pm
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Las Vegas, Nevada

Advance Movie Screening Details

Movie Screening Date: Saturday September 22nd
Location: Regal Red Rock
Movie Screening Time: 7:00pm
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Albuquerque, New Mexico

Advance Movie Screening Details

Movie Screening Date: Saturday September 22nd
Location: Regal Winrock
Movie Screening Time: 7:00pm
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Advance Movie Screening Information

To redeem a pass, simply click the Get Passes button. You will taken to our movie screening partner site (where you can sign up for a free account). Once you’ve done so, you’ll be able to print out your pass and bring it with you to your screening or event.

Admittance into a screening or event is not guaranteed with your pass. Events and advance screenings are filled on a ” first come, first served ” basis. To ensure that you stand a good chance of being admitted, we recommend that you show up 30 minutes to one hour early.

The number of admissions that are permissible for each pass are printed clearly on the ticket that you print out. You are allowed to bring as many guests as is indicated on your pass. For example, if your pass is for ” Admit Two, ” you can bring yourself and one guest. If you have an ” Admit One ” pass, you can bring only yourself.

If you have any other questions or comments, please contact us.

President Evil – Trailer

A parody of the original “Halloween” film, President Evil sees Michael Myers disguised as Trump as he gets about suburbia, hell-bent on killing minorities.  

Days before the November mid-term Elections, three young girls who are a Muslim, Mexican and Haitian, are stalked by a deranged killer dressed as the POTUS.

 

Starring: Jose Rosete (The Walking Dead : Red Machete), Christian Hutcherson (Dark) and Johanna Rae (Psychos)
Directed by: Richard Lowly
Written by: Lowry and Gregory P. Wolk.

  
President Evil is coming soon.

Available 2018

Blast from the Past (September 2018)

Yeah, the Box Office is rockin’ today with a whole lot of movies. But there are some from prior years that you may (or may not) remember. These older movies came out 5, 10, 15, 20 years ago, maybe even longer back. Some were instant classics, while others were not. So let’s jump into the DeLorean and travel backwards in time to revisit a few of these forgotten gems…

September 2013 (5 years ago) — Prisoners – Director Denis Villeneuve locks you up in a chilling revenge story

Before Villeneuve had the world enthralled with ‘Arrival’ and ‘Blade Runner 2049’, he came out with this movie. He centers on missing children and a desperate father’s act of vengeance. The perspective of the people grieving and the people unjustly accused makes for a raw display of emotion. It is a very dark and disturbing view and good versus evil, and how sometimes evil can be done in the name of good.

September 2008 (10 years ago) — Burn After Reading – Directors Ethan & Joel Coen take on the CIA and spill the beans

The Coen brothers can have very deep and meaningful movies, about common people in uncommon situations. However, this one is a very dark comedy of errors multiplied by everyone in the all-star cast. George Clooney, Frances McDormand, John Malkovich, Tilda Swinton, Richard Jenkins, Brad Pitt take all that talent and channel it into a crazy-quilt of idiots ready to screw up at every turn. As the CIA chief says at the end: “I guess we learned not to do it again.”

September 2003 (15 years ago) — The Rundown – Dwayne Johnson starts to change from ‘The Rock’ to ‘The Star’

Johnson changed from a wresting star (known as ‘The Rock’) to a movie star (who outgrew his wrestling moniker).  One of his first major roles was in this movie. It takes his bounty-hunter character to Brazil to locate and return Seann William Scott. But not before the two of them cause great mayhem and mischief, of course. Johnson would go on with bigger (and better) movie parts.

September 1998 (20 years ago) — Rush Hour – Jackie Chan and Chris Tucker are a mismatched team – and start a trend

The buddy cop film is a familiar genre. So when Chan and Tucker change it up with a Hong Kong cop paired with a black L.A. street cop, the laughs were super charged. The cultural and language barriers were funny to watch. “DO-YOU-UNDERSTAND-THE-WORDS-THAT-ARE-COMING-OUT-OF-MY-MOUTH?”

September 1993 (25 years ago) — Dazed and Confused – Director Richard Linklater brings the world Matthew McConaughey (All right, all right, All right!)

Linklater has some real gems, such as ‘Boyhood’, ‘Before Sunrise’, and ‘A Scanner Darkly’. But this high school reflection on ‘high’ times brings some great characters. Such as McConaughey as Wooderson: “That’s what I love about these high school girls, man. I get older, they stay the same age.”

September 1988 (30 years ago) — Director John Carpenter has come here to chew bubble gum and kick ass, and he’s all out of bubble gum

Carpenter had already entertained audiences with ‘Halloween’, ‘Escape from New York’, ‘The Thing’, and ‘Big Trouble in Little China’. So a cult-classic Sci-Fi adventure about alien beings subverting humanity with subliminal advertizing is just another great addition to his spooky list of films. Roddy Piper is the bank robber slash hero with the lack of bubble gum. So all he can do is kick some alien ass.

The Nun Movie Review

I’ll say it right here. James Wan, director, and creator of the original ‘Saw’ film knows a hit series when he sees it but needs to learn when to let it go. In fact, he has a number of record-setting credits under his belt and is best at taking something that previously worked and keeping it going but he so far lacks the awareness of when to let something die; literally and figuratively. In ‘The Nun,’ the horror-fest that started from ‘The Conjuring’ series, he takes us into the world of the frightening character that was the evil presence in ‘The Conjuring 2.’ She was magnificently terrifying and ultimately what made the film but in this new narrative, one in which you’d expect great things based on what you had previously witnessed, she’s not all that terrifying but instead, rather anemic. In this film, what should have been its strengths seemed little trusted and scarcely used.

 

When the story begins it’s 1952. We’re in an abbey in Romania and are witness to a tantalizing introduction. From the start, there’s hope that ‘The Nun’ is going to be the noteworthy horror film we’ve been waiting for. Something purely evil needs a vessel to continue to survive so a nun sacrifices herself to stop it from using hers by hanging herself. Her body is discovered dangling from the window of the church. The Vatican is notified, and they send a priest by the name of Father Burke (Bichir) and a young nun, Sister Irene (Farmiga), who is about to take her final vows, to check it out. With the help of Frenchie (Bloquet) the very nervous man who found the Sister’s body, they root around in the Abbey and discover quickly that it’s an unholy place. Frenchie believes the crosses surrounding the place are there to keep evil in rather than out. It seems there’s little to prove otherwise.

 

After Father Burke is haunted by very real demons of his own, demons who wake the audience from a slow start, he and Sister Irene discover that Valak, the defiler and the profane, built a gateway to hell on the grounds so the wicked could walk amongst the living, but the church secretly sealed it hoping to keep Valak at bay. However, as evil usually does, it manages to, quite predictable, escape. 

‘The Nuns’ downfall is that there’s very little about it that’s unique and try I did but I found little of the acting remarkable, as well. Having been scared frozen by her character in ‘Conjuring 2,’ I assumed I’d get much more from her yet was largely disappointed. If you’re a fan of the franchise I’d say you will most likely enjoy parts of the film, especially its ending… except the part that suggests there’s a way they could continue the storyline further. Quite frankly, after seeing this, I’d like them to bury any idea they have of doing such a thing. 

We the Animals Movie Review

“We the Animals” is an independent film that shares some of the goals and ideas from other indies, like “Moonlight” and “The Florida Project”. It also shares a similar feel to the films of Terrence Malick, having a very slow-paced and almost documentary feel to it. Some parts of the movie are contemplative and other parts use an alternative fantasy sequence to show the characters inner-most thoughts. It is entirely dependent on having three young actors play the main parts, three brothers living with difficult circumstances. But the young actors overcome whatever issues that can sometime sink an otherwise worthy production.

Jonah (Evan Rosado) is the youngest of three brothers, at age nine. Joel (Josiah Gabriel) and the oldest Manny (Isaiah Kristian) are normally found with all three of them together. It does not matter, as they run around the semi-rural area in upstate New York where they live. They have a dad, Paps (Raúl Castillo) who is Puerto Rican, and Ma (Sheila Vand) who is white. The three boys are olive-skinned and have close cropped hair. They are all younger than twelve or so. But they are bursting out with energy and vitality. These three are never shown attending any school, but they are being taught every day.

They are mostly taught by example from Paps and Ma, but usually not very good examples. Paps struggles to keeps a late-night shift job, and when he is upset about something, he will take it out (and beat up) on Ma. She also struggles to keeps a job, and she struggles to keep any self-respect. Ma knows that Paps loves her and the boys but wishes he would not be so brutal. Paps is angry that he had to marry Ma when they were both teens, and she was pregnant. Jonah is very observant and keeps a private journal about all that he sees.

Jonah has very mixed inner feelings, and he tries to express them in writing. He also draws a lot in his journal and sometimes he imagines that the images on the paper come to life and explain what he thinks. Sometimes he thinks in an alternative fantasy sequence that shows some of Jonah’s deepest feelings. There is a repeated idea of everything and everyone being underwater. There is a repeated idea of Jonah being lifted up off the ground to fly. Or, maybe, at least to float in the air. There are confused and mixed images of sexuality, and these might be indicating that he is internally gay. But he is way too young to express anything like that.

There is not much in the way to story movement. It slowly meanders back and forth to the three boys and what they are doing. Sometimes the focus is on Paps, and how he has trouble staying with the family, and trouble staying with a job. Ma wants to run away from the stress, but she is unable to decide what she should do. She looks to the boys to tell her what her next move should be. Joel and Manny do not know about Jonah’s secret journal, but when they find it, they feel they cannot trust him anymore.

 

“We the Animals” will not be a movie for everybody, but there some very moving performances from the trio of young actors. Given the subject matter, it might be difficult to watch. Jonah is just around ten years old, yet the story strays into his questioning feelings about other boys and men. The other odd part is the fantasy style sequences that do not mesh up all that well with the rest of the ‘documentary’ and ‘hard reality’ style of most of the other scenes. Also, Jonah’s journal creeps me out. The small writing filling up the entire page, plus the wild cartoonish drawings resemble something that serial killer might keep…

For More Info:

Official Website
https://www.wetheanimals.film/

Facebook
https://www.facebook.com/WeTheAnimalsFilm

Twitter
https://twitter.com/TheAnimalsFilm

In the Phoenix area, opens exclusively at the Harkins Scottsdale Camelview

Peppermint Movie Review

Director Pierre Morel is known for the movie “Taken” which made Liam Neeson famous again, and revenge murder cool again. Since then, the movie “John Wick” showed that revenge murder could be an artistic ballet of bullets and bodies. So now with an added healthy dose of “Death Wish”, which is the old-school revenge murder original, he has a new movie. “Peppermint”, and you might want to call it — “Taken by a Death Wish with Jane Wick”. Revenge has never tasted so minty…

Riley North (Jennifer Garner) is a loving wife to her hard-working husband and mother to her precious daughter. But there is a local Los Angeles drug kingpin named Diego Garcia (Juan Pablo Raba) who is pissed that her husband ALMOST was part of a plot to rip off a Garcia drug house. Her husband called and backed out, but that did not stop Garcia to put out a hit on the whole family. In a hail of bullets, the North family was torn to pieces, with only Riley barely hanging on. The police were attempting to talk her out of being an eyewitness and giving testimony. She thought that she needed to get that scum off the street.

Riley worked with Det. Moises (John Ortiz) and Det. Carmichael (John Gallagher Jr.) from the LAPD to ID the perps. Then the slimly defense lawyer for Diego Garcia visits Riley and attempts to buy her silence, or at least threaten her safety. The three gang members get off — due to the bribes and payoffs to dirty judges and dirty Assistant District Attorneys and dirty police officials. Riley is going to be taken to mental hospital, but she escapes — and is not heard from until five years later. And she comes back with a vengeance!

Five years of martial arts training and firearms training have made Riley a well-oiled revenge murder machine. She comes back to LA and hides out in the Skid Row area, becoming a local ‘avenging angel’. But on the five-year anniversary of her tragedy, Riley sets out to take on Diego Garcia and his minions, and will not let any LAPD or FBI official stand in her way. She makes quick work of the three main perps, the corrupt judge, the dirty D.A. and most any other people who were involved. There are still some bad cops out there, and the main bad guy Diego Garcia. There are quite a few hard targets that Riley will use for her next practice.

Riley takes out Garcia’s drug house and his main drug warehouse, and they she goes after the fortified Garcia mansion. Det. Carmichael has an idea about where Riley might be staying, and the FBI also on to her location. Det. Moises is wondering if there is information getting from the police to the Garcia organization. Riley takes a beating over and over again, but she still has the juice to go after anyone who is working with Garcia’s gang. When the media starts to track Riley in real-time, the social media goes nuts to support her. It does not matter how many people Riley has killed…

“Peppermint” is a hot mess of female revenge fantasy and weapon worship. There are huge gaps, like the five-year disappearance of Riley North, that go unexplained. Where did she go? Where did she get the training, and where did she get the money to live on for all those years? They explain something about how she took money from the bank where she worked before she left, but – come on! That will last for five years?  There were times in the screening that brought (unintentional) laughter. Not good for an action flick.

This “Peppermint” shtick is weak attempt to turn Jennifer Garner into an action hereo, making Riley North into a new ‘Jason Bourne’ or ‘John Wick’. Nah, that’s not in the cards. But if you team her up with ‘The Atomic Blond’…

God Bless the Broken Road Movie Review

“God Bless the Broken Road” is an odd-ball combination. There is a Christian view on life that goes from being overly preachy to almost an afterthought. There is a main plot of a woman recently widowed, who gets a treatment straight out of the Book of Job. After her husband dies in Afghanistan, all sorts of tribulations befall her. She doubts her faith, and loses her house and even her young daughter turns against her. Yet at the same time, there is a sub-plot that is straight out of the movie “Cars”. A hot-shot driver meets up with an old-timey mentor who can teach him out to ‘correctly take the turns’, both on the track and in real life.

Amber Hill (Lindsay Pulsipher) lives is an ideal little town located in the heart of Kentucky. Everything is perfect, with all of her friends at the local church. She is a choir leader and she loves her husband, who is off in a war overseas. She loves her little daughter Bree (Makenzie Moss) who spouts off some cute biblical sayings when times are tough. Her friends at church are Karena (Robin Givens) and her daughter Bridgette (Jordin Sparks). The church is led by Pastor Williams (LaDainian Tomlinson) who is a linebacker-size preacher.

But after Amber’s husband is killed in battle, everything falls apart. Two years later, she has not recovered from the shock and the grief. She stops going to church and she works a lot more hours at the diner. Many more things are working against her, including a mother-in-law Patti (Kim Delaney) who always seems to criticize her. Bree is getting worried that her mom is giving up on her life. Amber is missing payments on the house, so the bank is getting ready to foreclose. Her van is held together with duct tape and bungee cords.

But a super-cool NASCAR driver named Cody Jackson (Andrew W. Walker) comes to town to work with a guy named Joe Carter (Gary Grubbs). Joe is master mechanic and a NASCAR driving coach. Cody is having problems with the turns and he only has the need for speed. He is being sent down to the minors for a while to pick up tips from Joe on how to drive fast, but still make the corners without spinning out. Cody meets Bree at the church, where he get ‘volunteered’ by Joe. There is a go-kart club that they start up for the youth group. Cody feels an attraction to Amber, and tings might get serious.

If this sounds like it is meandering and unfocused, then I have correctly described the plot. Just think of Amber as a Biblical version of Job, and think of Cody as Lightning McQueen. Amber’s life continues to crumble around her. She is a widow with very little money, the house is taken away, Bree runs away and then decides that staying with her Grandma Patti is better then her own mom, Amber.

The acting is stiff and wooden, except for Gary Grubbs (as Joe). The whole story-line is strained and fuzzy. The child actors are not up to today’s excellent standards. The melding of small-town religion and NASCAR idolatry seems to be forced. The movie shares only the (extended) name in common with a Rascal Flatts country song (“Bless the Broken Road”).

“God Bless the Broken Road” is a poor attempt to make an uplifting, spiritually strong movie. It’s in not even clear if that was the intention of this production.  This might be a re-envisioning of “Talladega Nights”, for all I know. Know that this movie was better as a song.

God may bless this “Broken Road” – but sure as the devil, you don’t need to sit through it.

Instant Family – Trailer

INSTANT FAMILY

SYNOPSIS

When Pete (Mark Wahlberg) and Ellie (Rose Byrne) decide to start a family, they stumble into the world of foster care adoption. They hope to take in one small child but when they meet three siblings, including a rebellious 15 year old girl (Isabela Moner), they find themselves speeding from zero to three kids overnight. Now, Pete and Ellie must hilariously try to learn the ropes of instant parenthood in the hopes of becoming a family. INSTANT FAMILY is inspired by the real events from the life of writer/director Sean Anders and also stars Octavia Spencer, Tig Notaro and Margo Martindale. 

DIRECTED BY:

Sean Anders 

WRITTEN BY: 

Sean Anders and John Morris 


STARRING

Mark Wahlberg, Rose Byrne, Octavia Spencer, Isabela Moner, Tig Notaro and Margo Martindale 

 

Social Media:

Facebook: https://www.facebook.com/InstantFamily/

Instagram: https://www.instagram.com/instantfamily

Twitter: https://twitter.com/instantfamily

Hashtag: #InstantFamily

In Theaters November 16

http://www.fandango.com

The Favourite – Trailer

Early 18th century. England is at war with the French. Nevertheless, duck racing and pineapple eating are thriving. A frail Queen Anne (Olivia Colman) occupies the throne and her close friend Lady Sarah (Rachel Weisz) governs the country in her stead while tending to Anne’s ill health and mercurial temper. When a new servant Abigail (Emma Stone) arrives, her charm endears her to Sarah. Sarah takes Abigail under her wing and Abigail sees a chance at a return to her aristocratic roots.

As the politics of war become quite time consuming for Sarah, Abigail steps into the breach to fill in as the Queen’s companion. Their burgeoning friendship gives her a chance to fulfill her ambitions and she will not let woman, man, politics or rabbit stand in her way.

 

A Film By Yorgos Lanthimos Written by: Deborah Davis, Tony McNamara

Produced by: Ceci Dempsey, Ed Guiney, Lee Magiday, Yorgos Lanthimos

Starring: Olivia Colman, Emma Stone, Rachel Weisz, Nicholas Hoult, Joe Alwyn, James Smith, Mark Gatiss

 

Social Media:

Visit The Favourite on our WEBSITE: http://www.foxsearchlight.com/thefavo…

Like The Favourite on FACEBOOK: https://www.facebook.com/TheFavourite…

Follow The Favourite on TWITTER: https://twitter.com/the_favourite

Follow The Favourite on INSTAGRAM: https://www.instagram.com/thefavourit…

#TheFavourite

 

In Select U.S. Theaters November 23rd

http://www.fandango.com

At Eternity’s Gate – Trailer

CBS Films will open AT ETERNITY’S GATE in select theaters in November…

Directed by Julian Schnabel (The Diving Bell and the Butterfly, Before Night Falls, Basquiat)

Screenplay by Jean Claude CarrièreJulian Schnabel, Louise Kugelberg

Produced by Jon Kilik

Starring Willem DafoeMads Mikkelsen, Emmanuelle SeignerAmira Casar, Niels Arestrup, Oscar Isaac

Academy Award® Nominee Julian Schnabel’s At Eternity’s Gate is a journey inside the world and mind of a person who, despite skepticism, ridicule and illness, created some of the world’s most beloved and stunning works of art. This is not a forensic biography, but rather scenes based on Vincent van Gogh’s (Academy Award® Nominee Willem Dafoe) letters, common agreement about events in his life that present as facts, hearsay, and moments that are just plain invented.

Indiewire says, “Willem Dafoe Is an Inspired Van Gogh in Julian Schnabel’s Impressionistic Masterwork. No ordinary biopic, this portrait of the artists takes you inside Van Gogh’s mind.”

 

Variety says, “Willem Dafoe has his greatest role since Jesus Christ in Julian Schnabel’s luminous present-tense drama about the last days of Vincent van Gogh.”

 

The Hollywood Reporter says, ”…due in large part to the febrile intensity Dafoe brings to the central role. With his craggy features and piercing blue eyes peering out from under a battered straw hat, he fully evokes the van Gogh we know so intimately from self-portraits. The dangerous urgency of Dafoe’s performance reveals an artistic genius whose crippling mental illness seems to feed rather than impede his capacity to create ahead-of-their-time works of stunning originality and sensitivity.”

In Theaters In November

http://www.fandango.com