Blumhouse Productions and Miramax’s Halloween – Trailer

June 11, 2018

HALLOWEEN

Universal Pictures will release Trancas International Films, Blumhouse Productions and Miramax’s Halloween on Friday, October 19, 2018.

Jamie Lee Curtis returns to her iconic role as Laurie Strode, who comes to her final confrontation with Michael Myers, the masked figure who has haunted her since she narrowly escaped his killing spree on Halloween night four decades ago.

Master of horror John Carpenter executive produces and serves as creative consultant on this film, joining forces with cinema’s current leading producer of horror, Jason Blum (Get Out, Split, The Purge, Paranormal Activity). Inspired by Carpenter’s classic, filmmakers David Gordon Green and Danny McBride crafted a story that carves a new path from the events in the landmark 1978 film, and Green also directs.

Halloween is also produced by Malek Akkad, whose Trancas International Films has produced the Halloween series since its inception, and Bill Block (Elysium, District 9). In addition to Carpenter and Curtis, Green and McBride will executive produce under their Rough House Pictures banner. Ryan Freimman also serves in that role.

Starring: Jamie Lee Curtis, Judy Greer, Andi Matichak, Will Patton, Virginia Gardner, Nick Castle

Director: David Gordon Green

Written by: Jeff Fradley & Danny McBride & David Gordon Green

Based on Characters Created by: John Carpenter and Debra Hill

Produced by: Malek Akkad, Jason Blum, Bill Block

Executive Producers: John Carpenter, Jamie Lee Curtis, David Gordon Green, Danny McBride and Ryan Freimann

Halloween will be distributed worldwide by Universal Pictures. www.HalloweenMovie.com

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In Theaters October 19

http://www.fandango.com

THE LITTLE STRANGER Starring: Domhnall Gleeson and Charlotte Rampling- Trailer

June 11, 2018 (updated June 11, 2018)

Story: THE LITTLE STRANGER tells the story of Dr. Faraday, the son of a housemaid, who has built a life of quiet respectability as a country doctor. During the long hot summer of 1948, he is called to a patient at Hundreds Hall, where his mother once worked. The Hall has been home to the Ayres family for more than two centuries. But it is now in decline and its inhabitants – mother, son and daughter – are haunted by something more ominous than a dying way of life. When he takes on his new patient, Faraday has no idea how closely, and how disturbingly, the family’s story is about to become entwined with his own.

Director: Lenny Abrahamson (“Room”)

Writer: Lucinda Coxon (“The Danish Girl”), based on the novel by Sarah Waters

Producers: Gail Egan, Ed Guiney, Andrea Calderwood

Cast: Domhnall Gleeson, Ruth Wilson, Will Poulter, and Charlotte Rampling

For more info, please follow the film:

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In Theaters August 31

http://www.fandango.com

First Man Trailer – From Academy Award-winning director Damien Chazelle

June 11, 2018

On the heels of their six-time Academy Award^®-winning smash, La La Land, Oscar^®-winning director Damien Chazelle and star Ryan Gosling reteam for Universal Pictures’ First Man, the riveting story of NASA’s mission to land a man on the moon, focusing on Neil Armstrong and the years 1961-1969. A visceral, first-person account, based on the book by James R. Hansen, the movie will explore the sacrifices and the cost—on Armstrong and on the nation—of one of the most dangerous missions in history.

Written by Academy Award^® winner Josh Singer (Spotlight), the drama is produced by Wyck Godfrey & Marty Bowen (The Twilight Saga, The Fault in Our Stars) through their Temple Hill Entertainment banner, alongside Chazelle and Gosling. Isaac Klausner (The Fault in Our Stars) executive produces. DreamWorks Pictures co-finances the film.

Starring: Ryan Gosling, Claire Foy, Jason Clarke, Kyle Chandler, Patrick Fugit, Ciaran Hinds, Ethan Embry, Shea Whigham, Corey Stoll, Pablo Schreiber

Director: Damien Chazelle

Official Website | Facebook | Twitter | Instagram | #FIRSTMAN

#FirstMan is coming soon to theaters and IMAX.

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In Theaters October 12

http://www.fandango.com

Bernard and Huey Movie Review

June 8, 2018 (updated November 16, 2018)

‘Bernard and Huey’ was a favorite at the Phoenix Film Festival this year. The originality or the story, characters and the acting were refreshing, and it became even more so when the director, Dan Mirvish, stood before us and gave us a little history of how the film came to be. ‘Bernard and Huey’ is based on a cartoon strip of these two men that were in Playboy magazine in the 1950’s. The characters were created by Jules Feiffer who later wrote a script about the two pals who reunite many years after college to find they’re nothing like they once were. Learning the history of the story made the film much more fascinating but the writing had already won me over. The fact that Jim Rash and David Koechner are Bernard and Huey leads one to ask, what could go wrong? Why ask this? Based on characters they’ve played before I knew the characters would be colorful, to say the least. So, the answer to the question is nothing. Nothing goes wrong. Not for the film, that is.

When they were young, Bernard (Rash) was a shy kid who couldn’t speak to girls and Huey (Koechner) was a jerk who took advantage of them whenever and wherever he could; he couldn’t care less who he tortured along the way. Huey enjoyed telling him tales of how he treated lovers and Bernard would learn but was shocked and disgusted as he listened. He tried to be a good influence but nothing doing… Huey and his lack of maturity wouldn’t budge.
When we meet the men, Bernard is rather successful and Huey, having just lost his wife and child due to being a chump, needs a place to crash.

Though he’s no longer a pushover, he’s still kind-hearted and Bernard gives him a place to stay. He’s also loving seeing his hero dethroned. However, letting him back into his life, he recalls all the reasons why they didn’t remain friends. A very ‘Odd Couple’ feeling begins to emerge, and these reasons come rushing back to him when Huey starts taking advantage of him. Bernard has done well but who he once was comes flooding back and he begins to lose faith in himself, especially when it comes to women who he was doing very well with until Huey came back into his life.

Flashbacks are revealing and help you see that Bernard is reverting to his old self because he’s now attempting to one-up Huey and goes too far. Zelda is that too far. Keep in mind, Bernard sees himself as better, more advanced mentally, than Huey but really, they are one and the same and that’s what Bernard has tried so desperately not to reveal to anyone. He hates that Huey’s arrogant, nasty attitude has taken him to have to dive into his own hubris because he has gone to such great lengths to appear above the norm.

Why you’ll love this film so much is the dialogue. It seems perfectly written for Jim Rash to deliver and when he goes head to head with his attempt at getting back at Huey, it works even better. Zelda is that ‘too far’ he’s willing to travel. Bernard starts seeing Zelda, (Whitman) a twenty-something aspiring graphic novelist who is also… Huey’s daughter. Bernard tries to but cannot resist her charms. She likes being with him but is looking for help to get published. Bernard doesn’t want Huey finding out about them, but Huey does find out and doesn’t have the reaction to the news one might think he’d have. Knowing that his child is an extension of himself, Huey knows Zelda is only going to devour him. Bernard isn’t prepared for her but at the same time maybe needs her before he can ever fully grow up.
I’ve spoken of how wonderful Whitman and Rash are but can’t leave out Koechner’s brilliance as a modern-day Neanderthal. His bold hilarity as he works impeccably opposite Rash to bring to life a script based on a comic strip is frustratingly precise. Mirvish couldn’t have cast this film better.

Wont You Be My Neighbor? Movie Review

June 8, 2018 (updated November 16, 2018)

Fred Rogers or ‘Mister Rogers’ as he was always called later in life, was once a child. As a child, he was known to those who bullied him as ‘Fat Freddy.’ This bullying made him become the man he was, a philanthropic humanitarian and caretaker of young minds. He grew up to understand, feel for and love children to the degree that he changed his life’s path of becoming a minister and having his own church. He grabbed ahold of a wildly new medium at the time, television, and created an avenue in which to speak to children, one on one, and let them all know that they were special and that no matter what they were hearing from people around them, that they were loved and worthy of love. He saw television as a way to educate children and what was mostly seen as a tool used to entertain, he could use to add value to their lives, help them understand how to communicate, how to handle adversity and how to… love their neighbor.

This documentary goes deeply into why certain characters on the show were created. It fills in the blanks of who Fred Rogers was, speaking not only to cast and crew but to his family members, friends and his children, who must have felt that they had millions of siblings across the globe.

Puppets were originally given life as a way to fill in time. One puppet, in particular, Daniel the Tiger, was believed to be who Fred used therapeutically to speak words he himself could never utter. Though it was a kids show, Fred spoke of serious issues, even those paralleling the real world, knowing full well that subliminally children would pick up on and understand the theme he was conveying to them.

Through this documentary, I was immediately taken by this person I never gave much thought to and was thoroughly impressed by the lengths he went through to do the right thing. President Nixon wanted to cut funding to PBS, the Public Broadcasting Station Fred’s show was spread across America through. Upon hearing this and without hesitation, Fred went to Washington and in front of Congress he told them of the great importance to our youth public television was and managed to do did what no one else could have done. He changed their mind on the spot.

He considered the space between the TV and the receiver, where he spoke to the nation’s youth, very sacred ground, filling it on occasion with special episodes when children needed him most, such as the assassination of Robert F. Kennedy and what happened to American during 9/11. For a short time, he tried a show focusing on helping adults but it didn’t take; best he works his magic with the kids who receive him better.

Director, Morgan Neville, shows some of the parodies that had been created and though he had a sense of humor about them, it was said that what bothered Fred most was when they made fun of the ideology behind the message. There was heartfelt, touching moments with the cast. They spoke highly of him and always felt his love and they, too, were open to receiving that special gift. The end of this film leaves you to wonder what he would have thought of how we live today. Would he be having a special episode for us right now? Believing that true evil came from people who try to break your spirit, he didn’t fear any ridicule and was never afraid to tackle any issue where a tremendous lesson had to be learned. This is why we needed him then and why we need him now.

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Official Website: http://focusfeatures.com/wont-you-be-my-neighbor/

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Hereditary Movie Review

June 8, 2018 (updated November 16, 2018)

A24’s done it again and with Toni Collette starring in their latest film, ‘Hereditary,’ they’ve created a must-see horror film; one that will be remembered for a long time to come. She’s one of the most underrated actors working today so I’m glad to see her get this role. Forgive that the film is a bit slow because Collette is outstanding as Annie a, fundamentally, cursed soul. This script allowed Collette a great deal of room to play more than one entity and gave her character above average depth. Horror films usually give female characters one dimension, but Collette’s Annie is to frighten you and throw you off course and she does so with ease.

Annie is writer/director Ari Aster’s female lead, a mother who is fighting many demons in the present as well as evil in her bloodline she was previously unaware of. When her mother passes away, grief-stricken, Annie inherits complications she doesn’t understand but must now deal with, ready or not… like it or not. Though she tries to avoid the truth about her ancestry, several horribly events push her to acknowledge who she is. She says things she never knew she felt, experiences the mythical and sees what she once thought unreal. The complexity of the death of her daughter moves her in a direction the filmmakers made sure the audience would never see coming. This is well hidden in trailers because they lead you to believe her daughter, Charlie (Shapiro), is a problem child to be feared when it turns out that it’s Annie we all need to be concerned with. After all, she is next in line. How this unravels is just a slice of what makes the film such a delightful fright. True or not, making your audience imagine that Annie is the protagonist before they even sit to watch the story unfold is a brilliant move. Centered around her behavior for how she loses her child, the suspense builds in a most unusual fashion, taking this mother down a most unexpected path. The shock and terror come from who you envision she’ll be and you never expect who she ultimately becomes.

In his feature debut, Aster manages to surprise horror fans by giving them a feeling of isolation with the story and making it almost impossible to grasp onto a lifeline that could pull them to safety… because there isn’t one in or around them to find. Annie is unredeemable. As she becomes more desperate, Aster uses fewer clichés and relies a limited amount on what makes a traditional horror film grim and ghastly which will endear you to his style and drive you wild with anticipation for the next nightmare he’ll drag you through.

I did have one issue but didn’t want to give anything away by revealing too much. However, I feel compelled to mention what I thought was a tragic error so I will. The storyline Annie’s son, Peter (Wolff), is involved in won’t be divulged because it’s very jarring, but I must mention that the actor chosen was not a good fit for the part. This felt so wrong that it pulls you out of the story at times. The creepy level is high and the tension you’ll feel will startle and impress. Horror doesn’t work when it’s predictable. ‘Hereditary’ is anything but that.

Ocean’s 8 Movie Review

June 8, 2018 (updated June 6, 2018)

Back in 2001, there was a spiffy little heist movie called “Ocean’s 11”. It proved popular and was well-done, so that called for sequels called “Ocean’s 12” and “Ocean’s 13”. But the original people behind it moved on to other things. The high-concept idea of a major heist in a large public place pulled off with much style and flair then fell to — an all women crew. Hey, that worked for “Ghostbusters”, right? Well perhaps this one — “Ocean’s 8” — will be done much better…

Debbie Ocean (Sandra Bullock), who is sister to the recently deceased Danny Ocean (from the three other Ocean movies), is getting out of jail. She is a master con artist and a flim-flam gal. But she wins over the parole board with the promise to stay out of that life. When she is released, she is back into ful swing with her prior partner Lou (Cate Blanchett). Debbie has gone over all the details of a ‘perfect heist’ while in prison, and it gets Lou very interested. She sets up a work space and gets a crew together. This will involve fashion design, so first they get Rose Weil (Helena Bonham Carter).

They also need jewelry expert Amita (Mindy Kaling) and someone who can move stolen goods named Tammy (Sarah Paulson). On top of that they need a high-tech hacker named Nine Ball (Rihanna) and good thief named Constance (Awkwafina). They plan on getting a major celebrity named Daphne Kluger (Anne Hathaway) to wear a super pricey necklace to the Annual Met Gala, held at the Met Museum in May. According to Debbie’s master plan, they take the real necklace, then substitute a fake necklace and authorities will not know where to look.

Of course, the heist runs into bumps in the road and other hiccups that cause anguish. But that night, after perfect planning and exquisite execution, the plan works. Sort of. There are other ramifications, but Debbie Ocean has also made some plans for that. Her ex-boyfriend, Claude Becker (Richard Armitage), had been the reason she was sent to jail in the first place. So, he will have a little surprise coming. And an insurance investigator named John Frazier (James Corden) needs to get at least a portion of the pricey jewels back, so he and Debbie work out a deal. And, by the way, the huge necklace was the not the ONLY major haul that Debbie was planning for that night…

This movie is breezy and fashion-friendly, so expect the ladies who crave beauty and high-class outfits to eat it up. The acting is right on par with what is needed. Sandra Bullock provides the steady hand with the belief in her plan, and Cate Blanchett makes the right pieces fall into the right places. Mindy Kaling, Awkwafina and Sarah Paulson are nice partners in the heist plan. Helena Bonham Carter and Anne Hathaway duke it out for the ‘Slightly Ditzy Award’. Rihanna gives herself some acting cred in this role, and perhaps she will make into other movies, too. If John Legend and Common and do it, then so can she!

Gary Ross takes the existing trio of other “Ocean’s” movies and does a fairly good gender swap on the way those movies work. They took the suave charm of leading men (such as George Clooney, Brad Pitt and Matt Damon) and gave it a fanciful story line with high-stakes outcomes in over-the-top locations. The main leads in “Ocean’s 8” (Bullock, Blanchett, Hathaway and the rest) have acting ability and also a lot of style. So the formula looks like it works when it gets done correctly.

“Ocean’s 8” has made a spot for itself in the series of earlier “Ocean’s” movies. It takes a little different view of the landscape, but the ride to the finish line is just as fun. Perhaps there can be an “Ocean’s 9” or even “Ocean’s 10”. I guess they would have to stop before they hit the next number…

Hotel Artemis Movie Review

June 8, 2018 (updated June 6, 2018)

If you put yourself into the year 2028 and you are in L.A. then the “Hotel Artemis” might be the safest place to stay. There are riots (over lack of water) out on the streets, and the hand-basket is full on its way to Hell. The problem is that the Hotel is about to experience the worst night ever, which makes for crazy, loopy movie full of odd characters and violent situations. Kinda like a normal day in L.A. The Artemis is a members-only hotel, which also operates as a make-shift hospital for criminals. But something major is afoot…

The person in charge is Nurse Jean Thomas (Jodie Foster), who runs the underground operation on the penthouse floor of the building, located in mid-town L.A. She is quick with a kind word and high-tech medical supplies that can fix up all types of bad guys and gals. There is an elaborate list of rules that all the guests must follow, the most important is not to hurt or kill other guests or the staff. When the other person on staff is the muscle-bound hulk called Everest (Dave Bautista), it is better not to get him riled up.

But on this night, all the valued guests are checked into their rooms. And each guest then referred to by the decor theme of that room. Waikiki (Sterling K. Brown) is an injured thief checked into a room with Pacific Ocean scenes on the walls. Nice (Sofia Boutella) has a bullet wound in her room with an Italian countryside flair. Acapulco (Charlie Day) is a loud and obnoxious arms dealer with a room that shouts Ole. Waikiki has a brother in very bad shape in room Honolulu (Brian Tyree Henry), and he might not make it. But the final open room is going to Niagara (Jeff Goldblum) who is a major crime kingpin in L.A. — and he owns the building. He is also known as ‘The Wolf King’ because — it’s a cool name…

But this will be no ordinary night. There is a mobster in Detroit that is paying Nice for an assassination of a highly prominent person at the Hotel. Acapulco is attempting to get out of the country and flee from some bad deals he made. Waikiki and Honolulu are fresh from a robbery that has laid up Honolulu bad. They also are in possession of some precious jewels but these belong to ‘The Wolf King’ and he gets upset when they go missing. Nurse also happens to see a police officer named Morgan (Jenny Slate) right outside the back door who needs help. Everest tells Nurse it is a terrible idea to try and help her, and things will not go right. He is right, as usual…

When ‘The Wolf King’ arrives with his crazy son Crosby (Zachary Quinto) the wheels are set in motion, just before it all goes off the track. The people in the Hotel are avoiding the riots below, but there are plenty of violent moments up in the penthouse. Some of the guests will not survive the night, and there will be many blood infusions — but just as much blood spilled. Nurse has some deep secrets in her past, and the Officer Morgan helps her to remember the awful truth of her history. ‘The Wolf King’ has more to do with the Nurse’s tragic back-story than she first thought, and now revenge creeps into her mind.

The story is a little cliché and the concept a bit derivative of the “John Wick” universe. All the characters are mostly stereotypes, and only Nurse Jean Thomas has any real humanity in her story. Jodie Foster does a fine job with her portrayal of a shut-in with issues from the past and issue with any spaces bigger than the hallway. Every other character is pretty much a one-note look at a specific type. Dave Bautista does have a lot of fun as an orderly with pretty big chip on a pretty big shoulder. More likely than not, this set up would work for ‘John Wick’ just as well as it does for ‘The Wolf King’. But even as a copy of other ideas, this works out well.

Drew Pearce does a lot with the concept, even when it does not become fully-fleshed out. The idea is wild, and the futuristic setting has some nice touches. The characters are stock, for the most part — but everyone plays them with a lot of gusto. There are a few big fight sequences, and a much longer series of build-ups to the finale. The production design goes full Art Deco for the interior of the Hotel, which gives it a glamorous, yet old-timey look.

At the “Hotel Artemis”, you can check in any time you like, and only if you are still alive – then you can leave…

Hotel Artemis Advance Movie Screening

June 2, 2018

Movie Screening Summary

Set in riot-torn, near-future Los Angeles, HOTEL ARTEMIS is an original, high-octane action-thriller starring Jodie Foster as The Nurse, who runs a secret, members-only hospital for criminals. Jodie Foster is joined by an all-star cast that includes Sterling K. Brown, Sofia Boutella, Jeff Goldblum, Bryan Tyree Henry, Jenny Slate, Zachary Quinto, Charlie Day, and Dave Bautista.

Connect with Hotel Artemis
Facebook: https://bit.ly/2wgFTae
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http://hotelartemismovie.com

HOTEL ARTEMIS
Release: June 8, 2018
Studio: Global Road Entertainment
Genre: Thriller
Director: Drew Pearce
Writer: Drew Pearce
Cast: Jodie Foster, Sterling K. Brown, Sofia Boutella, Jeff Goldblum, Brian Tyree Henry, Jenny Slate, Zachary Quinto, Charlie Day, Dave Bautista
Rating: R
Runtime: 93 min

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Phoenix, Arizona

Advance Movie Screening Details

Movie Screening Date: Wednesday, June 6
Location: AMC Desert Ridge
Movie Screening Time: 7:00pm
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Las Vegas, Nevada

Advance Movie Screening Details

Movie Screening Date:Wednesday, June 6
Location: Regal Red Rock
Movie Screening Time: 7:00pm
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To redeem a pass, simply click the Get Passes button. You will taken to our movie screening partner site (where you can sign up for a free account). Once you’ve done so, you’ll be able to print out your pass and bring it with you to your screening or event.

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Mountain Film Review

June 1, 2018 (updated November 16, 2018)

BAFTA-nominated director, Jennifer Peedom, follows up her film about an angry mob fighting on Everest called ‘Sherpa’ with ‘Mountain’ which keeps us looking in a more positive direction. This film starts impressively with the Australian Chamber Orchestra setting up in front of a screen that begins to play the film. They play along with the movie. It’s synched perfectly which is such a good way to prepare you for the beauty you’re about to witness. Surprisingly, not only does the Orchestra lead you into the story but it stays there the entire time, caressing your ears with breathtaking notes while the screen cradles your eyes visually. Now, one cannot exist without the other; it’s mystifying how well the two go hand in hand.

These mountains do put those who climb them into precarious situations at times but how each circumstance is captured is shocking and or awe-inspiring. One might think the people who are drawn to reach the summit of a mountain mad for not feeling at home at or near the base but it’s not for us to decide who and what is in the hearts of others. The film, with Willem Dafoe as narrator, explores why people are driven to new heights and when it all began. It makes for an appealing subject whether you would have first thought so or not.

Mountains were once considered either hostile or holy there was no middle ground. That changed as people got more familiar with them and more daring. Though people created new ways to soar they never gave up on the introspection and high they achieved when tackling some of their deepest fears… ocean depths, outer space and mountains. One by one the mountains were conquered and some, sadly, turned into tourist traps, for a limited base. Here, you’ll see it all happen along with eye-opening before and after photos of mountains being cleared for play. However, nothing is more surprising to see than the downfall of Everest, the king of all. What I mean by downfall is that of its mystery and of its allure. You’ll see footage of what goes on there, especially at night, and it’ll leave you to wonder if there’s anything left in this world to pursue or since it has been reached, will man ever be satisfied and leave nature be?

The narration is deep and profound, informing as it entertains. It asks what is the ‘siren song of the summit’ that moves us upward? We’re told that fascination replaced fear and skyward we climbed. This abundant planet that we call home offers delights that some feel necessary to explore while others want only to protect it from harm.

From the filmmaker’s curiosity comes this enchanting and gripping footage which stretches beyond the expectations of any documentary of its kind. Aching fingers, soaring bodies, bikes riding trails where bikes should not be, men sleeping where there is no air; it’s exceptional to witness and you get to watch it all without packing your bags.

If you go see this you will not be let down… you’ll only be propelled up. Please, do yourself a favor when watching. You must be seen on the big screen. Watching at home would not do it the justice it deserves.

See this in Phoenix at *Harkins Shea 14

Blumhouse Productions and Miramax’s Halloween – Trailer

In Theaters October 19

THE LITTLE STRANGER Starring: Domhnall Gleeson and Charlotte Rampling- Trailer

In Theaters August 31

First Man Trailer – From Academy Award-winning director Damien Chazelle

In Theaters October 12

Bernard and Huey Movie Review

Wont You Be My Neighbor? Movie Review

Hereditary Movie Review

Ocean’s 8 Movie Review

Hotel Artemis Movie Review

Hotel Artemis Advance Movie Screening

Movie Screening Summary

Advance Movie Screening For HOTEL ARTEMIS

Phoenix, Arizona

Advance Movie Screening Details

Las Vegas, Nevada

Advance Movie Screening Details

Advance Movie Screening Information

Mountain Film Review

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