โThe Long Dumb Road,โ a buddy comedy, has poor Nathan or โNatโ (Revolori) in a pickle from the very beginning. Nat is a young naรฏve photographer on his way to give it a go in L.A. via art school. He doesnโt know how to say the word no, which gets him into trouble when he meets Richard (Mantzoukas) who wouldnโt take no for an answer in the first place.
Natโs car breaks down right at the same moment this trashy, grungy, unkempt, mess of a mechanic is losing his job. This is the perfect set up for your typical on the road indie-comedy and though common-place, at least its stars aren’t. Luckily, the pair both need what the other has in that Nat needs his car to get going and Richard needs to be driven somewhere. Where it is Richard needs to go becomes less and less clear as the road grows further behind them. He tells Nat he only needs a ride forty-five miles up the road. That forty-five miles turns into his being Natโs buddy on this trip across the country. Though often frustrated with being taken advantage of, Nat gets what he needs from Richard, too. Without him, heโd never get the fatherly advice about sex Richard freely gives or get to experiment with drugs for the first time. Of course, he’d probably not get into the trouble Richard seems to draw to him either.
Nat has lived a very sheltered existence and finds it easy to blossom shadowing his new extremely extroverted companion. Nat has, up until now, been capturing life through his camera lens and is happy to be finally getting into the action yet is still very timid. Richard wants to crack the foundation Nat has built for himself by โripping the condom off’ his mind. Revealing very little about who he really is, Richard doesnโt want to be put under the microscope but gives enough away to show that he does have a softer side. Heโs critical of himself, worried heโs aging and that heโs ugly. He also admits that there’s a girl from high school that he’s never gotten over. This little sidetrack becomes one of the biggest mistakes in the film. Quite frankly the aforementioned revelations make you look at Richardโs character differently. As it grows from loser to invaluable trailblazer with crucial guidance, his very essence no longer makes sense. This is especially the case if he’s suddenly a simple-minded dolt. Some of the more outrageous parts of the script are based on the Richard we first meet and does not gel with the Richard we see toward the end. The comedy is intact but the loyalty to the part is lost. While Richard becomes more of a buffoon, the role turns the audience off from what they liked about him in the first place. However, the real Richard does show up again at the very end making you almost forgive the error.
The generation gap between the two is the most developed and most impressively explored part of the journey. Theyโre both student and scholar on the road to wherever life takes them at this point. Itโs sometimes entertaining, sometimes implausible like when they decide to, out of nowhere, visit the woman Richard never got over. She, not even remembering him, lets him into her house? Not likely to happen, nor is this necessary.ย โThe Long Dumb Roadโ has some fabulous cameos, amusing dialogue and some lively characters that move in and out but nothing good stays for very long. There just isnโt enough gas in the tank to get you from point A to point B without you wanting to get up and wander off on occasion. Itโs a bit too absurd to be believed at times but the jokes that hit their target and the performances do save it from a donโt see to a watch at home.
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