The documentary opens on a farm facing great devastation and the looming question, âHow did we get here?â Do the farmers then ask if attempting to farm in harmony with nature is an impossible dream? We cut back to 2010 and meet the farmers, Molly and John. They were the perfect, happy, couple living in Santa Monica and working in their chosen professions. Read more The Biggest Little Farm Movie Review
If you like supporting causes that help nature, seeing this movie does just that for you! Without having to go through the trouble of finding a worthwhile cause, simply buying a ticket to âPenguinsâ lets you see an entertaining film and make a donation to the Wildlife Conservation Network (WCN) to help protect penguins across the southern hemisphere at the same time. To do this, see âPenguinsâ in theaters today through April 23. During that time, for every ticket sold, Disney Nature is making a donation to them to support Global Penguin Society’s work to protect these penguins. Outside of being an outstanding nature film, I canât think of a better reason to see this than that. Take as many people with you as you can and spread the word so your friends and family can help, too. Now I’ll tell you some about the movie.
Steve finally gets his nest made and next, he starts to do what instinct tells him to do⊠which is to sing! The filmmaker inserts REO Speedwagonâs âI Canât Fight This Feeling Anymoreâ into the soundtrack of this moment of Steveâs life. Speaking of, the songs that were chosen for the entire soundtrack, fit perfectly with his entire expedition. After Steve gets his groove on, which is how Penguins meet their beloved, he finds the one to have a family with. It takes him a while, but he manages to draw the attention of one young lady theyâve named Adeline. This is just your typical Hollywood story of romance. You didnât think heâd be left hanginâ, did you? By the way, once they sing and dance together, they will forever be able to use their song to find one another amongst all the rest. You have to admit, thatâs astonishing considered how many penguins there are in the world. So, after they get their home life sorted out, and sheâs performing the egg hatching thing, he goes for some much-needed R&R. In fact, the males take a long hike to swim and get some food to bring back for the hatchlings. Roy Conli explains that after all of his hard work, it was as if Steve was on âSummer Break⊠only colder.â Usually, summer break doesnât include the threat of killer whales, but they appear here⊠looking for snacks. Even though Conli said, âWhen in the water, theyâre incredibly beautiful.â I wanted to scream at the screen for Steve and the others to âHurry! Get out of the pool!â There were some beautiful underwater shots of Steve swimming around alone, not paying a bit of attention to the dangerous creatures around him, but they made me nervous. And hungry whales arenât the only threats these little penguins have to worry about. They also face the bitter cold of 150 miles an hour winds, bitter cold and awful, barbaric Leopard Seals, that can eat approximately 100 baby penguins a day. Baby-snatching birds of prey are problems, too. Some of these scenes may be a touch to watch but only for little ones⊠if they understand whatâs going on. The film is fairly sensitive to everyone while still getting their point across. Long treks parents have to take for food, away from their family, could be the biggest issue because, with only one left there to protect the babies from the elements, itâs difficult sometimes to survive.
Watching this film makes you realize that with what nature has in store for them, itâs amazing we have any penguins at all. At the end of the film, weâre left with Steve waddling again, this time to the song, âHere I Go Againâ by Whitesnake, in what looks similar to the opening scene. If all goes to plan and they survive to next mating season, Steve and Adeline will see each other again.
âPenguinsâ is the first Disneynature film to be released in IMAXÂź. See this on the big screen if you can. Itâs worth every minute and every penny. Also, stay to watch a making of during the credits.
Simply, this is a look at the life and work of opera legend Luciano Pavarotti presented to you by the filmmaking team that also brought you the highly-acclaimed documentary, ‘The Beatles: Eight Days A Week – The Touring Years.’ ‘PAVAROTTI,’ is a riveting film that lifts the curtain on the icon who brought opera to the people. Masterfully, Academy Award winner Ron Howard puts audiences front row center for an exploration of The Voice…The Man…The Legend.
Luciano Pavarotti gave his life to music and his voice to the world. This cinematic event features history-making performances and intimate interviews, including never-before-seen footage and cutting-edge Dolby Atmos technology. A CBS Films Polygram Entertainment Brian Grazer presentation, ‘PAVAROTTI,’ an Imagine Entertainment and White Horse Pictures production.
One of the most important releases of the year, ‘ROCKING THE COUCH,’ now available On Demand from Avail Films.  Hollywood titans, Harvey Weinstein and Bill Cosby, have been brought to their knees by the #MeToo movement. But they did not invent Casting Couch. The term casting couch has existed for decades. But in 1992, a case against talent agent, Wallace Kaye, was brought to court by 12 unknown actresses, who braved the loss of their careers, their privacy, and their Hollywood dreams. They stepped forward, despite the advice of their union, and brought the case to the police. Against all odds, they won, and no one listened.  Our documentary explores the case and asks, âWhy didnât we hear about this?â More importantly, why didnât Hollywood learn from this case? For, if they had, maybe the Cosbys and the Weinsteins would have learned as well, and these sexual exploitations could have been prevented.  âThose who ignore history are bound to repeat it.â
âDisney movies are filled with poignancy and real emotion, but also are extremely funny and relatableâthis movie is no different,â says Helms. âIt’s a true-life adventure with real footage of penguins in Antarctica, but told in a way that tugs at your heartstrings a little and also has quite a few chuckles. For me, this movie is a very cool mash-up of narration and character work. I get to voice Steveâs inner monologue as well as straight narration. It was a really fun challenge for meâa privilege getting to imagine what this penguin might be thinkingâand Iâm really excited about it.â Â
Check out a video Helms recorded to share the announcement:
As an actor, writer and comedian, Helms established himself as one of Hollywoodâs most beloved performers with scene-stealing roles on both film and television including NBCâs award-winning comedy series, âThe Office,â and the box office smash hit film trilogy âThe Hangover.â
âPenguins,â the first-ever Disneynature film to be released in IMAXÂź as the label, celebrates 10 years since its first feature film hit theaters. The film continues Disneynatureâs conservation tradition: for every ticket sold opening week (April 17-23, 2019), Disneynature will make a donation to the Wildlife Conservation Network (WCN) to help protect penguins across the southern hemisphere. Founded in 2002, WCN invests in a select network of on-the-ground conservationists, including top experts in the field of penguins like the Global Penguin Society (GPS). The worldwide leader in science-based penguin conservation, GPS champions specific programs that align with Disneynatureâs conservation mission.
From the filmmaking team behind âBearsâ and âChimpanzee,â Disneynatureâs âPenguinsâ opens in theaters in time for Earth Day.
“They Shall Not Grow Old” is a film-making marvel and a technological achievement. But much, much more than that: this movie is a tribute and a salute of honor to the many British soldiers who went off to fight in World War I. Many of these brave lads never returned, and ‘they shall not grow old’. Director Peter Jackson has taken actual movie footage from the historical era and transformed it to a documentary that explores the horrors of trench warfare. He has taken hundreds of hours of old footage, along with hundreds of hours of audio interviews – and with this raw material, he has created a fully immersive look at what the average ‘doughboy’ actually experienced at the Front. Working with The Imperial War Museum and the BBC, Jackson has taken and then digitized, colorized and did a 3-D conversion a whole lot of rough grainy badly-shot movie footage. The result is a very informative and in engaging peek into what happened over one hundred years ago.
The original movie cameras back at time produced some very poor quality footage. The film in the camera was over cranked, meaning the speed when projected back later was too fast and jerky. The film was not meant to last forever, so there are many places where it has faded and has accumulated dust particles. Even with this as a starting point, Peter Jackson has gotten some of the most talented film restoration and production people involved in restoring hours of film – frame by frame. His final result becomes a slow build up to the central part – the reconstructed view of the Front Line in World War I.
The beginning is shown in the overly fast-speed and poor quality images of London prior to WWI. When war comes, it is publicized in every way that England needs to fight to exist, and to keep Europe free. With the soundtrack repeating story after story of many under aged fellows getting into the service, it shows how they trained to be a fighting force. Soon, they are over in Belgium and France, and it is obvious that the bombing and shelling has taken a toll. At one point, the black and white image turns into a colorized version. The troops meet their new home in the trenches. They know there are German soldier only dozens of yards away. There is a deadly bog of twisted barbed wire and mines that make up a dreaded “No Man’s Land” between the two sides. Enemy snipers are always ready to take out a soldier who might peek over the side of the trench at the wrong time. There are massive bombardments of mortars and grenades, and these things make for an unpleasant place to be.
It is very odd to see images from over one hundred years ago with this level of sharpness and clarity. The extra added color in many of the scenes add to the depth of experience that you are watching recent newsreel footage. Some of the stories told by the men who served there are stark and full of vivid detail. Most of them contain terrible descriptions of the conditions and the results of the battles fought. Many people died, on both sides. The loss of life was staggering, but almost all the British soldiers did what they know how to do. They carried on. They ate and drank tea, and they would sing bawdy songs, such as “Mademoiselle from ArmentiĂšres”. But mostly they fought in the “Great War”, because this was the “War to End All Wars”. Little did they know…
But just as the First World War came to an end, this movie also shows that the surviving troops returned home. They were greet as heroes, but promptly were forgotten. The world economy was in shambles, and unemployment was high. When the large influx of soldiers came back to England, there were not as many jobs there as when they left. But each of the men who served at the Front came back with a changed outlook on life. Each one knew at any time, the fragile thread of life could be snapped by the cruel hand of Death. They had seen that up close way too many times. Some retreated into a bottle to combat their own demons. Yet a majority of them stood up straight and became leaders and fathers and the backbone of British society.
Peter Jackson has dedicated this movie to Sgt. William Jackson, his grandfather who served in World War I. So it shows the depth of commitment that he had to make everything about this documentary something very special. He has accomplished this goal.
Per the press release, the producers note that this year marks the 100-year anniversary of the âGreat Warâ coming to an end:
“With this being the 100th anniversary of Armistice Day, I can’t imagine a more appropriate time to honor the courage of the soldiers who fought in WWI â what was then ‘the war to end all wars’ â many of whom made the ultimate sacrifice. Peter has made history come alive through the medium of film, and we are so pleased to be a part of bringing his vision to today’s audiences.”
Hailed by critics and audiences alike as a film that should be âseen on the biggest screen possible,â FREE SOLO will return to IMAXÂź for a final weeklong engagement beginning Friday, Feb. 1. Directors Chai Vasarhelyi (@chaivasarhelyi) and Jimmy Chin (@jimmychin) along with film subject Alex Honnold (@alexhonnold) broke the news today via Instagram. Chin shared this video and said, âWeâre excited to offer moviegoers one last opportunity to experience the film in this epic way. Seeing the film in IMAX is as close to dangling  off El Capitan as you can get.â
FREE SOLO, from award-winning filmmaker Vasarhelyi and world-renowned filmmaker, cinematographer and mountaineer Chin (âMERUâ), is a breathtaking portrait of the free soloist climber Honnold as he prepares for an unprecedented feat: climbing the face of the worldâs most famous rock … the 3,200-foot El Capitan in Yosemite National Park ⊠without a rope. The film opened in September to record-breaking box office in the U.S., and has expanded to global acclaim, with box office records in the U.K. (highest grossing documentary of 2018) and Australia (after opening wide this past weekend, entering the top 20 docs of all time).
HERE is my review of the film. Watching this on IMAX is the best way to see it! You donât have long so get to the theatre 2/1! You wonât be sorry. Here is a listing of where to catch it in and around Phoenix.
One of the most celebrated documentaries of 2018, FREE SOLO has grossed over $13 million worldwide and has been honored with three Criticsâ Choice awards, including Most Innovative Documentary of the Year and Best Cinematography; three Cinema Eye Honors; and multiple guild nominations, including PGA, DGA, ACE, CAS and MPSE. The film is also nominated for both an Academy Award and BAFTA in the Best Feature Documentary category. Â FREE SOLO premiered at the Telluride Film Festival in September and has since won Audience Awards at the Toronto International Film Festival and Mill Valley Film Festival.
âPenguinsâ Opens in Theaters and Select IMAXÂź Theatres on Wednesday, April 17, 2019â
First-Ever Disneynature Film to be Released in IMAXÂź
As Disneynature celebrates 10 years since its first feature-film debut, its newest conservation intitiativeâthis one tied to the upcoming big-screen adventure âPenguinsââwas revealed today. For every ticket sold opening week (April 17-23, 2019), Disneynature will make a donation to the Wildlife Conservation Network (WCN) to help protect penguins across the southern hemisphere.
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Founded in 2002, WCN invests in a select network of on-the-ground conservationists, including top experts in the field of penguins like the Global Penguin Society (GPS). The worldwide leader in science-based penguin conservation, GPS champions specific programs that align with Disneynatureâs conservation mission. âFor example, one of our aims is to track different species of penguinsâ movements across four continents in the southern seas,â said GPS founder and president Dr. Pablo Borboroglu. âPenguins swim thousands of kilometers to migrate and look for food. What they encounter during their journeys determines their survival, affects the viability of their species and informs science and conservation action. We are also dedicated to cleaning plastics from the beaches, breeding areas and seas impacting penguin populations. Campaigns to clean up beaches around penguin colonies along selected coastal sectors will help secure a healthy and safe habitat for penguins.â
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âDisneynature has an amazing platform,â said Charles Knowles, president and co-founder of WCN. âTheyâre able to reach a global audience in a way that we can hardly fathom. They are uniquely positioned to tell the real story of penguins and the challenges they face. By teaming up with Disneynatureâwhich is so strongly aligned with our own missionâwe are able to uniquely communicate about the species we care so much about.â
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âAntarctica is one of the few areas in the world that most people will never have an opportunity to see firsthand,â said Roy Conli, one of the producers of âPenguins.â âItâs one of the most remote and harshest environments on Earthâbut its stark beauty is breathtaking. Cultivating an understanding and appreciation of the area, the surrounding oceans and the animals who live there is essential to the future of our planet. Thatâs one of the reasons I love sharing the story of Steveâa penguin whoâs working so hard to thrive in this world, and doing his part for the next generation.â
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To capture the stunning footage for âPenguins,â a team of the best polar experts in the world traveled to four different locations over the course of three years for a total of nearly 900 camera days. Temperatures dropped below -40 degrees on several occasions and winds twice topped 150 mph while filmmakers were on location. Their efforts resulted in the extraordinary story of Steve who promises to charm audiences worldwide. âItâs so fun to watch Steve compete with all the other penguins to set up his nest and win his mate,â said Conli. âItâs hard not to relate to this guy.â
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âPenguinsâ will be the first-ever Disneynature film released in IMAXÂź. The film will be digitally re-mastered into the image and sound quality of the IMAX EXPERIENCEŸ with proprietary IMAX DMRŸ (Digital Re-Mastering) technology.
The Wildlife Conservation Networkâs (WCN) mission is to protect endangered wildlife by supporting conservationists who ensure wildlife and people co-exist and thrive. WCN invests in a select network of on-the-ground conservationists, offering the financial resources, tools and services they need to effectively protect wildlife. WCN also creates large-scale Crisis and Recovery Funds, investing in projects that can protect a threatened species across its entire habitat. As no one organization or person can save wildlife alone, WCN emphasizes collaboration, connecting conservationists and supporters and creating a community united in a passion for wildlife. Learn more about WCN’s unique approach to saving wildlife and the work of our conservation partners at wildnet.org.
ABOUT GLOBAL PENGUIN SOCIETY
The Global Penguin Society (GPS) is dedicated to the survival and protection of the worldŽs penguin species, fostering integrated ocean conservation through science, management (policy making) and education. GPS is an internationally recognized leader in the conservation of penguins, and the coasts and oceans they inhabit. The Global Penguin Society endeavors to:
Develop sound science to use in the conservation of penguins and marine environments at local, regional, and global scales;
Educate communities and decision makers about the importance of penguins and their habitats, aiming at achieving lasting behavioral changes;
Identify priority areas for the conservation of penguins and their ecosystems, propose and implement guidelines for their protection; and
Influence the establishment, implementation, and efficacy of public and private conservation policies.
GPS is celebrating its 10th anniversary. Learn about penguins and how GPS helps them globally at globalpenguinsociety.org.
ABOUT DISNEYNATURE
Celebrating 10 years since its first U.S. theatrical feature, âEarth,â Disneynature brings the worldâs top nature filmmakers together to share a wide variety of wildlife stories on the big screen in order to engage, inspire and educate theatrical audiences everywhere. Walt Disney was a pioneer in wildlife filmmaking, producing 13 True-Life Adventure motion pictures between 1948 and 1960, which earned eight Academy AwardsÂź. All seven of Disneynatureâs theatrical film releasesââEarth,â âOceans,â âAfrican Cats,â âChimpanzee,â âBears,â âMonkey Kingdomâ and âBorn in Chinaâârank among the top 10 highest overall grossing feature-length nature films to date, with âChimpanzeeâ garnering a record-breaking opening weekend for the genre. âPenguins,â opening April 17, 2019, is the labelâs 8th theatrical release. Disneynatureâs commitment to conservation is a key pillar of the label and the films empower the audience to help make a difference. Through donations tied to opening-week attendance of its films, Disneynature has contributed to a host of conservation initiatives. For more information about Disneynature, like us on Facebook: facebook.com/Disneynature and follow us on Twitter: twitter.com/Disneynature.
FREE SOLO CLIMBS TO NEW HEIGHTS WITH SPECIAL ONE-WEEK IMAXÂź RELEASE NATIONWIDE AND IN CANADA, STARTING JAN. 11
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PLAYING AT DESERT RIDGE 18, ARIZONA MILLS 25
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âSeeing Honnold at the peak of his skill on the biggest screen possible is an experience for everybody to savor.â â Kenny Turan, The Los Angeles Times
âOne of the most arresting documentaries of the year. See the film on as big a screen as possible.â â Richard Larson, Vanity Fair
(NEW YORK & LOS ANGELES â DEC. 20, 2018) â After setting the highest per screen average for a documentary in its opening weekend and grossing $11 million at the box office to date, FREE SOLO continues its momentous theatrical run with a special one-week-only engagement in select IMAXÂź theaters across the U.S. and in Canada, beginning Jan. 11, 2019. The news follows this weekâs Academy of Motion Picture Arts and Sciences announcement including FREE SOLO in the list of 15 documentaries that will advance in awards consideration.
From award-winning filmmaker E. Chai Vasarhelyi and world-renowned filmmaker, cinematographer and mountaineer Jimmy Chin (MERU), FREE SOLO is a breathtaking portrait of the free soloist climber Alex Honnold, as he prepares for an unprecedented feat: climbing the face of the worldâs most famous rock … the 3,200-foot El Capitan in Yosemite National Park ⊠without a rope.
Hailed by The New York Times as âan extraordinary gift to everyone who believes that the limit of human achievement is far from being reached,â the film has been honored with three Criticsâ Choice awards, including Most Innovative Documentary of the Year and Best Cinematography, and has also received nominations for PGA, IDA and Cinema Eye Honors.
The IMAX release of FREE SOLOwill be digitally re-mastered into the image and sound quality of The IMAX ExperienceÂź with proprietary IMAX DMRÂź (Digital Re-mastering) technology. The crystal-clear images, coupled with IMAX’s customized theater geometry and powerful digital audio, create a unique environment that will make audiences feel as if they are in the movie.
FREE SOLO is both an edge-of-your-seat thriller and a sublime portrait of an athlete who exceeds our understanding of human physical ability and mental potential. The result is a triumph of human spirit.
âIMAXâs differentiated, immersive theatres make audiences feel as though they are there with Alex in Yosemite National Park, climbing El Capitan, and weâre really pleased to be able to bring this incredible, historic story to fans so they can now experience it in IMAX,â said Craig Dehmel, Head of Distribution at IMAX Entertainment.
âThe grandeur of El Capitan and the filmâs breathtaking cinematography will be spectacular in IMAX,â said Courteney Monroe, President, National Geographic Global Networks and Documentary Films. âAudiences have been filling theaters for months, uniting together to cheer for Alexâs staggering achievement. We are so grateful to IMAX for providing audiences the opportunity to experience the scale and ambition of this film in IMAX theaters.â Â
âWhen we were making this film, we could not have imagined the response we have received,â added directors Vasarhelyi and Chin. âTo be able to share Alexâs story of courage in the immersive IMAX experience is something weâve been working towards for over a year. Itâs the ultimate reward forus, and offers filmgoers and a chance to now see his historic and remarkable journey on the big IMAX screen.â Â
FREE SOLO premiered at the Telluride Film Festival in September and has since won Audience Awards at the Toronto International Film Festival and Mill Valley Film Festival.
FREE SOLO is currently playing in select theaters and will be released in select IMAX theaters beginning Jan. 11, 2019. Visit freesolofilm.com for showtimes, and find an IMAX theater near you at imax.com/theaters.
âMoroni for Presidentâ is about diversity and a shift in thinking as much as it is about someone throwing their hat into the ring to be considered president of the Navajo Nation. Being that I live in Arizona and have lived near a reservation I took great interest in seeing if a young man can challenge his elders and be the change that he, himself, seeks in the community. At the beginning of this gorgeously shot film, we learn some facts about the Navajoâs themselves. The Navajo Nation is the largest Native American Nation in the United States as it spans across Arizona, Utah, and New Mexico. Like the U.S., they have a presidential election every four years. Because of their size, the Navajo president is the most influential and powerful tribal leader in the country.
Here we meet several candidates as well as get to know Moroni Benally, the subject of the film. In 2014, the president is Ben Shelly. When we are introduced to him, he tells us of how much complaining and bellyaching he hears. He explains that people blame him for everything, even everyday problems that he canât control. You can see it pains him that people donât see what he does accomplish. This may be the case but he wants to run again.
Joe Shirley Jr., who has held the position before, wants to try again, as well. If heâs successful, he would be elected into a third term, something not allowed for a U.S. president. Ben Shelly was Joe Shirleyâs Vice President. Learning all of this, you can see appreciate where Moroni is coming from. Itâs past time for some change. He feels leaders past and present, who walk around in jeans, wear cowboy hats and boots, are bound by the old way of thinking and of doing things. They certainly don’t like to be questioned. Moroni doesnât dress like, as he refers to them, the âold guardâ and sees they arenât always truthful. They’ve continued to try and sell the Navajo people the ‘American Dream’ when itâs not possible to achieve. Not only would he like to bring a fresh perspective on things by getting youth involved but by challenging the United States.
This being the case, something fascinating and disheartening you hear is that their tribe isnât allowed to build buildings because the land they live on isnât theirs. Theyâre only allowed to use it. Moroni wants everyone to wake up to the fact that there will be no reaching the âgood lifeâ that the elders have always sold them on unless theyâre allowed to control their own resources. The question now is, can they confront the United States government and arrive at a better agreement than whatâs currently in place? He tells young people whoâll listen that they should at least try. Their future is in their hands. Do they want to live in shacks or something better? Can they truly be a sovereign nation? Moroni believes they can.
Not only is this about his candidacy for president but something perhaps even bigger for Moroni. Heâs an ex-Mormon who struggled terribly with the fact that heâs gay. In fact, he felt it was a cancer in his body. He confesses to those of us watching this documentary that he pleaded with God to be healed. It took him until the age of twenty-seven until he came to terms with who he was and accept it. In that time, he learned how to work a crowd, in fact, many older ladies who supported his candidacy fell in love with him instantly. He jokingly ruminates on how much money he could save his community by not having a first lady.
Moroniâs an extremely likable person, which is one of the things youâll most enjoy. This documentary unfolds in a way that reveals so much more than just a bid for a chance to lead. Sadly, Moroni isnât elected but he does accomplish something very important. The film gives many heartbreaking, staggering statistics that I’d like to see addressed in another documentary, but this ends on a light note about what he did for the Navajo Nation as a whole. He may not be able to speak the language as well as some, he may not have been elected their president, that honor went to Russell Begaye, but Moroni sheds light on the LGBTQ community and welcomes them, giving them a safe place, to finally come out and be counted. It was wonderful to see that they, no matter who they loved, were supported… as was Moroni himself. Again, the cinematography is breathtaking. The filmmakers take full advantage of the grounds Moroni walks and shows you an exceptionally beautiful area of the country. You’re going to admire Moroni but watch this also for the glorious and breathtaking landscapes. Â
