The adventures of writer Newt Scamander in New York’s secret community of witches and wizards seventy years before Harry Potter reads his book in school.
In theaters November 18
 The adventures of writer Newt Scamander in New York’s secret community of witches and wizards seventy years before Harry Potter reads his book in school.
In theaters November 18
Iâll admit I was skeptical. âOur favorite âsingletonâ having a baby?!â With television programs, this is usually the âjump the sharkâ moment. Have studios learned nothing from that? How could this be good for a film that centers on our âBridgeâ and her love affairs?!
Back in 2001, I met Bridget Jones in âBridget Jones Diaryâ and have seen the film a dozen times or more since. If I happen by while someoneâs watching; Iâll watch, too. If itâs on cable, I canât resist and will stop flipping and complete the film. I loved OscarÂź winner RenĂ©e Zellwegerâs performance and her commitment to authenticity with the character that she took on. She was willing to gain a lot of weight, which for a woman in Hollywood is an extremely risky move, she looked âmouseyâ and her hair was generally a complete mess the entire time she was on screen. No matter. The success of the film proved that with a sound tale to tell, good actors and ability to provide realistic, more importantly, relatablestorylines, anything is achievable.Â
Risk to her health was not taken this time as Zellweger once again plays Bridget Jones, oddball and overall crazy person. She remained her svelte self and even though her character is pregnant this time around she preferred padding to real weight gain, letting the make-up department get her to where she needed to be.
What âBridget Jones Babyâ mostly gives is why you loved it in the first place and that is mostly what youâd hope⊠Bridget. In fact, it felt a lot like the first one without being unoriginal. Needless to say, thereâs a fight between two men and you picking sides is once again at the heart of things.Â
Humor is throughout the plot, aimed straight at Jones and her choices. She has two nights with two different men and now, not knowing who the father of the baby is, sheâs trying desperately to find out the answer to this predicament sheâs in⊠without letting them know what sheâs up to. Her prenatal doctor is played by Emma Thompson and she couldnât have been more delightful.
For the most part, the secondary characters are a joy and add surprisingly detailed elements to what could have been a disaster. What made it work was its ability to remain a Bridget Jones film. It was as reliable as Bridget herself, yet at the end, it introduced her reason to be a little self indulgent and close her diary for good for itâs time to put someone, other than her lovers, in the forefront of her life. There are a few moments that are very touching, even scenes from the first film that will have you realizing how many years have gone by.Â
So, which man will get her heart, Mark or Jack? Youâll have to watch and see. Will it be the one you want her to end up with? Youâll have to return and answer that for me yourself. So, if you liked the first movie, youâll like this one. Aside from a few silly scenes, I have to recommend you check this out for a good laugh; itâs enjoyable and amusing.
Christian Wolff is a math savante with more affinity for numbers than people. Behind the cover of a small-town CPA office, he works as a freelance accountant for some of the world’s most dangerous criminal organizations. With the Treasury Department’s Crime Enforcement Division, run by Ray King, starting to close in, Christian takes on a legitimate client: a state-of-the-art robotics company where an accounting clerk has discovered a discrepancy involving millions of dollars. But as Christian uncooks the books and gets closer to the truth, it is the body count that starts to rise.
âMastermindsâ is a comedy based on the true story of one of the largest bank heists in America⊠and one of the most simplistic minds there is. Galifianakis plays David Ghantt who would do anything for the woman of his dreams. Galifianakis would do anything for a role, going as far as âshartingâ in a pool for this one. Okay! I couldnât help myself. I laughed at that. Sometimes the really stupid funny makes me giggle and this is about as stupid as they come.Â
Based in North Carolina, Hess uses every southern stereotype he could find from wood paneling on all the walls to a high-rise double-wide trailer to the hicks in them but the worst is the extra nauseatingly thick accent Galifianakis uses. It gets old very fast but thereâs something about his comedy in this movie that you canât help but find amusing and enjoy. Iâd guess itâs his chemistry with director Jared Hess of “Nacho Libre” and “Napoleon Dynamite” that works to create a blissfully ignorant hayseed who is somehow still smart enough to pull of a 17 million dollar heist for the woman he loves, Kelly (Wiig), who is not his fiancĂ©, might I add. His fiancĂ© is Jandice and portrayed by McKinnon who does white trash brilliantly and the only way to describe her character is âweirdâ. McKinnon is always good at weird but this Jandice character goes way beyond the norm. Wiig, executes the love interest in the film and is, for the most part, playing straight for a change. There are a few laughs from her but it seems oddly fitting that she is the balance to all of the crazy going on; you expect insane from her in a film like this but when she delivers compassion and caring for someone getting taken advantage of, the story seems more real.
Kelly gets David to help her and her pals steal the money and behind his back they have planned on David to also be the fall guy. Â Steve Chambers (Wilson) is running the show and after David steals the money from Loomis, Fargo & Co., which becomes the second largest cash robbery in U.S. history, even appearing on shows like âAmericaâs Most Wantedâ because of it, he sends David to Mexico with a small allowance until things cool down and they “meet up with him later.” While they are living the good life, heâs in Mexico waiting for his girl. Â So, perhaps the David in the film isnât so far removed from reality. Â However, feeling the pain of being the patsy, perhaps an exaggerated film of bringing them all to justice was his best revenge.
The sight gags in âMastermindsâ are great. Â The characters are grotesquely over-the-top and youâll laugh but to dig deeper into what youâre seeing, the structure isnât there and doesnât hold up. Â It feels as if youâre clicking on Youtube, looking for the funny clips and all the while not as entertained in-between the clicks. However, the costume changes and bizarre you get from Galifianakis and then the relationship that develops between him and the man sent to kill him, Mike McKinney (Sudeikis), makes this absurd film one to take a peek at. Â It has that “Napoleon Dynamite” feel to it and I wouldnât be surprised if it picks up momentum with people watching this more than once to take it all in again and to perhaps take another look at the characters to figure out who may have taken the still missing two million dollars. Â Now you’re interested. Â By the way, stay at the end for some extra fun stuff.
Former Marines, Mark âOzâ Geist and John âTigâ Tiegen, were unable to quiet their minds and bodies on September 11, 2012. They were in Benghazi, Libya, when what they were trained and ready to do, not what they were actually there for, kicked in; and luckily for anyone who survived because many wouldnât have, had these men not been willing, ready and able to be, not in their words, heroes. Read more
Interview with âUnsulliedâ director Simeon Rice
Directed by: Simeon Rice
Starring:Â Murray Gray, Rusty Joiner, James Gaudioso, Erin Boyes, Cindy Karr and Nicole Paris Williams
By Shari K. Green
âUnsulliedâ is a film made by Simeon Rice, who directed and helped write the film after film school. He graduated film school after he retired from pro-football in 2009. He played for the Arizona Cardinals and also earned a Super Bowl ring in 2003 when he played for the Tampa Bay Buccaneers.
He was a very good football player but Iâm not so sure that heâs going to be as successful behind the lens unless he learns more about what heâs doing. We do need to keep in mind that this is his directorial debut, but he should take on smaller films and lighter topics first, âpay his duesâ so to speak, because as it turns out, the film is sloppy and chaotic⊠muddled, and the problems with it were exactly what youâd expect from a new director who needs a bit more experience. Â
When learning that there were several writers on the project, you can see why so much commotion made it to the screen. I wonât lie to you⊠if you like the type of action/horror movies that come from indie or student filmmakers, this is what âUnsulliedâ has in store for you and youâll like the film. It isnât special and it isnât new.  What doesnât work? Itâs in conflict with itself and its overall message is unclear. What works? Well, Rice has surrounded himself with some good people, chiefly, his cinematographer, Scott Winig.  The movie looks good so, Rice has some experts in his corner and if he wants to continue making movies, his love of film and eye for talent behind the camera could begin to work for him.Â
As he declares in my interview with him, heâs very passionate about filmmaking and is humble enough to ask for assistance when he needs it. Itâs my belief that as he learns more about the game, as he did in football, thereâs little doubt heâll improve and even become good at this. That said, âUnsulliedâ, a story about Reagan (Gray), a track star who is kidnapped by a pair of sociopaths for a game of cat and mouse, is an extremely formulaic âBâ movie, made more for Rice to get a feature under his belt than for an audience to love and then tout for their new favorite director.
I hope he absorbs the criticism about his film and what is said about him. He should make improvements based on his mistakes and focus on creating a story that isnât rife with commonality and concentrate more on entertaining his audience than proving something to himself and his friends.
Â
SG: Everyone dreams of a second career and I know youâve been asked this question a lot, but I must ask you⊠why film?
Rice:  I have a passion of storytelling. I have a passion of⊠of creating concepts and being able to express yourself on a theatrical standpoint so⊠film, to me, is one of the ultimate levels of expression and freedom. To be able to do that and tell your own stories in your own way from facts to fiction is just one of those things that resonated with me⊠and improved itself over time.
SG: You had made a short film, a comedy, and then you tackle an entire feature next. Why such a tough project right away and what is the ultimate message youâd like to convey?
Rice:  That Iâm a filmmaker. That Iâm telling a story and I can create details. I want to go so far left of what people would expect from me and to show that Iâm a serious filmmaker; as a storyteller and as of a responsible storyteller. I have a film going into theatres nationwide and it comes from a very organic place. Those tales I create are going to stay in the pulse of people. I watched the film âNo Country with Old Menâ and as I sat and watched that film, I was so enthralled and into this movie, that I said, âI want to make a film similar to thisâ⊠one thatâs going to lead you to the edge of your seat⊠thatâs going to be an adrenalin rush of a film, thatâs going to take you to epic heights and the lowest of lows, and things of that nature⊠so, I wrote âUnsulliedâ and âUnsulliedâ to me⊠it typifies the tipping point of what an action/thriller/suspense could be.Â
SG: You achieved all of that. Itâs crazy, this movie. Murray Gray was the perfect choice for it. She was tough mixed with innocence. Were you involved in casting her?
Rice:  Yes. I cast her. She was brought to me by a casting agent slash one of our producers, Michelle Gracie and⊠yeah⊠I watched a lot of girls. I sat in that process and ultimately picked the one who suited this role the best. Her and her ability to translate emotion really spoke to me and she really went after this role and took on a full commitment and the responsibility of what a lead actress would do and Iâm overjoyed with her performance.
SG: Now the cinematic side. You had to have spent many days in the woods, not a Hollywood set, and shot day for night and such in those woods. I have to commend you for picking the right director of photography, as well, Scott Winig, who started his career shooting music videos and won many awards there. He got some really beautiful shots that had to have been equally as difficult to capture. How many days did you spend in those woods?
Rice:  We were there just about twenty days. The shoot was twenty-three days and we were in the woods about seventeen or eighteen of those days.
Â
SG: Wow. Thatâs a LOT of work! What was the biggest challenge for you there?!Â
Rice:  I dealt with a lot of challenges but I think the biggest challenge was just⊠ummm⊠the anxiety of it. Dealing with my own anxieties before shooting and having confidence in my own ability as a director. But once I got on set, I think the biggest anxiety was the unknown; the fear of the unknown when youâre going into production. But once I got on set, it all made sense⊠it all felt natural and I felt that I shouldnât have been anywhere else but right there in the directorâs chair creating this film.
SG:Â Well, congratulations.
Rice:Â Â Thank you.
SG: I must know your opinion here. Which do you find harder, a three-week film shoot or a seventeen-week football season?
Rice:  They both have their inherent strengths. You have to endure so much as a player. You have to endure so much as a filmmaker slash writer slash producer and executive producer. They are both very respected in their own different ways. Obviously playing football has a toll on me physically and creating films, you deal with great highs and lows⊠they both are different but both have their levels of complications. I respect both professions.Â
SG: Who came up with the title, âUnsulliedâ? Are you a âGame of Thronesâ fan?!
Rice:  Iâm a âGame of Thronesâ fan but it was more related to what she went through. It begs the question, âUnsulliedâ, does she or does she not, you know? It was just one of those things⊠the fact that the guys were so sullied⊠so tainted, you know? She goes through this and we want to know, does she lose her way?Â
SG: Right. Does she stay clean?
Rice:Â Â Itâs also an open-ended question.
SG: Exactly. So, what was your favorite part of directing?
Rice:  My favorite part of directing? I donât really deal in favorites because thatâs an absolute. I kind of enjoyed every aspect of it but really connecting with the actors is my biggest joy in terms of directing. To connect with the actors in terms of the role, in terms of expression, in terms of casting them and communicating an idea and then working through some of the complications that come with it⊠thatâs a joy.
SG:Â Is there anyone out there youâd like to work with in particular?
Rice:  Iâm so humble. Iâm so fortunate if anyone would work with me. There are so many great actors out there in the platform of theatre and production that if Iâm connected with anybody out there that wants to tell a great story, Iâd be overjoyed.Â
SG:Â Whatâs your advice for anyone who wants to go into filmmaking?
Rice:  Come in the game very prepared if you want to see your story through. Tell your story. Tell your tale. Be dedicated. Make sure, whatever you do in terms of storytelling, that you have an outlet for the big game. Be honest in your creativity. Be honest in your storytelling⊠but be a responsible storyteller and make sure that the message youâre trying to convey is parallel with the message you want to get out there. Â
PHOENIX, AZ â Nicholas Sparks, as you know, is the author of books such as, Message in a Bottle,  The Notebook and  The Best of Me,  which have all been turned into big Hollywood money makers, not to mention the fact that these films widened his already immense and devoted audience with each movie; suddenly books had to be seen by his fans and the movies had to be read⊠pretty good deal for a Carolina Panthers fan. When he came to town for a chat, I had to go there with him. I asked and, yes, heâs for Carolina in the Super Bowl this weekend, of course, and Iâm for the Broncos. Weâll see.  Anyway, he sat with me and a few others to discuss his most recent offering, The Choice, opening in theaters starting February 5th.Â
 Very bubbly and fun, he walked in the room and gave us a âHow are yaâll doinâ?â Then he grabbed himself a Coke, offered everyone else one, as well, before finding a seat and introducing himself. He tells us that he generally has water the rest of the day, but touring means he usually has caffeine âtil noon and this throws him off his normal healthier schedule, and how can you blame him? This is how he gets through these long days of interviews.  His energy was very nice to be around and I find him to be quite warm and genuine; a very kind soul⊠sincere. He looks you in the eyes when he speaks to you, making sure that not only he is heard and understood, but to be sure to give you the feeling that you are heard and understood. Heâs a very easy person to talk to and one Iâm glad I had the chance to spend some time with. Here are some of the questions from our time together. Enjoy!!  Â
*FYI There will be SPOILERS
Shari:  You are one of the only writers to give us these deep romance stories from the manâs perspective. Do you get stopped on the street and get asked advice on romance all the time?
NS:  No. In fact, I donât know that its ever happened before so how about that. Iâm not recognized by men. Iâm recognized by women sometimes, but never men. Unless Iâm supposed to be in⊠they know kinda where Iâm supposed to be, Iâm very seldom recognized at all. Like, for instance if people know Iâm in Phoenix doing stuff, they might see me in a hotel lobby and recognize me but had they not seen me on the news that morning, they might not. So, in the history of my career as far as I know outside of my hometown of New Bern, North Carolina, I think Iâve been recognized⊠less than a dozen. I had a lady sit next to me on a plane, reading my book, staring at my author photo⊠and she didnât recognize me.  So no; but to answer that question I do, often by journalists, get asked, âcan you give romantic advice?â And I say, âI donât think so.â He laughs.
Shari: So youâre not going to start a column or anything?
NS:  Absolutely not. I just try to write the best novels that I can.Â
Shari:  Being that youâre going through some change right now, what advice would you give to students on making a life changing choice?
NS.: In general? Iâd say, âchoose your struggles wisely because it is your struggles that will define the life you live.â What do I mean by that? If you ask people what they want, if you ask almost anyone what they want, everyone pretty much wants the same thing; they want a job they enjoy and great personal relationships, they want to be close with family and get along with friends, they want to be healthy, right? Everyone⊠the answer is so common itâs ubiquitous, however, if you ask someone, âHow do you choose to suffer?â Thatâll tell you a little bit about the person. I choose to write novels. I isolate myself from friends and family for hours on end. The time vanishes when one writes it feels as though you sacrifice a bit of your life. Iâm willing to put up with the torture of creation, you know, the struggles of writersâ block, to get to the end, right? Thatâs one of the struggles that I choose. So, choose your struggles wisely because how you choose to suffer will largely define the life you live.Â
Â
Shari: Is the suffering worth it?
NS:  Thatâs the question. Most people donât, I find, get what they want. They really just didnât want it bad enough âcause if you really want something, you really will do what it takes to get there.Â
Â
Shari: Â For someone who does spend a lot of time in their room, maybe on the computer or what have you, what would you maybe say to someone who needs to maybe break away from that mold and to kind of get into that âromancesphereâ?
NS:  I would say that unless thatâs what they truly want, they probably never will⊠and to accept that. And itâs okay⊠to each his own. (He thinks a moment and speaks again). To⊠to step out of a box in which youâre very comfortable and put yourself in an uncomfortable position, you have to really want to do that and there are certainly joys and wonders that can come about but thereâs also heartbreak and sadness which are also part of the game. You know, everyone wants a wonderful relationship; they pretty much want the view from the top of the mountain but ya gotta be willing to walk up the mountain. Ya gotta be able to do the climb so, if theyâre not willing to then have them accept themselves and to make the most of the lives they can with the friends they have and lifeâs about enjoyment. Lifeâs not only about work, itâs about enjoyment so as long as theyâre good, Iâm good.
Â
Shari: Has anyone made a decision that you didnât like? One that you had no say in; thatâs the way itâs going to be?
NS:  Has anyone made a decision I didnât like. Sure! We can start with my children. (Laughs) Of course, you know? And⊠I suppose it goes to the nature of the question that was up to require the decision, right? Most of the time I try to live my life by simple words that my mom taught me, âIf someone says something you donât like, or you disagree with, say, (And this is true though) itâs your life you can do with it what you want⊠you can.â Now how I deal with that, thatâs up to me, but you can do whatever you want. My children hate when I tell them that. They hate it with a passion, like, âPut all the burden on me!â But itâs very true. I donât know how successful youâve been at running someone elseâs life, but I already found that itâs not very successful so I try not to give advice.
Shari:Â What are their age ranges?
NS:  Fourteen to Twenty-Four. But itâs not just them, itâs siblings and people you work with. People are going to do what theyâre going to do and the only thing you can control is how you respond to it.
Shari:  Religion became a part of the narrative of the story, subtly and not so subtly; where Travis pulled away from his faith. Do you think that after the story ended, that Travis would go back to his faith?
NS: My opinion is that it would be difficult for Travis not to go back to his faith. That would be my thought on that subject but, of course, thatâs just my opinion on the matter. And that was not an element that was within the novel. That was an element that came about in the film⊠and so, I suppose an even better person to ask would be Ben Walker for his version of the character and the director (Ross Katz).
Â
Shari:  How did you bring Gabby (Teresa Palmer) and Travis (Benjamin Walker) together?! They had such great onscreen chemistry.
NS:  First we cast people who we thought were immensely talented and then throughout the casting process, we look for chemistry. How do they seem to get along, do they seem to be friends⊠and Teresa has one of these personalities that draws everyone in, and so does Ben, in fact. And so, what they had was just magnetic, even in the read, so, when we put them on screen, when you get them in the big picture, it comes across as being incredible. But itâs something that we definitely look for.
Â
Shari:  The brother/sister relationship that you had occur⊠is there something in your personal life that you drew from because the sister is very likeable. Her character brought a lot to the film.
NS:  The sister in the novel was an even broader character. Iâve been asked numerous times to write a story about the sister cuz she had it all together and she really did. She was as comfortable as he was, with herself and I find that a wonderful element to someoneâs personality⊠just the comfort with who they are. So, yeah, I was very close to my siblings growing up and Iâm still incredibly close to my brother; we actually took a trip around the world and I wrote a non-fiction book about that called âThree Weeks with My Brotherâ. And, Iâd say Iâm close to my sister, too, but she passed away. She passed away from a brain tumor about sixteen years ago⊠so⊠yeah, the relationship between Ben and his sister was very much inspired by the relationship that I have with my siblings. I had parents that really stressed the fact that your siblings will always be around. Your friends will come and go but your familyâs there forever. In many ways, they are the people that you can tell anything to and they still keep coming back⊠right?
Travis Shaw (Ben Walker) and Gabby Holland (Teresa Palmer) in THE CHOICE. Photo Credit: Dana Hawley
Shari:  Up to the accident, you have your love story⊠and then the accident happened and Iâm in tears; multiple times throughout. What about trauma do you think makes the story that much better?
NS:  Well, I write in a very distinct genre⊠itâs really called a love story as distinguished from a romance novel; a romance novel is really about romantic fantasy and itâs really supposed to be able to allow the reader to escape into a world and you go through conflicts but you pretty much know that the couple is going to get together in the end. Thatâs what itâs about and thatâs why you read them and itâs certainly a very valid, you know, itâs a wonderful genre; Cinderella. I mean, it works every time.  This is a love story and a love story is not necessarily romantic fantasy, although there are romantic elements. The purpose of that is to move the reader or the viewer through all of the emotions of life; to make it feelreal so you might call it romantic realism versus romantic fantasy. And that realism requires the reader or the viewer feel all of the emotions of life, cuz otherwise somethingâs missing⊠you know that; and the simple fact of life is that everyone goes through tragedy. Thereâs not one of us that will escape scot-free.  So, we have characters that feel real then they go through emotions that feel real⊠and they allow you, the viewer or reader to live someone elseâs but to feel like it was a full life; like you got it all even though it was just a snippet⊠a point in time.Â
Â
Shari: Â You have romance down, for sure, have you ever, even if you did it under a pseudonym or something, considered writing maybe a horror novel ala Stephen King; try a different genre?
NS:  No. I donât. Iâm very happy writing the kind of novels I write. One of the wonderful things about the genre in which I work, is that Iâm able to pull elements from all sorts of genres and build them into my novels. For instance, âSee Meâ, is my latest novel; itâs a love story; these two opposite characters meet, itâs my first Hispanic character and sheâs a lawyer and this guy is a reformed bad-boy and, okay, theyâre going to make it work⊠overcome these obstacles. And somewhere around the halfway point the novel starts devolving into a very twisty mystery thriller. Something like my attempt at what Harlen Coben would do. And Iâm not saying I did it but it was my attempt to do what he does so expertly well⊠and part of the fun of that novel is, the tension is increasing and youâre not even sure whatâs going on. The reader is as confused as the characters in the novel. You can just feel the tension growing and growing. So, I can put elements of mystery into my novels. I put elements of the supernatural in âSafe Havenâ⊠take that for what itâs worth⊠itâs very light. UhhâŠÂ Epic. Iâve done epic sweeping stories like âThe Longest Rideâ. So, all of these elements that are particular to various genres, Iâve been able to put into mine.Â
Shari:Â Have you ever or are you now, writing with a specific actor in mind?
NS:  No. The only time I did that was for âThe Last Songâ. If the movie got made it would be for Miley Cyrus and thatâs because I worked with Disney on the project.
Shari:Â Never??
NS:  No. No. (Laughs) I never⊠never⊠no. (Laughs again)
Â
Shari:. I love the cast, especially the side characters, Tom Wilkinson and Tom Welling are terrific⊠umm⊠were there any jokes on the set or how was Ben feeling about stealing Supermanâs girlfriend?
NS:  There werenât any particular jokes about that. It was a very familial set because we asked all of those characters to have arcs; even the father had an arc, you know, the sister had an arc. So, because they all had arcs, we all asked them to do various things emotionally and⊠we wanted them to be very comfortable, really experimenting⊠pressing themselves, going out on a limb, really (allowing) them to evoke these emotions in the viewer in a real way and we did that by having it become a family setting. When theyâre filming the backyard for the bbq, things like that, it was like we were at a backyard bbq. The dogs were running around, the kids were over there⊠the sun, itâs beautiful, itâs warm, youâre in your shorts, youâre cooking on the grill; it was like, âI canât believe weâre working.â It was more like that.Â
Â
Shari: Whatâs it like seeing your novels come to life from a producerâs point of view?
NS:  Itâs a lot of thought. I love the fact that viewers are going to see a new way to hear the story that I conceived. I have my chance to tell the story the way I did in the novel⊠but letâs see how someone else does with my story, you know? What kind of colors, who are we going to cast, how are we going to frame this⊠what elements do we keep, what elements do we change to capture the whole spirit of the story and the characters. For me itâs a wonderful way to experience the story in a different medium.
Â
Shari: Â Have you ever thought of just skipping the whole novel thing and just writing the screenplay and producing films yourself?
NS:  Sure I have and Iâve chosen to do that in television not as far as film. Television is a bit more like a novel so you have a longer opportunity to tell a specific story. Iâm currently, for instance, writing a pilot for HBO but thatâll give me ten episodes to tell a full story.
Gabby Holland (Teresa Palmer) and Travis Shaw (Ben Walker) in THE CHOICE. Photo Credit: Dana Hawley
Shari: The big ending, whether she lives or dies⊠what was the deciding factor for you? Was there a deciding factor?
NS:  Well, it was during the course of the novel and, of course, thatâs what happens in the novel is what Iâm trying to say there; and I knew all along that she would come out. I knew. I didnât⊠I didnât want toâŠÂ uhhh, I just knew but it was to bring the reader through all the emotions on the way to get there because⊠because sometimes these things happen; sometimes they donât. When they do, thereâs a really magical and wondrous feeling with it.
Â
Shari: The husband in a film called 45 Years that just came out, says âAll of the big decisions that we make, we do when weâre young; big decisions /choicesâ. And he had a real defeatist attitude which I donât agree with. What is your take on that? I think we can make life changing choices every day.
NS:  Of course. And at the same time, thereâs some validity (in it), when youâre young is usually when you choose your career, you might choose a partner or a spouse to be with; you might choose whether or not to have children and there are certain points in time when some of those are no longer valid. If youâre a woman and all of the sudden youâre fifty and you never had children⊠you canât bear them. You might be able to adopt, but you canât bear them. So, some choices, just by the nature of time itself⊠yeah, they come and go and theyâre focus is more when youâre young. However, thereâs always major choices that one can make because thereâs always the kind of life that you want to live and the new strugglesor the new sufferingsthat youâre willing to experience to get there; right? You want to go climb Mount Everest? Sure. Someoneâs done that in their seventies. Alright⊠youâre willing to do that suffering; all the training⊠are you willing? Do you really want to climb Everest? That would be one example, but sure itâs possible.Â
Â
I know what else is possible⊠you running to the theater this weekend and checking out Lionsgate presenting a Nicholas Sparks / Safran Company / POW! Production of  The Choice starring  Benjamin Walker, Teresa Palmer, Maggie Grace, Alexandra Daddario, Tom Welling, Brett Rice, and Tom Wilkinson. Donât forget to come back and let me know what you think of it!!! Have fun and Go Broncos! *Although, I have a feeling Sparks will win this one⊠just like his film will.  Bring a tissue! Â
Dive into the many looks of the man of steel from the past 75 years. Check out this herographic from Superman Homepage called “The Changing Face of Superman”. Scroll beyond the image for a special surprise.
Back in the 90s Tim Burton was developing a Superman movie for Warner Bros. called Superman Lives. It was going to star Nicolas Cage and Sandra Bullock. The movie never ended up happening, but a ton of special effects and prep work was done for the film. Here’s a shot of Cage in costume.
What do you think? Shame this movie was never made?
In 1933 the first drive-in movie theater opened in New Jersey. The new movie-going experience quickly caught on with drive-ins numbering almost 5,000 in it’s heyday. Today, only a few hundred drive-ins operate in the United States and Canada.
Many of the remaining theaters are celebrating the 80th anniversary with special showings. Why not check out a drive-in tonight?
Here are some photos from the last drive-in my gal and I attended. It’s called the Starlite Drive In Theatre in Hamilton, Ontario. We saw Ted, a great movie to see at a drive-in.
It brought back so many great memories. The drive-in will always be a nostalgic summer night tradition for me. I hope they don’t completely vanish.