American Assassin w/ Taylor Kitsch – Trailer

Directed by Michael Cuesta

Screenplay by Stephen Schiff and Michael Finch and Edward Zwick & Marshall Herskovitz

Based on the American Assassin novel in the Mitch Rapp series by Vince Flynn

Produced by Lorenzo di Bonaventura and Nick Wechsler

Starring Dylan O’Brien, Michael Keaton, Sanaa Lathan, Shiva Negar, Scott Adkins and Taylor Kitsch

 AMERICAN ASSASSIN follows the rise of Mitch Rapp (Dylan O’Brien) a CIA black ops recruit under the instruction of Cold War veteran Stan Hurley (Michael Keaton).  The pair is then enlisted by CIA Deputy Director Irene Kennedy (Sanaa Lathan) to investigate a wave of apparently random attacks on both military and civilian targets.  Together the three discover a pattern in the violence leading them to a joint mission with a lethal Turkish agent (Shiva Negar) to stop a mysterious operative (Taylor Kitsch) intent on starting a World War in the Middle East.

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In Theaters Sept 15th

http://www.fandango.com

Is That A Gun in Your Pocket?

The plot of Is That A Gun in Your Pocket? is loosely based on the ancient Greek play “Lysistrata.”  It was written and first performed in 411 BC.  It’s interesting to see how little has changed in that men and women still lock horns over what the other considers to be best for their family and also in the way we entertain one another.

In the play, Lysistrata persuades the women of Greece to withhold sex from their husbands until they negotiate peace and end the Peloponnesian War.  Using the theme of a 2,000-year-old sex comedy works for what the women of this small Texas town want from their men.  These are strong values to stand on and the film does a good job of giving the audience both point of views.  The comedy chafe’s the brain a few times as some scenes are not only too contrived but sophomoric, however, in the long run, it’s worth a watch for the number of times you’ll chuckle at this battle the sexes.

In Rockford, Texas, guns are the order of the day.  This is set up in several ways.  Pay special attention to the titles playing at the theatre for the wittiest of them.  This little borough of 6,969 people is calm and quiet almost idyllic, in fact, and everyone seems happy on the surface yet deep down brews a silent soldier in the form of resentment.  The women speak of it and make fun of men in group chats; the men do the same behind the backs of their wives or girlfriends, mostly while hunting.  What is this resentment based on?  Their sex lives.  Their sex lives couldn’t be staler if it were a cracker from 1991 found this morning behind the refrigerator.  As if it were a sketch comedy show, writer/ director, Matt Cooper (Perfect Opposites, The Last Supper) gives us set up after set up and joke after joke of men and women pinned against one another, all charged up and in full battle mode.  Some japes in this comedy do land better than others but if you don’t take the subject too seriously, the touchdown is a lot less bumpy.

Married couple, Glenn (Passmore) and Jenna (Anders), and seemingly the rest of the town, are having problems in the marital bed.  After their son takes a loaded gun to school and accidentally discharges some bullets, Jenna decides to take some of her unspent energy out on a cause.  That cause is to rid the town of guns altogether.  Glenn is against this and before you know it, the frustrated couple decides on one thing… neither will give in.  She talks her girlfriends into helping her take a stand for something she feels is important to her after she learns that guns contribute the most to the death of children… above everything else.  She explains that gun violence can end by removing the reason it exists… guns.   The women agree and the men aren’t going to have it.  So, the fairer sex comes up with the one thing that’s sure to break the men… they’ll close their legs until the guns are gone.

When the men hold up surprisingly well and are still not giving in, the women decide to turn up the heat.  This is also when Cooper turns up the funny.  These gals play some dirty tricks on these unsuspecting lads.  I’ll let you discover those when you watch the film.  As the title alone might suggest, there are some really fun moments that will hook you into the lampoonery you’ll find in Is That a Gun in Your Pocket?; like the revelation of a vibrator thought to have been a candlestick, a man crying because his ak47 is painted pink and the men wishing the women would have had a talking strike instead of a sex strike.

It’s slow to get going at first but hang in there.  Laughing at jokes aimed at your sex, whether you think they’re completely accurate or not, is healthy.  If you can do that you’re going to be entertained.  There’s some really funny dialogue delivered by Cloris Leachman’s character, as well, such as suggesting that, ‘There is nothing more powerful than p*ssy.’  But her dirty old lady was a bit overused.  Had she said only a few filthy things, I believe the declaration of that particular line would have had a much bigger impact.  That said, when Horatio Sanz says, ‘Hell hath no fury like a Latina scorned,’ I hope you don’t have a drink in your mouth.  My suggestion is to see this crazy little movie and don’t worry so much about the politics mentioned within.  Whether you agree with the stance within or not you’ll laugh if you let yourself.  You’ll like the characters once you get to know them and you’ll want to see where the story is leading.  You truly care for them and what they’re standing up for and it’s also hard not to like this wonderful cast; there’s hardly a name you won’t recognize.

David-Lynch-The-Art-Of-Life-hero

David Lynch: The Art Life Movie Review

David Lynch, in case you didn’t know, (and it would be a shame if you didn’t because he’s one of the most important artists of our time), is an American director, screenwriter and producer.  He’s a musician, sculptor and a painter; the former is broadly noted in this film.  Looking him up, one will find that he’s labeled a Surrealist.  Surrealists perceive their work as expressions of the philosophical, abstract and even metaphysical points of view.  If you’d like to know more about him, this Documentary will enlighten you and then stimulate you into wanting to see everything he has ever had a hand in creating.   

We open on a long shot of Lynch sitting in a chair smoking… contemplating life.  He then talks about his childhood, moving from Montana to Idaho to Washington.  His mother, seeing his drawings as a boy, supported his young imagination by not allowing him to use coloring books as they might stifle his creativity.  There’s joy in his voice as he examines the early memories of his family and friends until he reaches his move to West Virginia when he was in high school.  It’s here where he is ridiculed and his life changes.  He sees everything around him as cloudy and muted, often stormy whereas before there was always sun and happiness.  The good boy turns bad when he starts to hang out with the wrong crowd and this time in his life, as well as a bit later when he visits a morgue, that you can see his style of provocative art and filmmaking start to take shape.  The drawings that Director Jon Nguyen and his co-directors Rick Barnes and Olivia Neergaard-Holm choose for the words that Lynch now speaks set the tone beautifully.  The art displayed at this time is intense; one is of a giant face screaming, ‘Help me!’ as he spoke of pure hatred for where he moved to, was shocking. 

Soon after, the atmosphere changes and the camera catches him talking about Bushnell Keeler, the artist and person who is most responsible for encouraging his painting (and who got him to attend art school), more than anyone else.  It’s seeing Keeler’s studio that cemented his love of the craft… this is when he knew what his future held.  He gave him the book The Art Spirit by Robert Henri and Lynch loved it so much that he carried it everywhere with him.  What made his spirit live by this time in his life was drinking coffee, smoking and painting.  A few minutes later, into the microphone, he recants how his parents allow him to blossom and before you know it he’s going to school, has his first child and begins to try film on for size.  Why not?  He has done everything else?  Pieces of his first films The Alphabet and The Grandmother are shown and we are taken down memory lane into how Eraserhead came to be.               

You learn so much about him in this short amount of time that you may feel as if you know him intimately.  This documentary is so well done that you’re grateful for the filmmakers having decided to capture him at this stage in life.  Lynch is so open to the filmmakers that we even get to watch him interact with his baby daughter Lula as she plays inside of his studio.  You can’t help but wonder what she has in store for us.  All throughout the film his art dances across the screen such as, ‘Angel of Totality,’ a disturbing piece that gets you thinking about man’s ability to create life and destroy all other living things simultaneously… or at least that’s what I saw in it.  Every bit of this art got me looking for more, which luckily isn’t hard to find.  I suggest you do the same.  He’s made comics, during angry stages of his life, and is proficient in still photography which is used all over the film to set a certain mood.  It seems Nguyen and co. learned a lot from their subject and joined the dark side so to speak.  The Late David Foster Wallace best described Lynch’s work as ‘Lynchian’ explaining that meant ‘a particular kind of irony where the very macabre and the very mundane combine in such a way as to reveal the former’s perpetual containment within the latter.’ This is something that Nguyen clearly understood and wanted his audience to explore. 

Each pencil drawing or morbid morsel that you set your eyes on seems to outdo the other which is unfortunate if you’re watching in the theatre because you want and need to pause to take it all in.   You must see it at the theatre but then it’s one to buy, as well, so you can PAUSE to absorb the film in its totality.  It doesn’t matter what kind of art you like best or what kind of films you most enjoy, this movie is one to see.  It’s deeply contemplative while being absorbing, haunting and insightful at the same time. 

In Phoenix, see it at the FILM BAR tonight.

Tommy’s Honour Movie Review

Director Jason Connery, son of actor Sean Connery, is usually in front of the camera. Appearing in over seventy films, he now has five directing credits to his name. Tommy’s Honour, a piece about the birth of the golf pro of today, is his latest achievement. Appearing in Film Festivals across the globe, the Phoenix Film Festival being one of them where it had the honour of closing the fest, it’s getting great buzz and as it’s now at a theatre near you, I must recommend you see it. It’s an engaging movie with history about the evolution of the professional golfer and in my opinion; you don’t have to be a fan of the game to enjoy the spirit within the movie. Interestingly enough, the players went from being paid employees, hired to play the game for rich men who bet on the winners, to then playing on their own terms… and it would not have been possible if not for Young Tommy Morris (Jack Lowden) who made it happen.

At the time Tommy was the best player, one that the members of the club St. Andrews for whom he played, could always count on. He, well aware of his skills and knowledge of the game, refused to continue to play and only take home a small percentage of his own winnings. Not appreciating how the men of St. Andrews have always treated his father Old Tom, (Peter Mullan), he rejects the idea of ending up like his dad, crawling around on the ground setting up Tees for men who only looked down at him. Tommy decides it’s time to redesign how players are seen and how the game is played and with one game he does just that. Shocking every man in the club, especially Alexander Boothby (Sam Neil), he makes some requests that the members deny, fearing that next Tommy will expect to be called a Gentleman and demand entrance through the sacred door.

Tom, greenskeeper at St. Andrews, who’s responsible for establishing many of the game’s rules as well as making their balls and clubs, is fine with his station in life. When Tommy suggests rising above it, he gets a little nervous. Being a much better course designer these days than player, Tom is no longer asked to play; therefore he can no longer bring home the extra money his family needs. Having his son around to help run things and support the family has always been the plan. What starts concerning Tom, even more, is that at the time Tommy decides to carve his own path in golf, he also meets a woman, Meg (Ophelia Lovibond), who he falls instantly in love. Now his parents worry that he, along with this woman they do not trust, will destroy his future… and theirs.

What accent heavy dialogue you can make out in Tommy’s Honour, (you’re likely to miss a few words here and there so it’s worth mentioning), will affect you. It’s a thought-provoking and compelling story. With the characters being set up so well, you root for Young Tommy right away and want him to achieve his goals and prosper. You also feel for his family but when Meg enters the scene that may start to turn. As previously mentioned, Tommy has never been encouraged to dream or to love but he does now. With what he has achieved and where he sees his future heading, he insists on being his own man, no matter who likes it or who doesn’t. Suddenly, a sports movie about Tommy planning to tour different courses collecting his winnings and forever changing the face of the game turns into a heavy drama. Be prepared when it does… that’s all I’ll say about that.
Ophelia Lovibond is fabulous as she faces Tommy’s unforgiving mother and Peter Mullan expresses Old Tom impressively through not only dialogue but his face, especially when he sees his actions has cost him so much. This is an incredible cast in a wonderful story. See it playing in Phoenix at the theatres listed below or at a theatre near you, today.

Harkins Fashion Center 20

Superstition Springs 25

Harkins Arrowhead Fountains 18

AMC Desert Ridge 18

Shea 14 Theater

fate-of-the-furious-poster

The Fate of the Furious Movie Review

It always gets Faster, and it always gets more Furious, and there is no limit to the movies Over-The-Topness. But, danged, it sure does work! It becomes like a movie version of a roller coaster ride that spins and twirls and goes in any direction that it wants to go.

Star Wars: The Last Jedi – Teaser Trailer

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In Theaters December 15, 2017!

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The Promise Advance Movie Screening

Movie Screening Summary: Empires fall, love survives. When Michael (Oscar Isaac), a brilliant medical student, meets Ana (Charlotte Le Bon), their shared Armenian heritage sparks an attraction that explodes into a romantic rivalry between Michael and Ana’s boyfriend Chris (Christian Bale), a famous American photojournalist dedicated to exposing political truth. As the Ottoman Empire crumbles into war-torn chaos, their conflicting passions must be deferred while they join forces to get their people to safety and survive themselves. The Promise is directed by Academy Award winning filmmaker Terry George.

Director: Terry George
Writers: Terry George, Robin Swicord
Stars: Christian Bale, Oscar Isaac, Shohreh Aghdashloo
The Promise is in theatres April 21, 2017

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Advance Movie Screening For The Promise

Find your chance to receive special advance movie screening passes below.

 

Phoenix, Arizona

Advance Movie Screening Details

Movie Screening Date: Monday, April 17
Location: Harkins Tempe Marketplace
Movie Screening Time: 7:00pm
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Las Vegas, Nevada

Advance Movie Screening Details

Movie Screening Date: Monday, April 17
Location: AMC Town Square
Movie Screening Time: 7:00pm
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Advance Movie Screening Information

To redeem a pass, simply click the Get Passes button. You will taken to our movie screening partner site (where you can sign up for a free account). Once you’ve done so, you’ll be able to print out your pass and bring it with you to your screening or event.

Admittance into a screening or event is not guaranteed with your pass. Events and advance screenings are filled on a ” first come, first served ” basis. To ensure that you stand a good chance of being admitted, we recommend that you show up 30 minutes to one hour early.

The number of admissions that are permissible for each pass are printed clearly on the ticket that you print out. You are allowed to bring as many guests as is indicated on your pass. For example, if your pass is for ” Admit Two, ” you can bring yourself and one guest. If you have an ” Admit One ” pass, you can bring only yourself.

If you have any other questions or comments, please contact us.

Unforgettable Advance Movie Screening

Movie Screening Summary: Tessa Connover (Heigl) is barely coping with the end of her marriage when her ex-husband, David (Stults), becomes happily engaged to Julia Banks (Dawson)—not only bringing Julia into the home they once shared but also into the life of their daughter, Lily. Trying to settle into her new role as a wife and a stepmother, Julia believes she has finally met the man of her dreams, the man who can help her put her own troubled past behind her. But Tessa’s jealousy soon takes a pathological turn until she will stop at nothing to turn Julia’s dream into her ultimate nightmare.

Director: Denise Di Novi
Writers: Christina Hodson, David Leslie Johnson (screenplay) (as David Johnson)
Stars: Rosario Dawson, Katherine Heigl, Geoff Stults
Unforgettable is in theatres April 23, 2017

See more advance movie screenings from tmc

Advance Movie Screening For Unforgettable

Find your chance to receive special advance movie screening passes below.

 

Phoenix, Arizona

Advance Movie Screening Details

Movie Screening Date: Tuesday, April 18
Location: Harkins Tempe Marketplace
Movie Screening Time: 7:00pm
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Las Vegas, Nevada

Advance Movie Screening Details

Movie Screening Date: Tuesday, April 18
Location: Regal Red Rock
Movie Screening Time: 7:00pm
[button link=”http://www.wbtickets.com/lvUn” type=”big” newwindow=”yes”] Get Passes[/button]

Advance Movie Screening Information

To redeem a pass, simply click the Get Passes button. You will taken to our movie screening partner site (where you can sign up for a free account). Once you’ve done so, you’ll be able to print out your pass and bring it with you to your screening or event.

Admittance into a screening or event is not guaranteed with your pass. Events and advance screenings are filled on a ” first come, first served ” basis. To ensure that you stand a good chance of being admitted, we recommend that you show up 30 minutes to one hour early.

The number of admissions that are permissible for each pass are printed clearly on the ticket that you print out. You are allowed to bring as many guests as is indicated on your pass. For example, if your pass is for ” Admit Two, ” you can bring yourself and one guest. If you have an ” Admit One ” pass, you can bring only yourself.

If you have any other questions or comments, please contact us.

Detroit – Trailer

Annapurna Pictures has released the first trailer for the upcoming thriller DETROIT.  From the Academy Award-winning director of THE HURT LOCKER and ZERO DARK THIRTY, DETROIT tells the gripping story of one of the darkest moments during the civil unrest that rocked Detroit in the summer of ‘67.

Director: Kathryn Bigelow

Writer: Mark Boal

Producers: Megan Ellison, Kathryn Bigelow, Matthew Budman, Colin Wilson and Mark Boal

Cast: John Boyega, Will Poulter, Algee Smith, Jacob Latimore, Jason Mitchell, Hannah Murray, Kaitlyn Dever, Jack Reynor, Ben O’Toole, Joseph David Jones, Ephraim Sykes, Leon Thomas III, Nathan Davis Jr., Peyton Alex Smith, Malcolm David Kelley, Gbenga Akinnabve, Chris Chalk, Jeremy Strong, Laz Alonzo, Austin Hebert, Miguel Pimentel, Kris Davis, with John Krasinski and Anthony Mackie

DETROIT Official Channels

WEBSITE: Detroit.Movie

FACEBOOK: facebook.com/DetroitMovie

TWITTER: twitter.com/detroitmovie

INSTAGRAM: instagram.com/detroitmovie

#DetroitMovie

In Theaters August 4

http://www.fandango.com