JON FAVREAU’S ALL-NEW BIG-SCREEN ADVENTURE “THE LION KING” ROARS TO LIFE WITH ALL-STAR CAST

The all-star lineup for director Jon Favreau’s new take on Disney’s 1994 classic animated film “The Lion King” includes stars from the film, TV, theater and music arenas. Featuring pioneering filmmaking techniques, the film welcomes back to the big screen iconic characters that audiences have long treasured—but in a whole new way. From Disney Live Action, “The Lion King” is slated for U.S. theaters on July 19, 2019.

“It is a director’s dream to assemble a talented team like this to bring this classic story to life,” said Favreau.

Lions rule the African savanna in “The Lion King,” which welcomes Donald Glover (“Atlanta,” “Solo: A Star Wars Story”) as future king SimbaBeyoncé Knowles-Carter (“Dreamgirls,” “Lemonade” visual album) as Simba’s friend-turned-love interest Nala, and James Earl Jones (“Rogue One: A Star Wars Story,” “Field of Dreams”) as Simba’s wise and loving father, Mufasa, reprising his iconic performance from Disney’s 1994 animated classic. Chiwetel Ejiofor (“Twelve Years a Slave,” Marvel Studios’ “Doctor Strange”) was called on to portray Simba’s villainous uncle Scar, and Alfre Woodard (“Juanita,” Marvel’s “Luke Cage”) portrays Simba’s no-nonsense mother, Sarabi. JD McCrary (OWN’s “Tyler Perry’s The Paynes,” Apple’s “Vital Signs”) fills the shoes of Young Simba, a confident cub who can’t wait to be king, and Shahadi Wright Joseph (NBC’s “Hairspray Live,” Broadway’s “The Lion King”) brings tough cub Young Nala to life.

Every kingdom comes with a trustworthy advisor or two. John Kani (“Coriolanus,” Marvel Studios’ “Captain America: Civil War”) was cast as the wise baboon Rafiki, and John Oliver (HBO’s “Last Week Tonight with John Oliver,” Comedy Central’s “The Daily Show with Jon Stewart”) was tapped as hornbill Zazu, Mufasa’s loyal confidant. When Simba goes into exile, he relies on two newfound friends—Seth Rogen (“Sausage Party,” “Neighbors”) lends his comedic chops to naïve warthog Pumbaa, and Billy Eichner (“Billy on the Street,” FX’s “American Horror Story”) joins the cast as know-it-all meerkat Timon.

While most of the animals in the kingdom respect the king, the hyenas have other plans. Florence Kasumba (NBC’s “Emerald City,” Marvel Studios’ “Black Panther”) portrays Shenzi, Eric André (Adult Swim’s “The Eric André Show,” FXX’s “Man Seeking Woman”) is Azizi, and Keegan-Michael Key (“Predator,” Netflix’s “Friends from College”) plays Kamari.

“The Lion King” is directed by Favreau (“The Jungle Book,” Marvel Studios’ “Iron Man”) and produced by Favreau, Jeffrey Silver (“Beauty and the Beast,” “Edge of Tomorrow”) and Karen Gilchrist (“The Jungle Book,” “Chef”). Jeff Nathanson (“Catch Me If You Can,” “Pirates of the Caribbean: Dead Men Tell No Tales”) penned the screenplay based on the 1994 screenplay by Irene Mecchi, Jonathan Roberts and Linda Woolverton. Tom Peitzman (co-producer “Kong: Skull Island,” “Alice in Wonderland”) and Thomas Schumacher (“The Lion King,” “Beauty and the Beast”) are executive producers, and John Bartnicki (“The Jungle Book,” “Chef”) is co-producer. The award-winning team of artists tapped to bring the African savanna and its animal inhabitants to life include visual effects supervisor Rob Legato, who conceived the virtual production on “Avatar,” won Academy Awards® for his work on “The Jungle Book,” “Hugo” and “Titanic,” and was nominated for an Oscar® for his work on “Apollo 13.”

The film’s animation supervisor is Oscar®-winner Andrew R. Jones (“The Jungle Book,” “Avatar,” “World War Z”). VFX supervisor is Adam Valdez (“The Lord of the Rings: The Fellowship of the Ring,” “The Lord of the Rings: The Two Towers”), who won an Oscar for his work on “The Jungle Book.” Five-time Oscar nominee Caleb Deschanel, ASC, (“Jack Reacher,” “The Patriot”), is director of photography, and James Chinlund (“War for the Planet of the Apes,” “Marvel’s The Avengers”) serves as the production designer. Oscar winner Ben Grossman (“Alice in Wonderland,” “Hugo,” “Star Trek into Darkness”) is virtual production supervisor, and Mark Livolsi, ACE, (“The Jungle Book,” “Saving Mr. Banks,” “The Blind Side”) and Adam Gerstel (“Transformers: The Last Knight,” “The Jungle Book”) are editors. Hans Zimmer (“Dunkirk,” “Hidden Figures”), who won an Oscar for his score for the animated classic, will score the adventure.

ABOUT THE MOVIE:

From Disney Live Action, director Jon Favreau’s all-new “The Lion King” journeys to the African savanna where a future king is born. Simba idolizes his father, King Mufasa, and takes to heart his own royal destiny. But not everyone in the kingdom celebrates the new cub’s arrival. Scar, Mufasa’s brother—and former heir to the throne—has plans of his own. The battle for Pride Rock is ravaged with betrayal, tragedy and drama, ultimately resulting in Simba’s exile. With help from a curious pair of newfound friends, Simba will have to figure out how to grow up and take back what is rightfully his. The all-star cast includes Donald Glover as Simba, Beyoncé Knowles-Carter as Nala, Chiwetel Ejiofor as Scar, James Earl Jones as Mufasa, Billy Eichner as Timon and Seth Rogen as Pumbaa. Utilizing pioneering filmmaking techniques to bring treasured characters to life in a whole new way, “The Lion King” roars into theaters on July 19, 2019.

Maybe we should all consider… “DOWNSIZING” – Trailer

DOWNSIZING 

Directed by: Alexander Payne 

Starring: Matt Damon, Christoph Waltz, Hong Chau and Kristen Wiig 

Written by: Alexander Payne & Jim Taylor

Produced by: Mark Johnson, Alexander Payne, Jim Taylor 

Downsizing imagines what might happen if, as a solution to over-population, Norwegian scientists discover how to shrink humans to five inches tall and propose a 200-year global transition from big to small. People soon realize how much further money goes in a miniaturized world, and with the promise of a better life, everyman Paul Safranek (Matt Damon) and wife Audrey (Kristen Wiig) decide to abandon their stressed lives in Omaha in order to get small and move to a new downsized community — a choice that triggers life-changing adventures. 

DOWNSIZING Official Channels

Hashtag: #Downsizing

Facebook: /DownsizingFilm 

Twitter: @DownsizingFilm

Instagram: @DownsizingFilm 

Website: DownsizingMovie.com 

In Theaters December 22nd

http://www.fandango.com

Justice League Advance Movie Screening

In Fueled by his restored faith in humanity and inspired by Superman’s selfless act, Bruce Wayne enlists the help of his newfound ally, Diana Prince, to face an even greater enemy.  Together, Batman and Wonder Woman work quickly to find and recruit a team of metahumans to stand against this newly awakened threat.  But despite the formation of this unprecedented league of heroes—Batman, Wonder Woman, Aquaman, Cyborg and The Flash—it may already be too late to save the planet from an assault of catastrophic proportions.

www.justiceleaguethemovie.com

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Thor Ragnarok Movie Review

Thor is one of the superhero characters from Marvel Comics Avengers team. Now after two stand-alone movies featuring Thor, and the two movies with all Avengers, Thor is back in action. But this time he will have a new adventure that will ‘Ragnarok’ his World. But first, a bit of an introduction to Thor…

 

Thor (Chris Hemsworth) is the Norse God of Thunder and the son of Odin (Anthony Hopkins). Thor has a half-brother named Loki (Tom Hiddleston) who is the God of Mischief. Thor can always count on Heimdall (Idris Elba) the protector of the access point between Thor’s world of Asgard and the other realms. Thor has just conquered a monster which could bring about the Ragnarok, an end-of-times destruction of Asgard.

 

Thor returns home and finds that things are not quite right with Asgard. Odin is lounging about and Loki is nowhere to be seen. Except that Loki is pretending to be Odin and is running the place. Loki leads Thor to Earth to find Odin, but they run into a Supreme Sorcerer. Yes, Dr. Strange (Bennedict Cumberbatch) is watching over Earth and does not want Loki around. Odin is hidden in Norway, and when the brothers find him, he explains about Hela (Cate Blanchett). Hela is the first-born and the true leader of Asgard, but only when Odin is gone.

Hela is unknown to the brothers and they want to fight her off. But she sends them into exile into a distant planet called Sakaar. This planet is ruled by a strange person named the Grandmaster (Jeff Goldblum) who is an oddball. He runs the planet that is a trash dump of the universe. Thor is captured by Scrapper 142 (Tessa Thompson) who is a bounty hunter, but also was a prior Adgardian Valkyrie warrior. Thor is chosen to fight in a gladiator-style face-off with the Grandmaster’s current champion.

 

The current champ turns out to be Hulk (Mark Ruffalo), who the alter-ego of Bruce Banner and another of the Avengers. But now Hulk is powerful and adored for his fighting skills. Thor finally gets Hulk and Scrapper 142 to agree to escape and head back to Asgard. Oh yeah, they also take Loki, who had landed on Sakaar and had become a favorite to the Grandmaster.

 

Meanwhile, Hela had been ruling Asgard by killing off anyone who did not agree with her. She had raised an army of dead warriors, and had destroyed most of the population. She has an ally with Skurge (Karl Urban) who is a warrior torn between Hela’s power and the destruction she creates. Heimdall is in hiding and saving as many of the Asgardian people as he can. He cannot wait until Thor comes back to challenge Hela.

While the plot does cover a wide range of places and characters, it never drags or never seems to be forced. The interaction between Thor and Loki is always interesting. Also, the interaction between Thor and the Hulk is very amusing. Even later, when it is between Thor and Bruce Banner it is really fun to watch. There are many places for some broad humor and many gags that are really great. This movie chooses not to take everything too seriously.

 

The director Taika Waititi has done mostly smaller independent comedies and minor films. But now he has been given a much larger canvas, and he paints a beautiful picture. The story gives Thor and Hulk some time to bond and to become closer. There are plenty of the standard Marvel action CGI sequences, but the story still has fun with many of the smaller sequences. Dr. Strange makes for a nice crossover appearance. And also, there is a short segment in Asgard where a play is being put on to honor Loki, and you can guess the actors who show up to play Odin, Loki and Thor.

 

All the acting is straight out terrific, with special regards for Tessa Thompson and Idris Elba. They both play such tough warriors who want also to save as many as possible. Chris Hemsworth is dependable as Thor, and Mark Ruffalo plays the big green Hulk (in motion capture) and also Bruce Banner. The dialog is sharp and right to the point.

 

The 3-D aspect is a basic conversion after the main work is done, so it does not add too much to the overall movie. The scope and overall design call out to see this movie on the biggest screen possible, including an IMAX presentation. The colorful design of Sakaar is fantastic and the world is brought to life.

 

“Thor Ragnarok” is a worthy entry into the ever-growing number of great movies created by the Marvel Movie Machine. This will leave you anxious for the next time the Avengers return for “Avengers: Infinity War”.

A Prayer Before Dawn – Trailer

Based on a true story, shot in a real prisonJEAN STÈPHANE SAUVAIRE’S FEROCIOUS FILM Debuts its first trailer!  

Prayer Before Dawn is the remarkable true story of Billy Moore, a young English boxer incarcerated in two of Thailand’s most notorious prisons.  He is quickly thrown into a terrifying world of drugs and gang violence, but when the prison authorities allow him to take part in the Muay Thai boxing tournaments, he realizes this might be his chance to get out. 
Billy embarks on a relentless, action-packed journey from one savage fight to the next, stopping at nothing to do whatever he must to preserve his life and regain his freedom. 
Shot in an actual Thai prison with a cast of primarily real inmates, A Prayer Before Dawn is a visceral, thrilling journey through an unforgettable hell on earth!

Prayer Before Dawn premiered to exceptional reviews at the Cannes Film Festival this year.


Directed by: Jean-Stéphane Sauvaire
Starring: Joe Cole, Vithaya Pansringarm, Panya Yimmumphai

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In Theaters Soon

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Acts of Vengeance – Movie Review

If you don’t mind a little Philosophy with your action movies ‘Acts of Vengeance’ is for you!  The movie is told in parts, each start with quotes such as, ‘Action is the only truth.’ from the Roman Emperor Marcus Aurelius’ writings from the book, Meditations.  Antonio Banderas plays a lawyer named Frank Valera who loves his wife and daughter very much.  He’s at work but on a phone call to his child, he makes a promise to her that he will make it to her performance in a talent show later in that night.  You know what’s going to happen next and so does he.  He is held up at work and knowing his wife and daughter are probably angry, he excuses the fact that they don’t come home right away but as the evening hours tick by, he becomes more concerned.  Around midnight, the police come to his door; his wife and daughter have been found murdered.  Banderas does an adequate job of not holding back the pain that a revelation of this magnitude would bring him.

Frank’s mood darkens and he runs from life.  He eventually decides that defending suspected criminals is not something he is interested in continuing to do so he leaves the law firm.  He stumbles on an MMA ring which gives him the outlet that he needs to work out his frustrations and the loneliness that pursues him on a daily basis.  As time passes, a police officer friend of his, Strode (Urban), informs him that the investigation into their deaths has gone cold.  In an unnecessary voice-over, done in typical Banderas fashion (deeply and quietly), Frank tells us that he realizes he has been punishing himself but now it’s time to find the guilty party… if he has to himself. 

Playing detective, he gets himself injured but happens upon a book that gives him some much-needed introspection and he starts to train harder and sharpen his mind to prepare for battle.  He even stops talking so he can better listen to what’s important.  During another confrontation, he’s shot and is helped by an ER nurse named Shelia.  Predictably he leaves her immediately but the men he fought had a German Shepard who has grown attached to Frank and isn’t quite so easy to leave behind.  As it turns out, the pooch ends up being more of an asset than a pest.  Part 3 of the 5-part narrative starts by telling us that ‘There is nothing that hinders you from doing what must be done.’  A relationship develops between him and, oh did I tell you Shelia makes a return?  Yes, Shelia is back, and they begin to bond.  This confuses him because his life is changing for the better but he’s ill-prepared, still wanting only for the past to return. 

Upon further investigation, he thinks he knows who the guilty party is.  Not surprisingly, it’s friend Strode.  He follows him and after breaking into his home, he finds the reason Strode would end the life of his innocent wife and child.  They meet and during a melodramatic confession, Strode happily shouts out the reason… possibly in case you didn’t already figure it out yourself or read it in an earlier clip.  In a life and death fight with Strode, Frank’s inner monologue echoes the words of whom he considers the greatest stoic of all which are, ‘The best revenge is to be unlike your enemy.’  Does he learn from the passages he has been reading all this time or does he break with Marcus Aurelius and kill Strode?  You’ll have to find out yourself when you see Acts of Vengeance, out today at AMC Arizona Center and On Demand!

Tragedy Girls – Trailer

TRAGEDY GIRLS 

Directed by: Tyler MacIntyre
Starring:  Craig Robinson, Jack Quaid, Josh Hutcherson, Brianna Hildebrand, Alexandra Shipp, Kevin Durand and Nicky Whelan

Best friends Sadie and McKayla are on a mission to boost their social media fandom as amateur crime reporters hot on the trail of a deranged local serial killer.  After they manage to capture the killer and secretly hold him hostage, they realize the best way to get scoops on future victims would be to, you know, murder people themselves.  As the @TragedyGirls become an overnight sensation and panic grips their small town, can their friendship survive the strain of national stardom?  Will they get caught?  Will their accounts get verified?  Find out this weekend at a theatre near you! 
*In Phoenix, check it out at the Harkins Valley Art.

In Theaters October 27th 2017

http://www.fandango.com

Wonderstruck – Movie Review

Wonderstruck is a great title, would probably be a remarkable book to read but it’s not so much a wonderful feature film to sit through unless prepared.  Watching it feels as if you’re reading it.  Everything takes too long to happen.  Not surprisingly, it is based on a critically acclaimed novel; one written by Brian Selznick.  Don’t get me wrong.  I’m not saying this isn’t worth a watch because it is in that it’s beautifully orchestrated, well-crafted and is quite inspiring to watch but it could be a dash too slow for some.

It starts introducing us to the main character, Ben (Fegley).  In 1977, he lives through the death of his mother, Elaine (Williams), whom he admired so much.  Being very independent and capable, she has told Ben very little about his father except for his name.  She was the type of woman who knew enough to develop Ben’s curiosity but sees no reason to fill his head with the knowledge he doesn’t truly need.  Instead, she teaches him what matters to her most such as a favorite quote by Oscar Wilde that also becomes Ben’s favorite, ‘We are all in the gutter but some of us are looking at the stars.’  She encourages his astute, youthful and insightful imagination when he asks about its meaning and instead of answering the questions she makes him tell her what it means.  When she dies a short time later, he holds on dearly to all she gave and taught him.

Living with his aunt now, his interest in his father, who’s from New York, grows.  To find out what we’re in for at this point, we can break the title of the film down.  Wonder can mean to marvel and speculate about the origin of something like the solar system, which Ben does often.  Struck is to encounter something suddenly or unexpectedly.  Not only is Ben an admirer of the skies, wondering if his father was, too, but lightning strikes him when he’s on the phone and poor Ben loses his hearing.  It’s here we cut to 1927 where a young deaf girl, Rose (Simmonds) fantasizes about a life beyond hers.  She admires an actress named Lillian Mayhew (Moore) and decides to go to New York to find her.

Now the very accomplished director Todd Haynes (Carol) takes the material he has been given of these two youngsters and cleverly marries them by building a cohesive plotline.  He manages to structure the suspense to keep you guessing as to what Ben and Rose are headed toward and why.  Choosing music by the incredibly brilliant composer Carter Burwell, who has scored or composed over 100 films, (Three films this year; Goodbye Christopher Robin and Three Billboards Outside Ebbing Missouri, as well as this one) was genius on Haynes’ part.  Flipping back and forth between the 1920’s and the 1970’s made the music incredibly important to remove you from one time period and plop you, emotionally and all, into the other on a continual basis.  In fact, you feel as if you’re in two movies, but the music never loosens its grip on you and you’re firmly planted in the story.

On his quest, Ben meets Jamie (Michael), a child as alone as Ben who is looking for a friend.  The pair goes to the Museum of Natural History and Ben is taken with what he has been missing from this world.  They run all over the building, passing this display and that display while Rose, fifty years earlier is doing the exact same thing in the exact same building walking passed the very same pieces and display cases.  As this happens and as the boys investigate an unbelievable coincidence, you’ll feel the interest in you intensify because this must be leading to a beautiful… something.  But honestly, this is where the film lets you down.  An incident here, an act of fate or chance there leads not to wonder or spectacle but to regularity and commonality that one was hoping in this world they’d be escaping.  The film is beautifully done with gorgeous music and superb acting by all but the souvenir at the end of this trip was that there really wasn’t anything worth taking.

Suburbicon Movie Review

“Suburbicon” is new look at the 50’s era of massive suburban developments and the people who moved into these mini-cities. With a brilliant opening sequence, designed to look like a marketing brochure come to life, it takes some very different and dark turns. Since the original script is from Joel & Ethan Coen, there are many dangerous areas explored in the idyllic little town. These mostly deal with gangsters, dead bookies, possible insurance fraud and murder. The script also was touched by Clooney & Grant Heslov to include racial tensions and integration gone wrong. The two styles do not mix very well.

 

In Suburbicon, there is a black family who moves into the neighborhood. However, the Mayers arrival starts an over-the-top escalation of dismay, rudeness and hate from the lily-white people next door. The new family is blameless of course, but the racial taunting and bullying goes on and on. But across that backyard, something strange is happening at the Lodge residence. Gardner Lodge (Matt Damon) lives there with his crippled wife Rose (Julianne Moore) and son Nicky (Noah Jupe). Also visiting is Rose’s sister Maggie (also played by Moore).

 

A late-night break-in gets all the family tied up and helpless, and two thugs (Glenn Fleshler & Alex Hassel) use chloroform to make them all pass out. However, this puts fragile Rose into a coma, and then she dies. Nicky is heartbroken, and he does not get much love or support from his father, Gardner. He is also put off by his aunt Maggie, who will be staying with them for the time being to support the family. Maggie soon takes to emulating Rose in every way, dyeing her hair blond and wearing Rose’s clothes and jewelry.

 

The police say they have suspects, but in a line-up neither Maggie nor Gardner say they spot the men that killed Rose. But Nicky can see that they are hiding something. There is also an obnoxious insurance investigator named Bud (Oscar Isaac) who thinks that the life insurance policy on Rose has a bunch of issues. At the same time, there is a bigger and louder confrontation with the Mayer family in front of their house. Nobody is looking into the weird events at the Lodge’s house. But that same night, there are many things that all go wrong.

 

The insurance guy Bud comes back to threaten Gardner and Maggie. The two thugs are back to also threaten Gardner and Maggie. Nicky is scared and must fend for himself. But the crowd by the Mayers house is too involved to notice the nefarious deeds that are being done at the Lodge’s house. By the time the night comes to an end, so will the lives of several of these people…

When it all breaks down, this movie plays as ‘Coen Brothers Lite’. It has some of the risky, double-dealing, creepy behavior of the typical Coen brothers movie. But that aspect is downplayed and set against a backdrop of the unconnected racial tensions next door. There are characters whose motivations only come clear later as it continues, and only the young son Nicky is the innocent one. One initial bad thing brings a cascading domino effect of rotten mistakes and loser options. But the heavy-handed side-story dealing with of the persecution of the new black family does not connect to the main plot.

 

The acting is stiff and forced, perhaps as a way to better show the 1950’s era that the movie portrays. But none of the main characters have much to do, except perhaps young Noah Jupe. He puts in a terrific performance. Also Oscar Isaac makes a decent appearance, but has a very brief role. Matt Damon is very plain and cartoonish. He plays a character that could be called ‘Good Will Boring’. Julianne Moore plays two roles, and is stilted in both of them.

When a Realtor calls and says you can make an offer on a nice, quite little house in a place call Suburbicon, tell them to keep looking. This neighborhood is not that good.

Thank You for Your Service – Movie Review

Thank You for Your Service centers around three servicemen Schumann (Teller), Solo (Koale) and Waller (Cole) when they’re discharged from the Army after serving together in Iraq.  It starts by showing an incident that haunted each of them when it happened and also now that they’re out.  In 2007, they’re caught on a roof being shot at by a sniper when a soldier named Emory (Haze) is struck in the head.  Schumann tries his best to save him.  He advances down some stairs, carrying Emory on his shoulders.  Unfortunately, before Schumann gets to the bottom of the steps and out the door, he drops him.  With the taste of Emory’s blood in his mouth, it’s a moment he’s having a hard time forgetting.

We don’t see a lot of combat in the movie because the purpose of the film is not to show you a battle on the field but the battle each soldier has upon returning home.  We see the issues they have due to the stress they were under either in combat themselves or what they saw returning from the frontlines.  Not wanting to admit they need it but realizing they do, the struggles they have trying to get care for themselves is colossal.  The significance of the film is to tell the citizens of this nation that soldiers aren’t given help immediately just because they need it.  Tangled in a bureaucracy of red tape, administrators and office after office travel, they have to fight just as hard to be heard and to be helped with their afflictions in America as they did in the deserts overseas.  They also find their own homes not to be the same place as when they left.

Schumann is a married father of two.  He was in charge of his unit of a dozen men and his expertise was looking for bombs everywhere they traveled, something he may never stop doing for the rest of his life.  Waller, about to marry his longtime girlfriend, can’t wait to get home.  Thinking about his impending nuptials is what gets him through from one day to the next.  On their trip back to the states, he talks to his buddies about the wedding.  Then there’s Solo who doesn’t actually want to leave the Army but due to memory loss and other problems after this last deployment, the Army questions his fitness to return.

All three feel the anxiety and pressure of having been at war and should get help now that they’re stateside, right?  This film shows the sad reality that people willing to die for their country are treated with respect while serving but forgotten about when they’re no longer under fire.

It’s hard enough for them to admit they need help but when they turn to find it and are told to take a number, for one it’s too late and it’s heartbreaking to see the others fight to get any help for the PTSD they obviously have.

Solo reveals he’d rather have missing limbs than to have to endure what is going on in his mind any longer; he doesn’t feel like a war hero because he doesn’t look like one.  Each man hides the truth deep inside especially Solo who thinks himself a lesser man for being harmed mentally, not physically.  He’s filled with anger and frustration when an event they lived through continues to attack him.  Eventually, he attacks back, to whoever is around.  Koale does an outstanding job portraying a man breaking down inside, trying diligently to hold onto who he once was; hardly recognizing his past, unable to see his future.

Schumann’s wife Saskia (Bennett) works rigorously to get her solid and stoic husband to open up and tell her what’s wrong but having to be in control on the battlefield is so deeply ingrained in his psyche, he refuses to show any weakness now, even for her.  Finally, after and a wake-up call and some soul-searching, he calls a number he was given to a location in California that can help men in their position and Schumann takes the first step to getting them the help they need.  I won’t reveal what happens to them during the course of the film but see this to understand how important each of us is to a Veteran, and why.  Also, stay to see some images of the people on which the story was based.