Dealt Movie review

Dealt is a fascinating documentary about an extraordinary individual who overcame tremendous odds to become, not only a black belt in karate but an award-winning Mechanic Magician.  Every goal he set for himself was met and sometimes exceeded. 
At an early age, an unlikely event befell him, and he felt he had no choice but see the mountain on top of him as something to climb rather than to simply lay under and do nothing to get it to move.  A lesser person may have faced this with great contempt but Richard Turner ignored the weight that had just been dropped on top of him and found a way to adjust it to suit him. How?  With loving support, the strength of character and a deck of cards. 
The incredibly likable, energetic and humorous Richard can trick the best of them and with only what he’d call one small roadblock in his life, Richard is blind.

The film is magnificent as it goes through his life in sections, when he lost his sight and what brought him to meet the magician that turned his life around.  That magician was Dai Vernon, one of the most important figures in magic ever.  It’s said even Harry Houdini couldn’t figure out his tricks.  Vernon taught Richard, who started his interest in cards from watching westerns, how to properly handle a deck, starting with how to hide a trick from your audience.  From that moment on, there wasn’t a time when he was without a deck in his hands.  He became so close with Vernon that he was even told some of his secrets which have never been shared.

Visually, to get the point across as to what life was like for Richard, director Luke Korem shows us what he experienced as his vision started to go but quickly refocuses attention on the fact that for most of his life he refused to live as a blind man.  Teased as a young boy, when he grew up and had more control over his life, he examined his circumstances and didn’t see being blind as a disability but as a challenge, one he accepted without fear as some might choose to.  He and his wife had a son and named him Asa, his middle name is Spades, who he loved very much and who assisted him but no one other than those two individuals has ever really helped him.  Even so, he all but hid the fact that he couldn’t see from anyone who didn’t need to now that about him, even from a live audience.  Soon with his tremendous experience came success and with success came attention but whenever people mentioned his abilities and skill with cards, they’d always equate them with the fact that he couldn’t see which upset him greatly.  This became a hurdle that was difficult to jump.

The documentary is over an hour long and in that time, we see Asa leave for college and though he tries to suppress it, Richard crumbles.  The boy who has been by his side since he was old enough to peek over a card table is gone.  The mighty and impenetrable Richard Turner, maybe the first time, now realizes how much he truly has depended on someone other than just himself.  This is how the documentary ends, with Richard finally admitting to himself that it’s okay to accept your weaknesses and the generosity of others.  Perhaps the healthiest thing he did was see the loss of his visions as a blessing in disguise.  He would have never accomplished what he had otherwise.  Similarly, you wouldn’t have known about this had I not told you about it.  Since I did, do something for YOU and see this over the weekend!

*In Phoenix at Harkins Shea 14 or a theatre near you.

Daddy’s Home 2

If you’ve been burned by a sequel you thought would be amusing and it didn’t deliver, don’t let that experience keep you away.  If you liked Daddy’s Home, be on the lookout for more of the same here.  More of the same isn’t a bad thing.  It’s the holiday’s and there’s nothing like a festive holiday comedy to share with the gang, or if your case happens to be that a film gives you a little break from that reality, that works, too.

In the first film, we meet the very epitome of cool, in dad Dusty (Wahlberg), and the easygoing, cordial stepdad to his children by the name of Brad (Ferrell).  What unfolds is the story of two dad’s showing the difference in being a more confident and masculine male as opposed to being more modest or in touch with your famine side.  The struggle is more within Brad as one might imagine.  Immediately upon seeing Dusty, he feels as though he has already lost the fight.

Sara (Cardellini), the children’s mother, has learned to cope with them but it wasn’t easy at times.  Now that it’s Christmas the men, who have worked out a pretty good system themselves, have decided that instead of dividing the children, they’ll have a ‘together Christmas.’  This decision is made after young daughter Megan, played by the ever-adorable Scarlett Estevez from TV’s Lucifer, says she doesn’t like Christmas because it’s not normal for her as it is for friends who don’t have to bounce from house to house.

The holiday also brings visits from grandpa’s Kurt (Gibson) and Jonah (Lithgow), who resemble one another as much as Dusty and Brad do.  A suggestion is made to rectify this imbroglio they’re in by renting a vacation home away from home for a few days.  Not only do they all have to continue being nice to one another up close but so do their fathers.  For extra kicks, Kurt is negative and seems hellbent on causing problems, starting with asking Dusty how could he stand asking permission from another man to see his own children.

Brad’s father is the complete opposite.  He’s supportive of everyone and gets all the love and attention a grandfather could want… deservedly so since Kurt isn’t the loving sort though Dusty has tried his best.

The family retreat creates many a hysterical scene from the actors, especially little Scarlett who knocks it out of the park whenever she interacts with anyone.  This is also when the macho between the four men jettisons to eleven.  In the audience, both men and women alike, will chuckle and truly appreciate the humor of a scene involving one of their other daughters ‘fiddling with the thermostat’ which sends all the men in the house into hysterics.  Laughs were plentiful and I heard many an, ‘I’ve been there!’ comment from where I was sitting.

John Cena Makes an appearance near the end as another dad.  Every time I see him in a comedic role I hope he gets one with of larger significance.  However, maybe what makes it so striking is that he says something uncharacteristic of what he looks like and who he seems to be that it wouldn’t work, but I’d sign up to find out.  His presence is strong and as the alpha male he’s used very well.

Though Daddy’s Home 2 has its downsides and moments that make you roll your eyes, it’s hard not to enjoy a Sean Anders film, even when he has Lithgow using silly terms such as ‘buttquack.’  Anders, who wrote Sex Drive, Hot Tub Time Machine and We’re the Millers, knows his way around a joke and how to deliver it.  He directed and helped write the first Daddy’s Home and you’ll be glad it stayed in his hands this time around, too.  He creates opportunities for the main cast to strut their stuff.  He most likely told all involved that they could use his film as a vehicle to frolic, let loose and rejoice.  That advice clearly worked from what they showed us in their performances.

Daddy’s Home 2 was quite good comparing it to other comedies this year.  I rather liked it.  This testosterone-filled comedy is, for the most part, is one to take your family to the movies to see this holiday season.  Not only for the comedy but for the reason it shows you how far acting like someone you’re not will end up costing you in the end.

Murder on the Orient Express Movie Review

This film is about detective Hercule Poirot and his train ride into hell.  Actually, that might make for a more pleasing introduction, but it doesn’t really fit here. Poirot isn’t the sort of character the underworld would have their sights on. That aside, he’s just short of irritating, as a matter-of-fact.  His mustache is way over the top and I couldn’t help but think of Peter Seller’s incredible ‘Inspector Clouseau’ when he spoke.  The comparison didn’t help matters as I often found myself drifting and wishing I was watching a Seller’s classics instead. They entertained me much more.
Also, if you’ve read the book this is based on or seen the original film, you might not want to grab a seat on this train as there’s no station it could pull into that you haven’t already dropped your bags.  It’s really that simple.  It’s ‘Clue’ (the mystery, thriller based on the popular game), on a train only it’s not as much fun.

Poirot tells is that he’s good at what he does because he always sees things as they should be.  This is both a blessing and a curse for him as he can’t so much as have a conversation with somewhat that he isn’t sniffing out their every flaw.  Having the shade his mustache affords him for cover and being the straightforward man, he is, he also has no trouble pointing these flaws out to the person on the opposite side of his spyglass.  When Poirot lands on the train he quickly begins meeting his fellow passengers.  All of them open up to him who is, as I mentioned, sizing them up while conversing with them. 
His character isn’t set up anymore beyond this.  You know he’s a detective but what you don’t understand is why you need other characters literally telling you that for the entire opening of the film.  As far as the setup, not much is known about any of the other characters in the film either, which is a big loss with a cast such as this.  The elements are in place for this to be a massive success but it fails to deliver which ultimately falls on Branagh’s shoulders.  I think most of his attention went to his acting instead of on the rest of the film.

All in all, the actors did a fine job portraying their characters but as the story moves forward you don’t find them very memorable.  They remain nothing more than background in a mystery that you have already solved, except for the puzzle in your head that’s still unworking. It stares up at your asking why have the amazing cast if you’re not going to use them better?  I digress.  My original point is that it is quite obvious who the killer is.  I won’t tell you but when our master detective finds the victim, the ‘whodunit’ of it all isn’t too hard to figure out.  For me, this meant the film wasn’t as engaging as I had hoped it would be. 
Maybe I expected too much.  I’ve enjoyed most of Kenneth Branagh’s work but this one misses the mark.  I’m all for interesting camera angles but some overhead shots seemed unnecessary and useless.  He continued using perplexing and erratic camerawork throughout which didn’t win him any favors, however, the performances and music might make it worth the trip for you.  There is a slight hint that there could be another film with Poirot on the way so, if that’s the case, I hope he learns from his mistakes with this one.

Last Flag Flying Movie Review

The movie “Last Flag Flying” is a somber reflection of the human costs of war, and it just happens to have a wild and raucous fun side. It deals with the start of the Iraq war, when a man loses a son in combat, but then calls on old Viet Nam war buddies to help him out. The result is a quiet declaration that war is never good, but that the military way of life is required (and preferred) in a dangerous world. And that patriotism is more than flying flags, it is being ready to defend your way of live and your beliefs.

 

Larry “Doc” Shepherd (Steve Carell) seeks out an old friend in Portsmouth named Sal Nealon (Bryan Cranston). Sal runs a run-down bar and grill (with no grill). They both served in Viet Nam many years ago. There is some unspoken reason that Doc spent a couple of years in the brig. But they brush that off and go to find one other pal from that old war. Richard Mueller (Laurence Fishburne) is now a Baptist pastor and is happily married. When they were back in the war zone, the former Marines were not holy, but a Holy Terror.

 

Doc reveals that his reason to seek out his buddies is that could help him bury his son. Larry Jr. was also a new Marine who went over to Iraq in 2003, but he returned in a military casket. Doc needs the help of Sal and Mueller so that he can cope with the loss of his only son. Also, on top of that is the death of his wife earlier that year. So, the aging crew gets on the road to travel first to Arlington, then to Dover – to where his son is delivered from overseas.

They meet a young Marine named Washington (J. Quinton Johnson) who was a close friend of Larry Jr. and he tells them how he was killed. Doc refuses to have his son buried in Arlington, instead he wants to transport his body to his home in New Hampshire. The initial thought is to rent a U-Haul truck, and that has limited success. The Marine corporal in charge will help in getting the body and casket to Doc’s hometown. But he ordered Washington to take the train and stay with the old fogeys and with the casket as a moving Honor Guard.

 

There is not a huge action-packed sequence that happens, and most activity happens in cars, trucks and trains. But the amazing thing to watch is not the events or action, but the perfectly cast actors in each role. They each have a very distinct character and they interact with a wit and sparkle that brings each to life. The old war dogs have a deep secret that they eventually talk about, and they do everything that they can to right an old wrong.

 

All the acting of Steve Carell, Bryan Cranston and Laurence Fishburne is excellent. Cranston has the most frantic and watchable role. But Carell does an incredible job with the role as a broken man. Fishburne is a middle-ground of dignity and reason between the other actors. They have a very observable way of making the old friends who have not met in over twenty years look believable and natural. Also, Richard Linklater style of direction fits the story well, as it flows and meanders to the conclusion.

 

This movie will not ask you to stand up and cheer for foreign wars, whether they be in the South Asian Pacific or in the Middle East. It will ask you to silently bow your head to honor those whom have made great sacrifices to ensure America’s freedom. Hoorah…

 

Three Billboards Outside Ebbing, Missouri Advance Movie Screening

Movie Screening Summary: THREE BILLBOARDS OUTSIDE EBBING, MISSOURI is a darkly comic drama from Academy Award winner Martin McDonagh (IN BRUGES). After months have passed without a culprit in her daughter’s murder case, Mildred Hayes (Academy Award winner Frances McDormand) makes a bold move, painting three signs leading into her town with a controversial message directed at William Willoughby (Academy Award nominee Woody Harrelson), the town’s revered chief of police. When his second-in-command Officer Dixon (Sam Rockwell), an immature mother’s boy with a penchant for violence, gets involved, the battle between Mildred and Ebbing’s law enforcement is only exacerbated.

http://www.foxsearchlight.com/threebillboardsoutsideebbingmissouri/

See more advance movie screenings from tmc

Advance Movie Screening ForTHREE BILLBOARDS OUTSIDE EBBING, MISSOURI

Find your chance to receive special advance movie screening passes below.

 

Phoenix, Arizona

Advance Movie Screening Details

Movie Screening Date: Tuesday, November 14
Location: Harkins Shea
Movie Screening Time: 7:00pm
[button link=”http://www.foxsearchlightscreenings.com/tmcioPHX3BB” type=”big” newwindow=”yes”] Get Passes[/button]

Las Vegas, Nevada

Advance Movie Screening Details

Movie Screening Date: Wednesday, November 15
Location: Regal Red Rock
Movie Screening Time: 7:00pm
[button link=”http://www.foxsearchlightscreenings.com/tmciolv3BB” type=”big” newwindow=”yes”] Get Passes[/button]

Advance Movie Screening Information

To redeem a pass, simply click the Get Passes button. You will taken to our movie screening partner site (where you can sign up for a free account). Once you’ve done so, you’ll be able to print out your pass and bring it with you to your screening or event.

Admittance into a screening or event is not guaranteed with your pass. Events and advance screenings are filled on a ” first come, first served ” basis. To ensure that you stand a good chance of being admitted, we recommend that you show up 30 minutes to one hour early.

The number of admissions that are permissible for each pass are printed clearly on the ticket that you print out. You are allowed to bring as many guests as is indicated on your pass. For example, if your pass is for ” Admit Two, ” you can bring yourself and one guest. If you have an ” Admit One ” pass, you can bring only yourself.

If you have any other questions or comments, please contact us.

LAST FLAG FLYING Screening in Phoenix Tomorrow!

In 2003, 30 years after they served together in the Vietnam War, former Navy Corps medic Larry “Doc” Shepherd (Steve Carell) re-unites with ex-Marine Sal Nealon (Bryan Cranston) and Reverend Richard Mueller (Laurence Fishburne) on a different type of mission: to bury Doc’s son, a young Marine killed in the Iraq War. Doc decides to forgo burial at Arlington Cemetery and, with the help of his old buddies, takes the casket on a bittersweet trip up the East Coast to his home in suburban New Hampshire. Along the way, Doc, Sal and Mueller reminisce and come to terms with shared memories of the war that continues to shape their lives.

Find your chance to receive special advance movie screening passes below. 

LAST FLAG FLYING 

Location:

11/9/17
7 PM
Harkins Camelview at Fashion Square
7014 E Camelback Road ANC-03A
Scottsdale, AZ 85251

JON FAVREAU’S ALL-NEW BIG-SCREEN ADVENTURE “THE LION KING” ROARS TO LIFE WITH ALL-STAR CAST

The all-star lineup for director Jon Favreau’s new take on Disney’s 1994 classic animated film “The Lion King” includes stars from the film, TV, theater and music arenas. Featuring pioneering filmmaking techniques, the film welcomes back to the big screen iconic characters that audiences have long treasured—but in a whole new way. From Disney Live Action, “The Lion King” is slated for U.S. theaters on July 19, 2019.

“It is a director’s dream to assemble a talented team like this to bring this classic story to life,” said Favreau.

Lions rule the African savanna in “The Lion King,” which welcomes Donald Glover (“Atlanta,” “Solo: A Star Wars Story”) as future king Simba, Beyoncé Knowles-Carter (“Dreamgirls,” “Lemonade” visual album) as Simba’s friend-turned-love interest Nala, and James Earl Jones (“Rogue One: A Star Wars Story,” “Field of Dreams”) as Simba’s wise and loving father, Mufasa, reprising his iconic performance from Disney’s 1994 animated classic. Chiwetel Ejiofor (“Twelve Years a Slave,” Marvel Studios’ “Doctor Strange”) was called on to portray Simba’s villainous uncle Scar, and Alfre Woodard (“Juanita,” Marvel’s “Luke Cage”) portrays Simba’s no-nonsense mother, Sarabi. JD McCrary (OWN’s “Tyler Perry’s The Paynes,” Apple’s “Vital Signs”) fills the shoes of Young Simba, a confident cub who can’t wait to be king, and Shahadi Wright Joseph (NBC’s “Hairspray Live,” Broadway’s “The Lion King”) brings tough cub Young Nala to life.

Every kingdom comes with a trustworthy advisor or two. John Kani (“Coriolanus,” Marvel Studios’ “Captain America: Civil War”) was cast as the wise baboon Rafiki, and John Oliver (HBO’s “Last Week Tonight with John Oliver,” Comedy Central’s “The Daily Show with Jon Stewart”) was tapped as hornbill Zazu, Mufasa’s loyal confidant. When Simba goes into exile, he relies on two newfound friends—Seth Rogen (“Sausage Party,” “Neighbors”) lends his comedic chops to naïve warthog Pumbaa, and Billy Eichner (“Billy on the Street,” FX’s “American Horror Story”) joins the cast as know-it-all meerkat Timon.

While most of the animals in the kingdom respect the king, the hyenas have other plans. Florence Kasumba (NBC’s “Emerald City,” Marvel Studios’ “Black Panther”) portrays Shenzi, Eric André (Adult Swim’s “The Eric André Show,” FXX’s “Man Seeking Woman”) is Azizi, and Keegan-Michael Key (“Predator,” Netflix’s “Friends from College”) plays Kamari.

“The Lion King” is directed by Favreau (“The Jungle Book,” Marvel Studios’ “Iron Man”) and produced by Favreau, Jeffrey Silver (“Beauty and the Beast,” “Edge of Tomorrow”) and Karen Gilchrist (“The Jungle Book,” “Chef”). Jeff Nathanson (“Catch Me If You Can,” “Pirates of the Caribbean: Dead Men Tell No Tales”) penned the screenplay based on the 1994 screenplay by Irene Mecchi, Jonathan Roberts and Linda Woolverton. Tom Peitzman (co-producer “Kong: Skull Island,” “Alice in Wonderland”) and Thomas Schumacher (“The Lion King,” “Beauty and the Beast”) are executive producers, and John Bartnicki (“The Jungle Book,” “Chef”) is co-producer. The award-winning team of artists tapped to bring the African savanna and its animal inhabitants to life include visual effects supervisor Rob Legato, who conceived the virtual production on “Avatar,” won Academy Awards® for his work on “The Jungle Book,” “Hugo” and “Titanic,” and was nominated for an Oscar® for his work on “Apollo 13.”

The film’s animation supervisor is OscarÂŽ-winner Andrew R. Jones (“The Jungle Book,” “Avatar,” “World War Z”). VFX supervisor is Adam Valdez (“The Lord of the Rings: The Fellowship of the Ring,” “The Lord of the Rings: The Two Towers”), who won an Oscar for his work on “The Jungle Book.” Five-time Oscar nominee Caleb Deschanel, ASC, (“Jack Reacher,” “The Patriot”), is director of photography, and James Chinlund (“War for the Planet of the Apes,” “Marvel’s The Avengers”) serves as the production designer. Oscar winner Ben Grossman (“Alice in Wonderland,” “Hugo,” “Star Trek into Darkness”) is virtual production supervisor, and Mark Livolsi, ACE, (“The Jungle Book,” “Saving Mr. Banks,” “The Blind Side”) and Adam Gerstel (“Transformers: The Last Knight,” “The Jungle Book”) are editors. Hans Zimmer (“Dunkirk,” “Hidden Figures”), who won an Oscar for his score for the animated classic, will score the adventure.

ABOUT THE MOVIE:

From Disney Live Action, director Jon Favreau’s all-new “The Lion King” journeys to the African savanna where a future king is born. Simba idolizes his father, King Mufasa, and takes to heart his own royal destiny. But not everyone in the kingdom celebrates the new cub’s arrival. Scar, Mufasa’s brother—and former heir to the throne—has plans of his own. The battle for Pride Rock is ravaged with betrayal, tragedy and drama, ultimately resulting in Simba’s exile. With help from a curious pair of newfound friends, Simba will have to figure out how to grow up and take back what is rightfully his. The all-star cast includes Donald Glover as Simba, Beyoncé Knowles-Carter as Nala, Chiwetel Ejiofor as Scar, James Earl Jones as Mufasa, Billy Eichner as Timon and Seth Rogen as Pumbaa. Utilizing pioneering filmmaking techniques to bring treasured characters to life in a whole new way, “The Lion King” roars into theaters on July 19, 2019.

Maybe we should all consider… “DOWNSIZING” – Trailer

DOWNSIZING 

Directed by: Alexander Payne 

Starring: Matt Damon, Christoph Waltz, Hong Chau and Kristen Wiig 

Written by: Alexander Payne & Jim Taylor

Produced by: Mark Johnson, Alexander Payne, Jim Taylor 

Downsizing imagines what might happen if, as a solution to over-population, Norwegian scientists discover how to shrink humans to five inches tall and propose a 200-year global transition from big to small. People soon realize how much further money goes in a miniaturized world, and with the promise of a better life, everyman Paul Safranek (Matt Damon) and wife Audrey (Kristen Wiig) decide to abandon their stressed lives in Omaha in order to get small and move to a new downsized community — a choice that triggers life-changing adventures. 

DOWNSIZING Official Channels

Hashtag: #Downsizing

Facebook: /DownsizingFilm 

Twitter: @DownsizingFilm

Instagram: @DownsizingFilm 

Website: DownsizingMovie.com 

In Theaters December 22nd

http://www.fandango.com

Justice League Advance Movie Screening

In Fueled by his restored faith in humanity and inspired by Superman’s selfless act, Bruce Wayne enlists the help of his newfound ally, Diana Prince, to face an even greater enemy.  Together, Batman and Wonder Woman work quickly to find and recruit a team of metahumans to stand against this newly awakened threat.  But despite the formation of this unprecedented league of heroes—Batman, Wonder Woman, Aquaman, Cyborg and The Flash—it may already be too late to save the planet from an assault of catastrophic proportions.

www.justiceleaguethemovie.com

See more advance movie screenings from tmc

Advance Movie Screening For JUSTICE LEAGUE

Find your chance to receive special advance movie screening passes below.

Phoenix, Arizona

Advance Movie Screening Details

Movie Screening Date: Tuesday, November 14
Location: tbd
Movie Screening Time: 7:00pm
[button link=”https://goo.gl/forms/GH1GEsMQKbhbG40I2″ type=”big” newwindow=”yes”] Enter To Win[/button]

Tucson, Arizona

Advance Movie Screening Details

Movie Screening Date: Tuesday, November 14
Location: tbd
Movie Screening Time: 7:00pm
[button link=”https://goo.gl/forms/17UsxpmlSMVLAzDj1″ type=”big” newwindow=”yes”] Enter To Win[/button]

Albuquerque, New Mexico

Advance Movie Screening Details

Movie Screening Date: Tuesday, November 14
Location: tbd
Movie Screening Time: 7:00pm
[button link=”https://goo.gl/forms/hyvZGqlR8atWJwSs2″ type=”big” newwindow=”yes”] Enter To Win[/button]

Las Vegas, Nevada

Advance Movie Screening Details

Movie Screening Date: Tuesday, November 14
Location: tbd
Movie Screening Time: 7:00pm
[button link=”https://goo.gl/forms/qVrmF4OglkPjuRkh1″ type=”big” newwindow=”yes”] Enter To Win[/button]

Advance Movie Screening Information

To redeem a pass, simply click the Get Passes button. You will taken to our movie screening partner site (where you can sign up for a free account). Once you’ve done so, you’ll be able to print out your pass and bring it with you to your screening or event.

Admittance into a screening or event is not guaranteed with your pass. Events and advance screenings are filled on a ” first come, first served ” basis. To ensure that you stand a good chance of being admitted, we recommend that you show up 30 minutes to one hour early.

The number of admissions that are permissible for each pass are printed clearly on the ticket that you print out. You are allowed to bring as many guests as is indicated on your pass. For example, if your pass is for ” Admit Two, ” you can bring yourself and one guest. If you have an ” Admit One ” pass, you can bring only yourself.

If you have any other questions or comments, please contact us.

Thor Ragnarok Movie Review

Thor is one of the superhero characters from Marvel Comics Avengers team. Now after two stand-alone movies featuring Thor, and the two movies with all Avengers, Thor is back in action. But this time he will have a new adventure that will ‘Ragnarok’ his World. But first, a bit of an introduction to Thor…

 

Thor (Chris Hemsworth) is the Norse God of Thunder and the son of Odin (Anthony Hopkins). Thor has a half-brother named Loki (Tom Hiddleston) who is the God of Mischief. Thor can always count on Heimdall (Idris Elba) the protector of the access point between Thor’s world of Asgard and the other realms. Thor has just conquered a monster which could bring about the Ragnarok, an end-of-times destruction of Asgard.

 

Thor returns home and finds that things are not quite right with Asgard. Odin is lounging about and Loki is nowhere to be seen. Except that Loki is pretending to be Odin and is running the place. Loki leads Thor to Earth to find Odin, but they run into a Supreme Sorcerer. Yes, Dr. Strange (Bennedict Cumberbatch) is watching over Earth and does not want Loki around. Odin is hidden in Norway, and when the brothers find him, he explains about Hela (Cate Blanchett). Hela is the first-born and the true leader of Asgard, but only when Odin is gone.

Hela is unknown to the brothers and they want to fight her off. But she sends them into exile into a distant planet called Sakaar. This planet is ruled by a strange person named the Grandmaster (Jeff Goldblum) who is an oddball. He runs the planet that is a trash dump of the universe. Thor is captured by Scrapper 142 (Tessa Thompson) who is a bounty hunter, but also was a prior Adgardian Valkyrie warrior. Thor is chosen to fight in a gladiator-style face-off with the Grandmaster’s current champion.

 

The current champ turns out to be Hulk (Mark Ruffalo), who the alter-ego of Bruce Banner and another of the Avengers. But now Hulk is powerful and adored for his fighting skills. Thor finally gets Hulk and Scrapper 142 to agree to escape and head back to Asgard. Oh yeah, they also take Loki, who had landed on Sakaar and had become a favorite to the Grandmaster.

 

Meanwhile, Hela had been ruling Asgard by killing off anyone who did not agree with her. She had raised an army of dead warriors, and had destroyed most of the population. She has an ally with Skurge (Karl Urban) who is a warrior torn between Hela’s power and the destruction she creates. Heimdall is in hiding and saving as many of the Asgardian people as he can. He cannot wait until Thor comes back to challenge Hela.

While the plot does cover a wide range of places and characters, it never drags or never seems to be forced. The interaction between Thor and Loki is always interesting. Also, the interaction between Thor and the Hulk is very amusing. Even later, when it is between Thor and Bruce Banner it is really fun to watch. There are many places for some broad humor and many gags that are really great. This movie chooses not to take everything too seriously.

 

The director Taika Waititi has done mostly smaller independent comedies and minor films. But now he has been given a much larger canvas, and he paints a beautiful picture. The story gives Thor and Hulk some time to bond and to become closer. There are plenty of the standard Marvel action CGI sequences, but the story still has fun with many of the smaller sequences. Dr. Strange makes for a nice crossover appearance. And also, there is a short segment in Asgard where a play is being put on to honor Loki, and you can guess the actors who show up to play Odin, Loki and Thor.

 

All the acting is straight out terrific, with special regards for Tessa Thompson and Idris Elba. They both play such tough warriors who want also to save as many as possible. Chris Hemsworth is dependable as Thor, and Mark Ruffalo plays the big green Hulk (in motion capture) and also Bruce Banner. The dialog is sharp and right to the point.

 

The 3-D aspect is a basic conversion after the main work is done, so it does not add too much to the overall movie. The scope and overall design call out to see this movie on the biggest screen possible, including an IMAX presentation. The colorful design of Sakaar is fantastic and the world is brought to life.

 

“Thor Ragnarok” is a worthy entry into the ever-growing number of great movies created by the Marvel Movie Machine. This will leave you anxious for the next time the Avengers return for “Avengers: Infinity War”.