Operation Finale Movie Review

ā€˜Operation Finale’ is the true story of an operation that gave the people of Israel peace from something terrible they had suffered through. Interestingly enough, this film couldn’t be coming out at a more perfect time in the history of our own country. I’m not suggesting that we can compare our situation in the slightest but our national discord and division, at the moment, is felt in a few moments of ā€˜Operation Finale,’ especially when you realize how easy it is to influence others and turn a country completely around.

Writer Matthew Orton used as his subject matter the fascinating account of when Israel gets a chance for the first time ever to try, in open court, one of the evilest men ever to walk the earth. ā€˜For the first time, we’ll judge our executioner.’ Other Nazi’s, most famously Hitler, who were responsible for the atrocities of World War II, killed themselves before they could be captured but Adolph Eichmann (Kingsley), the architect of the ā€˜Final Solution,’ (the Nazis plan to annihilate the Jewish people), got away and lived a full life. By 1960 he had faded into the past and was forgotten by most of the world but not by Israel. They wanted them all to pay for what they had done.

Many of Hitler’s top officers fled to Argentina which is where our story starts.Ā  Eichmann’s son Klaus (Joe Alwyn), unbeknownst to him, begins dating a Jewish girl, Sylvia (Haley Lu Richardson) whose family is hiding as German immigrants. He brings her to a Nazi rally and terrified at what she sees, she abruptly leaves. She passes what she witnessed along to her father, Lothar Hermann (Strauss), who then passes word to Isser Harel (Raz) whose skeptical at first but when given photographic proof, immediately pulls together a team to try and pick up Eichmann. Argentina will never give him up so capturing him alive isn’t the safest or smartest way to go but it would mean so much to bring him in alive and make him pay, once and for all, for what he had done. Can they pull this off? They have a simple plan that becomes quite complicated, which is what works to give the audience moments of tension, otherwise, you’re watching the story play out very heavy on the drama with little action. They capture Eichmann, not in a graceful way, but they do succeed and they hold him in a safe house until their plane is ready to go. Nervous already, as there are many sympathizers looking for them not to mention they’ll be in prison themselves if discovered, they learn not only has the plane been delayed but that the airline that agreed to help the mission gets wind of its true purpose and doesn’t want any part of it. Before they’ll agree to let them board, they insist Eichmann give them a signed letter stating that he is going willingly to stand trial.

Israeli operative Peter Malkin (Isaac), after losing a sister and her family to the Nazi’s, takes it upon himself to be the one to do whatever it takes, even to befriend the beast, to get the signature. Instructed not to speak to Eichmann because he, ā€˜convinced Rabbis to fill the trains himself.’ The leader of the team will try but warns there’s no getting through to someone who has little humanity. Malkin gives it his best. This is when Kingsley goes from one spectrum to the other, appealing to his captors’ good senses and eventually using them against him. Isaac and Kingsley have wonderful chemistry and their scenes alone makes the film worth a watch.

A drama such as this can be somewhat slow but ā€˜Operation Finale’ keeps you engrossed with not only good dialogue, the issue and the acting but the assignment itself. They show enough of what the Jewish people truly went through, something the world at the time didn’t believe was happening, that at the end, learning of Eichmann’s fate, it made you want to stand up and applaud the team that made it all come together. Hearing Eichmann say, ā€˜You and yourĀ lying pressĀ will just try who you think I am.’ Was a bit too close to home but hopefully, people do learn from history and no other country will allow something like this to ever happen again. See the film. It’s powerful and it’s also important that you do.

Bad Times at the El Royale – Trailer

Director: Drew Goddard
Producers: Jeremy Latcham, Drew Goddard
Screenplay: Drew Goddard
Cast:Ā Jeff Bridges, Cynthia Erivo, Dakota Johnson, Jon Hamm, Cailee Spaeny, Lewis Pullman, and Chris Hemsworth

SYNOPSIS
Seven strangers, each with a secret to bury, meet at Lake Tahoe’s El Royale, a rundown hotel with a dark past. Over the course of one fateful night, everyone will have a last shot at redemption… before everything goes to hell. Jeff Bridges, Chris Hemsworth, Jon Hamm, Dakota Johnson and Cynthia Erivo lead an all-star cast in BAD TIMES AT THE EL ROYALE.

BAD TIMESĀ AT THE EL ROYALE Official Channels
OFFICIAL WEBSITE:Ā www.ElRoyaleMovie.comĀ 
FACEBOOK:Ā www.facebook.com/ElRoyaleMovieĀ 
TWITTER:Ā www.twitter.com/ElRoyaleMovieĀ Ā 
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HASHTAG:Ā #ElRoyaleMovie

In Theaters October 12, 2018

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Johnny English Strikes Again – Trailer

Story: Ā Rowan Atkinson returns as the much-loved accidental secret agent in ā€œJohnny English Strikes Againā€.Ā  When a cyber-attack reveals the identity of all active undercover agents in Britain, the country’s only hope is called out of retirement.Ā  English’s new mission is his most critical to date: Dive head first into action to find the mastermind hacker.Ā  A man with few skills and analogue methods, English must overcome the challenges of modern technology—or his newest mission will become the Secret Service’s last.

Director:Ā David Kerr (ā€œInside No. 9ā€)

Writer:Ā William Davies (ā€œJohnny English,ā€ ā€œJohnny English Rebornā€)

Producers:Ā Tim Bevan, Eric Fellner, Chris Clark

Cast:Ā Ā Rowan Atkinson, Olga Kurylenko, Ben Miller, Jake Lacy, Emma Thompson

Ā 

For more info, please follow the film on social:

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In Theaters October 26th

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The Little Stranger – Trailer & Clip

ā€˜The Little Stranger’ tells the story of Dr. Faraday, the son of a housemaid, who has built a life of quiet respectability as a country doctor. During the long hot summer of 1948, he is called to a patient at Hundreds Hall, where his mother once worked.

The Hall has been home to the Ayres family for more than two centuries. But it is now in decline and its inhabitants – mother, son and daughter – are haunted by something more ominous than a dying way of life.

When he takes on his new patient, Faraday has no idea how closely, and how disturbingly, the family’s story is about to become entwined with his own.

The film stars Domhnall Gleeson, Ruth Wilson, Will Poulter, and Charlotte Rampling!

Listen as Gleeson reads a passage from the first chapter of the novel and watch an eerie clip of Rampling from the film.

Don’t miss this disturbing tale when it haunts into theaters onĀ Friday August 31st!

Director: Lenny Abrahamson (ā€œRoomā€)

Writer: Lucinda Coxon (ā€œThe Danish Girlā€), based on the novel by Sarah Waters

Producers: Gail Egan, Ed Guiney, Andrea Calderwood

For more info, please follow the film on social:

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In Theaters August 31

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The Happytime Murders Movie Review

With this film, director Brian Henson, son of Jim Henson, is definitely leaving his mark. Not unlike the way a dog covers what the last one left behind, it’s as if he wants you to know that these aren’t your father’s Muppets… definitely not his. Some might not care for how he brazenly bastardizes his families legacy but for those of you who saw the Red Band trailer and liked the idea of raunchy puppets cursing at one another, watching porn and having sex, this most likely won’t be an issue. ‘The Happytime Murders’ would have been a really fun short film. Stretching it into a feature was reaching too far but it doesn’t mean you won’t have some laughs; it’s just ego on Henson’s part to believe adults will be so enraptured by foulmouthed puppets to bear with the time it takes to watch all the way through.

 

One could argue that there’s something twisted and devious about Henson using the puppets in this manner when his father, much to the delight of millions of people all over the world, utilized them to educate young children and entertain families but depending on how you look at it, Brian Henson is very much entertaining a specific audience, as well… just not the same one and not in as artful a way. Essentially, many of you won’t appreciate this type of crude humor and that’s okay. This film wasn’t designed for you and it seems Henson is okay with that because it doesn’t make it any less funny to those he created it for.

 

ā€˜The Happytime Murders’ brings together a detective named Edwards (McCarthy) and former detective turned private investigator, Phil Phillips (voice of Bill Barretta) when members of The Happytime Gang (an old puppet television show) are murdered one by one. Phil’s brother Larry, who was ā€˜police officer Shenanigans’ on the show (which brought up thoughts of ‘Super Troopers’) is one of the victims. Edwards and Phillips were once partners in the department until an incident occurred that caused Phil to be released and excommunicate from the department. The tensions are high between these two but they’re both on the right side of the law and with only one goal in mind, they agree to work together. To bring some mystery in a caper that has little of it, Phil, who we know is a good guy, gets fingered for the killings and it’s up to Edwards, with help from Phil’s secretary Bubbles (Rudolph), to clear his name and find the real killer.

McCarthy is believable in her character to the degree I honestly don’t believe anyone, but she could have pulled this off. It’s time someone gives her a role in something other than a comedy, but she makes Edwards and all her animosity toward her old partner believable and thus more palatable when the jokes wear thin.

 

What I liked very much but think may have been largely missed because of the sexual perversions that you end up surprised with, was the discrimination by humans toward the puppets, who now must live among us. It seems they still ā€˜sing and dance for the man,’ even though they don’t want to… but how will they be taken seriously when they’re just colored felt and fluff? Even animals attack them on a daily basis, dogs especially, as they’re seen as nothing but a plaything. One of my favorite scenes is of two smalls dogs barking at a puppet while he screams at them that he isn’t a squeaky toy. Pay attention closely because there are several gems like that hidden in the background.

 

It isn’t difficult to shock people using sex, but it is challenging to keep the interest of an audience for over an hour using nothing but dirty jokes. I can’t say this is worth seeing at the theatre unless you’re paying matinee price but for those curious enough to see it, as you may have been with seeing ‘Sausage Party’ and ā€˜Team America,’ please know what you’re getting into. It’s going to be naughty but just have fun. And be sure to stay during some of the credits to watch a little of how they made this world come to life.

Papillon Movie Review

“Papillon” is a story of survival. It is the story of the unbreakable spirit in a man named Henri CharriĆØre. He was a safecracker in Paris in the early 1930’s. His nickname was “Papillon” for the tattoo of a butterfly on his chest (it is French for butterfly). He worked with a low-rent crime boss, and earned enough to impress his girlfriend. But when he failed to impress the crime boss, he was framed for murder and sent to French Guiana. That island off of the coast of South America was home to a horrible prison camp. He was sent there and never was expected to return.

Papillon (Charlie Hunnam) is a talented thief, and he is a ladies man. He has a sweetheart named Nenette (Eve Hewson) who wants to sell the diamonds that he just robbed go to live in the country. The trouble is, the merciless crime boss wanted to have all the diamonds that Papi stole, but Papi kept a few for himself. Big Mistake. Next thing Papi knows is that he is charged with murder and sentenced to serve at the penal colony at Devil’s Island in French Guiana. On the ship sending the convict to the prison island, Papi meets Louis Dega (Rami Malek). Dega is an artist and a forgery expert, who was extremely wealthy. Dega was able to carry quite a bit of cash in — ahem — Deadpool 2 would call it a “Prison Wallet”.

Papillon was big and strong and willing to fight off any goons who attempted to kill Dega. So Papi agreed to protect Dega, as long as Dega would finance any escape attempt for Papillon. The protection and the financing parts worked out fine. The escaping part did not. Papi was able to try and escape, but when he did make it out the front gate, he did not make it very far. Papillon was sentenced to internal solitary confinement for two years.

Part of that time, Dega was able to pay off a trustee to deliver a hidden coconut to Papillon in his isolated cell. When the warden found out, he demanded that Papi tell him who paid for the coconut. But Papi was loyal, and silent. There where other escape attempts, and soon Papi was spending more time in solitary than in general population. Louis Dega could not make it through confinement, but the warden trusted Dega to handle the prison financial books. He was able to be a position of security. More escapes were planned, and with some assistance they made it off the island and landed in Colombia. But the long French arm of the law found them again. Dega was sent to Devil’s Island, and Papi (again) to solitary confinement. He was there for such a long time that he hallucinated most of the time. Then he was sent to join Dega at Devil’s Island.

At the Island, there was no method to escape. There were impossible cliffs around the deadly jagged rocks at the base, where the waves would crash violently into the Island. But past the base, there was a gentle tide, and tide pulled out into the sea — and off to a current that lead to the mainland. If only Papillon could devise a way to get past the danger zone, he could float gently out to freedom. Dega would not dream of leaving the Island, even if it meant dying there. However, Papi — he could not live the rest of his life in captivity. He would finally escape, or he would die trying…

Charlie Hunnam is well cast and has a physical appearance that resembles Steve McQueen. McQueen played Papi in the original movie adaptation. Hunnan plays Papi as strong and shows a brutal willingness to do anything, just to survive. Rami Malek plays Degas with an air of sophistication that is above an ordinary convict. The way that all of the historical places are recreated is excellent. At the end of the movie there are black-and-white photos of the actual prison. They have been able to capture that quite well.

The reason that a remake of ā€œPapillonā€ was required to be made now is unclear. But the effort that is made to make this movie will not make you think of trying to escape the theater.

The Coolest Guy Movie Ever Movie Review

Back in 1963, ā€œThe Great Escapeā€ was a smash hit with audiences around the world. It was a hit because of the major acting talent that director John Sturges brought together for the film. Tough manly guys like Steve McQueen, James Garner, Richard Attenborough, Charles Bronson, James Coburn, David McCallum plus many others played the roles of prisoners in a German POW camp. Their only goal was to escape.

Based on true events, the movie was a dramatic reenactment of the meticulous planning that went into the escape. The movie was filmed in Germany, and many scenes were shot in small villages and towns in Bavaria. Hollywood stars and local German townsfolk, farmers and villagers would meet and become friends. Now there is a documentary that shows the lengths to which the movie production went for an accurate and scenic movie.

Christophe Espenan has put together an extensive (if short – it runs about an hour long) listing of iconic scenes from the movie. Then he revisits that same area today, over fifty years later, to show that the movie locations are still around. There are some major differences, of course. The POW camp was placed just north of a studio sound stage. There was an agreement with the German government that the production company could tear down a section of trees to construct a camp for the movie. But when they were finished, they were required to plant two trees for each single tree that they removed.

Many places and streets in and around the small Bavarian town of Füssen are compared to the original movie. Many scenes match up today, even after a generation has passed. They find the place where a majority of the actors stayed during the six weeks of filming. They interview many local people, or sons and daughters of local people who remembered the making of ā€œThe Great Escapeā€. The plot of the movie is that all the prisoners will break out of the POW camp and escape into the nearby town. That takes the action right here, into the countryside.

Back when the main stars were the biggest names in Hollywood, this movie became known as ā€˜The Greatest Guy Movie Ever’. Getting Steve McQueen to ride a motorcycle and jump a barbwire fence was very exciting. Perhaps his stunt double Bud Ekins should be famous for performing the jump. But McQueen did a huge amount of riding on the bike, and he even dressed up as a German soldier so he could ride again and chase himself!

Lawrence Montaigne narrates the documentary, and he actually had a part in the move, so many years ago. Even though his role was not a major part in the movie, he still says that just being part of that movie had opened up many doors for him.

ā€œThe Great Escapeā€ was a film based on a true event. It also did not gloss over the fact that after the men escaped from the POW camp, almost all of them were recaptured. All but a few of the men were soon killed, for trying to escape. Only three men made it out to freedom. But since this documentary is only about an hour log, it does not attempt to get into any depth as to what the film actually accomplished.

From filmmaker and film historian Chris Espenan comes The Coolest Guy Movie Ever — a fascinating forensic documentary about the making of the classic World War II adventure film The Great Escape — to DVD and digital HD from Virgil Films on August 21, 2018, after a special screening earlier this year at MarchĆ© du film in Cannes.

Night School Trailer

NIGHT SCHOOLĀ 

 

Official WebsiteĀ |Ā FacebookĀ |Ā TwitterĀ |Ā InstagramĀ | #NightSchool

Star Kevin Hart and producer Will Packer, who partnered for the hit Ride Along and Think Like a Man series, bring their signature style to Night School.Ā  The comedy from director Malcolm D. Lee (Girls Trip) follows a group of misfits who are forced to attend adult classes in the longshot chance they’ll pass the GED exam.Ā 

Co-stars Tiffany Haddish, Rob Riggle, Taran Killam and Romany Malco join Hart on-screen for the film that Hart produces for his Hartbeat Productions, and Packer via his Will Packer Productions.Ā Ā www.nightschoolmovie.com

Genre:Ā Comedy

Cast:Ā Kevin Hart, Tiffany Haddish, Rob Riggle, Taran Killam, Romany Malco

Director:Ā Malcolm D. Lee

Writers:Ā Kevin Hart & Harry Ratchford & Joey Wells & Matt Kellard and Nicholas Stoller and John Hamburg

Produced by:Ā Will Packer, Kevin Hart

Executive Producers:Ā Malcolm D. Lee, Preston Holmes, James Lopez

In Theaters September 28

http://www.fandango.com

Mile 22 Movie Review

If you were expecting that “Mile 22” is some type of sequel to Eminem’s “8 Mile”, well, put that idea out of your head. If you are prepared to “Lose Yourself” in an overly complicated movie full of bloody violence and gory death scenes, then you’re in the right place. At least both of these movies feature an ex-rapper in the starring role. But Mark Wahlburg takes the non-musical approach to a tough CIA special operative out to move a valuable asset from the US Embassy to the airport. But for these 22 miles, he and his team are under fire and under duress. They are part of a super-secret operation that only does the dirtiest of dirty jobs for the government.

James Silva (Mark Wahlberg) is part of this unique operation called ‘Overwatch’, and they have a job to do. They are taking down a Russian safe house, located in a beautiful suburb outside of Washington DC. But in the chaos of the operation a teenage Russian boy gets shot and killed. The operatives walk away with a sack full of hard drives and leave a bunch of dead Russians in the house. They don’t give it another thought. But wheels have been set into motion that will come back to haunt them later. But it is time to break to Two Years Later, and to another country…

Silva and some fellow operatives are later located in a (fictitious) Southeastern Asian country. Alice Kerr (Lauren Cohan) and Samantha Snow (Ronda Rousey) work with Silva to retrieve some stolen nuclear material. The Intel is all wrong, and the source is a local Army officer named Li Noor (Iko Uwais). Silva gets all worked up, because his character is prone to long-winded speeches about how everyone around him is dumb. Li Noor comes to the US Embassy and turns himself in. He wants to make a deal — but only if he is taken to America. He has a hard drive with all the details of the missing MacGuffin materials, but it will self-destruct unless he gives them the password.

The ‘Overwatch’ team kicks into high gear, lead by Bishop (John Malkovich). They have only the best tech and the biggest guns, so these guys will never lose, right? Silva and his team must transport Li Noor from the Embassy to the airport for a pickup and a flight to the States. They have it all planned out, until the plan gets shredded by the local country’s secret police and undercover spies. There is an attempt on Li Noor’s life while he is in the Embassy. So you know once they leave, their convoy of vehicles will be under attack for every minute of the trip. One by one, Silva’s team members are shot and or exploded (or worse). Li Noor is in handcuffs, but eventually Silva relents and gives him the freedom to fight back.

After many minutes of non-stop fighting and explosions and high-caliber rounds being shot, Silva gets Li Noor and Alice to the rendezvous point. All is well at that point. But then there are some deeper secrets that are revealed. There are call backs to the first scene with the Russian safe house and some things that are not quite as straightforward as they seem. The plot gets twisted around like a Bavarian pretzel. And there isn’t any good German beer to go with the pretzel…

ā€œMile 22ā€ is the fourth collaboration between Mark Wahlberg and director Peter Berg. The other movies were based on a true story, and this is the first that is fictional. But the concept was done before. Think ā€œThe Gauntletā€, with Clint Eastwood. And then again see ā€œ16 Blocksā€ with Bruce Willis. The basic plot of somebody needing to get someone else to a particular place is not exactly new. Dressing it up as a secret undercover operation is new, and adding about ten layers of double-cross is somewhat new.

Wahlberg plays a character that is very unlikable, and he commands a tight unit. They are supposed to be the most elite unit. But for this operation, they look like a bunch of buffoons. The movie goes into depth about how special this team is, and how important they are. But what is shown is an orgy of automatic weapons and a whole slew of stupid decisions.

The writing is bi-polar, giving Wahlberg little mini-speeches where his character goes off on vulgar tangents. The overall twist in the plot has way too many holes. The editing and frantic pace gets you feeling very jittery after a while. You never get a clear understanding of the progress to the goal. Have they gone 10 miles, or 15 miles? Who can tell? Plus the actual action of the journey to the airport does not begin until the last third of the movie.

Peter Berg has worked with Mark Wahlberg on other, much better projects. ā€œLone Survivorā€, ā€œDeepwater Horizonā€ and ā€œPatriot’s Dayā€ are very excellent movies. But now they have teamed up for this one, which you might like, or you might not. With ā€œMile 22ā€, your mileage may vary.

Gaspar Gaspar NoĆ©’s Breathtaking Cannes Winner ‘Climax’ – Trailer

From director Gaspar NoĆ© (Irreversible;Ā Enter the Void;Ā Love) comes a hypnotic, hallucinatory, and ultimately hair-raising depiction of a party that descends into delirium over the course of one wintry night. InĀ Climax, a troupe of young dancers gathers in a remote and empty school building to rehearse. Following an unforgettable opening performance lit by virtuoso cinematographer BenoĆ®t Debie (Spring Breakers; Enter the Void) and shot by NoĆ© himself, the troupe begins an all-night celebration that turns nightmarish as the dancers discover they’ve been pounding cups of sangria laced with potent LSD. Tracking their journey from jubilation to chaos and full-fledged anarchy, NoĆ© observes crushes, rivalries, and violence amid a collective psychedelic meltdown.

Starring Sofia Boutella (Atomic Blonde) and a cast of professional dancers,Ā ClimaxĀ is NoĆ©’s most brazen and visionary statement yet.

The virtuosic filmmaker gives a brilliantly deranged tour through hell’s best dance party.

*FILM WILL HAVE ITS NORTH AMERICAN DEBUT IN THE MIDNIGHT MADNESS SECTION AT THE TORONTO INTERNATIONAL FILM FESTIVAL

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In Theaters 2018

http://www.fandango.com