The Meg Advance Movie Screening

Movie Screening Summary

Jason Statham (“Spy,” “Furious 7,” “The Expendables” films) and award-winning Chinese actress Li Bingbing (“Transformers: Age of Extinction,” “Forbidden Kingdom,” “The Message”) star in the science fiction action thriller “The Meg,” directed by Jon Turteltaub (the “National Treasure” movies, “Last Vegas”).

In the film, a deep-sea submersible—part of an international undersea observation program—has been attacked by a massive creature, previously thought to be extinct, and now lies disabled at the bottom of the deepest trench in the Pacific…with its crew trapped inside. With time running out, expert deep sea rescue diver Jonas Taylor (Jason Statham) is recruited by a visionary Chinese oceanographer (Winston Chao), against the wishes of his daughter Suyin (Li Bingbing), to save the crew—and the ocean itself—from this unstoppable threat: a pre-historic 75-foot-long shark known as the Megalodon. What no one could have imagined is that, years before, Taylor had encountered this same terrifying creature. Now, teamed with Suyin, he must confront his fears and risk his own life to save everyone trapped below…bringing him face to face once more with the greatest and largest predator of all time.

Rounding out the international main cast of “The Meg” are Rainn Wilson (TV’s “The Office,” “Super”), Ruby Rose (“xXx: Return of Xander Cage,” TV’s “Orange is the New Black”), Winston Chao (“Skiptrace,” “Kabali”), Page Kennedy (TV’s “Rush Hour”), Jessica McNamee (“The Vow,” TV’s “Sirens”), Ólafur Darri Ólafsson (“The BFG,” TV’s “The Missing”), Robert Taylor (“Focus,” TV’s “Longmire”), New Zealander Cliff Curtis (“The Dark Horse,” “Risen,” TV’s “Fear the Walking Dead”), Sophia Shuya Cai (“Somewhere Only We Know”), and Masi Oka (TV’s “Hawaii Five-0,” “Heroes”).

Turteltaub directed the film from a screenplay by Dean Georgaris and Jon Hoeber & Erich Hoeber, based on the New York Times best-selling novel by Steve Alten. Lorenzo di Bonaventura (the “Transformers” films), Belle Avery (“Before the Devil Knows You’re Dead”) and Colin Wilson (“Suicide Squad,” “Avatar”) produced the film, with Gerald R. Molen, Randy Greenberg, Wayne Wei Jiang, and Barrie Osborne serving as executive producers.

Turteltaub’s behind-the-scenes team included Oscar-nominated director of photography Tom Stern (“Changeling,” “Sully,” “American Sniper,” “The Hunger Games”), Oscar-winning production designer Grant Major (“The Lord of the Rings: The Return of the King,” “X-Men- Apocalypse”), editor Steven Kemper (“Salt,” “Mission: Impossible II,” “Face/Off”) and costume designer Amanda Neale (“Truth,” “Pete’s Dragon,” “What We Do in the Shadows”).

Filming on “The Meg” was accomplished on location in China and New Zealand.

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Advance Movie Screening For THE MEG

Find your chance to receive special advance movie screening passes below.

 

Phoenix, Arizona

Advance Movie Screening Details

Movie Screening Date: Monday, August 6th
Location: Harkins Arizona Mills
Movie Screening Time: 7:00pm
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Tucson, Arizona

 

Advance Movie Screening Details

Movie Screening Date: Monday, August 6th
Location: Century El Con
Movie Screening Time: 7:00pm
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Las Vegas, Nevada

 

Advance Movie Screening Details

Movie Screening Date: Monday, August 6th
Location: Regal Red Rock
Movie Screening Time: 7:00pm
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Albuquerque, New Mexico

 

Advance Movie Screening Details

Movie Screening Date: Monday, August 6th
Location: Regal Winrock
Movie Screening Time: 7:00pm
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Advance Movie Screening Information

To redeem a pass, simply click the Get Passes button. You will taken to our movie screening partner site (where you can sign up for a free account). Once you’ve done so, you’ll be able to print out your pass and bring it with you to your screening or event.

Admittance into a screening or event is not guaranteed with your pass. Events and advance screenings are filled on a ” first come, first served ” basis. To ensure that you stand a good chance of being admitted, we recommend that you show up 30 minutes to one hour early.

The number of admissions that are permissible for each pass are printed clearly on the ticket that you print out. You are allowed to bring as many guests as is indicated on your pass. For example, if your pass is for ” Admit Two, ” you can bring yourself and one guest. If you have an ” Admit One ” pass, you can bring only yourself.

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Mission: Impossible Fallout Movie Review

Mission: Impossible – Fallout” takes a lesson from the fictional rock band Spinal Tap, and the movie action gets ‘put up to 11’. That means the movie is a non-stop E-Ticket thrill ride for nearly the entire run time (over 2 hours). Yes, it does stop occasionally to explain this situation or go over the disastrous outcome if that other thing happens. The main focus is on the action sequences and fight sequences. All of the over-the-top action, piling even more and more onto the plot that will threaten to make it burst with adrenaline. There in the center of it all is Tom Cruise, making stuntmen everywhere proud…

“Mission: Impossible – Fallout” takes a couple of character from prior movies and also bring them into the action. But the main Impossible Mission Force is back together as in the past. Ethan Hunt (Tom Cruise) is the leader, and he also needs the talents of Benji (Simon Pegg) and Luther (Ving Rhames). There is stolen Russian plutonium and Hunt blows a chance to buy it off the black market. He instead chooses to save the lives of his team members. IMF is called into action, as directed by the new IMF secretary Alan Hunley (Alec Baldwin). But current CIA chief Sloane (Angela Bassett) will not allow IMF to operate on its own. She embeds a CIA asset named August Walker (Henry Cavill), and he is there to terminate the operation (and Hunt) if things go south.

So as soon as things could go wrong, they do… Hunt and Walker do a High Altitude (HALO) jump into a party held in Paris by White Widow (Vanessa Kirby). She is a black market operative who can obtain the missing plutonium – at a price. Hunt assumes the identity of a rogue operator who is part of a new terrorist group. White Widow buys the cover story that Hunt is the right guy. But the price is steep. Hunt and Walker must capture a police-held ex-British spy named Solomon Lane (Sean Harris). But there is another person interested in finding – and killing – Lane. That is Ilsa Faust (Rebecca Ferguson) who is a British MI-6 agent who went deep undercover into Lane’s group. She must eliminate Lane to prove her worth.

Hunt and his crew get Lane, and are almost killed by Ilsa. But there are deep moles and turncoats and double-crosses around every corner. Ethan Hunt finds that he can trust almost no one. They team travel to London, where they will exchange Lane for the black market plutonium. But the twists come hot and heavy, and soon they are left empty-handed. Hunt and his team, along with Ilsa, travel to where Solomon Lane might be going next – Kashmir. They trace him to a volunteer temporary hospital. Hunt finds out that Lane specifically chose this location – Hunt’s ex-wife Julia (Michelle Monaghan) is there. They find that two of the nuclear cores have been constructed into bombs. There is a very complex way to defuse these two bombs, but only once the countdown has started. So will the team be able to find the bombs, and get them de-armed – before — FALLOUT?

Each Mission: Impossible has been a wild ride that relies a lot more on thrills than on a simple cohesive plot. But it always works out better than way. The more outrageous the premise, the more dire the outcome – it makes the M:I team come together and beat the odds. Odds that are Impossible, naturally. But always leading this pack is Tom Cruise as Ethan Hunt. His steely-eyed focus on an over-the-top goal makes everything more interesting.

Cruise has partnered with Christopher McQuarrie who has now become the only director to helm two M:I movies. Plus McQuarrie as this film’s only writer takes the story-line into treacherous places with treacherous people undermining Hunt’s Mission. But with many capable actors joining them (many going back for quite a few movies) – the results are spectacular.  Sure, the overall details may not make perfect sense, but they propel the action forward, usually at breakneck speed.

Or perhaps it moves at break-ankle speed, referring back to the stunt that Cruise did over the London rooftops, where is landing was a little too rough. He suffered a few broken ones there, but he would not give up and – like this movie – there is nothing that will stop a Great Action Sequence!

Teen Titans Go! To the Movies Movie Review

“Teen Titans Go! To the Movies” is nifty little animated production that shows you DC Comics can ‘extend their universe’ by creating a comical superhero movie. These smaller teenaged versions of superheroes can deliver a decent production with some pretty pointed jabs at the big boys (Superman, Batman, Green Lantern, etc.). Based on the Cartoon Network animated show, this team of small fry heroes will grab a rung on the ladder that is the DC Franchise, and pull them selves up to the — well maybe not exactly to the top, but it will be close…

All the Teen Titans are led by a young Robin (Scott Menville), known mostly as Batman’s sidekick. But he is joined by other young kids with special powers. There is Beast Boy (Greg Cipes) who can transform into any type of wild beast or animal. There is Cyborg (Khary Payton) who a mechanical human with high-tech powers. Also part of the team are Raven (Tara Strong) who is a half-human, half-demon sorceress and also Starfire (Hynden Walch) – an alien Tamaranian princess with super-human powers. They all hang out together and wait to fight crime.

But because of their ages and size, the regular superheroes never give them much of a chance. The last straw for Robin is when he finds out all the other superheroes are getting their own movie. Even Batman’s butler is going to get a new movie! The producer and director of the big movies is Jade Wilson(Kristen Bell). They all attempt to persuade Wilson to get them into a movie. But she refuses, because they do not have super arch-nemesis. That is someone who is planning for an evil world-changing event – so if they find someone like that and stop that evil-doer, well then, maybe a movie would be in order. 

The next thing you know is that the Teen Titans cross paths with a major super villain who has a complex maniacal plan to rule the people of Earth. This fiend is none other than Deadp… opps, sorry – it just looks a lot like him – This fiend is none other than Slade (Will Arnett). Slade is going to brainwash the whole world into doing his bidding; causing mayhem in the street, robbing banks, disarming police stations, and picking him at the airport on short notice…

Jade Wilson then starts to make the movie about the Teen Titans. But wires get crossed and loyalties get tested. Wilson gets rid of team and only wants to work with and use Robin. But are there some underlying nefarious things that are going on? Is Slade somehow in involved to divide the Teen Titans team and get Robin to deliver some final piece of Slade’s ultimate Earth take-over plan… Will the Teen Titans be able to overcome any differences and unite to fight off a bad dude and prevent global chaos?

This movie is a light and breezy treat of DC Comics cotton candy, as opposed to the usual DCEU movies that are dark foreboding meals of burnt steak and thick ale. But it is more fun to see something fun, so this version could attract a decent audience beyond just kids and teenagers. However, there are plenty of fart and poop jokes. So that way you do not forget that the target is for kids and teenagers. The whole DC Universe is given a nice satirical look, and it evens gets a big NON-DC player into the act. (Enough with the cameos, Stan Lee!)

The voice acting is right on target, and the colors and images on screen are all very vivid. Most of the character voices are from the TV series, but a few big names are brought in. Kristen Bell does a good job with Jade Wilson, and Will Arnett is totally funny when he is voicing Slade. There is also a wonderful bit of trivia cameo. Back in the 80’s Nicolas Cage was considered for the role as Superman. But now, Cage does get a chance to lend his voice-over to get this done. Good job, Teen Titans! You have righted a wrong in this universe!

Hunter Killer – Trailer

‘HUNTER KILLER’

Deep under the Arctic Ocean, American submarine Captain Joe Glass (Gerard Butler, Olympus Has Fallen300) is on the hunt for a U.S. sub in distress when he discovers a secret Russian coup is in the offing, threatening to dismantle the world order. Captain Glass must now assemble an elite group of Navy SEALs to rescue the kidnapped Russian president and sneak through enemy waters to stop WWIII.

Also starring Oscar® winner Gary Oldman (Best Actor, Darkest Hour, 2017), Common (John Wick: Chapter 2), Linda Cardellini (Avengers: Age of Ultron) and Toby Stephens (Die Another Day), HUNTER KILLER is a high-stakes thriller that unfolds both on land and at sea. Only in theaters nationwide by Summit Premiere on October 26th, 2018.

Directed by Donovan Marsh and written by Arne L. Schmidt and Jamie Moss, HUNTER KILLER is based on the book Firing Point written by retired naval officer George Wallace and author Don Keith. The production of HUNTER KILLER was also fully supported by the United States Navy.

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In Theaters October 26

http://www.fandango.com

OPERATION FINALE with Ben Kingsley and Oscar Isaac – Trailer

‘OPERATION FINALE’

Metro Goldwyn Mayer Pictures’ razor-sharp thriller, Operation Finale, brings to life one of the most daring covert operations in modern history. Starring Academy Award winner Sir Ben Kingsley (Gandhi, Schindler’s List) and Golden Globe winner Oscar Isaac (Star Wars: The Last Jedi, Ex Machina), the film vividly captures the ingenious and brilliantly executed mission to capture Adolf Eichmann, one of the chief architects of the Holocaust.

Fifteen years after the end of World War II, acting on irrefutable evidence, a top-secret team of Israeli agents travel to Argentina where Eichmann (Kingsley) has been in hiding together with his family under an alias Ricardo Klement and execute an extremely dangerous abduction. In attempting to sneak him out of Argentina to stand trial in Israel while being pursued by the country’s right-wing forces, agent Peter Malkin (Isaac) is forced to engage Eichmann in an intense and gripping game of cat-and-mouse with life-and-death stakes.

Genre: Thriller

 
Director: Chris Weitz
Cast: Oscar Isaac, Ben Kingsley, Lior Raz, Melanie Laurent, Nick Kroll, Joe Alwyn, Haley Lu Richardson, Michael Aronov, Ohad Knoller, Greg Hill, Torben Liebrecht, Mike Hernandez, Greta Scacchi and Pêpê Rapazote

#OperationFinale

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In Theaters August 29th

http://www.fandango.com

Blindspotting Movie Review

“Blindspotting” is a movie that moves with a rhythm and a rhyme of a hip-hop rave, to the hipsters in the street and the gangsters in the grave, there in a city in rebirth, being reborn, but not without pains, as the losses and gains pile up on the people who whose spirit has left but the flesh remains – worn down by the pressure and how it oppresses, with too many failures with too few successes, when the white and black and rich and poor are seeing only divisions, and not visions of together and futures always better – being all just one city and one family forever.

That concludes the ‘ hip-hop & rap’ portion of this review.

Collin (Daveed Diggs) has grown up with his close friend Miles (Rafael Casal) in the poor side of Oakland. The city has changed so much and Collin and Miles have trouble keeping up. Miles is a little too hot-headed and can easily erupt in anger. Collin has been in trouble with the law and he is a few days from the end of his probation period. If he can get through the next few days, living at a half-way house with very strict rules, Collin with have much of his freedom back. But Miles will always be a threat to Collin, if he happens to be around him at the wrong time.

Collin and Miles both work at a moving company. Collin’s ex-girlfriend Val (Janina Gavankar) runs the front desk. They rarely speak of the incident that caused Collin to be arrested a year ago. Miles has a current girlfriend and a little boy. But he thinks that the local neighborhood has gotten so bad that he needs to carry a gun. Parenting Alert: handguns and little boys usually do not mix. Collin is anxious that Miles is holding a weapon, because if he ever gets stopped by the police, there is a guarantee of more jail time.

There is a night when Collin is driving the moving truck back after work, and he is stopped at a light. He needs to be back very soon, because the curfew time is near. But there is a man who runs in front of his truck, and he is black and running into the night. And soon the man is followed by a policeman, and there is an ‘Officer-involved shooting’, right next to Collin. He is afraid to stick around, so he leaves in the truck and tries to forget what happened. But that will be impossible to forget.

Over the course of the next couple of days, Collin tries to reconnect with Val, and he tries to create a distance from Miles. There is the shooting that is still in his mind, and it makes him think that any day might be his last. Color creates differences in the people of the hood. There are new sections that are being renovated, where all the old buildings are now worth so much more. The long-term, old-time residents are being pushed out. Including a photographer named Patrick (Wayne Knight), whom the guys help get packed for a move elsewhere.

Eventually, the incident that caused Collin’s arrest is revealed, and it is handled with an amusing touch. But even later, there is an impromptu meeting between Collin and the Officer (Ethan Embry) – from the ‘Officer-involved shooting’. Collin is beside himself with rage, and there is almost a new ‘incident’. But Collin is able to pull himself back from the brink, and he is able to walk away knowing that he was the better man.

Daveed Diggs and Rafael Casal have written a bittersweet love letter to their Oakland home. They have hit on so many themes that it is dizzying to watch. But they wrote the characters that they know, and then also acted out as those real human beings. Their work is impressive, as first-time writers and then playing out the story they know so well. Also Carlos López Estrada has done a splendid job as the first-time director.

Other than a couple of times when the change in tone is little too abrupt, or when the story strays onto the side of farce rather than drama – it sticks to a steady beat of honest daily toil in an indifferent city. Diggs and Casal have captured a good look into a rough life. They could have had a little better inclusion of some normal white guys, though. All of the white characters are either black-culture infused like Miles, or they are Portlandia hipster types, or they are ignorant racist cops.

Opens July 27th in Phoenix theaters

Mamma Mia! – Here We Go Again Movie Review

Mamma Mia! came out a decade ago in 2008. In that film, we meet Sophie, played by Amanda Seyfried, who, by the way, has the voice of an angel. Sophie is about to get married to Sky (Cooper) and she sends invitations to three men, Sam (Brosnan), Harry (Firth) and Bill (Skarsgård) who we learn were all close with her mother Donna, who’s played by the extremely gifted Meryl Streep.
Donna is unaware her daughter has done this, but the reason Sophie felt it important to invite these men is because she has never known her father. She wants her father to give her away at her wedding. Sophie found Donna’s journal and discovered that her mother had relations with these three men around the time she was conceived.
Quite sure it’s one of them, she hopes to find out which one when they arrive. That’s quite an idea for a story, especially a musical told using tunes from the incredible group ABBA. It worked, that’s for sure. The film was a big hit despite the fact that the actors’ cast were the singers, as well, or because of that very reason. They were spectacular and the film and soundtrack both magnificent. 

Since its success, everyone has been waiting for a second go around and it finally came with ‘Mamma Mia! Here We Go Again,’ which is fun in theory but just isn’t as good. But then again, how could it be? The original had a charm tough to match. This second film is a prequel telling the stories of Donna meeting Sam, Harry, and Bill. We meet the young Donna, a wild flower child of the 70’s, played wonderfully by Lily James, when she’s at her graduation. We also get to know her lifelong friends and backup singers, Tanya, played by Jessica Keenan Wynn, in for Christine Baranski and doing a bang-up job of it, and Rosie, played by Alexa Davies, who did a passable Julie Walters. You’ll love their characters as you did in the original.

Leaving her besties behind, Donna decides she’s off to tour the world alone. As she does, she doesn’t mind having an occasional love affair which is when we meet those three guys one by one. First, it’s Harry (Hugh Skinner), who distracts her in Paris. This is where they’re able to squeeze in a decent excuse for a fun rendition of ‘Waterloo.’ Next comes Bill (Josh Dylan), who, perhaps expectedly, has a boat when Donna runs into him. She uses him to get to her island destination. Then young Sam (Jeremy Irvine) enters, who as if waiting for her all along, is already on the island when Donna gets there. Fate, maybe?

What makes the film uncommon are the ABBA songs which fill each storyline, as they did before. Most are lesser known tunes but that doesn’t change the fact that they’re good songs, especially lyrically. Each song fits the situation well but none as good as ‘Fernando.’ Cher looked oddly uncomfortable in her performance, but she sings it beautifully. Andy Garcia, who plays Fernando, not so much. However, the situation that surrounds the two being a couple is quite comical.

As before, the vocals are well done but what you liked so well about the first movie simply isn’t there but that won’t stop you from enjoying yourself and singing along. What does is finding out that Meryl Streep’s Donna has passed away which creates a bit of a sadness in you, the audience member who expected to see her. Director Ol Parker came up with an ingenious way to bring her back into the fold, which helps you endear yourself to his particular vision. He uses a lot of callbacks throughout the entire film which helps you, as well, but at the same time, makes you wish you were just watching this first one instead. Rest assured that, even if that’s true, you have to see this. You may not watch or listen to it as many times as the first, you still have to see it once.

The Equalizer 2 Movie Review

“The Equalizer 2” is special, if only because it is the first sequel that Denzel Washington has ever wanted to do (“The Sequel-izer”?). In 2014 “The Equalizer” took the old TV series and gave it a make-over with Denzel playing Robert McCall. This time around Denzel brings along the same director and the same writer as with the first installment. They have come up with another dose of action and revenge – with Robert McCall always looking out for the little guy. He brings justice to an unjust world, one kick-ass sequence at a time. With this movie, the second time around is not frantic as the first, but it ends up with a wild finish.

Robert McCall (Denzel Washington) goes about his business and tries to mind his own business. He even has become a part-time Lyft driver so he could connect with everyday people. But with his many years of Special Forces training and even more years in a special operations unit in the CIA, there are ‘very particular set of skills’ that McCall can use to “equal the scales of justice”. That happens at the start, when he travels to Turkey to get back a kidnapped little girl. McCall lives in a simple manner, and has some friends in the Boston neighborhood where he is located. He befriends Miles (Ashton Sanders), who is a young black man with some artistic skills – but he also has a toxic attitude.

McCall has some other friends who live in Washington DC. Susan Plummer (Melissa Leo) is a retired CIA manager who headed up McCall’s old unit. She and her husband Brian Plummer (Bill Pullman) are close to McCall, and they knew his wife before she passed away. Susan is called to research an odd murder-suicide that happened in Brussels. The man and wife happened to also be deep-cover agents for the CIA. She goes to see if there was any connection. She goes with agent Dave York (Pedro Pascal), and was also part of the special ops team and had partnered with McCall years ago. But there is an incident in Brussels and Susan is killed. The police think it was a couple of meth users, but McCall thinks it was much more than that.

The scenes flip back and forth between Boston and Washington DC and Brussels. But McCall keeps busy with his Lyft driving, while still doing forensic analysis on Susan’s phone and computer. He helps an elderly man to find a long-lost sister. He helps a young woman who had been brutalized by a group of high-dollar, low-class men. And everywhere he goes, he can leave a trail of blood and bodies. He also helps his young friend Miles, and convinces him to stay out of a violent street gang. Miles slowly learns that McCall has the ability to turn on some street gang level violence just on his own.

While the weather gets worse and worse in Boston, McCall figures out that his old teammate, Dave York, might be playing now on a different team. There is a lot of bad blood between them, when McCall knows who it was ultimately behind Susan’s murder. York has a group of henchmen who can make life difficult for McCall. They all follow McCall to his old home on the Cape Cod coast. But somebody forgot to turn off the hurricane that is making landfall near the town. McCall must face off with the evildoers in a driving wind and in drenching rain. But when he is able to use any item at his disposal to put up a defense against the bad guys, he has an advantage. But when they also have an ace-in-the-hole (or is that a Miles-in-the-trunk?) – the fighting gets pretty berserk.

Denzel Washington is (again) excellent playing Robert McCall. He has a steely-eyed gaze that could cause any wrong-doer to think twice and join the side of the angels. But his close-contact fighting skills can leave an opponent on the ground gasping. Denzel must enjoy this role, because he looks worn into place yet very nimble. Working again with director Antoine Fuqua brings a good level of karma to the whole production, and the result is very watchable. Pedro Pascal is also really good as a slick operative who is adept at playing both sides. Ashton Sanders does a decent job at not being entirely overshadowed by Denzel. Everyone else is mostly extended cameos in the movie.

 

Aside from the first half, which flips locations quite often, the pacing is steady. It picks up a lot in the second half, and final third is just a brilliant fast-paced cat-and-mouse fight sequence. The entire purpose behind all the murders is a little murky, and there a few scenes that go on a smidge too long. Maybe a more cohesive story line, and a few more days of editing could have turned this into a more forceful movie. Right now it is way above average, and a great deal of that goes to the presence of Denzel. His shoulders are wide enough to carry many obstacles.

 

“The Equalizer 2” is not a movie I ever expected to see made. But because of the care that Denzel Washington puts into the character of Robert McCall, this is a franchise that might be able to continue on with more movies and more high praise. All things being Equal…