Pope Francis – A Man of His Word Trailer

Focus Features will soon release Pope Francis – A Man of His Word

StoryWim Wenders’ new documentary, “Pope Francis – A Man of His Word,” is intended to be a personal journey with Pope Francis, rather than a biographical documentary about him. The pope’s ideas and his message are central to this documentary, which sets out to present his work of reform and his answers to today’s global questions.  From his deep concern for the poor and wealth inequality, to his involvement in environmental issues and social justice, Pope Francis engages the audience face-to-face and calls for peace.

Director: Wim Wenders (“Buena Vista Social Club,” “Pina,” “The Salt of the Earth”)

For more info, please follow the film on social:

Official Site I Facebook I Twitter I Instagram

#ThePopeMovie

In Theaters May 18th

http://www.fandango.com

Midnight-Sun-movie-screening

Midnight Sun Advance Movie Screening

Movie Screening Summary

MIDNIGHT SUN, an epic romantic drama, follows 17-year-old Katie Price (Thorne), sheltered since childhood with a life-threatening sensitivity to sunlight. Katie’s world opens up after dark when she ventures out to play her guitar for travelers. One night, she meets Charlie (Schwarzenegger) whom she has secretly admired for years. She hides her condition from him, and the two embark on a uniquely powerful romance.  Rob Riggle plays Katie’s loving and compassionate father, Jack, who endeavors to give his daughter a good life.

MIDNIGHT SUN Official Channels

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TWITTER: https://twitter.com/midnightsun_mov

INSTAGRAM: https://www.instagram.com/midnightsunmov/

HASHTAG: #MidnightSunMovie

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Advance Movie Screening For MIDNIGHT SUN

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Phoenix, Arizona

Advance Movie Screening Details

Movie Screening Date: Wednesday March 21
Location: Harkins Tempe Marketplace
Movie Screening Time: 7:00pm
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Las Vegas, Nevada

Advance Movie Screening Details

Movie Screening Date: Wednesday, March 21
Location: Regal Red Rock
Movie Screening Time: 7:00pm
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Advance Movie Screening Information

To redeem a pass, simply click the Get Passes button. You will taken to our movie screening partner site (where you can sign up for a free account). Once you’ve done so, you’ll be able to print out your pass and bring it with you to your screening or event.

Admittance into a screening or event is not guaranteed with your pass. Events and advance screenings are filled on a ” first come, first served ” basis. To ensure that you stand a good chance of being admitted, we recommend that you show up 30 minutes to one hour early.

The number of admissions that are permissible for each pass are printed clearly on the ticket that you print out. You are allowed to bring as many guests as is indicated on your pass. For example, if your pass is for ” Admit Two, ” you can bring yourself and one guest. If you have an ” Admit One ” pass, you can bring only yourself.

If you have any other questions or comments, please contact us.

Submission Movie Review

Stanley Tucci plays, Ted Swensen, a moderately famous professor of literature in ‘Submission.’ Due to having sold one somewhat lucrative novel and being touted, for a moment, ‘the writer to watch,’ he teaches the subject but isn’t necessarily where he wants to be.  On occasion, he gets some special attention from students, fans of his work, he might not otherwise have received and smiles at the thought. However, after the failure of being able to write a follow-up book, he realizes that things might not ever be better than it is now. Wanting more than what his station can provide, he gets himself into a mess when an opportunity to feel on top again presents itself. It comes in the form of the adoration of a young student. Enjoying the praise and attention, his ego or inner nature doesn’t see the path he is being led down, only where the road may ultimately lead. I’ll give you a hint… he’s on a course to self-destruction.

Richard Levine’s adaptation of the Francine Prose novel, ‘Blue Angel’ is a fascinating, dramatic narrative about the glaringly oblivious, powerful male archetype being chewed up and swallowed by a seemingly sympathetic, innocent and doting student, aptly named, Angela. It is divine. The angelic student is presented to us by the wonderfully gifted Addison Timlin, who first starts weaving her web by flattering Ted, telling him how much his book helped her get through her father’s death. Timlin’s Angela is engaging and hypnotizing. Angela is crafty and manipulative and though tender at first, she gets more aggressive, knowing full well when to bring out the big guns.

One day while speaking to him after class, she overwhelms him with the things and people she most admires. She throws out some of her other favorite authors, all names that impress him and help them relate to one another, not to mention, compel him to want to know more. She speaks of her own book and while doing so she makes herself seem vulnerable, cutting herself down whenever possible so that she can gauge his feelings by whether or not he tries to build her back up. She the queen to his pawn in a game he isn’t prepared to play. She soon asks her professor to read the first chapter of her book and asks him to tell her what he thinks of it. Who better to give her an opinion than the wonderful and talented Ted Swensen? After she explains all the reasons he shouldn’t read it, he agrees to make time for it. The book is called ‘Egg’ which turns out to be largely sexual in nature.

We listen to Swensen’s inner dialogue through the beginning of the film, which is fitting to carry the story forward. You might not be a big fan of voice over but it’s humorous and instructive at times and helps endear the audience to his character. However, as we move further along, we don’t hear his thoughts as much, only the chapters he is reading as they now have consumed his every thought, his imagination and have cost him sleep. As his interest in the story intensifies so does his interest in Angela. He believes this young author to be, ‘Quite accomplished,’ and instructs her not to show it to others; to keep is close.

Through different characters and situations, at a dinner party with his loving wife, Sherrie (Sedgwick), and speaking of his student Angela with another professor, Magda (Garofalo), he is given subtle warnings about her and the situation that’s building in general and doesn’t catch a single one. Through these warnings, the audience gets a glimpse of how dangerous having one’s ego stroked to this degree can be. Tension builds, you shake your head at him and though he tries to tell himself he’s only a mentor, maybe even a father figure, it’s not working with you.

This is a great strategy and Tucci is the perfect everyman to associate with. This story is fantastic. We see that the jig is finally up when he reads the line in the book, ‘I alone had the power to make a grown man risk everything.’ This is a brilliant way to finally give Ted an awakening, one of many.

Submission is a pleasure. It’s well written, well shot and the actors were remarkable. It unfolds to reveal two opportunists, one more vicious than the other. I’ll let you decide which one that is.   *See it at Harkins Shea 14 tonight!

Ready-Player-One-Movie-Screening

Ready Player One Advance Movie Screening

Movie Screening Summary

From filmmaker Steven Spielberg comes the science fiction action adventure “Ready Player One,” based on Ernest Cline’s bestseller of the same name. The film is set in 2045, with the world on the brink of chaos and collapse. But the people have found salvation in the OASIS, an expansive virtual reality universe created by the brilliant and eccentric James Halliday (Mark Rylance). When Halliday dies, he leaves his immense fortune to the first person to find a digital Easter egg he has hidden somewhere in the OASIS, sparking a contest that grips the entire world. When an unlikely young hero named Wade Watts (Tye Sheridan) decides to join the contest, he is hurled into a breakneck, reality-bending treasure hunt through a fantastical universe of mystery, discovery and danger.

http://readyplayeronemovie.com

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Advance Movie Screening For Ready Player One

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Phoenix, Arizona

Advance Movie Screening Details

Movie Screening Date: Monday, March 26
Location: Harkins Arizona Mills
Movie Screening Time: 7:00pm
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Tucson, Arizona

Advance Movie Screening Details

Movie Screening Date: Monday, March 26
Location: Century El Con
Movie Screening Time: 7:00pm
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Las Vegas, Nevada

Advance Movie Screening Details

Movie Screening Date: Monday, March 26
Location: AMC Town Square
Movie Screening Time: 7:00pm
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Albuquerque, New Mexico

Advance Movie Screening Details

Movie Screening Date: Monday, March 26
Location: Regal Winrock
Movie Screening Time: 7:00pm
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Advance Movie Screening Information

To redeem a pass, simply click the Get Passes button. You will taken to our movie screening partner site (where you can sign up for a free account). Once you’ve done so, you’ll be able to print out your pass and bring it with you to your screening or event.

Admittance into a screening or event is not guaranteed with your pass. Events and advance screenings are filled on a ” first come, first served ” basis. To ensure that you stand a good chance of being admitted, we recommend that you show up 30 minutes to one hour early.

The number of admissions that are permissible for each pass are printed clearly on the ticket that you print out. You are allowed to bring as many guests as is indicated on your pass. For example, if your pass is for ” Admit Two, ” you can bring yourself and one guest. If you have an ” Admit One ” pass, you can bring only yourself.

If you have any other questions or comments, please contact us.

THE STRANGERS: PREY AT NIGHT

The Strangers: Prey at Night – Movie Review

If you’ve ever read any of my reviews for horror films, you’ll know I base how frightening the movie was by whether or not I have to leave the light on at bedtime. This is a leave, at least, a nightlight on type of situation. The main reason for that is because if you let the main theme of the film, people out to kill you who won’t stop until they do, sink into your psyche it’s quite distressing and can interrupt one’s plans for a good night’s sleep. The movie played a part it in, as well, of course. It’s a decent horror but it did have its fair amount of eye-rolling scenes, mostly due to things the characters do that no one in their right mind would. If they hadn’t continually done, well, stupid things that make you periodically root for the killers, Dollface, Pin-Up Girl and Man in the Mask, the flick would most likely keep you up all night. The very thought that people would want to kill indiscriminately because they’re bored is terrifying. When asked by one of the characters why she’s doing what she’s doing, Dollface responds, ‘Why not.’

The original movie, The Strangers, written and directed by Bryan Bertino, one of the writers of this film, was unique and more frightening than this but its sequel is filled with just as much blood and as many jump-scares as its predecessor. Dollface and Pin-Up Girl seem to always come out of nowhere to wrangle this family of vacationers right where they want them to be able to torture them with ease. The first film, starring Scott Speedman and Liv Tyler, is similar in that they are a married couple who are terrorized at their vacation home by masked strangers. This time, it’s a married couple with two teenage kids, going to spend a vacation at a family members trailer park near a lake. What makes this all more frightening of a thought is where the premise of the screenplay originally came from. The Strangers came to Bertino because of two true events. Those of the Manson family, Tate murders, where several people were killed for being in the wrong place at the wrong time and also a series of break-ins that happened in Bertino’s neighborhood when he was younger, whereupon a stranger would knock on the door and ask if a particular person was home, just to see if someone was there. If no one was home at the moment, that was the place they hit. Combining these two ideas made it possible to construct a horrifying tale of unwitting victims unable to escape the circumstances they found themselves.

Christina Hendricks (Madmen) plays a mother named Cindy and Martin Henderson (Grey’s Anatomy) plays her husband, Mike, who decide to force their teenagers, Kinsey (Madison) and Luke, played by Bill Pullman’s son Lewis, to take a trip with them to a place where Cindy and Mike, more or less, have their kids to themselves. Well, they do get them to themselves but not for long.

They find that the trailer park is deserted and her uncle isn’t there to greet them so they’ll see them in the morning. It’s peculiar but god forbid anyone listens to the hairs on the back of their necks which are pointing the way out for them. They ignore their gut feelings and because of that decision, their family vacation never gets underway. The terror starts almost the very moment they get there… without a chance to play cards or reconnect. From earlier scenes, you can see that the siblings aren’t close but before long they’re having to save each other. They find themselves wandering alone, in a place they’re not familiar with, without help and no way to get any.

For the most part, it’s cliché (a wounded girl can’t run) and it’s highly predictable (the victims moves toward the problem not away from it) and I just can’t say enough how ridiculous it is that the individuals in this film’s scenarios put themselves in danger more than help themselves out of it. That said, if you like a good, fun horror, you’ll get plenty out of it. There are a lot of jump-scares and the occasional clutch-your-seat scene to make this a worthwhile watch. There was particular care in making sure you heard people struggling to live. That was a plus. Director Johannes Roberts puts you into the action in a scene where Luke is being attacked by Man in the Mask in a pool. We go under the water with him, briefly come up for air only to be yanked back under giving us that feeling of all hope being lost at the same time Luke experiences it. Eerie. I would like Roberts to explain one thing to me, though. Why on earth is Man in the Mask a big fan of Kim Wilde and Air Supply? Perhaps to remind us that he is just a normal guy under there or that he’s a touch on the older side? Whatever the answer, it was odd. So is the film. Watch it anyway but I’d wait for cable.

 

THE STRANGERS: PREY AT NIGHT Official Channels

Website: preyatnight.com

Facebook: Facebook.com/TheStrangers

Twitter: @TheStrangers

Instagram: @TheStrangers

Gringo Movie Review

The movie “Gringo” finds a way to mix humor into a horrific kidnapping situation. When a timid middle-manager is sent to Mexico to oversee a large corporation laboratory, he gets mistaken for the guy in charge. And when the guy in charge is pulling a fast one on the local drug cartel, then the results might not be so pleasant for that guy. But can the tables be turned on the corporation bosses and the cartel kingpin?

 

Harold (David Oyelowo) works for that large corporation which manufactures drugs. He is ignorant of many facts around him. His wife Bonnie (Thandie Newton) is having an affair and is going to leave him. His boss Rich (Joel Edgerton) is working side deals with the cartel, and is attempting to cover it up, so he can sell the business to a mega-firm. His partner Elaine (Charlize Theron) is all business, until her trysts with Rich are ending. Then she looks for a way to get even.

Harold goes down to the company lab in Mexico, where a cannabis tablet is being made. When it becomes legal everywhere in the States, then the company will have a gold mine. But Rich has been selling much of the product on the side to the cartel. Harold begins to see where the trail is leading, and he wants out. His wife is leaving him, he is dead broke and the company thinks he is expendable. The cartel wants Harold because they think he is in charge and can make the special tablets.

Harold happens to meet an American girl named Sunny (Amanda Seyfried), who is also in Mexico. Her boyfriend is planning on stealing the tablets and smuggling them back to make drug mule money. Harold is caught between the cartel thugs, and then some amateur thugs, when both try to kidnap him. Rich finally calls his brother Mitch (Sharlto Copley) who an ex-Special Forces guy and can get Harold back home safe. But Harold is not going to trust anyone anymore. Can anyone make it out alive?

“Gringo” takes serious subject and plays it for some laughs. Getting kidnapped in Mexico is not a fun thing. But David Oyelowo plays such a hilarious character that you want to root for the underdog. Joel Edgerton plays a great sleazy businessman in over his head who is courting disaster. Sharlto Copley does a crack-up job with a fairly brief role as Mitch, and he is fun to watch. The rest of cast is also well placed in the roles that they play. Nash Edgerton handles the direction with very few issues, and he keeps the action moving forward at a brisk pace. The action goes from Chicago to Mexico many times, and there are no dull pauses.

The movie takes a pretty good swing at being an action movie with a big dose of comedy. There are many places where it could have been a too dark for comedy, but it pulls it back just in time. The pacing makes it so each scene does not linger too long and become stale. And you even get to enjoy David Oyelowo singing along with “Getting’ Jiggy wit It”.  That will warm the heart of any gringo!

The Grinch – Trailer

For their eighth fully animated feature, Illumination and Universal Pictures present The Grinch, based on Dr. Seuss’ beloved holiday classic.  The Grinch tells the story of a cynical grump who goes on a mission to steal Christmas, only to have his heart changed by a young girl’s generous holiday spirit.  Funny, heartwarming and visually stunning, it’s a universal story about the spirit of Christmas and the indomitable power of optimism.

Academy Award® nominee Benedict Cumberbatch lends his voice to the infamous Grinch, who lives a solitary life inside a cave on Mt. Crumpet with only his loyal dog, Max, for company.  With a cave rigged with inventions and contraptions for his day-to-day needs, the Grinch only sees his neighbors in Who-ville when he runs out of food.

Each year at Christmas they disrupt his tranquil solitude with their increasingly bigger, brighter and louder celebrations.  When the Whos declare they are going to make Christmas three times bigger this year, the Grinch realizes there is only one way for him to gain some peace and quiet: he must steal Christmas.  To do so, he decides he will pose as Santa Claus on Christmas Eve, even going so far as to trap a lackadaisical misfit reindeer to pull his sleigh.

Meanwhile, down in Who-ville, Cindy-Lou Who—a young girl overflowing with holiday cheer—plots with her gang of friends to trap Santa Claus as he makes his Christmas Eve rounds so that she can thank him for help for her overworked single mother.  As Christmas approaches, however, her good-natured scheme threatens to collide with the Grinch’s more nefarious one.  Will Cindy-Lou achieve her goal of finally meeting Santa Claus?  Will the Grinch succeed in silencing the Whos’ holiday cheer once and for all?

Find out, Christmas season 2018.

Genre: Animated Comedy

Directed by: Scott Mosier, Yarrow Cheney

Based on the Book by: Dr. Seuss

Produced by: Chris Meledandri, Janet Healy

ILLUMINATION PRESENTS DR. SEUSS’ THE GRINCH – In Theaters November 9

Official Website | Facebook | Twitter | Instagram | #TheGrinch

In Theaters November 9th

http://www.fandango.com

A Wrinkle in Time Movie Review

This is a story of light overpowering the darkness, good overwhelming evil and love’s triumph over hate. There are some magical moments in the film but a few instances of head-scratching will occur, as well. We are taken on a journey that a young woman, Meg (Reid), must take in order to move forward with her life. Doubting love, unhappy with life and questioning her self-worth most of all, the sweet and happy-go-lucky little girl of the past has lived the last four years in misery and prefers keeping to herself, the only person she can trust. She knows her little brother, the highly intelligent and gifted Charles Wallace, played by an adorable and very into the part, Deric McCabe, loves her. If she’s to believe in love, however, why did her father leave her if he loved her as much as she loved him? The central question eating away at Meg is if he could just walk away, so could anyone else so why get attached?

Its been four years since she last saw her father, Mr. Murry (Pine), a brilliant Nasa scientist who believed you could fold time and move through it. Alone one night, he simply disappeared without a trace. At the time, he and her mother were working on a theory of projecting oneself through the universe with one’s mind. They introduced this idea to a group of scientists who weren’t ready to hear such a thing, not ready to hear that there were no rules to space and time. Her mother, played elegantly by Gugu Mbatha-Raw, a physicist and the more prudent of the two, knew telling them too early about the act of ‘Tessering’, moving from one place to another by closing your eyes, opening your mind and finding the right rhythm or frequency to travel, would not be taken seriously but her husband told them anyway only to be rejected. Not including her in another decision, he works in their lab and vanishes. Unsure if he left because he doesn’t love them anymore, the family is devastated and all work in science is halted… or so they thought. Young Charles Wallace has a secret to share with his big sister and the timing couldn’t be better.

He has been in contact with three divine, ethereal beings, referred to as the Mrs. as their names are (in order of appearance), Mrs. Whatsit (Witherspoon), Mrs. Who (Kaling) and the blessed, more powerful, Mrs. Which (Winfrey). They’re colorful, otherworldly souls who are aware of Mr. and Mrs. Murry and their achievements. They inform Meg, Charles Wallace and their friend Calvin (Miller) that they have heard a call from Mr. Murry and that they intend to help the children find him. They also tell them that he may be in danger. The spirits teach a very stubborn Meg that she needs to believe and to open her heart to find the right pitch in order to leap or Tesser into another dimension. She’s suspicious but joins the group to find herself on another plain in the universe. At a later moment, Mrs. Which explains that to Meg that a lot went into making her and that she’s a part of this giant universe, too. She deserves love… is love.

Zach Galifianakis, who gives a wonderful and somewhat stirring performance as Happy Medium (a fun play on words), a seer who helps point them in the direction their father can be found, tries to break through the wall Meg has surrounded herself with. It’s at this point that they all agree they need to show Meg what’s at stake. The It, which is the darkest mind in the universe, that can reach any and everywhere, even earth, wants to bring pain, despair and darkness to the universe and is where their father is trapped. They must save him, and but the Mrs. can go no further. The children are given a few gifts to help them and are sent out on their own. Once they are on their own, the movie has visual delights that will fascinate and amuse all who watch, especially the youngest in the audience. Structures begin to move and change which is interesting. There are some creepy moments and surreal moments, all done exceptionally well. Michael Peňa makes his appearance in a scene you wish you could rewind to watch again, and before he’s gone, he grabs Charles Wallace and infects him with the evil energy. The actor playing Charles Wallace is wonderful here, portraying a loving child one moment and conjuring a demon the next. He tries to get Meg to join him but she fights for their lives against the darkness; fights for them all. Megs final Tesser is glorious and you’ll know what I mean by that when you experience it yourself.

The film is good. This will be the family movie of the year. Youngsters will have a wonderful time watching it and so will you. Forget about Madeline L’Engle’s fantasy novel, just enjoy the film. I had a few problems with how director DuVernay didn’t set up the connection with Meg and her father enough for the audience to truly feel the love and bond between and scene with them toward the end which makes him look like a complete coward and turns you against him. That doesn’t make sense but overall, she did an exceptional job directing these young actors and bringing this beautiful story to the screen. The score and the soundtrack are fantastic, as well. See this at the theatre to experience it all the ways it should be.

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FIRST LOOK AT DISNEY’S LIVE-ACTION “CHRISTOPHER ROBIN”

Disney’s “Christopher Robin” Teaser Trailer is here!

HOW EXCITING!  Take a look at the teaser trailer for Disney’s “Christopher Robin,” coming soon to theaters. In the heartwarming live-action adventure, the young boy who embarked on countless adventures in the Hundred Acre Wood with his band of spirited and lovable stuffed animals has grown up and lost his way. Now it is up to his childhood friends to venture into our world and help Christopher Robin remember the loving and playful boy who is still inside.

Disney’s “Christopher Robin” is directed by Marc Forster from a screenplay by Alex Ross Perry and Allison Schroeder and a story by Perry based on characters created by A.A. Milne. The producers are Brigham Taylor and Kristin Burr with Renée Wolfe and Jeremy Johns serving as executive producers. The film stars Ewan McGregor as Christopher Robin; Hayley Atwell as his wife Evelyn; Bronte Carmichael as his daughter Madeline; and Mark Gatiss as Keith Winslow, Robin’s boss. The film also features the voices of: Jim Cummings as Winnie the Pooh; Chris O’Dowd as Tigger; Brad Garrett as Eeyore; Toby Jones as Owl; Nick Mohammed as Piglet; Peter Capaldi as Rabbit; and Sophie Okonedo as Kanga.

Follow on social media:

Facebook:        https://www.facebook.com/DisneyChristopherRobin/

Twitter:           https://twitter.com/DisneyStudios

Instagram:       https://www.instagram.com/disneystudios

Youtube:          https://www.youtube.com/disneymovietrailers

Hashtag:          #ChristopherRobin

In Theaters in 2018

http://www.fandango.com

The-Lullaby-movie-poster

The Lullaby Movie Review

Uncork’d Entertainment brings director Darrell Roodt’s vision of a horrific and twisted fairy tale for you to watch, available today on all platforms of VOD.

I liked the film, overall, but it’s hard to root for or feel too sorry for the main character, Chloe (Swart) who has just given birth to little Liam and is now doing everything she can do to stop herself from killing him. Why it’s hard to root for her is, though attempted, you never get a real liking for her. Instead, you feel more for her mother, Ruby (Puren), who is trying to bury her sordid past and makeup to her daughter whom she was anything but loving to.  That’s not to say you’re not going to like the film or buy into the characters. All boxes for a great horror are checked and there are two scream queens here, in Swart and Puren and in a few scenes they’re battling it out for top position if they were so interested. They’re both magnificent in their roles.

Chloe is from Eden Rock, a town that has a terrible past. The story is introduced to us by a woman narrating, complete with sound effects that set the tone, the story of what the British soldiers did to the women of Eden Rock in 1901 while their husbands were away. They locked them in concentration camps, raped them and if any of the women had children, the priest and a midwife would take the child and kill it to save its soul from damnation. These scenes will have you on edge and squirming at the thought of what these women and their babies went through.

Chloe had left her mother and Eden Rock, but she needs help and Ruby has taken her back in. It’s not hard to put two and two together and see that since it’s the same town and that babies are involved that a haunting is about to happen. Chloe has rejected her baby and Ruby takes it upon herself to try and get her some help as she falls deeper and deeper into depression. Chloe’s mood darkens when horrible visions of Eden Rock’s midwife begin to assault her. She becomes more aggressive while protecting the child. As the visions have shown the intentions of the midwife which is to see the child is killed.

Ruby decides to get some help from a therapist who’s also an old friend named Dr. Reed. He believes Chloe’s issues are just hormonal. He suggests and encourages Chloe to do as the visions suggest. Maybe he knows more than he’s letting on? His demeanor will lead you to think there’s something not quite right with him. Actor Brandon Auret does a superb job of bringing the creepy character to life. Even with his help or maybe because of it, Chloe grows uglier and more unhinged. She admits she’s a black hole; feels empty inside. A simple case of the baby blues hardly leads to what happens to this young woman and those around her.

The movie is good. I enjoyed the sound design tremendously. Spine-chilling sounds such as creaking floorboards, screeching, the crackle of a fire, shrieks and screams all helped in shaping the overall cadence and allows the audience to feel the pulse without missing a beat. Manipulative camera angles and adequate editing assisted considerably in the broad understanding of both Chloe’s and Ruby’s plight while keeping in mind that poor Liam’s soul is on the line. I close with this last thought. These two wonderful actresses, one playing a woman who’s desperately trying to reconnect with her child and one who’s doing everything she can to stay connected with the world, are tremendous. It would be a shame not to see a lot more of them in the future. I hope we do.

 

Theaters where you can currently see The Lullaby:

Phoenix – Valley Art

Los Angeles – Laemmle Music Hall

Philadelphia – PFS Roxy Theater

Chicago – Facets Cinematheque

Atlanta – Plaza Theater

Dallas – Texas Theater

Cleveland – Cedar Lee Cinemas

San Francisco – Roxie Theater

Miami – Cinema Paradiso

Denver – SIE Film Center