Phoenix Film Festival Announces PEORIA FILM FEST Film Lineup!

PHOENIX FILM FESTIVAL ANNOUNCES FIRST LINEUP OF FILMS SHOWING AT PEORIA FILM FEST THIS OCTOBER

The Phoenix Film Foundation and Phoenix Film Festival are excited to announce the first round of films that will be playing at the Peoria Film Fest! A quick list of movies can be found below with more announcements to come!

  • Magnolia Pictures’ Cannes Winner for Best Actor and Oscar contender, “Dogman”
  • “White Tide: The Legend of Culebra”, a Cocaine Treasure Hunt Documentary from the Tribeca Film Festival
  • “Number 37”, a Hitchcock-esque thriller
  • Festival Premiere of “Point Defiance” starring Derek Phillps and Josh Crotty

The Peoria Film Fest will be held October 19-21 at the beautifully renovated Harkins Arrowhead Fountains 18; screening a mix of independent and upcoming studio releases.

You can stay up to date on the festival at PeoriaFilmFest.com

The Peoria Film Fest is a program under the 501(c)3 non-profit organization Phoenix Film Foundation and is a sibling of the Phoenix Film Festival, the Phoenix Film Society, the International Horror and Sci-Fi Film Festival, IFP/Phoenix, the Arizona Student Film Festival and the Phoenix Critics Circle.  Our mission is to support and develop the artistic appreciation, educational opportunities, and growth of independent film within Arizona.  The Foundation’s primary functions through its programs are to promote the exhibition of independent films and conduct educational programs that teach the art of filmmaking.

If Beale Street Could Talk – Trailer

IF BEALE STREET COULD TALK

Academy Award-winning writer/director Barry Jenkins’ first film since the Best Picture Oscar-winning Moonlight is If Beale Street Could Talk, his adaptation of James Baldwin’s novel — the first English-language feature film based on the work of the author, to whom the movie is dedicated.

Set in early-1970s Harlem, If Beale Street Could Talk is a timeless and moving love story of both a couple’s unbreakable bond and the African-American family’s empowering embrace, as told through the eyes of 19-year-old Tish Rivers (screen newcomer KiKi Layne). A daughter and wife-to-be, Tish vividly recalls the passion, respect and trust that have connected her and her artist fiancé Alonzo Hunt, who goes by the nickname Fonny (Stephan James). Friends since childhood, the devoted couple dream of a future together but their plans are derailed when Fonny is arrested for a crime he did not commit.

Through the unique intimacy and power of cinema, If Beale Street Could Talk honors the author’s prescient words and imagery, charting the emotional currents navigated in an unforgiving and racially biased world as the filmmaker poetically crosses time frames to show how love and humanity endure.

Director: Barry Jenkins

Writer: Barry Jenkins

Producers: Megan Ellison, Barry Jenkins, Adele Romanski, Sara Murphy, Jeremy Kleiner, Dede Gardner

Cast: KiKi Layne, Stephan James, Regina King, Colman Domingo, Teyonah Parris, Brian Tyree Henry, Michael BeachEd Skrein, Diego Luna, Dave Franco, Pedro Pascal

#BealeStreet

Official Site: BealeStreet.movie

Facebook: /BealeStreet

Instagram: @BealeStreet

Twitter: @BealeStreet

In Select Theaters November 30

http://www.fandango.com

Lizzie Movie Review

There’s a nursery rhyme, for lack of a better term, that you probably heard while you were growing up that goes as follows, ‘Lizzie Borden took an ax and gave her mother forty whacks; When she saw what she had done she gave her father forty-one.’ This was based on Lizzie Borden and the murder of her parents and the movie does a great job of getting down to ‘IF’ Lizzie was guilty, why did she do it? The very thought of it is horrible and you immediately think her a monster but was she guilty? If she were, was she pushed too far? Was she in her right mind? At trial, a jury of all men deliberated for ninety minutes and returned a not guilty verdict because they, ‘refused to believe a woman of her social standing could commit such a heinous crime.’

 

During the film, we learn that Lizzie’s (Sevigny) father, Andrew (Sheridan) and his icy cold second wife Abby  (Shaw) are very wealthy. Andrew requires an undeserved amount of respect from everyone, from those he employs to work around the house and from his daughters and their stepmother. All are to do as he says and to submit. He takes advantage of those in his charge and when the movie picks up, in the year 1892, we learn that everyone does do as they’re told… everyone except for Lizzie. She’s very strong willed and refuses to be ruled over. Lizzie has seizures, something he sees as an embarrassment to his name. He doesn’t even want her going to the theatre in case she has a ‘spell’ that others may see.

 

Lizzie is very kind to animals and staff, paying particular notice to the new maid, Bridget (Stewart) who starts teaching to read. The film then leads to Lizzie and Bridget having a lesbian affair. This is handled quite beautifully with one woman offering love to someone who had never been allowed to experience it before. Before this, we see Andrew at his worst after he discovers that Lizzie had pawned some of her mother’s jewelry. He does something appalling and Lizzie lets him know that she’ll not be victimized by his fear tactics. Soon after she finds out that her father is changing his will. This is when it’s suggested that a plan has already been in place for her to murder her father for his misdeeds and his mistreatment of her, her sister and of Bridget.

 

The blows to the head come next, which are no surprise, of course, but it’s gripping to find out how it actually happens and what happens directly after. Since all we ever really knew of were the whacks themselves, if it were Lizzie, we, at this point, could certainly find a reason to empathize. Even though they were beyond brutal to sit through and watch. So brutal it hardly leaves room for doubt who would have delivered to these people such savagery but someone who was greatly pained by them. The film’s pacing can be slow at times but the sets, the acting and the history of it all are fascinating. Stewart and Sevigny are fantastic, and I have to strongly suggest you see this for the performances if nothing else.

 

In Phoenix, it’s playing at the following theatres:

 

AMC Desert Ridge 18

Camelview at Fashion Square

Tempe Marketplace 16

Arizona Mills 24

Harkins Arrowhead Fountains 18

Fahrenheit 11/9 Movie Review

This is a frightening but very important film to see. As impactful as it is, it’s arguably Michael Moore’s best. As hard as the issues are Moore manages, in his own unique and masterful way, to make you laugh even when you’re aghast. The man who goes all out to uncover corruption for all to see has this time gone after the highest office in all the land. He brings with him not only experience but also brings to light the anxiety of the American people. True worry about losing the rights we all have but wouldn’t think in a million years we’d have to voice our fear of losing. We’re promised their well taken care of by The Constitution, right? We have faith and certainly hope that when a president takes his oath of office, he’ll fight for those rights and oppose all enemies both foreign and domestic. This film exposes the problems with having faith and hope and the issues that stem from not paying close attention to politics. As stated, what goes on in Washington concerns us all and since our elected officials speak for us, we should keep close tabs on what’s going on. Unfortunately, far too many of us haven’t.

 

If you have been watching politics before and since Trump got into the White House, which is hard to avoid since every news station covers it continually, and you aren’t happy with it, you’ll pretty well know a lot about what the film covers. However, you’ll also be astonished and to put it bluntly, sickened, viewing how Moore has packaged it all together for you. No matter what side of the aisle your political views lean, he manages to reveal what both sides have done and where they need to improve if the nation is ever going to be able to come together and heal. No one wants to hear that they’re wrong but it’s time we’re open to. Watching this could help people agree to do just that. For our children’s sake, we need to meet in the middle somewhere, agree to disagree and settle our differences. Want it or not, with Trump in office, we could lose our Democracy. This is a point that Moore makes very clear by splicing what’s going on in America today in relation to what Germany went through when Hitler took power in Germany. America is headed toward an Authoritarian regime and I don’t think anyone wants that but they’re not paying attention. With voiceover and historic information about Germany at the time the Nazi party took over, Moore exposes that Trump’s, like Hitler’s, best interests lie not with the people but with himself. It’s scary to see what America fell for.

 

I won’t go down the list of everything Moore brought up but instead say that, whether you like Trump or not, you should give this your time. Maybe you, as many are, will see that it’s time to get involved to try and change your country so nothing like this will ever happen again. You’ll be outraged but to get mad at the man who’s exposing it all for you isn’t where to direct your frustrations. That anger needs to be turned toward the subjects of the film.

 

 

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The House with a Clock in its Walls Movie Review

Eli Roth, known for making horror films that leave nightmares in their wake, this time tries his hand at something for the younger crowd with, ‘The House With a Clock in its Walls,’ based on the novel by John Bellairs. While this is a family movie, it does have a touch of darkness I wasn’t quite expecting to see. With its creepy puppets and dolls, the frightening CG creatures, some nice some not so nice, and the house itself which appears to be alive and often crabby, the film just might not be right for someone under the age of eight. This would especially be the case if a child has never been exposed to anything similar to Goosebumps. Magic swirls around the story and the world a young boy, Lewis (Vaccaro), who finds himself forced to live with his kooky uncle in Michigan after the death of his parents from a car accident.

Lewis is still upset about his loss but immediately warms to the idea of living with his eccentric uncle Jonathan (Black) after getting to know him more. He’s helped by getting to know his uncle’s friend and neighbor, Florence (Blanchett), and he begins to see that through them he might eventually be part of a family once more. Jonathan and Florence’s relationship is much like that of a married couple. They bicker and argue but also care about one another and seem to have Lewis’ best interest in mind as they introduce him to the life of witches and warlocks. They give him some books and he quickly learns spells of his own. At school, he’s told by his friend, Tarby (Suljic), that his uncles’ house is haunted. Lewis believes it at first due to the strange noises and loud ticking clocks but is shown that the rumor is far from the truth. Wanting to impress his friend, Lewis gets himself into trouble when he decides to prove to Tarby that he’s wrong by showing him some of the magic he’s learned. Not easily able to impress the boy, Lewis goes further. He opens a forbidden cabinet and offers a blood oath to a book on necromancy that he finds which raises from the dead the previous owner of the house, Isaac Izzard (MacLachlan). Isaac has been waiting for someone to bring him back to life so he could wipe all people from existence.

‘The House With a Clock in its Walls’ is solid entertainment. The CGI is well done, Blanchett is dramatic and comical, Jack Black’s crazy warlock is impressive and the barking chair that seems to be his pet will leave smiles on the faces of the young and old alike. In fact, this might be a good introduction for kids to watching something heavier. Again, this will appeal to the older kids in the family, but you might want to leave the much younger ones at home. I don’t think you want this film to be how they learn about death which is a subject well breached here. It can be scary but its intentions of teaching a boy about his spirit and about being adventurous are not missed. I can see where the studio might be able to take this trip a little further if they were so inclined.

Assassination Nation Movie Review

“Assassination Nation” takes the idea of social media, privacy and a reactive social mob mentality, and throws it all in your face. And it hits with all the subtlety of a sledgehammer to your nether regions. It is slick, over-the-top and in the end, very silly. In a small town called Salem (get it? Witch Hunts?), the four young high school teenaged girls become the focal point of the town’s seething rage. There have been data breeches and leaks posted on the Internet, and now everyone’s sordid secrets have been exposed. The main suspect is one of the girls, and now the place is armed to the teeth for revenge. Out-of-control social media meets mob violence and social upheaval – call it “Insta-Purge”.

Lily Colson (Odessa Young) is a high school senior, with a lot of emotional baggage and internal pain. She hangs out with her gal pals; Sarah (Suki Waterhouse), Bex (Hari Nef) and Em (Abra). They talk and act and behave like any character created by a middle-aged male writer/director focusing on his own fantasies. That is to say, none of the dialog or action is very realistic at all. They talk about the awfulness of being objectified and oversexualized. This is while the movie objectifies and oversexualizes each girl. But one day a massive data dump of the private hidden details of the Mayor’s secret sex life are laid bare to the Internet world. Everyone is outraged, and then the Mayor commits suicide.

The next subject of a privacy leak is the high school Principal Turrell (Colman Domingo). He tries to downplay the details, and he will not resign, but he is hated from that point on. The next one to be outed is Nick (Joel McHale). Lily has been friends with Nick for years, and she has sent numerous sexy pictures, but nothing way too racy. She enjoys Nick’s playful text messages, which are a bit naughty. But she has never done anything with him. But Lily’s boyfriend Mark (Bill Skarsgård) starts to realize that Lily is going ga-ga over Nick. Nick’s wife leaves with their child, and he goes into isolation. The cops force an innocent computer hacker to cough up a name. And he gives them a name: Lily Colson.

Of course Lily is not responsible, and she does not know who is behind it all. But she and her friends think they are safe over at Em’s house. Her mom Nance (Anika Noni Rose) is a little Xanex-ed out, but she wants to help keep the girls safe. But outside, the Salem “Purge” team is forming to bring Lily and her friends to violent justice. Nance is killed and Sarah and Em are taken by the police. Bex escapes, but is caught by a band of vigilantes. Lily escapes and starts to get help from her old friend Nick. That is, until Nick turns into sex fiend and attempts to rape her. All in all, there are few allies that the four girls can find. So, grabbing a large survivalist arsenal they find in Nick’s house, they are about to go out guns a’blazin’…

“Assassination Nation” is a parody of a John Hughes high school movie redone as a Quentin Tarantino splatter fest. It is “Easy-A” crossbred with “The Purge”. There is a mountain of hot garbage to sit though before you can find a molehill of an original idea. There is questionable writing and direction, and it blurs together like a bad death-metal music video. Even with the best actors in the world, it could not give them anything like an actual role to play. The biggest production expense, it seems, was for gallons of fake movie blood.

 

By all means, if you are pimply-faced angst-filled teen, then perhaps this movie will mean something to you. For most everyone else, grab your passport and check out a different “Nation”.

The new trailer for “Mary Poppins Returns” has arrived!!

In Disney’s “Mary Poppins Returns,” an all-new original musical and sequel, Mary Poppins is back to help the next generation of the Banks family find the joy and wonder missing in their lives following a personal loss. Emily Blunt stars as the practically-perfect nanny with unique magical skills who can turn any ordinary task into an unforgettable, fantastic adventure and Lin-Manuel Miranda plays her friend Jack, an optimistic street lamplighter who helps bring light—and life—to the streets of London.

“Mary Poppins Returns” is directed by Rob Marshall. The screenplay is by David Magee and the screen story is by Magee & Rob Marshall & John DeLuca based upon the Mary Poppins Stories by PL Travers. The producers are John DeLuca, p.g.a., Rob Marshall, p.g.a. and Marc Platt, p.g.a. with Callum McDougall serving as executive producer. The music score is by Marc Shaiman and the film features all new original songs with music by Shaiman and lyrics by Scott Wittman and Shaiman. The film also stars Ben Whishaw as Michael Banks; Emily Mortimer as Jane Banks; Julie Walters as the Banks’ housekeeper Ellen; Pixie Davies, Nathanael Saleh and introducing Joel Dawson as the Banks’ children, with Colin Firth as Fidelity Fiduciary Bank’s William Weatherall Wilkins; and Meryl Streep as Mary’s eccentric cousin, Topsy. Angela Lansbury appears as the Balloon Lady, a treasured character from the PL Travers books and Dick Van Dyke is Mr. Dawes, Jr., the retired chairman of the bank now run by Firth’s character.

Twitter:           https://twitter.com/disneystudios

Instagram:      https://instagram.com/marypoppinsreturns

YouTube:        https://youtube.com/disneymovietrailers

Hashtag:          #MaryPoppinsReturns

In theaters nationwide December 19

http://www.fandango.com

Assassination Nation Advance Movie Screening

Movie Screening Summary

High school senior Lily and her three best friends live in a world of selfies, emojis, snaps and sexts. But when their town of Salem is besieged by a massive data hack, resulting in half the citizens’ private info spewed into the public view, the community descends into anarchy. Lily is targeted after being falsely blamed for the hack—and bands together with her friends to survive a long, blood-soaked night.

Starring Odessa Young, Hari Nef, Suki Waterhouse, and ABRA. Written + Directed by Sam Levinson.

Social Media:
Website: https://www.anationmovie.com/synopsis/
Facebook: /ANationMovie
Instagram: @ANationMovie
Twitter: @ANationMovie
#SlayEm

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Advance Movie Screening For ASSASSINATION NATION

Find your chance to receive special advance movie screening passes below.

 

Phoenix, Arizona

Advance Movie Screening Details

Movie Screening Date: Wednesday September 19th
Location: Harkins Tempe Marketplace
Movie Screening Time: 7:30pm
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Advance Movie Screening Information

To redeem a pass, simply click the Get Passes button. You will taken to our movie screening partner site (where you can sign up for a free account). Once you’ve done so, you’ll be able to print out your pass and bring it with you to your screening or event.

Admittance into a screening or event is not guaranteed with your pass. Events and advance screenings are filled on a ” first come, first served ” basis. To ensure that you stand a good chance of being admitted, we recommend that you show up 30 minutes to one hour early.

The number of admissions that are permissible for each pass are printed clearly on the ticket that you print out. You are allowed to bring as many guests as is indicated on your pass. For example, if your pass is for ” Admit Two, ” you can bring yourself and one guest. If you have an ” Admit One ” pass, you can bring only yourself.

If you have any other questions or comments, please contact us.

The Basement Movie Review

Before the film starts, there’s an introduction that tells us the third sign of the Zodiac is known as the Gemini… which is also referred to as ‘the twins.’ This is because Gemini’s are known to have a dual nature.

We open on a man we learn is Craig (Long), a popular and wealthy guitarist. He stops at a gas station and is texting who appears to be his wife or girlfriend and who hopes to see him soon. He finishes a message to her and puts his phone away. At that moment, he’s grabbed from behind and stuffed into a van.

Craig awakens, in a dark basement, tied to an old school desk, unable to move. He’s frightened and confused when a clown (Davis) comes out of the darkness and approaches him. The clown refers to Craig as Bill. Craig is abused by the sadistic clown who also oddly admits that he, himself, may be smiling on the outside but is very lost on the inside. He leaves. Soon after, another man comes down. Craig is accused by the man of killing seven people. The drama intensifies and so does the terror as this man makes demands of Craig to reveal something about the murders that he couldn’t possibly know as he, Craig, is not the killer. One after the other, men come and go, and Craig realizes that with each accusation of the murders and slight revelation of themselves, the men are only one man and that this man is Bill, screaming at himself and at those who hurt him at some point in his life. A cop, a prison guard, even a priest all with stories of their own torture and humiliation are Bill. This is who he became from enduring a life of pain.

Craig attempts to break through… to get to one of the personalities but finds that he not only isn’t being successful but they’re getting more and more hostile. They ignore his pleas for help. One cuts off his fingers… his livelihood. Craig, horrified and in pain, begs the ‘doctor’ who performed the removal to get him to the hospital but is only met with calm instruction on how to care for his injury. Bill eventually comes down as a woman; his own mother. Craig plays the role of her son and attempts to save his life. She hands him a nail file and leaves. The Prison Guard explains that Craig is about to be executed and he’s treated to his final meal and a priest who lets him confess his sins. The executioner soon arrives. He has three minutes left to live… I’ll let you discover what happens on your own.

While all of this is going on, we see that Craig’s wife, Kelly (Barton) is frantic, calling everyone looking for her husband. She’s beside herself with worry but luckily for her, her best friend Bianca (Borders) is there to hold her hand through this tough time.

This movie is demented, bloody, gory and twisted! I had a nightmare after watching! It’s hard to get over. The effects could have been a lot better but the twist at the end and the acting, especially by Jackson Davis, is absolutely outstanding. He was completely believable as each personality he came down the stairs as, magnificently keeping his cool, showing slight empathy one moment and then becoming a cold monster a mere second after. Though you could tell it was him, the slight changes Jackson Davis displayed made all the difference in the film and without him, it’s reasonable to consider the movie wouldn’t have been as good. If you’re not a true horror fan but love an incredible performance, you’d do worse than to witness what Davis does here.

*In Phoenix, ‘The Basement’ is playing exclusively at AMC Arizona Center

A Simple Favor Movie Review

Allow me to start this with a simple and direct message to you… see this movie this weekend. Director Paul Feig works very well with powerful women allowing them to show their strengths, such as Melissa McCarthy, Sandra Bullock, Mary-Louise Parker and now he does the same with Anna Kendrick and Blake Lively in this dark film, ‘A Simple Favor.’ Lively is exceptional and I wouldn’t be surprised if we see her on stage during award season.

With this film, Feig gives these two women the opportunity to have something brilliant added to their resumes and a chance to shine in the type of story usually given to the opposite sex. This is an intriguing, provocative crime-drama that leads you down a fascinating trail and you won’t want it to end. The characters are following the same bread crumbs and with how the narrative plays out, it manages to do something not always achieved these days… surprise the hell out of you.

First, we meet Stephanie (Kendrick), a widowed, overly energetic, devoted but bored mother of a young son named Miles (Satine). She’s a vlogger who, when we first see her, is telling her followers about the simple favor her friend Emily (Lively) has asked of her. Staring into the camera she says she’ll start from the beginning for her new friends, presumably us, and she tells everyone what happened. This goes on throughout the film. We go back to when she first met Emily who she instantly clutches onto. Emily’s son Nicky (Ho) and Miles ask to have a playdate. Stephanie would like this as she wants to know Emily. Emily is everything Stephanie isn’t. She’s tall, uncommonly beautiful, confident with a scent of arrogance Stephanie can’t help but admire. Though a play date isn’t something Emily usually does, she agrees. They end up at Emily’s gorgeous home which Stephanie would die to have and they begin to reveal secrets about themselves… secrets that will prove to be useful later. Emily warns Stephanie that she doesn’t want to be friends with her. Little things like this are said as Stephanie, and you, become more interested in knowing who she is.

Though the script is heavy on the dramatic aspect of the story, it’s reasonably amusing, as well. Nicky is relatively colorful most of the time, delivering rather comical lines, however subpar they may be. It’s obvious Feig doesn’t work as well with children as he does with adults.

Now we’re to the favor… and we’re all caught up with the vlog. Emily asks Stephanie to pick up Nicky and watch him until she gets home. She happily does, however, Emily never returns. Days later, she still hasn’t and single mom with time on her hands, Stephanie, begins playing Jr. Sleuth, looking for her friend. Unable to forget the mystery woman who so intrigued her, Stephanie gets to know her attractive husband, Sean (Golding), who adds that, like Stephanie, he didn’t know much about Emily. He tells her that he tried to get close, but she was hard to reach; she was like a ‘beautiful ghost.’

Deciding she likes playing Nancy Drew, she goes to the office building where Emily worked in public relations and finds a shady character and clues. After putting up posters and trying desperately to find out who she was and where she went, Emily’s body turns up in another state. As Stephanie gets closer to Sean, she kicks pursuing answers as to what led to Emily’s death, into high gear. What happens next is something she isn’t quite prepared for. Luckily, instinct and some advice she received from the friend who still haunts her, literally as well as figuratively, helps her handle herself surprisingly well when faced with moments of challenge and deception.

This film is impressive in so many ways. The music, the costumes, the characters, and the script but what stands out most is Lively whose performance, though not always on screen, infects you as you watch this play out… and stays with you long after.

Website & Socials:

 

Official Site: http://www.ASimpleFavor.movie

Facebook: http://www.facebook.com/ASimpleFavorMovie

Twitter: http://www.twitter.com/ASimpleFavor

Instagram: http://www.instagram.com/ASimpleFavor

 

Hashtags: #ASimpleFavor