Blast from the Past (December 2018)

December 16, 2018

Yeah, the Box Office is rockin’ today with a whole lot of movies. But there are some from prior years that you may (or may not) remember. These older movies came out 5, 10, 15, 20 years ago, maybe even longer back. Some were instant classics, while others were not. So let’s jump into the DeLorean and travel backwards in time to revisit a few of these forgotten gems…

December 2013 (5 years ago)   — The Wolf of Wall Street

Leonardo DiCaprio shows that, as portraying cheater and con artist Jordon Belfort, Greed is definitely NOT Good…

Martin Scorsese directed Leo in this grimy and grubby look at a very grimy and grubby cheater, swindler and con artist. Making money on Wall Street was never this much fun. Jordon Belfort turned up the debauchery level to eleven, and the BS level to fifteen. But he made tons while it lasted…

December 2008 (10 years ago)  — Valkyrie

Tom Cruise breaks out a German accent to play one of the main German conspirators involved in the unsuccessful plot to kill Hitler and stop the Nazi War Machine

Nazi Germany was under the iron grip of Hitler, and during World War II, a few of the military commanders thought of a way to take over. They would kill Hitler, and use a plan called ‘Valkyrie’ that would give control of the German Army and the government to some sensible people. That is, if it could work, and they could eliminate the dictator.

December 2003 (15 years ago)  — The Lord of the Rings: The Return of the King 

Peter Jackon’s final movie in the trilogy to adapt the Tolkien Middle-Earth saga to play out on the big screen, only to receive bigger Box Office and bigger Awards

This was the final movie in a Trilogy created out of the huge JRR Tolkien saga. The audience was geared up for this chapter to come to the big screen. So much so that it earned over One Billion in box office revenue. It also was nominated, and WON, Oscars in eleven categories. That’s no fantasy…

December 1998 (20 years ago)  — Patch Adams

Robin Williams takes on a role about a real-life doctor who wanted to treat the whole person, and not just a sick body – and he is the best things about a mediocre movie

Patch Adams is a real person who studied to be a doctor, but was shunned by his unorthodox ideas. The whole person needs to be treated, not just the disease that showing the symptoms. Robin Williams can play up the unorthodox methods that Adams used to make a screen character that seems sincere about an alternative approach to medicine.

December 1993 (25 years ago)  — Tombstone

Very good old-time Western with Kurt Russell standing tall as Wyatt Earp, helped by his best friend and huckleberry – Val Kilmer (Doc Holiday)

Westerns are sometime though of as second-rate fare. But this movie was more like a prize pony at the fair. The portrayals of actual Western characters from history made for an entertaining movie. A somewhat accurate retelling of the events at OK Corral gives the basic structure for some fine performances. Russell, Kilmer, along with Sam Elliott and even Charlton Heston make this one to watch again.

December 1988 (30 years ago)  — Rain Man 

Dustin Hoffman turns in an amazing performance as Raymond, who is the Rain Man to younger brother Tom Cruise

Oscar winning in four categories, including for Hoffman and for Best Picture, this movie is an iconic touchstone in movie history. Countless movies have taken memorable visual scenes from Rain Man. Think of a scene of two people, dressed sharply, riding to the top of an elevator – slowly coming into view (from a bunch of movies), and think back – where did they get that inspiration?

Mortal Engines Movie Review

December 14, 2018 (updated December 14, 2018)

Gentlemen, start your “Mortal Engines”! This movie is a bit like a NASCAR race; it has a whole lot of characters, they all move at breakneck speed, they all go around and around in circles and with loud volume – but never seem to get anywhere. When the whole thing is finished, there are no Winners. Especially not the viewer. It has a visually stunning design, with a good number of images that are intricate and precise. It is based on a novel that has a unique concept, where a post-apocalyptic world has huge cities that move and rumble around a barren future landscape.

 

The ‘city on wheels’ idea shows us a large city that can only sustain and grow by searching out and taking over many smaller cities. The Big City takes over all of the resources, and assigns all the new people to hard labor. There are battles between the little guys and the ‘City of London’, and the big city always wins. This movie has many twists and turns, so there is a lot of potential for an exciting and well-defined film. There is also potential for a big sloppy mess…

 

Many centuries after the Sixty Minute War, all the people of Earth live in the ‘Traction’ Cities in the Wastelands.  Or people lived behind a Shield Wall (in what is now China). The huge, mobile cities are places where remnants of the past remain. in the ‘City of London’, the large number of people are there hoping that the Energy Project that Engineer Thaddeus Valentine (Hugo Weaving) will finally be working to give them unlimited power. Valentine is thinking of a different type of ‘unlimited power’, but in a different sense.

He works with an historian of the City named Tom (Robert Sheehan). Tom is from the lower class, and he needs Valentine’s help to rise in the ranks. But there is a woman named Hester Shaw (Hera Hilmar) who has a personal goal to kill Thaddeus Valentine. She almost succeeds, but Hester and Tom both are thrown out of the moving ‘City’.  Now they are trapped on foot in the No-Mans-Land. They are picked up for a ‘rescue’ by a nice couple out in the desert in a weird vehicle. But then get taken to Scavenger city to be auctioned off.

 

 

 

Thaddeus Valentine is still in the ‘City’ and he is cooking up some big plans, including finder Hester and killing her. These plans involve a reanimated cyborg named Shrike. This metal monster machine has a death wish for Hester Shaw. Shrike can’t be bargained with. Shrike can’t be reasoned with. Shrike doesn’t feel pity, or remorse, or fear. And Shrike absolutely will not stop… ever, until you are dead! No, sorry — that’s the Terminator. Well, close enough. So Hester has everyone looking for her and she could be in deep trouble.

 

 

 

Tom and Hester find that the Scavenger auction was interrupted by Anna Fang (Jihae). She is a well-known rebel and the leader of the Anti-Traction League. She hates the moving cities and fights them in every way possible. Anna finds Hester, along with Tom. She rescues the two of them, just as Shrike finds Hester and announces that he will kill her for running away. Because, you see – Hester was raised by the undead cyborg monster man when her mother was killed by Thaddeus Valentine. It’ a complicated relationship… So there is more that happens, and just as scattered and confusing.

This movie ought to have a Bingo card that will allow the viewer to match each scene or idea with another movie. Main villain is actually the Father of the main character? Yup, that would be “Star Wars: The Empire Strikes Back”. High-speed chases and battles as shown in a bleak landscape? “Mad Max: Fury Road”. A deadly cyborg who is conducting an unstoppable quest to find and kill a young woman? “The Terminator”, of course. Far future technology that looks like mid 1890’s Steampunk? How about “The Golden Compass”.

 

There are some wonderful ideas that could be developed for “Mortal Engines”. The biggest problem is that too much world-building and idea development and background exposition entirely drowns out the main story and any feeling that these are actual people. There is way more emphasis on action than there is on acting. Plus a total overload of motion and just a passing glace to human emotion. This might have worked out quite well as a limited series TV show, say on HBO or Netflix.

But this is big-budget  stand-alone movie – perhaps ready to spur on the other movie adaptations of other books. Maybe so, but this first ‘Engine’ has seized up and it is not working…

Ben is Back Movie Review

December 14, 2018 (updated December 14, 2018)

“Ben is Back” is a family’s personal trip into the nightmare of addition, and how it destroys that family. The screenplay is written by Peter Hedges, and he is also the movie’s director. Plus, on top of that, he directs his own son, Lucas (who plays the aforementioned Ben). This is heavy lift, and the topic is dark and moody. But the acting and direction is very realistic, so it makes for an unsettling experience. The movie takes place right at Christmas time, but it is not filled with joyous Christmas spirit.

 

Holly Burns (Julia Roberts) has two children with her first husband, who is now out of the picture. Her children are Ben (Lucas Hedges) and Ivy (Kathryn Newton). Nice Christmas pairing, Holly and Ivy – right? However, with her new husband African-American Neal (Courtney B. Vance), he is bringing his two much younger children into the family. But the family unit has been fractured. Ben has a severe addition to drugs and he fell into a group of very unsavory characters. Ben got his girlfriend hooked, and she died of an overdose. So now Ben has been shipped away to a rehab center far away.

 

Except on this Christmas Eve day, Ben is back – meaning he left the rehab center to come home for Christmas. Holly is pleased, but she is also very wary about what Ben might be up to – or what trouble he might cause. Neal’s two younger kids love seeing the older brother whom they love. But Neal has many misgivings, seeing what happened with Ben in the recent past.  Also, his sister Ivy is pissed off, because she feels that Ben has come back to ruin it for everyone, like he has done in the past.

Holly sets up some stringent rules for Ben. She takes him to the mall to get new clothes, and they even get to a recovery meeting. Ben does seem to be making progress fighting off the addition urges, but Holly is still suspicious at anything that is out of the ordinary. Ban has made some enemies in the town, so there might be some blowback to his return. The family goes to church that night and all is merry and bright. Except when they get home and find that their home has been ransacked and their little family dog has been dog-napped.

 

Holly heads out with Ben to try and find out what is going on. The two of them are stuck together in a desperate search of the ghosts in Ben’s past. They must confront the demons of his addictive nature, and the scummy people who had dealt with in the bad old days. Ben is pushed to do things that his old nature would do in a heartbeat. But he has made it to 70 plus days of recovery, and he does not want to endanger his future. Holly sees that her son is in his element dealing with the seedy side of life. Can he fight off the evil addiction devils that are pursuing him? Can Holly make a leap of faith that Ben is really turned around in his life?

“Ben is Back” is a movie that keeps people aware of the destructive nature of addiction. The family unit is portrayed wonderfully by Julia Roberts and Lucas Hedges playing as the hopeful mother (but wary) and her son who has strayed off the path one too often. Roberts puts in a moving performance, and the depth of her despair is tangible. Lucas likewise has many powerful scenes, and he is very believable. Kathryn Newton does another job as the younger sister of Ben who suspicious of his motives for coming back.

 

Peter Hedges has done decent job in creating this movie, and in being able to direct is own son as the character Ben. The movie hold together really well, but in the second half there are some areas where the plot slows down and turn into more of a by-the-book whodunit. The special relationship is broken when Holly and Ben go two different ways, and resulting scenes are not as strong.

 

However, there could be some Award nominations on the horizon for Julia Roberts and for Hedges, perhaps for both of them (Peter and Lucas).

 

In the Phoenix area, opens exclusively at Harkins Camvelview at Fashion Square.

Once Upon a Deadpool

December 12, 2018

With the title and the time of its release, did expect to get something relating to Christmas in the film. This did not happen unless you count a Santa hanging on the wall as Christmas. That said, I guess to fans of the film, and of the genre, it’ll be seen as a Christmas gift. But if you want to see it, you better hurry! It’s only playing in theatres starting today December 12th until Christmas Eve. You have twelve days to see this present from Deadpool (Ryan Reynolds) to You.

What you’re getting is a bedtime story being read to actor Fred Savage. Savage awakens, essentially on the set of the film ‘The Princess Bride.’ In that film, he’s a child who spends his time in bed listening to the tale of an adventure that’s being read to him by his grandfather. This time he’s tied up in that same bed, or a reasonable facsimile, being forced to lay there and hear a Deadpool narrative delivered to him by Deadpool himself. The story is a PG-13 version of ‘Deadpool’ and ‘Deadpool 2,’ concentrating more on ‘Deadpool 2’ where he, creates his own team of rogue mutants to save a young mutant from himself and from Cable (Josh Brolin) who has come from the future to end his terror before it can begin. The film expands on the Deadpool character and introduces several cherished Marvel superheroes and villains who every comic fan will remember.

In ‘Once Upon a Deadpool,’ the Fred Savage scenes more than makeup for what Fox had to do to keep it feature length after gutting and removing what made it Rated R in the first place. The F-bombs and the extreme violence are replaced with acceptable words and with story time explanations as to what is missing. At this time, Deadpool reveals to Savage that he’s unable to cuss and why. That in a PG-13 film, you’re only allowed one F-word, 2 shits and one glass of wine. As he discloses more of the rules and continues on with the story, there’s some hysterical back and forth, as I’m sure you had no doubt there would be. You’re essentially seeing ‘Deadpool 2’ with interjections of hilarity.

So why do this? Reynolds would only agree to it if one dollar from every ticket sold went to the charity, ‘Fuck Cancer,’ or to keep it family friendly, ‘Fudge Cancer.’ When you’re choosing a movie to see, keep that in mind. But why restructure a successful film and retell it as a PG-13? The simple answer is, so you can take your children to see one of your favorite superheroes! The character is foul-mouthed, and the violence is over the top in this franchise but with this version, Fox proves that it doesn’t need to be. However, I wouldn’t worry that they’ll change Deadpool if a third film is made. It took a lot of convincing to get Reynolds to agree to this in the first place.

*Stay through to the very end because, after the credits roll, there’s a loving tribute to Stan Lee.

Roma Movie Review

December 7, 2018 (updated December 7, 2018)

‘Roma’ is sensational. It’s also Mexico’s official submission for the category of ‘Best Foreign Language Film’ at the Academy Awards® for 2019. It’s also the kind of film that sneaks up and grabs you when you least expect it. It’s an unforgettable and breathtaking tale of love from the director, Alfonso Cuarón (Y Tu Mamá También, Harry Potter and the Prisoner of Azkaban, Gravity), to his family’s domestic assistant, Libo, that the main character was based on. Working as his own cinematographer, Cuarón captured the beautiful imagery of his past that no one else could have had access to. He forces your imagination back in time to experience what he recalls and to walk through the life of someone he dearly cared for during some of her most blessed and most tragic moments.

Shot in black and white with perfect set and costume designs of the time period, you can’t help but feel as if you’ve stepped back in time with him.

Right away and throughout the movie, Cuarón uses long sequences to get you into the proper frame of mind to watch this ‘love letter’ to the woman who raised him. Cleo is this woman. She’s a very young woman who’s missing out on partying, creating her own dreams and having fun. Instead, she does everything around her employer’s house. What’s made most clear is that she takes care of the children as any mother would, quite honestly, disregarding her own personal experiences for theirs. She’s always scrubbing the floors, picking up dog waste, washing the dishes and doing the laundry as well as seeing to it that the children are woken up, fed and put to bed. She takes the responsibilities involving the children most serious. When they’re in her charge she handles them with love and showers them with attention. She does eventually find time to squeeze in a date or two during at which time she gets pregnant. When this happens, Cuarón shows genuine affection for her and the plight she next finds herself in, just as his family did back then. This leads to one of the most heartbreaking scenes and a strong message to women who feel that they’re alone in moments of crisis. Outside of this, something I found extremely provocative was Pepe throwing hints out of the possible existence of reincarnation. I liked that Cuarón threw it in but this was not the film to explore those thoughts.

‘Roma’ may move too slow for some but if you let go and let the director take you through these occurrences, truly live in the moments you’re witnessing on screen, you’ll be diverted from reality for a while and appreciate the efforts he took to pull you into his memories. Little things in the background of our daily lives are shown here from great perspective, especially when you consider it’s a child’s point of view. He took the time to show them, I hope you give him that time and watch with patience. This film is an artist painting a masterpiece to its most perfect. At times he concentrates on the mundane but while you watch you realize you’re watching life. It’s happening right before you and you can’t turn away. What makes it more special is his way of giving you so much in the most unconventional way he could have found.

Anyway, see this in a large theatre with spectacular sound to get the most out of it. Yalitza Aparicio’s performance of Cleo will move you more when you can feel what she’s going through as well as see it play out. I realize it’s being released on Netflix but do try and catch its theatrical run. I can’t say enough about it. ‘Roma’ is a beautiful film in every possible way and Cuarón was brave to have shot it the way he did with no score. When you think about it, do we have music following us everywhere we go? No. And neither does Cleo. That said, I hope Cuarón gets everything he deserves during Oscar season.  

*In Phoenix, you can find ‘Roma’ at HarkinsCamelview Fashion Square on 12/7 and it will be released globally on Netflix on 12/14 and expanded Theatrically. 

Swimming With Men Movie Review

December 7, 2018 (updated December 7, 2018)

‘Swimming with Men,’ is a British comedy from, Oliver Parker, the director of ‘Johnny English Reborn,’ ‘The Importance of BeingEarnest’ and ‘An Ideal Husband.’ Putting it in the category of comedy fits to a degree but not fully in that the movie struggles at times focusing on who their natural audience member will be. It often gives off a heavy vibe rather than a light one and isn’t terribly funny. To its detriment, the story doesn’t set the viewer on the right path to begin with. Your expectations of the film are set toward one direction when the film runs off in another. It winds its way down several paths to find its eventual ending. Working for it is the fact that what that ending turns out to be, is not what you necessarily saw coming. You could compare ‘Swimming with Men’ to movies like, ‘The Full Monty’ but that said, it doesn’t quite meet those heights.

The film’s protagonist is Eric Scott, Rob Brydon from ‘The Trip’ movies, who becomes his own antagonist by inventing troubles that are not there. This will only frustrate you as the story goes on. When we’re introduced to Eric, we see that he’s in the midst of a mid-life crisis. He’s bored with his mundane accounting position at work, his son is giving him a hard time and then there’s his wife, Heather (Jane Horrocks). Without any real reason, he imagines she’s out to get him. What’s peculiar is that instead of attempting to tread water with Heather, who’s more than willing to float along with Eric, he’s running away from her. He’d prefer to spend time at the gym. This is where he meets a gaggle of men who are in similar situations in their lives. They, too, feel that they’re the odd men out and are misplaced in their current stations in life.

The men invite Eric to join their exclusive swim club where men who end up, ‘At the bottom of the pool’ literally and figuratively, meet toforget the world outside of the water. Here they can escape the callousjudgments, petty rivalries, disappointments, and pressures of life on dry land.

Eric is needed to create a particular maneuver they’d like to form so, as it turns out, they come into his life at the right time as much as he does theirs. Where the comedy comes in is getting to know each of them. That being the case, even they don’t necessarily set the tone for the comedy genre. I’d put this in the drama department myself. Don’t get me wrong; there are some laughs. These men getting to know Eric, especially scenes like when they give him ‘Fight Club’ type rules of their swim club, are comical. The men take their love of the sport of synchronized swimming very seriously. They’re told about a men’s league where they can start swimming, professionally. The sport isn’t recognized officially by the Olympics, but they get a chance to represent their country in the Men’s World Championship. Some members of the group aren’t interested but Eric sees it as a way to feel a part of something and soon the rest do, too. Quite surprisingly, especially to them, they end up doing quite well at the competition.

In a touching scene, Ted (Carter) gives Eric a message that awakens him from his stupor and there’s a lively scene right before the credits that show he has truly changed inside. Though the movie might not always reach the goal of amusing you as you had hoped, there’s something you learn at the end of the film that makes everything you’ve seen worth the time you’ve put in. The one real disappointment is that if the filmmakers had nailed down the exact genre they wanted to be, ‘Swimming with Men’ would have been all the better for it. As it turns out, it’s a likable watch for a matinee or to catch while flipping through your cable box.  

*Opening Dec. 7th in Phx area at Harkins Shea 14 and inSedona at the Mary D. Fisher Theatre
**Also opening Dec. 12th at the Flagstaff 16

Mowgli: Legend of the Jungle (Netflix) Movie Review

December 7, 2018 (updated December 7, 2018)

Just in the nick of time, there is a new movie called “Mowgli: Legend of the Jungle”. It is based on Rudyard Kipling works, including “The Jungle Book”. But do not confuse this movie with other movies called “The Jungle Book” (versions released in 1967, 1994, and 2016) or “The Jungle Book: Mowgli’s Story” (1998) or “”The Jungle Book 2” (2003). Those other movies are not like this new movie, because this is based on “All the Mowgli Stories”. Also, it is not part of the Disney franchise, so there are no musical numbers or singing vultures.  Is does feature Mowgli, so that clears up everything for you…

Mowgli (Rohan Chand) is a boy orphaned in the jungles of India long ago. As a little baby, his parents are killed by the striped Bengal tiger named Shere Khan (Benedict Cumberbatch). Mowgli is found by Bagheera (Christian Bale) who is a black panther in the jungle. He finds the boy and leaves him with the nearby family of wolves. Mowgli knows that he is unusual, but he also knows that his wolf parents care for him. He is taught, like the other wolf cubs, by the Himalayan brown bear named Baloo (Andy Serkis). Mowgli learns of the Man Village, but he avoids it and wants no part of it. He knows that some day Shere Khan will return and will try and kill him. Mowgli plans to be ready for that day. There is an ancient python named Kaa (Cate Blanchett) who knows the past and the future. She knows that Mowgli can be a great leader in the jungle, or he might one day destroy their home.

The people of the Man Village have hired a Great White Hunter named Lockwood (Matthew Rhys) to track down and kill Shere Khan. Mowgli studies with Baloo, and he learns that he can use his human features to also be fast in the jungle. He can run upright, he can climb trees and swing on vines, and he can use tools. That makes Mowgli very different form the wolves. He is also different from other jungle creatures. Mowgli makes friends with the elephants, and one day he is kidnapped by the apes. He is almost turned over to Shere Khan by the apes, but he is rescued by the elephants, Bagheera and Baloo. Mowgli is found by the hunter Lockwood, and he stays for a while in the Man Village. But Mowgli knows that he must face Shere Khan some day, so he leaves the Village to find and fight the ruthless tiger.

So in case you have not seen any of the other five or so movies about the Jungle Book or about Mowgli, then this will not give away any surprise endings. But if you want to know “The Bare Necessities” about this movie, than you can “Trust in Me”. Andy Serkis has taken an old favorite and has given a new and talented cast a shot at making something different. He gets close to it in a few places, but the fact that everybody knows the story hold this adaptation back from being great. There is an amazing visual landscape that is created, and it all looks good. The CGI creatures created for the main animal characters are really well done. The voice acting is very convincing. There is a section of the movie where Mowgli spends in the Man Village, and that part has never been explored in the past.

Rohan Chand makes a very good impression as Mowgli, very skinny and spritely. He is very physical in this role, and he does it well. Christian Bale and Andy Serkis are very stable and upright as Bagheera and Baloo. They match up very well with the characters. Benedict Cumberbatch plays Shere Khan, but is couple of scenes he almost goes from drama to parody (“I will not rest until I drink the blood of the Man Cub !!!!”). The human characters (other than Mowgli) never too much attention. So this will be released to a limited run in theaters, but most of the viewing will be done when it gets to Netflix.

Mary Queen of Scots Movie Review

December 6, 2018 (updated December 7, 2018)

In ‘Mary Queen of Scots,’ filmmaker Josie Rourke shows us a dramatic and intense time in history, cleverly focusing on and examining the life of the ever charming, ever bewitching and sharp, Mary Stuart (Ronan), who wants only what is rightfully hers. The film is written by Beau Willimon and based on the book, ‘Queen of Scots: The True Life of Mary Stuart’ by John Guy. The world Rourke creates with cinematographer John Mathieson (X-Men: First Class, King Arthur: Legend of the Sword, The Phantom of the Opera) is flush with color, showing beautiful landscapes however the piece is dark and lonely because though the spotlight is on Mary Stuart, there’s another woman who’s casting a pall over the entire situation. That woman is Queen Elizabeth I (Robbie), the Queen of England. Mary’s very existence threatens her in many ways.

Mary was the Queen of France at only sixteen years of age. Now widowed at the age of eighteen, she wants to be the Queen of Scotland, her homeland. After her husband’s death, she returns to her country of origin to reclaim the throne. This is where she is met with great opposition… and a jealous rival. Feisty and strong-willed, Mary pleads with her cousin to meet her face to face, so they can rule ‘side by side.’ She begs that they not allow men to get in the way of what could be an amicable and peaceful kinship. She wants and asks for unity. Of course, men twist her thoughts and encourage Elizabeth to believe that Mary is more foe than friend. Hungry for power, the men helping Elizabeth govern want to rule over both Scotland and England. Elizabeth is unable to bear a child and they fear what may happen when Mary weds and has a child. This child would then be the next in line to take over and lord over all the land.

This chapter in the tale is tedious. There are a lot of characters to get to know but once you learn everyone’s names and where they fit in the plot, the pacing never slows. You settle in rather nicely, in fact, and the two hours goes by comfortably. Ronan plays a bullheaded and determined Mary who wants to be with a man ‘fully,’ but not if she’s owned by him. Shocking for the day, she is her own woman. You’ll be surprised to learn that who Mary does eventually pick to marry is actually gay. How she handles the situation when she finds out is what endears you to her even more. You’ll find yourself wanting her to succeed and get what she’s due and you’ll need for Elizabeth to see her point of view and share her vision. The script is decent except for the few times when men and their games of war slip in. It wasn’t really needed but the reasons for it are understood.

At times, I was both fascinated and confused by the story. It’s well-done, powerful and intriguing but at times a lot to take in. That said, do not miss a thing! No going up to get popcorn or taking bathroom breaks or anything because every second of screen time is filled with something you’ll regret having missed. The ending when the two women’s eyes fall upon one another for the first time is remarkable. Their conversation is the perfect way to close this film. It’s definitely a watch on the big screen if possible.    

 

Social Media:

Official Website: http://focusfeatures.com/mary-queen-of-scots

Facebook: https://www.facebook.com/MaryQueenMovie/

Twitter: https://twitter.com/maryqueenmovie    

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Aquaman-advance-movie-screening

Aquaman Advance Movie Screening

December 6, 2018

Movie Screening Summary

From Warner Bros. Pictures and director James Wan comes an action-packed adventure that spans the vast, visually breathtaking underwater world of the seven seas, “Aquaman,” starring Jason Momoa in the title role. The film reveals the origin story of half-human, half-Atlantean Arthur Curry and takes him on the journey of his lifetime—one that will not only force him to face who he really is, but to discover if he is worthy of who he was born to be…a king.

The film also stars Amber Heard (“Justice League,” “Magic Mike XXL”) as Mera, a fierce warrior and Aquaman’s ally throughout his journey; Oscar nominee Willem Dafoe (“Platoon,” “Spider-Man 2”) as Vulko, council to the Atlantean throne; Patrick Wilson (“The Conjuring” films, “Watchmen”) as Orm/Ocean Master, the present King of Atlantis; Dolph Lundgren (“The Expendables” films) as Nereus, King of the Atlantean tribe Xebel; Yahya Abdul-Mateen II (Netflix’s “The Get Down”) as the vengeful Black Manta; and Oscar winner Nicole Kidman (“The Hours,” “Lion”) as Arthur’s mom, Atlanna; as well as Ludi Lin (“Power Rangers”) as Captain Murk, Atlantean Commando; and Temuera Morrison (“Star Wars: Episode II – Attack of the Clones,” “Green Lantern”) as Arthur’s dad, Tom Curry.

Wan directs from a screenplay by David Leslie Johnson-McGoldrick (“The Conjuring 2”) and Will Beall (“Gangster Squad,” TV’s “Training Day”), story by Geoff Johns & James Wan and Will Beall, based on characters from DC, Aquaman created by Paul Norris and Mort Weisinger. The film is produced by Peter Safran and Rob Cowan, with Deborah Snyder, Zack Snyder, Jon Berg, Geoff Johns and Walter Hamada serving as executive producers.

Wan’s team behind the scenes includes such frequent collaborators as Oscar-nominated director of photography Don Burgess (“The Conjuring 2,” “Forrest Gump”), his five-time editor Kirk Morri (“The Conjuring” films, “Furious 7,” the “Insidious” films), and production designer Bill Brzeski (“Furious 7”). They are joined by costume designer Kym Barrett (“The Matrix” trilogy, “The Amazing Spider-Man”) and composer Rupert Gregson-Williams (“Wonder Woman”).

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Phoenix, Arizona

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Movie Screening Date: Monday December 17
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Tucson, Arizona

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Movie Screening Date:Monday December 17
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Las Vegas, Nevada

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Movie Screening Date: Monday December 17
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Albuquerque, New Mexico

Advance Movie Screening Details

Movie Screening Date: Monday December 17
Location: Regal Winrock IMAX
Movie Screening Time: 7:00pm
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Advance Movie Screening Information

To redeem a pass, simply click the Get Passes button. You will taken to our movie screening partner site (where you can sign up for a free account). Once you’ve done so, you’ll be able to print out your pass and bring it with you to your screening or event.

Admittance into a screening or event is not guaranteed with your pass. Events and advance screenings are filled on a ” first come, first served ” basis. To ensure that you stand a good chance of being admitted, we recommend that you show up 30 minutes to one hour early.

The number of admissions that are permissible for each pass are printed clearly on the ticket that you print out. You are allowed to bring as many guests as is indicated on your pass. For example, if your pass is for ” Admit Two, ” you can bring yourself and one guest. If you have an ” Admit One ” pass, you can bring only yourself.

If you have any other questions or comments, please contact us.

Roma Movie Review

December 6, 2018 (updated December 6, 2018)

“ROMA” is a fantastic voyage back into the memory of Writer and Director Alfonso Cuarón. It is a lovingly filmed remembrance of his childhood, growing up in Mexico City. His family had a live-in housemaid who becomes an essential member of the family. He pays honor to her, and also to his own mother – both were strong women faced with difficult circumstances. But he has done so by creating this movie, which is an artistic bonanza of talent and beauty. Alfonso Cuarón has already won an Oscar, actually two (2014 “Gravity” – Academy Award for Best Director and Best Film Editing). So he did not have to prove anything. But Cuarón was busy with “ROMA”, working as Writer, Director, Co-Producer, Co-Editor, and Cinematographer.

Beginning back in 1970  and going through 1971, “ROMA” follows a middle-class family in a section of Mexico City named Roma. The mother Sofia (Marina de Tavira) and the father Antonio (Fernando Grediaga) have several young children. To help them with this unruly brood, they employ a young woman named Cleo (Yalitza Aparicio). She comes from a poor family out where the indigenous native Spanish live. But Cleo has been around with the family for many, many years, and she deeply cares for all of them. Also living with them is Teresa (Verónica García), who is Sofia’s elderly mother.

Antonio leaves on a ‘business trip’ to Canada, but the tears from Sofia show that there is a much more ominous reason. They have had marital problems, and he is leaving the family. Cleo steps up to be more supportive, and Sofia needs that support. But Cleo has a boyfriend problem. She has met Fermin (Jorge Antonio Guerrero) who is a very blunt and tough-talking guy. He has big plans for his future, and she woos Cleo with his martial arts skills. But Cleo becomes pregnant, and soon Fermin disappears. She makes a trip out her native village one day, to try and contact him and let him know her situation. But he rebuffs her, and says he has better things to do.

There are exams in the hospital for Cleo, where an earthquake rumbles the entire area. There is a New Year’s outing to Sofia’s relative’s house.  It is fun time, until there is a forest fire near the house, and everyone runs out to help stop the fire. There is even help from a man in bear costume who sings a Mexican folk song. There is Cleo and Teresa who go out one day to purchase a crib for Cleo’s soon-to-be-born infant. However, there are street protests and some students are injured and killed. Some of the pursuers chase some people into the store, and Cleo sees that one of the thugs is Fermin.

Cleo is about to give birth during the street riots. The hospital is complete chaos. Cleo finds out that her baby is stillborn, and never had a chance to live. Sofia decides to take all of the kids and also Cleo out on a vacation to the ocean. She lets the kids know that their father Antonio will not be back home to live with them. Cleo is sad about her lost baby, but it is even more difficult for Sofia right now. The kids play in the ocean, but get caught in a strong current. Cleo, even with no ability to swim, goes into the water to make sure they are safe. Cleo becomes even more important in the lives of this family who live in Roma…

This movie is filmed in black and white, and it is almost 100% Spanish language. Many parts are very languid and easy-going. There is a simple story structure and it does not have a whole lot of details in the plot or the delivery. But each scene is constructed in such an artistic way that the movie is beautiful to watch. The sound design is very precise and detailed. A scene of Cleo in the ocean is overwhelming when the waves come in higher and higher. You can hear the roar of the ocean bringing more and more danger to her character. There are some scenes where small details in the background just seem to be astonishing. Such a man shot out from a cannon at a small village fair. Or the scene where the family is eating ice cream, but the main action is in the back where there is huge wedding reception. Or the look out of a window at small store, and seeing hundreds of people fleeing and fighting in the streets. The attention to every detail is very impressive.

Alfonso Cuarón has used “ROMA” to make a statement about the two special women who had raised him as a child. He is taking the memories of his childhood and giving them new life on the Big Screen. But soon, it will be also on the Not-So-Big Screen. After a limited release in theaters, he will also get it released to streaming service Netflix. Some people are not too happy with that. But it will give many more people the chance to see this movie. Perhaps that will gain him the following and the goodwill to spark another Oscar. This time for Best Picture.

Opens December 6th – in Phoenix area, exclusively at Harkins Camelview

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