Red Sparrow Trailer

Here’s the first trailer for the upcoming spy thriller RED SPARROW starring Jennifer Lawrence has just been released by 20th Century Fox. Directed by Francis Lawrence and starring Jennifer Lawrence, Joel Edgerton, Matthias Schoenaerts, Charlotte Rampling, Mary-Louise Parker and Jeremy Irons

RED SPARROW

Directed by: Francis Lawrence
Screenplay by: Justin Haythe
Based upon the book by: Jason Matthews
Produced by: Peter Chernin, Steve Zaillian, Jenno Topping
Cast: Jennifer Lawrence, Joel Edgerton, Matthias Schoenaerts, Charlotte Rampling, Mary-Louise Parker and Jeremy Irons

SYNOPSIS
Dominika Egorova is many things.
A devoted daughter determined to protect her mother at all costs.
A prima ballerina whose ferocity has pushed her body and mind to the absolute limit.
A master of seductive and manipulative combat.

When she suffers a career-ending injury, Dominika and her mother are facing a bleak and uncertain future. That is why she finds herself manipulated into becoming the newest recruit for Sparrow School, a secret intelligence service that trains exceptional young people like her to use their bodies and minds as weapons. After enduring the perverse and sadistic training process, she emerges as the most dangerous Sparrow the program has ever produced. Dominika must now reconcile the person she was with the power she now commands, with her own life and everyone she cares about at risk, including an American CIA agent who tries to convince her he is the only person she can trust.

RED SPARROW Official Channels
OFFICIAL WEBSITE: RedSparrowMovie.com   

FACEBOOK: http://fb.com/RedSparrowMovie 

TWITTER: http://twitter.com/RedSparrowMovie 

INSTAGRAM: http://instagram.com/RedSparrowMovie

HASHTAG: #RedSparrow

In Theaters March 2nd

http://www.fandango.com

Jamie Lee Curtis returns to her iconic role as Laurie Strode in HALLOWEEN

Universal Pictures will release Trancas International Films, Blumhouse Productions and Miramax’s HALLOWEEN on Friday, October 19, 2018!

Jamie Lee Curtis returns to her iconic role as Laurie Strode, who comes to her final confrontation with Michael Myers, the masked figure who has haunted her since she narrowly escaped his killing spree on Halloween night four decades ago.

Master of horror John Carpenter will executive produce and serve as creative consultant on this film, joining forces with cinema’s current leading producer of horror, Jason Blum (Get Out, Split, The Purge, Paranormal Activity).  Inspired by Carpenter’s classic, filmmakers David Gordon Green and Danny McBride crafted a story that carves a new path from the events in the landmark 1978 film, and Green also directs.

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HALLOWEEN 
will be produced by Malek Akkad, whose Trancas International Films has produced the HALLOWEEN series since its inception.

Green and McBride will executive produce under their Rough House Pictures banner.

HALLOWEEN will be distributed worldwide by Universal Pictures.

American Assassin – Movie Review

American Assassin is kind of your typical spy thriller in that it has a very Jack Reacher or Jack Ryan or whoever has the name Jack and is a detective of some sort these days, feel to it with one very big exception; those guys don’t have Michael Keaton walking around in their movie.  Keaton gives every performance a little something special and this is no different.  Mitch Rapp, the hero in the book series by Vince Flynn, and what will no doubt be a successful movie franchise now, does have Keaton. 

Mitch has the drive, strength and the determination to get his immediate goals accomplished, even sometimes acting before he thinks.  What I like about the characters is that he is rarely ever wrong and his mentor and guru, Stan Hurley (Keaton), has to bang his head against the walls to try and pound sense and procedure into him.  However, Mitch runs on adrenaline and something else… the sense of what is right and wrong.  Love drove him to be a vigilante and is what, ultimately, led him to Hurley, a retired SEAL.  Hurley’s now training a Black Ops mission led by Irene (Lathan) of the CIA.  Hurley knew and worked with Irene’s dad and though he doesn’t trust her instinct on young Mitch, he agrees to train him and see if he’s what they need for their counterterrorism operation. 

Irene first stumbled onto Mitch while following his digital footprint.  At the beginning of the film, Mitch (O’Brien) was proposing to his girlfriend on the beach when terrorists struck the area and started shooting everyone in sight.  Mitch was struck several times but not fatally.  While passing out from his wounds, his beautiful fiance’ lies dying beside him.  After, he is determined to bring down every terror cell he can.  He learns Arabic and studies their history and ideology.  He learns to fight, practices martial arts and masters weaponry.  He grows a beard and becomes a one-man killing machine out for revenge.  Everything you could want in a good guy and your new spy. 

On his own and without the help of anyone, Mitch gets close to a terrorist cell but is captured.  He’s saved at the last minute by the CIA.  When they tell him how stupid, naïve and dangerous his scheme was and tells him he was lucky to have been rescued, he reminds them of the fact that they followed him in, not the other way around.  However, what remains a recurring theme in the film is a question, ‘is Mitch too driven by emotion to be any good to a team?’  A big lesson Hurley needs to get through to him is to never let it get personal… it clouds the judgment.  The scenes where Mitch is being trained are difficult but he takes his licks and remembers his training.  These scenes are entertaining and imaginative but in thinking of the training the actors had to go through to get all the training and fighting scenes shot, I couldn’t help but wince some watching it. 

Before long, Hurley decides Mitch is their guy and they go out on a mission to recover stolen plutonium.  Iranian operatives intend on making a nuclear weapon and must be stopped.  There are other characters introduced and some character driven subplots come and go, which all work in the film’s favor, especially when it comes to the most important one of all, Ghost (Kitsch).  He is a former student of Hurley’s with a chip on his shoulder.  He has different plans for the bomb once the trigger and a physicist is found to make it complete.  His plans are to get back at Hurley and the country that let him down.  Taylor Kitsch does a good job in a scene having fun torturing his old guru.  He may have had too much fun with it, in fact.  Dylan O’Brien, almost a Taylor Kitsch look alike, is terrific in this film, both looking the part and handling the script.  He’ll make a very admirable spy movie hero for both new and old fans of the genre, alike.

I liked American Assassin and I think you will, too.  Don’t take it too seriously; know you’re going to be captivated by this world for a while.  Just sit back and enjoy the show.  I did and I was in no way influenced by the audience I watched the screening of the movie with, which were a whole lot of Phoenix police officers who have read the series, love Mitch Rapp and are going to be there to support this film and any that follow.  I support it because it did one thing and that was, it entertained the hell out of me.  I am looking very forward to the next one.  This is a fresh perspective on an overly used but seemingly timeless subject and was appreciated.  It’ll be enjoyed by anyone who likes action thrillers and it’ll please them more by giving them a new hero to look up to.

Rebel in the Rye Movie review

Hollywood will never be allowed to make a movie adaptation of the book “Catcher in the Rye” by JD Salinger. So the next best thing is to make a biographical picture of the reclusive author. Jerome Salinger was known as Jerry to his friends, except he did not have any friends. He would love women he could never have, and ignore the wife and children he did have. He held his inner ghosts tightly, until he could unravel his thoughts out to the page. While his creative outlet makes for some great short stories and novels, it also made for a troubled life.

 

Salinger (Nicholas Hoult) was not a great student in college. His wealthy father balked at Jerry attending Columbia University just to study creative writing. But his mother urged him to follow his passion for story telling. In class he met Whit Burnett (Kevin Spacey). Whit was a professor and also the editor at Story Magazine. He saw the raw talent in Jerry and also encouraged him to reach for his goals, to be published. At first there was a long string of rejections. But finally Whit published one of Salinger’s short stories. Many others followed, and Salinger was becoming well known.

 

Jerry began dating Oona O’Neill (Zoey Deutch), who was the daughter of playwright Eugene O’Neill. He had a passion for her and a few short stories reflected their relationship. But World War II breaks out, and Jerry enlists. He is put into battle and helps storm beaches in Normandy and frees prisoners from Nazi concentration camps. But Oona did not remain true, and married another man. His best friend dies in battle. Salinger is a severely broken man. His constant writings about a character named Holden Caulfield had kept him focused on life and getting home. Now that the war was over, all thoughts of Holden bring up the horrors of the war.

 

Salinger spends months in a veteran’s hospital, mentally unbalanced. Back stateside with a war bride, Jerry is lost and adrift. Whit Burnett tries to get a book of Salinger’s short stories published. But he failed, and Jerry never forgives him. The wounds of the war are painful, but he finds that meditation calms him down. His ability to write about his internal stories comes back. He creates “Catcher in the Rye” and his agent Dorothy Olding (Sarah Paulson) gets it published. It becomes a nationwide sensation, but Jerry is not comfortable with all the attention.

 

He marries a young woman named Clair (Lucy Boynton) and they move to a very secluded place in New Hampshire. He is far away from his New York City roots, and his mind is free to create. Clair and Jerry have children, but he ignores them and his wife. Seclusion and privacy for Salinger extends even to his immediate family. Jerry continues to write and to meditate. He is still abrupt and not fond of the public. He will never allow Hollywood to destroy his novel. Not even to his death…

This movie ends up like a ‘greatest hits’ edition that quickly mentions Salinger’s various accomplishments. It does a tiny bit of digging into why his personality was so closed off to the world. He feet that many things in life were phony and just for show. That is brought out in the Holden Caulfield character. It becomes his alter-ego when he writes. This is not the first time this idea has ever emerged, but it is key to the movie.

 

Nicholas Hoult does a serviceable job with a character that is very difficult to present. He has some tell-tale facial tics that shows when he gives someone disdain and can return satire for counter argument. He stretches over a few decades, but always appears boyish. Kevin Spacey is a great supporting actor in his role. Whit Burnett is always ready to match wits with Salinger. But he does see the talent within and gets JD on the right path.

 

All in all, this is an enjoyable movie, but mostly for big fans of literary works and of Salanger. Making a movie about a person who rose to fame, only to reject the public that adored him is a tough thing to do. If you have more desire to see a popular author come to life, then this should be a movie that you might want to catch.

mother! Movie Review

Darren Aronofsky has a track record for being the Pied Piper of the Perverse. See any of his prior movies and you see disturbed characters acting in increasingly bizarre manners. Take the movie “Pi”, or “Requiem for a Dream”, or “The Fountain” or “Black Swan” or “Noah”. Each has a main character who tilts a little towards crazy, and everyone else in there does not fare much better. And that brings us to “mother!”…

Since none of the characters are named, there is a young Woman (Jennifer Lawrence) who is married to a much older Man (Javier Bardem). He is a famous poet of some repute, but he is having terrible writer’s block. She is a devoted wife who is very busy fixing and redecorating his old house. This house had burned down years before. Now they live in the very isolated house while she works building it up. It is so far from everybody that he hopes to get his poetry back on track.

The Man and the Woman do not have any children, yet that does not seem to be an important aspect. But one day a older Sick Man (Ed Harris) comes to the house. He says he is a big fan of the Man’s poetry. He is ill and he needs place to rest, so the Man says it is okay. But soon the Sick Man is joined by his Wife (Michelle Pfeiffer). Soon the two of them are flattering their way into the Man’s life, but leaving the young Woman out of all the fun.

 

The Sick Man and his Wife have two grown boys, and somehow they find their way to the house. They all argue and fight over a will and during a major conflict one of the brothers is killed. The Man is deeply moved and again opens his home to the various friends of the Sick Man and his Wife. They mourn the death of the son, and soon there is a party atmosphere. The young Woman is getting more and more upset at all of these people taking advantage of the Man’s generosity. Once they leave, the two make love and the young Woman will become a mother!

The Man loses his writer’s block and becomes great and famous once again. The very pregnant young Woman is about to serve a very special and very private meal with just her and the Man. But then she hears all the voices outside the door. Press people and publicists have come to interview and fawn over the wonderful poetry from the Man. The young soon-to-be-mother! is disturbed and shocked that people have come her secluded place. But it goes past disturbing to insanity when more and more people keep coming.

During that single night, dozens turn into hundreds and even more are on they way. The Man is looked up to and becomes adored. His word cause people to worship him and a religious cult is created. But there are also people out to loot and pillage and steal items from the home as souvenirs. The riot police come and huge fights break out just as the young Woman is about to give birth. But there is swirling chaos and unending waves and violence erupting in the house. Perhaps the better thing is to leave. but the Man will not have any of that. This is his house and this is where he and the mother! will stay. Perhaps…

 

To say this movie breaks down normal movie conventions is saying the least. This takes a typical domestic relationship and turns it into the Seven Levels of Hell. The story is no longer about two people in a struggling marriage, but it becomes microcosm of the world at large: fans who become fanatics and loose all control,  people who force all of life into the narrow scope of their own fears, police who use brutality to handle all situations, protestors who feel the need to destroy just to get their point across.

Jennifer Lawrence does a noble job playing a concept more than a character. Javier Bardem is also more a collection of traits than an actual character. Ed Harris and Michelle Pfeiffer both do a fine job, but there is more going on between them than there is between the Man and the young Woman. Everyone else pretty much comes into the house in waves, but few people stand out. Of course, this whole production is based on the twisted mind of Darren Aronofsky.

Aronofsky seems bound and determined to, how shall we say… fornicate up your mind. This movie is a testament to the lengths he will go to make you feel uncomfortable…

 

Battle-Of-The-Sexes-movie-poster

Battle Of The Sexes Advance Movie Screening

Movie Screening Summary:

In the wake of the sexual revolution and the rise of the women’s movement, the 1973 tennis match between women’s world champion Billie Jean King (Emma Stone) and ex-men’s-champ and serial hustler Bobby Riggs (Steve Carell) was billed as the BATTLE OF THE SEXES and became one of the most watched televised sports events of all time, reaching 90 million viewers around the world.  As the rivalry between King and Riggs kicked into high gear, off-court each was fighting more personal and complex battles.  The fiercely private King was not only championing for equality, but also struggling to come to terms with her own sexuality, as her friendship with Marilyn Barnett (Andrea Riseborough) developed.  And Riggs, one of the first self-made media-age celebrities, wrestled with his gambling demons, at the expense of his family and wife Priscilla (Elisabeth Shue).  Together, Billie and Bobby served up a cultural spectacle that resonated far beyond the tennis court, sparking discussions in bedrooms and boardrooms that continue to reverberate today.  

http://www.foxsearchlight.com/battleofthesexes/ 

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Advance Movie Screening For BATTLE OF THE SEXES

Find your chance to receive special advance movie screening passes below.

 

Phoenix, Arizona

Advance Movie Screening Details

Movie Screening Date: Tuesday, September 19
Location: Harkins Shea
Movie Screening Time: 7:00pm
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Las Vegas, Nevada

Advance Movie Screening Details

Movie Screening Date: Monday, September 25
Location: Regal Village Square
Movie Screening Time: 7:00pm
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Advance Movie Screening Information

To redeem a pass, simply click the Get Passes button. You will taken to our movie screening partner site (where you can sign up for a free account). Once you’ve done so, you’ll be able to print out your pass and bring it with you to your screening or event.

Admittance into a screening or event is not guaranteed with your pass. Events and advance screenings are filled on a ” first come, first served ” basis. To ensure that you stand a good chance of being admitted, we recommend that you show up 30 minutes to one hour early.

The number of admissions that are permissible for each pass are printed clearly on the ticket that you print out. You are allowed to bring as many guests as is indicated on your pass. For example, if your pass is for ” Admit Two, ” you can bring yourself and one guest. If you have an ” Admit One ” pass, you can bring only yourself.

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Join the Justice League in a thrilling Virtual Reality experience!

Put your powers to the test in immersive VR experiences, leading up to
the film’s much-anticipated November 17th release and beyond

Warner Bros. invites fans to join the Justice League in a thrilling Virtual Reality experience that allows you to step into the shoes and feel the powers of the iconic DC Super Heroes: Batman, Wonder Woman, The Flash, Aquaman, and Cyborg.  The Justice League VR experience will be rolled out in stages—to be released prior to, during, and after the theatrical opening of Justice League, on November 17, 2017.  The four-stage unveiling will culminate with the at-home Justice League VR: The Complete Experience.

The first taste of the VR experience kicks off globally with a promotional demo in partnership with Gillette: Justice League VR: Join the League – Gillette Edition.  It will be available for iPhones and Android phones starting September 7 for free download from Apple App Store, the Google Play Store and at http://justiceleaguethemovie.com/vr.  This demo version is an interactive, gaze-based experience and will have up to 90 seconds of gameplay per character.  The experience requires Google Cardboard or an equivalent VR viewer to play.

The following month, the Justice League booth at New York Comic Con will offer attendees a more in-depth sneak peek of the HTC Vive version of the experience with the Justice League VR: Join the League – New York Comic Con Edition.  Users will be able to use the HTC Vive’s controllers for an enhanced version of the Super Hero simulations.  Located at the Javits Center, New York Comic Con runs from October 5 through October 8.

The IMAX VR: Justice League Experience will be unveiled at IMAX VR Centres beginning on November 17—the opening day of the feature film—and will be an IMAX exclusive for its first two weeks.  This totally immersive and completely interactive adventure will test if you are able to master your Super Hero powers. For more details and locations please visit http://imaxvr.imax.com.

Finally, in December, the VR experience comes home with an expanded Justice League Virtual Reality: The Complete Experience, to be released for transactional purchase on multiple VR platforms.  Featuring additional modes and expanded missions, the home-based VR experience will support controllers, spatial tracking and room scale tracking, depending on the platform. Targeted platforms include HTC Vive, Oculus Rift, Samsung GearVR, Google DayDream and Sony PSVR (subject to change).

The Missions include:

Play as the Justice League members and see if you can master their powers:

  • Outrace your enemies as BATMAN
  • Fight Parademons as WONDER WOMAN
  • Face a creature from the deep as AQUAMAN
  • Stop a ticking bomb as THE FLASH
  • Take out enemy drones as CYBORG

In addition, other characters from the DC universe may be added to the VR experience.

You can’t save the world alone. Join the league!

http://justiceleaguethemovie.com/vr

About Justice League:

Ben Affleck, Henry Cavill, Gal Gadot, Raymond Fisher, Jason Momoa and Ezra Miller star in the action adventure Justice League.

Fueled by his restored faith in humanity and inspired by Superman’s selfless act, Bruce Wayne enlists the help of his newfound ally, Diana Prince, to face an even greater enemy.  Together, Batman and Wonder Woman work quickly to find and recruit a team of metahumans to stand against this newly awakened threat.  But despite the formation of this unprecedented league of heroes—Batman, Wonder Woman, Aquaman, Cyborg and The Flash—it may already be too late to save the planet from an assault of catastrophic proportions.

 Justice League was directed by Zack Snyder from a screenplay by Chris Terrio and Joss Whedon, story by Terrio & Snyder.  Based on characters from DC Entertainment; Superman created by Jerry Siegel and Joe Shuster.  Charles Roven, Deborah Snyder, Jon Berg and Geoff Johns produced the film, with Jim Rowe, Wesley Coller, Curtis Kanemoto, Chris Terrio and Ben Affleck serving as executive producers.

Opening beginning on November 17 in 3D and 2D in select theatres and IMAX, Justice League will be distributed worldwide by Warner Bros. Pictures, a Warner Bros. Entertainment Company.

IT – Movie Review

 What IT gives you is a smart and psychotic action-thriller more than a horror film, to be honest. Yes, there were some fabulous jump-scares and a delightfully big creep factor going on, of course, but it didn’t really scare me all that often. The film is based on one of Stephen King’s bestselling books about a killer clown named Pennywise so that alone should tell you that it’s going to be worth the time. It was originally a TV miniseries in 1990. The original had the entire nation afraid of clowns and we may have that going on again. Creepy is definitely a good way to define what the character offers the audience but what you might not expect is some of the sound acting from its young cast.

Not surprisingly, some of the best comes from the Skarsgård in the group. There is plenty of talent to be had in his family and he’s no different. Bill, plays the movies evil clown. He’s the son of Stellan Skarsgård (Good Will Hunting, Thor) and the brother of Alexander Skarsgård (True Blood, The Legend of Tarzan). At age twenty-seven, Bill already has twenty-seven film credits to his name and now has gotten this opportunity to be the memorable Pennywise as did Tim Curry who originally played the role.

I would have preferred it if the script had given Pennywise more of a chance to be… scary! Skarsgård had what it took to frighten the pants off of you but the focus was more on the trials of the boyhood pals and their new friend Beverly. Beverly is played by Sophia Lillis who is another shining piece of the pie. Her story is that of an abused daughter who offers love and support to others in need rather than display the resentment and pain she may feel from the maltreatment and violation she is exposed to daily. She is not weakened from her struggles she is strengthened despite them.

The movie starts by giving us the information that children in Derry, Maine are disappearing. Little Georgie, (Jackson Robert Scott) an adorable boy afraid of his cellar who director Muschietti set us up to feel bad for right away, is Pennywise’s first victim. This is dreadful and sets up an expected tone. What you presume you’ll see is more of this but what you get is more like The Expendables when the men were pre-teens… facing their fears together and refusing to give up on defeating their biggest demons. At the end of the school year, Georgie’s older brother Bill (Lieberher) and Bill’s friends look for Georgie.

As the story plays out, each child’s inner skirmishes are displayed and what Pennywise ends up being is a metaphor of the life they are no longer willing to live. An emblem, even, of their fortitude. What one might wonder is, does this clown really exist? Is what they’re experiencing really happening or is he the manifestation of their trepidation to grow beyond childhood; to lose what they now have and be exposed to their vulnerabilities? Georgie was afraid of the cellar because of what his imagination made materialize. Bill and his boyhood friends are, essentially, suffering that same fate… each of which will get worse if they don’t confront their beast.

IT is an engaging watch that keeps you interested in the outcome of the characters. The friends are, for the most part, different from one another and you do care for them as they face their plight. The cinematography is beautiful and the humor and feeling sorry for all of them is a big part of what makes the kids more likable.  You’ll be rooting for them every step of the way.  I’d like to note for you that for the biggest chills, don’t miss the scene when Ben, (Taylor) follows the balloon into the back of the library or the scene in the garage.

Home Again Movie Review

If you like the movies of Nancy Meyers, then you enjoyed ones like “It’s Complicated”, “The Intern” and “Something’s Gotta Give”. Along comes her daughter Hallie Meyers-Shyer, and she is taking her family heritage to heart. She is the creator of “Home Again”, which a similar type of romantic comedy with a strong central female character, surrounded by a group of unusual characters. However, this outing feels less like a new model and more like a retread.

 

Alice Kinney (Witherspoon) had grown up in Los Angeles, the daughter of a famous movie director and his much younger starlet wife. Alice later married a music producer named Austen (Michael Sheen) and lived in New York, later having two young girls. But the marriage is on the rocks, and Alice moves the two girls back to LA. Her mother Lillian (Candice Bergen) wants Alice to start a new chapter in her life. During her fortieth birthday party with friends, she happens to meet up with three much younger guys.

 

The three guys are film-makers in LA to turn a small award-winning short into a full-sized movie. They just need the right connections, the right meetings, and oh yeah – a new place to live. They have almost no money and are getting desperate. The young director is Harry (Pico Alexander) and he meets Alice in the bar. Harry’s brother George (Jon Rudnitsky) is the writer and their friend Teddy (Nat Wolff) is an aspiring actor. Harry meets Alice, but at the end of the night, the party has moved to Alice’s place.

The next morning, her mom Lillian meets the guys and finds out that they need some short-term housing. Alice agrees to let them stay in the cozy little guest house on the property. They find the arrangement quite suitable. Especially Harry, because he and Alice start up a hot little romance. Alice has some built-in babysitting and help with the chores, while she attempts to get her business up and started. She is going to be an interior designer, and she has a new client.

 

Alice meets her client Zoey (Lake Bell) and finds that she is bit more than she can handle. Zoey thinks that a consultant in her house is always avaialble for odd jobs, like unloading furniture and giving her child a bath. Life for Alice keeps getting even more complicated when Austen decides to come to visit at the old house. He meets the trio of much younger men and sees he has some competition. Alice and Austen are together, but the problems in the marriage have not gone away. Will Alice and Austen reconcile, and will the three upcoming film-makers be rewarded by Hollywood?

 

This movie does its best to keep you involved in Alice’s rich white girl struggles. But the basic plot thread of making the best of an awkward ‘blended’ family does not ring true. The scenes are set in picture book beautiful places, and they are filled with attractive people. However there is not a real situation faced by honest everyday folks for miles. It is all a wonderland fantasy of how some people might want to live.

 

Reese Witherspoon is a very talented actress. Playing Alice takes about a fraction of her talent and charisma. Not that Witherspoon is bad, but there is not a whole lot room to develop a character. Michael Sheen is very reliable, and he plays Austen mostly in his rugged facial expressions. Candice Bergen still has great timing for dialog and comedy.

 

The three guys playing the film-makers are just OK. Wolff, Jon Rudnitsky, Pico Alexander leave a handsome impression. But sometimes it is hard to know which is which, and who has what name. The characters are underdeveloped. Even Pico Alexander, who is playing Alice’s love interest, is not on the same level as Reese Witherspoon. He is in the same game, but playing in a different stadium.

 

If this is your cup of chamomile tea, than “Home Again’ will be a delightful little movie for you. Not everyone has that type of interest in estrogen-powered comedies. So your mileage may vary. Reese Witherspoon does have quite a potential for playing a role and making a character really stand out. Too bad that in this movie, she only can be “Legally Bland”.

Crown Heights Movie Review

“Crown Heights” is a story of a man unjustly sent to prison for a crime that he did not commit. But because it was in 1980 and it was a period of high criminal activity in New York City, this man had no chance. Even worse, he was a black immigrant from Jamaica. His life was changed when some dishonest cops pressured some young teenagers to testify against him. But he had one thing that kept him going, a good friend on the outside who would stop at nothing to see him set free.

 

Colin Warner (Keith Stanfield) was originally from Trinidad in Jamaica. But his family moved to the Crown Heights area in New York. When he was 18, he was picked up by the police for a murder that happened a few blocks away. Colin’s friend named Carl King (Nnamdi Asomugha) attempted to get him released. But the police had gotten some local kids to falsely testify that Colin was involved in a drive-by shooting. There was another guy who was picked up for being the actual gunman, but the police claimed that Colin drove the car in the shooting. Even when in truth there was no drive-by and there was no car.

 

Colin was railroaded and he thought that being innocent would save him. It did not. He was found guilty and was sentenced to 15 years to life. He had no idea that the legal system would not help a young black man when the cops wanted to close a case at any price. The price for Colin was his freedom. Carl King, along with Colin’s family and local friends did everything to come to his aid. They tried to publicize his case, but to no avail. They raised money for a legal defense to attempt an appeal to Colin’s conviction. But the lawyer they hired did not care about the case and it went nowhere.

 

Colin’s months in prison turned into years. His frustration grew to the point that he attacked a guard. He then spent two years in isolation. He just about gave up hope, but a local woman from his old neighborhood remembered about Colin. Antoinette (Natalie Paul) started to visit him in prison, and they eventually became sweethearts. Years later, they were married, even as Colin was still behind bars. His friend Carl would never give up on his quest to free Colin.

 

Carl’s devotion to the goal took a toll on him and his family. He lost his job and his wife separated from him and took their children. Still Carl sees that he could do some good. He became a process server to learn the legal system and to meet more lawyers. He soon meets an honest lawyer named William Robedee (Bill Camp). Carl make his plea to Bruce and asks him to review the case. Bruce is fascinated that such a miscarriage of justice can occur and that nobody has appealed correctly.

 

Meanwhile, Colin has been rejected for parole and has become resigned that he will be behind bars for the rest of his life. He is aware that Carl has found some lawyer who will review his case, but that does not give him much hope. There is not a day that Colin wakes up in the morning with his eyes closed and he does not say “Please don’t let it be a cell”.

Based on true story, this is a tale of a broken legal system that delivers justice as an after thought. Especially when the person charged is a young black man in New York City. Even with such a depressing topic, this movie shows that the underdog can always have the last word in court. The fact is that Colin Warner was convicted based on false evidence, and that he was finally released, 21 years later. But by then, Colin had spent more years in prison than he had spent as a free man.

Keith Stanfield and  Nnamdi Asomugha do tremendous work as Colin and Carl, respectively. There is a worn-down acceptance that Colin has in his face over time. And Carl also faces adversity, but in a different way. He needs to teach himself the rawest points of a flawed legal system, so that he can use any pressure that he can to free Colin.

 

This movie is co-presented with Amazon Studios. So there is a lot going for it in the movie marketplace. In the Phoenix area, this movie will be playing at these theaters:

  • Harkins Gateway Pavilions
  • Harkins Christown
  • Harkins Arizona Mills
  • AMC Westgate