Baywatch – Trailer

BAYWATCH follows devoted lifeguard Mitch Buchannon (Johnson) as he butts heads with a brash new recruit (Efron). Together, they uncover a local criminal plot that threatens the future of the Bay.

 

Director: Seth Gordon

Cast: Dwayne Johnson, Zac Efron, Priyanka Chopra, Alexandra Daddario, Jon Bass, Kelly Rohrbach, Ilfenesh Hadera

 

#BeBaywatch

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In Theaters May 26th

http://www.fandango.com

Cars 3 Fuels Up for a National Tour!!

DISNEY·PIXAR’S “CARS 3” FUELS UP FOR NATIONWIDE TOUR

Road to the Races Takes Off March 23, 2017

Title Sponsors Include Alamo Rent A Car SM, Coppertone®,

Crest®/Oral-B®, DOLE® and Mattel

 

BURBANK, Calif. (March 21, 2017) — Disney•Pixar’s “Cars 3” is hitting the road this month with Road to the Races, a nationwide tour inviting fans of #95 to gear up for the upcoming big-screen release. Life-size, character look-alikes of five-time Piston-Cup champion Lightning McQueen, tech-savvy trainer Cruz Ramirez and the sleek next-gen racer Jackson Storm will be rolling into 27 cities coast to coast to celebrate the new movie, which opens June 16, 2017.

 

“We are going to kick off the tour at Disney Springs in Walt Disney World on Thursday, March 23,” said Lylle Breier, senior vice president, worldwide marketing partnerships and special events for the Walt Disney Studios. “There will be fun activities for the whole family—plus a sneak peek of the movie.”

 

The roster of cities includes Miami, Dallas, Chicago, Boston, New York, Philadelphia, Denver and Los Angeles, among others—the full list is available at CARS3tour.com. The “Road to the Races” nationwide tour wraps up in California with a visit to NASCAR at Sonoma at the Sonoma Raceway June 24-25, 2017, and the life-size character cars will also roll onto the red carpet for the “Cars 3” world premiere on Saturday, June 10, 2017.

 

A host of sponsors have signed on to support the tour, which includes a variety of activities.

  • Alamo Rent A CarSM is hosting a street art booth and will bring “Cars 3” to life with a giant coloring mural featuring Lightning McQueen and friends, along with a color pencil pack souvenir.  Owned and operated by Enterprise Holdings, Alamo Rent A Car offers low rental rates and a hassle-free customer experience at the most popular travel destinations around the world. 
  • Coppertone® is creating a racer pit crew that encourages visitors to take part in a tire-changing activity and photo-sharing opportunity. A leader in the sun care industry, Coppertone is made by Bayer HealthCare, LLC.
  • Crest® and Oral-B® celebrate the Road to the Races tour, providing fans with an opportunity to create a digital postcard with Lightning McQueen and get “Cars”-themed oral care products. Crest and Oral-B are the first step to enjoying a lifetime of healthy smiles.
  • Dole®, the leader in fresh, quality produce, invites visitors to fuel up and recharge their batteries, sample high-octane fruit and vegetable smoothies, collect “Cars 3”-inspired recipes and discover how Dole and Disney are working together to make healthy living fun and easy for families. To see more of Dole’s exciting promotions around summer family fun, visit www.dole.com/Cars3.
  • Mattel presents an interactive play area, which sends Lightning McQueen and other racers down the gravity drop and launches them into action in new play sets that feature locations from the movie. Also on display will be a collection of die cast racers from past and present. Mattel is the leading global childhood development and play company.

 

Fans will be able to catch a sneak peek of the movie in the Cinetransformer Mobile Movie Theater. Visitors will also be able to take photos with the life-size character cars.

In addition, the sports national youth program NASCAR Acceleration Nation will display the science behind NASCAR racing, and elements from the NASCAR Hall of Fame will allow attendees to get up close and personal with the history of NASCAR.  

Mack Trucks, Inc. will transport the life-size character cars on the coast-to-coast tour.  

Schedules are subject to change without notice, and attractions may be unavailable for unscheduled reasons.

 

ABOUT THE MOVIE

Blindsided by a new generation of blazing-fast racers, the legendary Lightning McQueen (voice of Owen Wilson) is suddenly pushed out of the sport he loves. To get back in the game, he will need the help of an eager young race technician, Cruz Ramirez (voice of Cristela Alonzo), with her own plan to win, plus inspiration from the late Fabulous Hudson Hornet and a few unexpected turns. Proving that #95 isn’t through yet will test the heart of a champion on Piston Cup Racing’s biggest stage! Directed by Brian Fee (storyboard artist “Cars,” “Cars 2“), produced by Kevin Reher (“A Bug’s Life,” “La Luna” short) and co-produced by Andrea Warren (“LAVA” short), “Cars 3” cruises into theaters on June 16, 2017.

My Cousin Rachel – Trailer

A dark romance, MY COUSIN RACHEL tells the story of a young Englishman who plots revenge against his mysterious, beautiful cousin, believing that she murdered his guardian. But his feelings become complicated as he finds himself falling under the beguiling spell of her charms.

Cast: Rachel Weisz, Sam Claflin, Holliday Grainger, Iain Glen, and Pierfrancesco Favino

Directed by: Roger Michell

Connect with MY COUSIN RACHEL Online:
Visit MY COUSIN RACHEL on our WEBSITE: https://www.mycousinrachelmovie.com
Like MY COUSIN RACHEL on FACEBOOK: https://www.facebook.com/mycousinrach…
Follow MY COUSIN RACHEL on TWITTER: https://twitter.com/mycousinrachel
Follow MY COUSIN RACHEL on INSTAGRAM: https://www.instagram.com/mycousinrac…
#MYCOUSINRACHEL

In Theaters June 9th

http://www.fandango.com

The Boss Baby Advance Movie Screening

Movie Screening Summary: DreamWorks Animation and the director of Madagascar invite you to meet a most unusual baby.  He wears a suit, speaks with the voice and wit of Alec Baldwin, and stars in the animated comedy, DreamWorks’ The Boss Baby.  The Boss Baby is a hilariously universal story about how a new baby’s arrival impacts a family, told from the point of view of a delightfully unreliable narrator, a wildly imaginative 7 year old named Tim.  With a sly, heart-filled message about the importance of family, DreamWorks’ The Boss Baby is an authentic and broadly appealing original comedy for all ages.  

Directed by: Tom McGrath
Written by: Michael McCullers (based on the award-winning picture book by Marla Frazee)
Producer: Ramsey Ann Naito
Cast: Alec Baldwin, Steve Buscemi, Jimmy Kimmel, Lisa Kudrow, Miles Bakshi
THE BOSS BABY is in theatres March 31, 2017

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Advance Movie Screening For THE BOSS BABY

Find your chance to receive special advance movie screening passes below.

 

Phoenix, Arizona

Advance Movie Screening Details

Movie Screening Date: Saturday, March 25
Location: Harkins Scottsdale 101
Movie Screening Time: 11:00am
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Las Vegas, Nevada

Advance Movie Screening Details

Movie Screening Date: Saturday, March 25
Location: Century South Point
Movie Screening Time: 11:00am
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Advance Movie Screening Information

To redeem a pass, simply click the Get Passes button. You will taken to our movie screening partner site (where you can sign up for a free account). Once you’ve done so, you’ll be able to print out your pass and bring it with you to your screening or event.

Admittance into a screening or event is not guaranteed with your pass. Events and advance screenings are filled on a ” first come, first served ” basis. To ensure that you stand a good chance of being admitted, we recommend that you show up 30 minutes to one hour early.

The number of admissions that are permissible for each pass are printed clearly on the ticket that you print out. You are allowed to bring as many guests as is indicated on your pass. For example, if your pass is for ” Admit Two, ” you can bring yourself and one guest. If you have an ” Admit One ” pass, you can bring only yourself.

If you have any other questions or comments, please contact us.

Interview with Director Adam Collis of “Car Dogs”

L.A. filmmaker, Adam Collis, director of the film Car Dogs, is also a Professor who teaches film courses at Arizona State University.  He’s an outstanding individual who takes other people’s welfare to heart when making certain professional decisions.  Wanting to see the film Car Dogs made, being involved by directing and helping to produce shows proof of that.  There isn’t any, ‘all talk, no action’ with this guy.

I’m happy to say that he was triumphant in accomplishing his goals with Car Dogs and that, luckily, he learned a big lesson along the road to success… share your knowledge and support those with whom you can if you have some influence to do so.  Meeting and chatting with the director of the film, which features actor and writer George Lopez, Patrick J. Adams (Suits), Octavia Spencer (Hidden Figures), Nia Vardalos (My Big Fat Greek Wedding), and Christ Mulkey (Whiplash), was very enlightening.  I had an enormous amount of fun picking his brain not only about his film and how it came to be but about the local talent here in Phoenix that he used.  Collis was more than happy to give people who have only worked on smaller films, or who have never at all but always wanted to work on films (both in front of the camera and behind), the opportunity to work on a true Hollywood production with a substantial budget.  He’s able to do this through his internship program at ASU called Film Spark which connects film students with professionals in the movie industry. 

Film Spark and his involvement in it is something he’s quite passionate about.  With his attitude about filmmaking and love of the craft, he’s being instrumental in growing the Arizona film community as a whole, connecting individuals with one another which gives us all a reason to be very proud of him.  He holds his head high acknowledging the accomplishments of Film Spark, knowing full well what he’s offering his students.  Through his connections and ability to get a film made, not only do they get to learn from him, but they get the hands-on experience that not many would have a chance to if it weren’t for the program he so happily embraces.  He cheerfully tells me that he loves, ‘giving them the opportunity to learn filmmaking on a real film set and to work with an Oscar-winning cast and crew.’ Adam was thrilled with how the film turned out.  The cinematography by David Stump is beautiful and captures all the allure of the city of Phoenix.  He concentrated mainly on Papago Park where he said he knew, ‘It was meant to be shot.’   A shot from above gives his audience a full view of the area and if you live near there or have driven by, you’ll agree that it was a good choice.  It’s a gorgeous shot.  He’s excited for everyone to see the film, especially if they were involved with the production. 

A close friend and past student of his, Mark Edward King, wrote Car Dogs.  ‘He had originally written it as a short film and I thought it was excellent and encouraged him to turn it into a feature.’  King had been a car salesman himself and had an interesting take on the business and all that goes on in the life of a salesman or a car dog as they’re referred.  He concentrated his story on these particular car dogs having to meet a quota by end of day.  It was almost kismet that he ended up making the film.  He teaches at ASU and King is from Scottsdale, Arizona.  King had been shopping his script in L.A. and it was doing well but it wasn’t getting picked up.  Collis liked it and thought this would be perfect for the internship program.  Collis tells me, ‘It’s set in Scottsdale, written by a Scottsdale native, shot here, made with dozens of student interns.  The film is going to be shown in Phoenix’s own Harkins Theaters.  What we’ve done here is really special.’  Scott Derrickson, who Collis had gone to film school with and who later went on to direct Doctor Strange, had also been a car salesman in a past life so it seemed there were plenty of good sources at Collis’ fingertips if he needed.  After seeing it done in the film, I asked him if salesmen really listen in on buyers discussing, in private, whether or not to buy, as is suggested in the film and he replied, ‘You’ll have to ask Mark.’  He stands firm that car salesmen will do a great deal to sell a car saying, ‘Everyone would serve themselves well by watching this movie before going and buying a new car.’  So I took that response as a yes.  This is a warning, everyone!  No buying a car until you’ve seen Car Dogs!

In the film, Malcolm, the dictatorial business owner of the car dealership which employees his son, Mark, takes advantage of his son and other employees by expecting them to do “Whatever It Takes” to meet a certain number of sales by end of day, all to make himself look good as he closes a deal behind the scenes.  He has promised Mark the next dealership and works him hard with little reward.  Can Mark meet the demands of his father to get the prize he so deeply covets?  Will his ambitions lead him to delude his team and the buyers who walk in, making him become more and more like his father?  Mark is played beautifully by Adams and Mulkey is a very frightening Malcolm.  Circling back to the whatever it takes sales issue, Collis did tell me that he was given the advice to have an amount written down before walking into a dealership and to, ‘Not ever go over that amount.’  Got that?  Never go over that amount. 

As I mentioned, his Film Spark program does connect film students with professionals in the movie industry but also gives artists in the Phoenix area a chance to show their stuff.  He hired crew and cast and they reimbursed his kindness by taking an already great script and improving it with superb performances all around.  Smiling, he mentions, ‘This is a good opportunity for filmmakers in Arizona.  There’s so much creativity in this state and this is a new model for getting a film made.  Why go to L.A. to launch a film when you have Harkins Theatres?’ 

Curious, I asked him if he could remember any of the local talent that he used.  He took out his phone and scanned the IMDB credits.  Some of the people he mentioned were Raymond Scott who, as a car salesman, stood out not only by wearing a brightly colored shirt but by appearing to be continually in sales mode.  He then mentioned actor, Drew Moore, who played a particularly tough customer.  Moore, who had played football in the NFL and the CFL before the acting bug took hold, is a big muscular man who made an impression on the director and likely will the audience when they see his character intimidate a salesman into giving him a better deal.  Collis laughed as he evoked the memory of Moore mainly because of the mistake he made by giving him the direction to hit something harder.  Moore is not a small guy but it was a very small object he hit.  As I’m sure you could guess… it didn’t go well.  He had another performance he couldn’t wait to talk about and that was the work done by Wendy Crawford.  He told me, ‘She had a small part as the receptionist but she was so good; very professional.’  Not only did she give an exceptional performance but her husband Guy Crawford was extremely helpful with equipment that was needed.’  Guy Crawford works for BKW, Inc. in Tempe.  He and owner, Jim Weingard, provided services for the Car Dogs film for which Collis will be forever grateful.  One thing I learned right away from talking to him was that he realizes what a big effort it is to make a movie and that he is only one part of a massive undertaking.  Collis wants everyone to get their credit.  A few other people he wanted me to mention were production designer Scott Cobb, Hamilton Sterling his sound designer, Maggie Morgan the production’s costume designer and all of the veteran Hollywood department heads who were willing to help turn Car Dogs into a reality.

I had to inquire about whether he’d be willing to make a film like this again; to take a chance on making a movie of this size outside of L.A.  I’m pleased to announce his answer was, ‘Yes.’  He had nothing but positive things to say about Arizona and his experience with the feature film went smoothly.  I must ask one thing of all of you.  Car Dogs will be playing exclusively at Harkins Theaters around the valley starting March 24th.  Get out and see it.  Get everyone else there, too.  If it’s a success, there’s no way he wouldn’t do this again.  This will be a success but will be an even bigger success if you’re willing to get to the theatre the weekend of the 24th and give him and the Harkins Theater chain a reason to believe they made the right decision in choosing to premiere it here in Arizona.  Enjoy the film and spread the word! 

The Ultimate Gift Guide For Gamers

Skincare for the active Gamer? You bet! …

Look your best while conquering worlds, dropping zombies or racking up mad points. With more and more women getting into the world of gaming, Gameperiod.com has just published their user gift guide and featured Quench Beauty’s Reveal Bio Placenta Anti-Aging Serum. It’s important to look radiant while talking all that smack in a head to head match up or keeping your skin hydrated for the next stressful battle against a hoard of angry ogres.

 

GIFT GUIDE FOR GAMERS BY GAME PERIOD

The gift guide is also a great time saver for gamers who can’t break away from the controller to head out in search for something for Mom this mother’s day. Looking to get to the next level? How about a birthday present your girlfriend or wife will love.

Check out the The Ultimate Gift Guide by Game Period. And while you’re there, browse the very detailed Top 10 list.

The Last Word Movie Review

When a person dies, there is usually a line, a paragraph or an entire page in the obituary section. It depends on how notable that person was, and how connected they were. Or perhaps, if you are the control-freak type, you hound the local newspaper obit writer and you make the final decisions about what should be in “The Last Word”.

The control-freak is Harriett (Shirley MacLaine) who is a former business leader in the small town. She is divorced with one adult child, whom she never sees. She has a snippy attitude towards everyone, because – obviously – they could never do as great a job as she can. She berates the gardener and harasses the cook. And one night she has too many sleeping pills with her bottle of red wine.

When she recovers, he doctor asks if it was actually just an accident.  Of course, she replies, “I was very tired and I was very thirsty!”. But Harriett starts thinking that some day an obituary will be written for her. So, by God, while she still has the gumption, she will make sure it is written correctly!

The local paper has an obituary writer named Anne (Amanda Seyfried). Really, how many obituaries will they need in a week? Harriett uses her influence to have Anne ‘assigned’ to her full-time, so that Harriett can properly get “The Last Word” done to her liking. Anne objects to her boss, saying that Harriett puts the “bitch” in obituary…

Anne is stuck with Harriet, so she starts interviewing people from her past. Harriet turns out to be none too popular, even getting the thumbs down from her pastor. Anne wants to find out about Harriett’s family, her ex-husband Edward (Phillip Baker Hall) and her daughter Elizabeth (Anne Heche). But Harriet has more immediate needs.

Anne takes Harriett to a school for at-risk kids, so she can ‘connect with a disadvantaged child’. A young girl named Brenda (AnnJewel Lee Dixon) thinks Harriett is only there for court-ordered reasons. Brenda has foul attitude, and a mouth to match.  She is as feisty as Harriett, so they wind up being a good match.

Harriett still has some tricks up her designer sleeves. She takes Brenda and Anne to a local radio station, one that actually uses live DJs. She impresses the station manager with her eclectic tastes that he actually does give Harriett a morning DJ slot. Anne is finding out her first impression of Harriett was incomplete, and she does have many more talents than anyone knew.
Harriett, along with Anne and Brenda, take a trip to visit Elizabeth. But she does not want to reconnect with her mother. Harriett goes to see her ex-husband Edward, and they realize that they could never live with each other, but they do miss each other. Harriett has a few snappy words when she first meets Edward…

Edward: As I live and breathe..
Harriett: Well, from what I see, you have not been too successful at either activity!

Harriett learns that sometimes people can be good to her, if she is good to them. Anne becomes like a substitute daughter. Anne finds a new purpose in her writing, and wants to make a substantial impact with her work. Brenda learns to believe in herself and knows that she can make a difference in the future.

The story does follow a typical formula and it has more than a few loose ends. The ending seems unlikely. Harriett is a local pariah one day, and then in the course of a few months, people would flock to her funeral and have nice things to say about her. The way that Brenda gets squeezed into the plot is a bit hokey.

Shirley MacLaine is the star of the show. She has a command of the screen and can look in to be in total control in any situation. Her role is pretty interesting, and she appears to have fun playing a grumpy old lady. Amanda Seyfried has a paper-thin character and can do nothing more that react to the Harriett character. She could use a little more depth in the role, but there is not much to offer.

Anne Heche and Phillip Baker Hall have little more than a cameo in the movie. They are good in the roles, but there is nothing that adds to the movie. AnnJewel Lee Dixon is a cute little hell-raiser, and does a great job. But you just want to wash out her mouth with soap afterwards…

“The Last Word” is a cute little movie that hints how great Shirley MacLaine could have been with a much better written role. This one will give you a few chuckles while you watch, and eventually you can rent it and watch it with your mother. She probably knows a few grumpy old ladies herself…

The Ottoman Lieutenant Movie Review

At the onset of World War I, it was a dangerous time to be in Europe. Even more dangerous was to be in Turkey, and greater still was the border between Turkey and Russia. The Ottoman rulers of knew that war was coming. The people in the wrong place at the wrong time were American medical staff at a volunteer hospital in Turkey.

Lillie Rowe (Hera Hilmar) is a young woman training to be a nurse. She comes from a very wealthy family, and since her older bother died, she is listless. She hears a plea from a young idealist doctor named Jude (Josh Hartnett) who needs funds for the far-off hospital. Lillie is strong-willed, and takes her brother’s truck and fills it with medical supplies to be shipped to Istanbul.

Lillie cannot trust anyone else to deliver the supplies, so she takes it there herself. In Turkey, there are wild bandits out on the border. So she gets a Turkish military man, Lieutenant Ismail Vitaly (Michiel Huisman) to escort her to the hospital. They are attacked and lose everything, and they barely escape with their lives. They make it to the hospital in one piece.

The hospital founder is Dr. Woodruff (Ben Kingsley) who is an older disillusioned grumpy man. His advice is to leave and go home. Lillie stays to tend to the sick, and her nurse training finally pays off. But there is too much tension in the air. The Turks are fighting with the Armenians, and the Muslims do not trust the Christians. The Great War will be on their doorstep soon.

Lillie ignores the puppy-dog longing from Dr. Jude, and she instead has an inner longing for the Lieutenant. They are different religions, and they follow different customs and both come from cultures. But the love between them is too great. It is not forbidden, but is not at all encouraged. They sneak away when they can to take a sailboat out on lake. Or they ride their horses through the wild wheat fields. It is so romantic and poetic that nothing could come between them. Nothing except War, of course…

This movie wants to be an ‘Epic’. It does come close, but there are some issues. The storyline is not all that believable. A young woman alone in the hinterlands of Turkey just before the Big War would have a nightmare experience. Instead, you are shown that she is having a grand old time, with love just around every corner. The American flag above a remote hospital in a hostile area would draw bombs and machine gun attacks, not the praise of the local military.

Michiel Huisman does a believable job as the Ottoman, but Hera Hilmar is a weak leading lady. Her occasional voice-over work during the move is flat and monotone. There is not much of a spark between the two of them as ‘star-crossed’ lovers. Josh Hartnett does a reasonable job, but looks like John Denver with round wire-rimmed glasses. Ben Kingsley classes up the movie, but he does not have enough of a part to make it soar like it should.

So if you want a real Ottoman Lieutenant, then take a trusted military officer to a home furniture store to find the right piece. Then you can put your feet up on the ottoman and watch “Lawrence of Arabia’ or ‘Gone with the Wind’. Any true War Epic will do…

Kong: Skull Island Movie Review

It’s invigorating to see that Kong: Skull Island isn’t just a remake of King Kong.  It has a few similarities, such as beast still digs beauty, but that’s about all.  It stands alone on its own giving director Vogt-Roberts something to be very proud of having a part in. Speaking of beauty, however, I did like the more substantive presence of the ape in the 1970 movie King Kong, where you could see Jessica Lange pull at Kong as she begs him to not let her go.  This gives you the chance to feel for him much more.  That realism isn’t in this version where Kong is CGI.  However, if you have a heart, you’ll still hope the best for the guy.  Why he keeps falling, literally, for these woman is beyond me, though!  You’d think he’d learn by now!  I digress. 

Far be it for me to suggest you can learn something from a monster movie but I’m going to.  You can learn something from this monster movie.  You can learn, if you haven’t already, that sometimes with nature things are better left alone.  Though we don’t always pay attention to it, there is a natural order of things and if you interrupt or disturb that order, in the name of helping mankind, you could be doing just the opposite.  Such is the case here. 

Kong is set in the early 70’s in the time of Watergate.  Research scientist Bill Randa (Goodman) is in Washington and looking for some money and a military escort to an uncharted island he’d like to explore for the possible medicinal cures it holds.  Insert political statement here as Randa stands outside and proclaims that there’ll never be a more screwed-up time in Washington.  The Nixon bobblehead is a nice touch, as well. 

Randa gets his grant, a photographer (Larson), a rather large escort and his own tracker (Hiddleston); they set off to explore Skull Island which is shrouded by vicious storms.  Going only so far by water, the teams, which are led by Colonel Packard (Jackson), take to the air the rest of the way.  However, once they clear the dangerous weather another danger appears; Kong.  He immediately senses danger and begins to protect his turf which looks more like swatting at flies, to be honest.  This scene was well placed as it’s not too far into the film, wasting no time getting you into some heavy action.  Packard takes the attack personally.  Losing many of his men in the battle he’s now hell-bent on killing the creature.  He must prove to Kong that man is King.  Jackson’s look is fiery and savage as his Packard stares Kong down for a moment before being whisked away at the last minute.  Getting stomped on like a cockroach might have ruined his already horrible day.

Helicopters are scattered and the teams separated.  One group meets an indigenous tribe and Hank Marlow (Reilly), also known as the comic relief, a paratrooper who has been stranded on the island since WWII; twenty-eight years to be exact.  Through Marlow, the team hears all they need to know of who Kong really is… he’s King.  To the people of the island, he’s God.  Without him, the Skullcrawlers would dominate and kill every living thing on the island.  Kong keeps the skeletal creatures in low numbers and below ground.  If not for him, all would perish and not only would they take over the island but they’d begin to take over the planet. 

During their lesson, other teams are meeting and in some cases, wiped out, by other inhabitants of the island.  If spiders aren’t your thing… this might not be the movie for you but the thought of taking the mother of all spiders down in a wicked way would be spectacular then remember this is a Kong movie, not a spider movie, and get your butt to the theatre.   What’s left of the team meet and make their way to the destination point so they can leave the island and you can leave the theatre but don’t do that too soon!  There is an after credit scene so make sure you stay all the way until lights up.  What they will be assuring you of here is that the MonsterVerse will continue and who could be coming up next.  If you like monster movies, you’ll like Kong: Skull Island.  You might not like the way Hiddleston overplays his role as Larson’s love interest but the CGI is great and the motion capture performance really pulls you in.  Those reasons alone are worth spending the extra money on seeing this at an IMAX theatre if you can.  ENOY!

Principal Photography has wrapped on The Aftermath with Keira Knightley

PRINCIPAL PHOTOGRAPHY HAS WRAPPED ON “THE AFTERMATH”

FOR FOX SEARCHLIGHT PICTURES AND BBC FILMS

 

Starring Keira Knightley, Alexander Skarsgård and Jason Clarke

 

LOS ANGELES, CA March 9, 2017 – Fox Searchlight Pictures and BBC Films announced today that principal photography has wrapped on THE AFTERMATH, which was shot on location in Prague and Hamburg. The film is directed by James Kent (TESTAMENT OF YOUTH, THE THIRTEENTH TALE) from a script written by Joe Shrapnel & Anna Waterhouse (RACE), and Rhidian Brook, based on Brook’s international best-selling novel of the same name. The film stars Academy Award nominee Keira Knightley (THE IMITATION GAME, ANNA KARENINA), Alexander Skarsgård (THE LEGEND OF TARZAN, “True Blood”) and Jason Clarke (ZERO DARK THIRTY, EVEREST). Additional cast includes Flora Thiemann (MISSION: SPUTNIK), Fionn O’Shea (THE SIEGE OF JADOTVILLE), Kate Phillips (“The Crown”) and Martin Compston (“The Line of Duty”). Jack Arbuthnott and Malte Grunert produced and Ridley Scott and Carlo Dussi executive produced. Developed by BBC Films, it is executive produced on their behalf by Joe Oppenheimer and Beth Pattinson. The film is supported by funding from the Filmförderung Hamburg – Schleswig Holstein.

 

THE AFTERMATH is set in postwar Germany in 1946. Rachael Morgan (Keira Knightley) arrives in the ruins of Hamburg in the bitter winter, to be reunited with her husband Lewis (Jason Clarke), a British colonel charged with rebuilding the shattered city. But as they set off for their new home, Rachael is stunned to discover that Lewis has made an unexpected decision: They will be sharing the grand house with its previous owners, a German widower (Alexander Skarsgård) and his troubled daughter. In this charged atmosphere, enmity and grief give way to passion and betrayal.

 

Joining Kent on the film are director of photography Franz Lustig (HOW I LIVE NOW), production designer Sonja Klaus (A GOOD YEAR, BABYLON AD) costume designer Bojana Nokitovic (A GOOD DAY TO DIE HARD, CORIOLANUS), hair and make-up designer Barbara Kreuzer (LAND OF MINE, RETURN TO MONTAUK) and editor Beverley Mills (“Indian Summers,” “Call the Midwife”).

 

The film is overseen by Co-Heads of Production David Greenbaum and Matthew Greenfield and VP of Production Katie Goodson-Thomas.

Fox Searchlight Pictures is a specialty film company that both finances and acquires motion pictures. It has its own marketing and distribution operations, and the films are distributed internationally by Twentieth Century Fox. Fox Searchlight Pictures is a unit of 21st Century Fox.

BBC Films is at the forefront of independent filmmaking in the UK, developing and co-producing around twelve films a year. In 2015 BBC Films was awarded the Michael Balcon BAFTA for Outstanding British Contribution to Cinema. Joe Oppenheimer is Acting Head for BBC Films.