I liked “The Inspection” but found it regurgitated a lot from “An Officer and a Gentleman.” There were several scenes that dealt with similar themes and others that looked and felt like a carbon copy of the Taylor Hackford film. Of course, there is one big difference, and that difference is what ultimately makes “The Inspection” worth seeing. It’s somewhat autobiographical as director Elegance Bratton relives his own experience in boot camp as a gay Black marine in the mid-2000s.
This movie will be remembered by some, possibly hanging around for a while for its a new spin on an old tale. I can’t stress enough that it’s only for some. Based on the novel by Camille DeAngelis, it isn’t a horror movie. It lies somewhere between horror and a heavy drama where it may have trouble finding an audience where the book didn’t.
Everyone who loves movies remembers the film that pushed them toward their passion. Whether that passion led to watching every movie you could, reviewing or making films, that movie was special. For some, it was “Jaws,” created by Steven Spielberg, the subject of this film.
Devotion” is a story about a war, but it is not only about the Korean War. It is a story of a different type of war, and it is a War against personal bias and hatred. It is about a War against people of a different skin shade. There is a War going on, both in the Korean peninsula, and in people’s hearts. Korea ended with a stalemate, so what about the War against Bigotry? Read more
Directed by: Louise Hogarth
Written by: Louise Hogarth, Lynn Webb
Starring: Jerome Flynn
Run Time: 1h 22m
Genre: Documentary
Rated: NR
“Elephant Refugees” was released on Digital November 18, 2022.
Visually, this is one of the most stunning films I’ve ever seen. Having seen many of those lately, it’s easy to blow me off when I say that, but “Bardo: False Chronicle of a Handful of Truths” is different. You could watch this movie without the sound on and still understand it. Unless you’re fluent in Spanish, you are anyway; since the subtitles fly by so quickly it’s hard to catch what they’re saying. But that’s okay. You don’t really need them. The sound design, cinematography and editing are impeccable, creating for you a world you’re still determining is real.
The movie is reasonably cut-and-dry, but for those who didn’t jump deep into the story when it initially hit the airwaves, hearing about what a controlling beast Harvey Weinstein was, makes it worth the watch. The screenplay by Oscar® winner Rebekah Lenkiewicz doesn’t wander from the actual events, helping to set a timeline for how Weinstein’s harassment started and how it was allowed to continue.
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“The Menu” is categorized as a comedy, thriller and horror. I’m not sure “Horror” is the correct way to describe it, but the other two genres are spot on. What’s done well is how quickly you get to know the two main characters, Margot (Anya Taylor-Joy) and Tyler (Nicholas Hoult). You’re then left to figure out how the rest of the cast fits into their story. Read more
